Saturday, 31 October 2015

Jimmy Ruffin "Ruff'n Ready" 1969

A tremendous little album from Jimmy Ruffin – as "ruff" as the title implies, with a much deeper groove than you might find from other Motown releases at the time! The style here is really wonderful – rich, heartfelt vocals from Jimmy that easily match the best of the Detroit underground of the time – a style that's a bit like Darrell Banks or JJ Barnes, with echoes of the southern sound of the 60s – but produced to perfection with all the best that Motown could muster! Jimmy gets lots of heavy help from Norman Whitfield – who produced about half the tracks on the set, and gives Ruffin a sound that's somewhere between his righteous soul with the Temptations, and the best Motown grooves of his earlier work for the label. Other production is by Brian Holland & Lamont Dozier, William Weatherspoon & James Dean, and Richard Morris – all of whom follow Whitfield's lead nicely – and although the album's got few runaway hits, it's a rock-solid effort throughout – just the kind of album that makes us love the Motown full-length scene even more than the label's singles! Titles include "Lonely Lonely Man Am I", "It's Wonderful (To Be Loved By You)", "Don't Let Him Take Your Love From Me", "Everybody Needs Love", "Sad & Lonesome Feeling", "Love Gives Love Takes Away", and "Farewell Is A Lonely Sound". ( © 1996-2015, Dusty Groove, Inc.trax:
01 Don't Let Him Take Your Love From Me 02 Don't You Miss Me A Little Bit Baby 03 Gonna Keep On Tryin' Till I Win Your Love 04 Farewell Is A Lonely Sound 05 Everybody Needs Love 06 96 Tears 07 It's Wonderful (To Be Loved By You) 08 Sad And Lonesome Feeling 09 Love Gives, Love Takes Away 10 I'll Say Forever My Love 11 You Got What It Takes 12 Lonely Lonely Man Am I
...Many Thanks To clash For The Share! served by Gyro1966...

Friday, 30 October 2015

Killer Filler "Filler Up!" 2008

With a nod to the Ventures and Booker T & the MGs, Killer Filler Up winds through some great tunes. Good versions of the covers and excellent originals. Listen to the blurbs of Mallsville and Morgan's Alley... Sweet. - By 1365Mike/amazonStarted in 2004, Killer Filler is the spawn of keyboardist, guitarist, and songwriter Chris "Crispy" Bess - an all-instrumental five-piece outfit to meld his twin penchants for 1960s Memphis soul and California surf music. Twang, spy, funk, lounge and swing flavor Crispy's songwriting as well as the B-side nuggets that he picks to arrange and cover. The Ventures, Booker T. and the MGs, The Shadows, The Champs and The Meters all get nods in live sets. .. Crispy commands the Hammond organ and a six-string to boot while guitarists Bryon Settle and Greg Bowers join on dual guitars, Bryon's drop-jaw phrasing colored by Greg's solid rock rhythms. The rhythm section is a seamless and versatile unit with Paco Robles on drums and Steve Eisenstadt on electric bass... Instrumental music sets a party vibe that's infectiously groovy. In addition to large outdoor events (Artsplosure, First Night Raleigh, Festival For The Eno, The Instro Summit, Elvisfest, Heavy Rebel Weekender, Carrboro Music Festival) and local clubs (Cat's Cradle, The Cave, Slim's Downtown, the Pinhook, Local 506 and many more), Killer Filler plays private and corporate events. From festivals and concert halls to weddings and shindigs, folks respond to a sound that's fresh and familiar all at once. - reverbnation

trax:
01 Intro 02 Big Bad Bike 03 Mallsville 04 Tintarella Di Luna 05 Morgan's Alley 06 Gogoductress 07 Gasboys 08 Mucho! (Mucho Tempo) 09 Kiddie Pool 10 Suburbanite 11 Jellybeanin' 12 Go This Way 13 Wild Trip 14 Bellzouki 15 a Man Posessessed 16 Fever 17 The Bailiff

