Saturday, 25 April 2015

"MERCURY SOUL DIAMONDS"

Pick a wide variety of  un-reissued soul 45’s that fell through the cracks when originally issued on a nationally distributed label, program them imaginatively as a hip vinyl DJ would do, provide informative liner notes written by someone who knows this stuff inside out and can tell us about the earlier and later singles by the artists as well as the careers and styles of their producers, and pretty much let the music speak for itself, which it does.The material on offer here runs, I’d guess, from about 1965-1973, with most coming from the 60’s. Going back to the 1940’s, Mercury always featured Black artists in any number of styles, so their venture into Soul in the 1960’s should come as no surprise. They had great success with Jerry Butler and Gene Chandler, they had an entire label (Blue Rock) devoted to soul, and even their Smash subsidiary featured an occasional soul 45 here and there…AND Mercury continued to be a major soul label well into the late 1970’s, although my own tastes tend to lean toward pre-1974 material. Unlike Decca, Mercury truly DID know what it was doing in this genre of music, and using the logic of  “release 100 45’s and you are more likely to get five or ten hits than if you release 10 45’s,” this MERCURY SOUL DIAMONDS album presents a ladle full of rich Soul 45’s from the deep pot of stew which is the “other” 90 % of Mercury soul singles, the non-hits.
Headquartered in Chicago, Mercury was tuned into that city’s rich soul tradition, but wisely  they also licensed in material from all over and had relationships with producers in many other soul-rich cities, so you get material here from Memphis, Georgia, Texas, New York, Washington DC, and Nashville, as well as the Windy City, and also there is a wide variety of styles represented here: little-known singles from well-known producers such as Bobby Robinson and Huey Meaux sit alongside Sun recording artist Junior Parker, who was recording in Memphis with producer Bowlegs Miller, and into that mix we add the uptown production style of Jerry Ragavoy working with vocalist Carl Hall…and Margie Hendrix who came out of the Ray Charles orbit, James Crawford who came out of the James Brown orbit, and Billy Young who was actually produced by Otis Redding himself. Also, some artists moved to Mercury after success on other labels: Joe Tex came from Dial to Mercury, and William Bell from Stax to Mercury (Bell’s albums on Mercury are well worth picking up…you could get them quite cheap at one time). Even Dee Dee Warwick, whom sister Dionne has referred to as “the REAL singer in the family” and who sounds great on ANY label, is here. Don’t hesitate in scoring a copy of MERCURY SOUL DIAMONDS as soon as possible. It’s available from Crystal Ball Records in North America and from various European soul suppliers…
INFO
https://kendrasteinereditions.wordpress.com/2014/05/14/mercury-soul-diamonds-buried-treasure-cdr-france/

trax:
1. Stop And Think It Over - James "Sugar Boy" Crawford 2. If I Had Your Love - Little Junior Parker 3. I'm Leaving (This Old Town) - Jimmy Norman 4. In My Heart - Peaches 5. Tried So Hard To Please Her - The Knight Brothers 6. My Everything You Are - The Mark IV 7. Baby - Margie Hendrix 8. Someone To Love Tonight - Ricky Lewis 9. Ain't Going Back To That - Carl Stewart 10. Laid Back And Easy - Obrey Wilson 11. I'm Gonna Be A Winner - Willie Charles Gray 12. Don't Make Me Get Another Man - Gloria Bouschell 13. Don't Blame Me - Willie Hightower 14. Come Back Home - The Checkers 15. Nothing's Too Much (Nothing's Too Good) - Billy Young 16. What's Come Over You - Carl Hall 17. I Wake Up Crying - William Bell 18. When Love Slips Away - Dee Dee Warwick 19. Let's Go Somewhere And Talk - Joe Tex 20. I Can't Stand It - Theola Kilgore
...served by Gyro1966...

17 comments:

RYP said...

"MERCURY SOUL DIAMONDS"
...served by Gyro1966...
gitit! no pw
http://www22.zippyshare.com/v/83BcF8OE/file.html

Gyro1966 said...