The Temptations "Psychedelic Soul" (Expanded) 1968-1973

2CDs – and a motherlode of classic work by The Temptations! The set focuses on the group's groundbreaking work with producer Norman Whitfield at Motown – sides from the late 60s and early 70s that were some of the most righteous to ever come out of the motor city! Whitfield had a really magical style that was perfect for the group – taking their older group style, and souping it up with heavy bass, rumbling drums, and lots of fuzzy guitar licks – all of which made for a sound that was instantly psychedelic, and massively righteous! The set includes 2 previously unreleased longer takes of "Psychedelic Shack" and "Ball Of Confusion" – plus 22 other classics that include "Slave", "Message From A Black Man", "I Can't Get Next To You", "Don't Let the Joneses Get You Down", "Cloud Nine", "Runaway Child", "Love Can Be Anything", "Smiling Faces Sometimes", "Ungena Za Ulimengu", "Masterpiece", "Ain't No Justice", "1990", "Funky Music Sho Nuff Turns Me On", "Take A Stroll Thru Your Mind", "Plastic Man", and "War".  © 1996-2015, Dusty Groove, Inc.trax disc 1:
01 Cloud Nine 02 Runaway Child Running Wild 03 Don't Let The Joneses Get You Down 04 I Can't Get Next To You 05 Message From A Black Man 06 Slave 07 Psychedelic Shack (Previously Unreleased Long Version) 08 You Make Your Own Heaven and Hell Right Here on Earth 09 Hum Along and Dance 10 Take A Stroll Through Your Mind 11 War 12 Friendship Train 13 Ball Of Confusion (That's What The World is Today) Previously Unreleased Alternate Mix
trax disc 2:
01 Smiling Faces Sometimes 02 Ungena Za Ulimengu (Unite The World) 03 Love Can Be Anything (Can't Nothing Be Love But Love) 04 Take a Look Around 05 Superstar (Remember How You Got Where You Are) 06 Funky Music Sho Nuff Turns Me On 07 Papa Was A Rollin' Stone 08 Plastic Man 09 Masterpiece 10 Ain't No Justice 11 1990
...Many Thanks To Jillem For The Share! served by Gyro1966...

Thursday, 29 October 2015

THE STAPLE SINGERS "Glory! It's The Staple Singers" Vee Jay 1955-1962

There have been several poorly mixed and/or mastered editions for years, but this is as close to perfect that you're gonna get sound-wise and money-wise. The closet to this collection was rare Double Vinyl on Vee-Jay International Records entitled: "The Legendary Staple Singers-The Best Of The Staple Singers" released in 1976 or 1977 that featured 27 Cuts, which gave you 90% of their Vee-Jay recordings. This album was re-issued (On Vinyl) in 1988...It too is Out Of Print! This Double Compact Disc gives you 32 (Thirty-Two), well really 31 (Thirty-One) because the track "I'm Coming Home" is in 2 (Two) parts. The Staple Singers Vee-Jay recordings has always been compiled on various Compact Disc through the years that usually just featured 12 to 18 tracks. Collectables Records did a Reissue of 3 (Three) of their 'Original' Vee-Jay albums on Compact Discs, but they are Out Of Print! So get this collection while there are still a few around. More 'Bang' for your buck! (Mr. Nightshift)Although not as well known as their later recordings for the Stax, Riverside and Epic labels, the Staple Singers' early sides for Chicago's Vee Jay Records may well be the most powerful they ever did. Driven by Pops Staples' stark, Delta-infused guitar style all awash in eerie reverb and given a laser-like urgency by Mavis Staples' amazing singing, the Vee Jay cuts are balanced right at the juncture of country blues and gospel, and the tension between the two genres gives this material an amazingly powerful presence, evoking a twilight world caught between the secular and the sacred. The best of these sides, like the kinetic "Calling Me," the insistent "Don't Drive Me Away" and the spooky "Downward Road" have an ominous, edgy tone that is unlike anything else in the gospel world, and one gets the feeling that the Staples are putting everything out on the line with every note. Gospel on this level is almost terrifying. This two-disc set collects most of the Staples' output for Vee Jay between 1955 and 1961, and while these selections are a good deal more basic and primitive than the soul funk productions the Staples would embrace later in the decade, they're no less powerful, and in their jagged sparseness they rattle out of the speakers like feral lightning. Never has gospel sounded so scary and determined. -Allmusic
95% of The Staple Singers complete Vee-Jay recordings on this impressive 32 track double disc, including the complete LP Will The Circle Be Unbroken.
http://www.discogs.com/Staple-Singers-Glory-Its-The/release/4876285