BONUS 1 of 5 (I am away today, but I sent these 5 via the iPhone)


Wilson Pickett - Live In Japan (1973) ’14 @320

This is a two-LP reissue of a live 1973 performance, with pictures, lyrics and additional information in Japanese. Along with such classics as "Don't Let the Green Grass Fool You," "Midnight Hour," "I Found a Love," "Mustang Sally," and "Land of 1,000 Dances," there are also a few curiosities, such as "Sugar, Sugar," "Never My Love," and "Glory Hallelujah," done in the inimitable Pickett style. The sound is very good, and the band is a solid soulful unit making this a necessity for the soul collector. (Allmusic)

Wilson Pickett was the undisputed wild man of soul in the 1960s and '70s - so much so that his nickname, 'Wicked Pickett,' was coined as much for his volatile personality and off-stage antics as his impassioned, throat-shredding vocal style. The Alabama singer - who had first made his name fronting The Falcons in the early '60 - is best remembered for his hit-packed tenure at Atlantic Records between 1963 and 1972, which yielded 30 US R&B chart entries and included such iconic soul records as 'In The Midnight Hour,' '634-5789 (Soulsville USA),' 'Land Of A Thousand Dances,' 'Mustang Sally' and 'Funky Broadway.' In 1973, though, Pickett jumped ship to major label, RCA, then home to acts as diverse as Elvis Presley, John Denver and David Bowie. Unlike Atlantic, however, RCA didn't have much experience in dealing with R&B acts and it's no surprise that Pickett's career began to falter after he joined them.
Recorded in 1973 at Nakano's Sun Plazza venue and released in 1974, the double album 'Live In Japan' was Pickett's fourth LP for RCA but failed to sell enough copies to enter the US R&B albums charts. It now comes to CD for the first time (in a two-disc set) and turns out to be an interesting listen, especially if you're an aficionado of classic soul music.  Pickett's in tremendous form and is accompanied by a standard rhythm section that is augmented by percussion and horns (though sadly, the members of Pickett's backing band aren't listed in the credits). The material includes several of his Atlantic-era  signature songs - including a superfast turbo-charged version of 'In The Midnight Hour' that morphs into a hypnotic adlibbed groove called 'Soul Train' and a drawn-out take on 'Don't Let The Green Grass Fool You,' which includes some vocal scatting and a duet with his bass player.  There are also several covers, including the John Fogerty-scribed Creedence Clearwater Revival hit 'Proud Mary,'  The Association's '60s pop smash, 'Never My Love,' Bobby Womack's 'I'm In Love,' Brit blues-rock group Free's 'Fire & Water,' and bizarrely, The Archies' bubblegum pop smash, 'Sugar Sugar.' Despite the questionable quality of some of his source material, Pickett shows why he's revered as a soul singer: whatever he chooses to sing, he's able to stamp his own personality on a song and transform it into an impassioned soul sermon.
'Live In Japan' isn't an in-concert album classic in the vein of Donny Hathaway's 'Live' or James Brown's 'Live At The Apollo' but it is nevertheless a valuable audio document of Wilson Pickett when he was still at the top of his game.

cd1
http://www53.zippyshare.com/v/0hGS6vCA/file.html
cd2
http://www53.zippyshare.com/v/WoWhWv70/file.html

INFO
http://www.amazon.co.uk/Wilson-Pickett-Live-In-Japan/dp/B00HCMA8X8

http://www.soulandjazzandfunk.com/reviews/2625-wilson-pickett-live-in-japan-retro-world.html

Gyro1966 said...

BONUS 2 of 5 (Thanks for the original share here last week)

AL “TNT” BRAGGS - Mister Dynamite @320

Another important "old R&B" singer from Houston , first time put his Peacock 45s on one album , 23 tough early soul tracks

1. Vocal Introduction 
2. An Angel (You Belong To Me) 
3. Cigarettes and Coffee 
4. Drip Drip Goes the Tears 
5. Earthquake 
6. Easy Rock 
7. Give It Up 
8. Home In That Rock 
9. Hootenanny Hoot 
10. How Long (Do You Hold On) 
11. I Don't Think I Can Make It 
12. I Just Can't Get Over You 
13. I Like What You Do To Me 
14. I'm a Good Man 
15. Joy To My Soul 
16. Listen To Me Baby 
17. Out of the Pan (Into the Fire) 
18. Running Out of Lives 
19. Take a Look at Me 
20. That's All a Part of Loving You 
21. There 
22. We Belong Together 
23. You're Something Else 

http://www59.zippyshare.com/v/HaJMx6Lj/file.html

INFO
http://www.gocontinental.com/cdlist/Peacock_braggs_al.shtml

(Thanks to the original upload here last week)

Gyro1966 said...

BONUS 3 of 5 (Thanks for the original share here last week)

TONY CLARKE - The Rare And The Rest @320

this collection does offer a gethering of Clarke's music, including his two pop-charting songs. One, the fairly familiar "The Entertainer" joins the other, a yet to appear on legitimate CD, "The Story of Woman, Love and a Man" along with other non-charting singles and non-single tracks.

Tony Clarke was a songwriter and singer who scored his biggest successed with "Pushover" and "Two Sides Tto Every Story," which were big hits for Etta James. His own recording success was rather more limited, confined to "The Entertainer," which reached number 31 on the pop charts and number ten as an R&B hit, and "This Heart of Mine." Clarke did enjoy some fame overseas, amid the northern soul boom in England during the late '60s and early '70s, with two singles, "Landslide" and "(They Call Me) A Wrong Man." He recorded for Chess, among other labels, but his main career was as a songwriter.

1. Ain't Love Good, Ain't Love Proud 
2. Coming Back Strong 
3. Cry 
4. Ghetto Man 
5. Joyce Elaine 
6. Landslide 
7. Love Must Be Taboo 
8. Love Power 
9. (No Conception) No Sense of Direction 
10. Poor Boy 
11. The Entertainer 
12. The Fugitive Kind 
13. (The Story of) Woman, Love and a Man Pt. 1 
14. (The Story of) Woman, Love and a Man Pt. 2 
15. They Call Me a Wrong Man 
16. This Heart of Mine 
17. You Made Me a V.I.P. 
18. You're a Star 

http://www59.zippyshare.com/v/D88tj1WE/file.html

(Thanks for the original share here last week)

Gyro1966 said...

BONUS 4 of 5 (Thanks for the original share here last week)

The Elgins Meet The Monitors @320

A Belgian release that gets high marks for creativity, uniting two obscure Motown groups on CD. The title is misleading, though, as the groups don't sing with each other; it's simply the Elgins and Monitors' only LPs, augmented with extra Monitors tracks. The sound quality isn't top-shelf, but where else are you going to find these two rare albums? Both groups had similar lineups, featuring a woman and three men. The only sore point: they omitted the Elgins' first recording, "Your Baby's Back," as the Downbeats without Sandra Mallett. Richard Street, who later became a Temptation, handles all the Monitors' leads. He had the ability to sing hard, mid-range, or soft like Smokey Robinson. the Monitors' sound was never defined, so their tracks run the gamut from upbeat stompers to beat ballads and slow jams, with Street's charismatic deliveries the only constant. They outdo the Valadiers on "Greetings This Is Uncle Sam"; both versions are good, but Street's impassioned lead and Warren Harris' tough boot camp commands are blood curdling. "Say You" is a pretty ballad, the type street corner groups sang to impress bobby soxers. "Bring Back the Love" had a spacy hand dancing beat. "Since I Lost You Girl" and "You Share the Blame" are soft and sweet, Street executes them using a light Bobbie Smith (Spinners) tenor on the former, and by mimicking Smokey on the latter. the Elgins used two leads, Sandra Mallett and one of the guys. The male leads are drenched in deep soul, with "634-5789," "When a Man Loves a Woman" and "In the Midnight Hour" performed as vigorously as the originals. Their sound changes completely when Mallett leads; she's Motown-schooled, has the inflections down pat, and is gifted with an arresting voice. The bouncy "Heaven Must Have Sent You" is a favorite of many; its beat and Mallett's vocal are addicting. Their other classic, "Darling Baby," is a seductive beauty, and like "Heaven" was written and produced by Holland-Dozier-Holland. Sandra's solo release "It's Gonna Be Hard Times" is an emotive slowie. How come record companies in the States don't put together packages like this? (Allmusic)

groups such as The Elgins & The Monitors weren't able to "crack the starting line-up" at the famed "Hitsville Studios", West Grand Blvd., Detroit, Mich., during their stint with the label. Berry Gordy's Motown music machine did have somewhat of a "pecking" order when it came to which artists and groups received the time of his top writers/arrangers/producers/musicians. As talented as the Isley Brothers were, they were not in the upper class, as they worked their way through their contractual arrangements while signed to the Motown label, mid to late 60s. One of Berry's dilemma's through the mid-60s was that he had more talent availible than proper attention time to give to all of them. Thus, we will never know how good some of the Motown stable at the time, could have been, had they received as much attention as some of the others. Both the groups on this cd were able to get 1 album released by Motown. The albums themselves are collectors items, especially Motown collectors. The Elgin's "Darling Baby" is an excellent mid tempo track. The Monitors "Greetings From Uncle Sam" dates to the Vietnam War era. Once again, a music label (Marginal) in a foreign land issued both rare albums on 1 cd a number of years ago. (Soul Supply)

http://www59.zippyshare.com/v/IHSvVVon/file.html

INFO
http://www.amazon.com/The-Elgins-Meet-Monitors/dp/B0009A10QE

(Thanks for the original share here last week)

Gyro1966 said...