trax disc 1:
01 The Old Landmark 02 Calling Me 03 On My Way To Heaven 04 Help Me Jesus 05 So Soon 06 I Know I Got Religion 07 Don't Drive Me Away 08 Let's Go Home 09 Somebody Saved Me 10 If I Could Hear My Mother Pray 11 I'm Learning 12 God's Wonderful Love 13 Swing Down Chariot (Let Me Ride) 14 Low Is The Way 15 Don't Knock 16 Too Close
trax disc 2:
01 Stand By Me 02 Born In Bethlehem 03 I'm Coming Home (Part 1) 04 I'm Coming Home (Part 2) 05 Each Day 06 This May Be The Last Time 07 Will The Circle Be Unbroken 08 Going Away 09 Come On Up In Glory 10 Two Wings 11 Good News 12 I Had A Dream 13 Pray On 14 I'm So Glad 15 Uncloudy Day 16 Downward Road
...Many Thanks To Jillem For The Share! served by Gyro1966...

Wednesday, 28 October 2015

Z.Z. Hill "Z.Z. Hill's Greatest Hits Dues Paid In Full" 1971

Great stuff from ZZ! Although you always see vinyl of ZZ's later work, it's always pretty hard to find this great stuff from the old days – when ZZ was working in a style that mixed southern soul with some funky blues, and which stands along with some of the best deep soul of the late 60s. Titles include "Happiness Is All I Need", "Hey Little Girl", "I Found Love", "What More", "That's It", "Everybody Has To Cry", and "If I Could Do It All Over". (United Records pressing. Cover has some discoloration along the opening.)  © 1996-2015, Dusty Groove, Inc.trax:
01 Happiness Is All I Need 02 Hey Little Girl 03 I Need Someone 04 You Don't Love Me 05 If I Could Do It All Over 06 Everybody Has To Cry 07 That's It 08 What More 09 Oh Darling 10 Have Mercy Someone 11 I Found Love 12 Set Your Sights Higher
...Many Thanks To clash For The Share! served by Gyro1966...

The Rascals "All I Really Need" The Complete Atlantic Recordings, 1965-1971

If ever an American band went through a more startling transformation than the Rascals did during the six years the original band recorded for Atlantic, let them show their colors. Here was a young east group who from the jump had complete creative control over their recordings, publishing, production, and packaging -- something unheard of then -- and issued over 15 Top 40 singles, three Top Ten albums, and two more that cracked the Top 40, most of which were issued without critical acclaim at the time. This six-CD retrospective of the band's entire tenure on Atlantic (there were two more recordings afterwards, issued on Columbia with a splintered version of the band), documents their complete studio output of eight albums over four and a half discs, and devotes a disc and a half to singles, A- and B-sides, alternates, and different versions of hits. For those familiar with the hits, it's difficult to imagine that the Rascals ever rocked as hard as they did on their first two albums, The Young Rascals and Collections. On the debut, tracks like "Slow Down" and "Baby Let's Wait" have an urgency to put the needle in the red right from the jump. On their sophomore effort, with the singles "Come on Up," "Lonely Too Long," and "Love Is a Beautiful Thing," the Rascals were entrenched in the soul and R&B groove, but not enough to leave out screaming rockers such as "Land of a Thousand Dances" and "Mickey's Monkey." With Once Upon a Dream, the textured, layered psychedelic pop and soul continued with "Rainy Day," "Please Love Me," "My Hawaii," and "It's Wonderful," all intercut with random sound effects à la the Beach Boys, but more organic and less removed from the context of the music itself. The band's center of gravity began to shift with Freedom Suite, with its stunning single, "People Got to Be Free," which captured the spirit of the late '60s as well as -- if not better than -- any rock song. Here, placing it at the last half of disc three, after Time Peace, reveals the album as a narrative of hope and innocence without a shred of naïveté. Here was a band striving to integrate its music and politics (right about this time the band refused to perform on bills where there wasn't a perfect division of black and white acts) on songs such as "People Got to Be Free," "A Ray of Hope," "Any Dance'll Do," "Look Around," and others. While the pop hooks were plentiful, so was the experimentation and risk-taking with the mixes and instrumentation, with more making it into the mix -- from accordions to pipe organs to brass bands and Indian instruments. With the issue of See in 1970 and Search and Nearness in 1971, the band was being pulled apart at the seams creatively, financially, and historically. Nonetheless, despite excesses on both albums, their fine, tight rock and pop songs still dominated the proceedings, especially on See, where the band tried to capture their rock & roll roots. The longer tracks on Search and Nearness revealed that at the very end the band was traveling in a direction that took the R&B edge to groove jazz extremes, with circular moves and dense textures running through the middle of repetitive grooves and riffs. This is a long-overdue retrospective for a band who is enshrined in the Rock & Roll Hall of Fame and whose perfect marriage of rock, soul, and R&B has influenced more acts than anybody would ever care to admit. This set is a necessity to be sure for anyone obsessed with the history of rock & roll. (Thom Jurek, Allmusic)trax disc 1:
01 Slow Down. 02 Baby Let's Wait 03 Just a Little 04 I Believe 05 Do You Feel It 06 Good Lovin' 07 Like a Rolling Stone 08 Mustang Sally 09 I Ain't Gonna Eat Out My Heart Anymore 10 In the Midnight Hour 11 What Is the Reason 12 Since I Fell for You 13 Lonely Too Long 14 No Love to Give 15 Mickey's Monkey / Love Lights 16 Come on Up 17 Too Many Fish in the Sea 18 More 19 Nineteen Fifty-Six 20 Love Is a Beautiful Thing 21 Land of a Thousand Dances
trax disc 2:
01 A Girl Like You 02 Find Somebody 03 I'm So Happy Now 04 Sueno 05 How Can I Be Sure 06 Groovin' 07 If You Knew 08 I Don't Love You Anymore 09 You Better Run 10 A Place in the Sun 11 It's Love 12 Intro / Easy Rollin' 13 Rainy Day 14 Please Love Me 15 Sound Effect / It's Wonderful 16 I'm Gonna Love You / Dave & Eddie 17 My Hawaii 18 My World 19 Silly Girl 20 Singin' the Blues Too Long 21 Bells / Sattva 22 Finale: Once Upon a Dream 23 It's a Beautiful Morning
trax disc 3:
01 I Ain't Gonna Eat Out My Heart Anymore 02 Good Lovin' 03 You Better Run 04 Come on Up 05 Mustang Sally 06 Love Is a Beautiful Thing 07 In the Midnight Hour 08 Lonely Too Long 09 Groovin' 10 A Girl Like You 11 How Can I Be Sure 12 It's Wonderful 13 Easy Rollin' 14 A Beautiful Morning 15 America the Beautiful 16 Me & My Friends 17 Any Dance'll Do 18 Look Around 19 A Ray of Hope 20 Island of Love 21 Of Course 22 Love Was So Easy to Give 23 People Got to Be Free 24 Baby I'm Blue 25 Heaven
trax disc 4:
01 Adrian's Birthday 02 Boom 03 Cute 04 See 05 I'd Like to Take You Home 06 Remember Me 07 I'm Blue 08 Stop and Think 09 Temptation's `Bout to Get Me 10 Nubia 11 Carry Me Back 12 Away Away 13 Real Thing 14 Death's Reply 15 Hold On
trax disc 5:
01 Right On 02 I Believe 03 Thank You Baby 04 You Don't Know 05 Nama 06 Almost Home 07 The Letter 08 Ready for Love 09 Fortunes 10 Glory Glory 11 I Ain't Gonna Eat Out My Heart Anymore (Mono Single Version) 12 Slow Down (Mono Single Version) 13 Good Lovin' (Mono Single Version) 14 Mustang Sally (Mono Single Version) 15 You Better Run (Mono Single Version) 16 Love Is a Beautiful Thing (Mono Single Version) 17 Come on Up (Mono Single Version) 18 What Is the Reason (Mono Single Version) 19 I've Been Lonely Too Long (Mono Single Version) 20 If You Knew (Mono Single Version) 21 Groovin' (Mono Single Version) 22 Sueno (Mono Single Version) 23 A Girl Like You (Mono Single Version) 24 It's Love (Mono Single Version)
trax disc 6:
01 Groovin' (Mono—Italian Version) 02 Groovin' (Mono—Spanish Version) 03 How Can I Be Sure (Mono Single Version) 04 I'm So Happy Now (Mono Single Version) 05 It's Wonderful (Mono Single Version) 06 Of Course (Mono Single Version) 07 A Beautiful Morning (Single Version) 08 Rainy Day (Single Version) 09 People Got to Be Free (Mono Single Version) 10 My World (Mono Single Version) 11 A Ray of Hope (Mono Single Version) 12 Any Dance'll Do (Mono Single Version) 13 Heaven (Mono Single Version) 14 Baby I'm Blue (Mono Single Version) 15 See (Single Version) 16 Away Away (Single Version) 17 Carry Me Back (Single Version) 18 Real Thing (Single Version) 19 I Believe (Mono Single Version) 20 Hold On (Mono Single Version) 21 Glory Glory (Single Version) 22 You Don't Know (Single Version) 23 Right On (Single Version) 24 Almost Home (Single Version)
...served by Gyro1966...