Bonus 5 of 5

Irma Thomas - Take A Look '66 @320

Although it should have been issued the previous year and Imperial Records even had a catalog designation reserved for the project (LP-9275), Irma Thomas' second long-player for the label also turned out to be her last. The vocalists professional relationship with songwriter/producer Allen Toussaint had been established several years earlier on the R&B hit "It's Raining." Here, he supplies a third of the disc's material beginning with the optimistic and stylishly orchestrated "Take a Look" -- giving the album both its title track and opening selection. The upbeat and sassy "Teasing, But Your Pleasing" is another Toussaint-penned tune and exemplifies the symbiosis between the artist and composer as the catchy melody and Thomas' carefree delivery are a custom fit. That certainly isn't to imply that she has lost any of her emotive capacity, as she so aptly demonstrates throughout the effort, and nowhere more so than "I Haven't Got Time to Cry," or Jerry Ragavoy's "You Don't Miss a Good Thing (Until It's Gone)" -- arguably William Bell's blueprint for "You Don't Miss Your Water." Thomas resonates a similar sensitivity on "It's Starting to Get to Me Now" sounding like a Dionne Warwick protégé thanks to the Burt Bacharach-like chord progressions and writing style of up-and-coming songsmith and producer Van McCoy. Still nearly a decade away from creating his own hits -- most notably the chart-topping dance monster "The Hustle" -- McCoy contributed a total of four selections. While his arrangement of "Some Things You Never Get Used To" could be an homage to the Bacharach/David classic "Walk on By," the edgier "He's My Guy" is an ideal match of singer and song as Thomas' attitude seethes right below the surface of her graceful delivery. Fans of Northern U.K. soul often rank the infectiously buoyant "Baby, Don't Look Down" among their favorite discotheque spins dedicated to preserving the spirit of the music and times. Wrapping up Take a Look are a final pair from Toussaint with the cheery and definitely Motown-inspired "What Are You Trying to Do." "Wait, Wait, Wait," on the other hand, is unique as it reflects Toussaint's early influence and love of '40s and '50s country and western music. One could easily hear Patsy Cline, Brenda Lee, or Loretta Lynn lending their respective intonations to it. (Allmusic)

A1
Take A Look
2:57
A2
Teasing, But You're Pleasing
1:42
A3
I Haven't Got Time To Cry
2:38
A4
You Don't Miss A Good Thing (Untill It's Gone)
2:20
A5
Some Things You Never Get Used To
2:40
A6
Anyone Who Knows What Love Is (Will Understand)
2:58
B1
It's Starting To Get To Me Now
2:21
B2
Times Have Changed
2:28
B3
He's My Guy
2:35
B4
Baby, Don't Look Down
2:30
B5
What Are You Trying To Do
2:14
B6
Wait, Wait, Wait


http://www14.zippyshare.com/v/W6kqjyV6/file.html

INFO
http://www.discogs.com/Irma-Thomas-Take-A-Look/release/2645290

heylee said...

Gyro,thank you for the Mercury compilation,and the,Elgins Meet The Monitors....Great.

Anonymous said...

Thanks!

- d.

Anonymous said...

Thank you for Mercury Soul Diamonds and Al Braggs. Great stuff!

lemonflag said...

Thanks

clash said...

Mercury Soul looks real good. Thanks!

Bill said...

Thank you Gyro for all the soul drops!

Anonymous said...

Tanks for the "Diamonds"Gyro,not seen this before.
cheers,Tel

Anonymous said...

does anybody have You Heard It Here First! Volume 2 ?

Moe said...

Thanks for Mercury Diamonds!

Anonymous said...

Loved Al TNT Braggs, never heard of him before, really pleased to find this!!

Anonymous said...

Tanx for the reminder. I missed this the first time around!