Tuesday, 27 October 2015

"The Madness Invasion" Vol. 3 - 1988

Searchin' for wyld and primitive sounds to put rhythm into her revels, the Queen of Blood comes back from the future to retrieve the earthly lost waves of the past.God, I love the Madness Invasion series... I gots the double CD set that has most of LP vol. 1-3 ...worth every penny, baby... - Stay Sleazy, Jim Starktraxfromwax:
1. Tommy King - Bop Diddlie In The Jungle (1966) 2. The Jiants - Tornado (1959) 3. Bob Taylor - Taylor's Rock (1958) 4. The Jay-Hawks - The Creature (From Outer Space) 5. Lord Luther - (I Was) A Teenage Creature 6. The Twisters - Count Down 1-2-3 7. Myron Lee & The Caddies - Magic In A Summer Night (1959) 8. Dale Wright - That's Show Biz (1959) 9. Andy & The Manhattans - Double Mirror Wrap Around Shades 10. Lion & The Leprechauns - Mouse Trap 11. The Rhythm Rockers - Weird (1958) 12. Jim Boss & The Sundowners - Your Love Is Stronger Than Dirt 13. The In Crowd - Speed Queen 14. Duals - Stick Shift 15. Robert Williams - Loud Mufflers (1959) 16. Randy Luck - I Was A Teen-Age Cave Man
ripped from vinyl in glorious monoloudarama!

Mickey Stevenson "Here I Am" + Bonus Tracks 1972

A killer solo debut from Mickey Stevenson – an artist who's probably best known for his Motown production work of the 60s, but a surprisingly great singer – as you'll hear on this rare early 70s set! The album's got a wonderful depth – a real mix of modes that has Mickey tackling deep soul, psychedelic soul, and some especially great adult material – really mature numbers that provide a perfect showcase for Stevenson's vocal range. Luchi DeJesus arranged the album with Mickey, and it's got a sophisticated vibe that reminds us of 70s work by Lamont Dozier or Leon Ware – no surprise in the case of the latter, as the album features four great songs penned by Ware! Titles include "Lonnie's Face", "Gonna Be Alright", "What Could Be Better", "Stormy", "Salliey", "Here I Am", "Joe Poor", "Trouble's A Loser", and "Knock On Any Door". CD also features 2 bonus tracks – "I Need You So" and "I'm On My Way Back To You". (Includes original slipcase.)  © 1996-2015, Dusty Groove, Inc.trax:
01 Here I Am 02 Joe Poor 03 Trouble's A Loser 04 Rocky Racoon 05 Knock On Any Door 06 Forty Days & Forty Nights 07 Lonnie's face 08 Where's That Smile? 09 What Could Be Better 10 Gonna' Be Alright 11 Stormy 12 Salliey 13 I Need You So 14 I'm On My Way Back To You
...Many Thanks To Jillem For The Share! served by Gyro1966...

The Rebellious Jukebox Plays Northern Soul Stormers

trax disc 1:
1. Got My Mojo Working - Ann Cole 2. I'm on My Way - Barbara Dane 3. Fortune Teller - Benny Spellman 4. I've Got a Claim on You - Betty Everett 5. Take Your Heart - Betty Willis 6. At the Party - Big Sambo & The House Wreckers 7. A Million Teardrops 1959 Dee-Cal 500 - Billy Beasley 8. You Ain't Such a Much - Blanche Thomas 9. Road Runner - Bo Diddley 10. Wanted - Bobbie Smith & The Dream Girls 11. Turn on Your Lovelight - Bobby ''Blue'' Bland 12. This Little Love of Mine - Buddy Ace 13. Girl Don't Make Me Wait - Bunny Sigler 14. When You See Me Hurt - Carl Letser And The Showstoppers 15. It's Your Voo Doo Working - Charles Sheffield 16. The Kangaroo - R&B - Charles Sheffield 17. I Like It Like That Pt. 2 - Chris Kenner 18. Land of 1,000 Dances - Chris Kenner 19. Don't Do This to Me - Cicero Blake 20. Party Lights - Claudine Clark 21. Mathilda - Cookie and the Cupcakes 22. See About Me - Don Covay & The Goodtimers 23. I Need Your Lovin' - Don Gardner 24. Just to Hold My Hand - Earl Connelly 25. Every Whicha Kinda Way - Earl Connelly King
trax disc 2:
1. Cherrigale - Ed Townsend 2. Party Stomp - The Egyptians 3. Before I Turned My Back on You - Elmore Morris 4. A Certain Girl - Ernie K Doe 5. Street of Tears - Etta James 6. It Keeps Rainin' - Fats Domino 7. The Hammer - Faye Adams 8. Just for You - Freddie Gorman 9. Just to Please You - Freddie North 10. A Song Caller Soul - Gene Chandler 11. The Freedom Riders - Harold Jackson & The Jackson Brothers 12. Any Way You Wanta - Harvey 13. Is It True (What They Say About You) - Hattie Littles 14. Mojo Hannah - Henry Lumpkin 15. Fool in Love - Ike & Tina Turner 16. Let the Show Begin - J.J. Jackson 17. Smacksie - James Booker 18. Mamma Didn't Lie - Jan Bradley 19. Let Love Go By - Jeanette - ''Baby'' Washington 20. Wide Awake in a Dream - Jerry Jackson 21. Ain't That Loving You Baby - Jimmy Reed 22. Baby Please Don't Go - Jo Ann Henderson 23. I See Your Face - Joe Simon 24. Keep on Loving Me - Joe Stubbs 25. What Kind of Love Is This - Joey Dee & The Starliters
trax disc 3:
1. The Headshrinker - Johnnie Mae Matthews 2. Ol' Man River - Johnny Nash 3. Superman - Johnny Twovoice 4. Stop Knockin - Juanita Nixon 5. Dance by Yourself - Justin Jones 6. Beautiful Brown Eyes - King Curtis 7. I'm Gonna Be a Fool Next Monday - Kitty White 8. The Chaperone - LaBrenda Ben and The Beljeans 9. I'm a Lover Not a Fighter - Lazy Lester 10. Keep Your Hands off My  - Little Eva 11. If I Never Get to Love You - Lou Johnson 12. Puddentane - Lula Reed 13. I've Got a Girl - Major Lance 14. Baby I'm Coming Home - Mark Rice 15. Come to Me - Marv Johnson 16. I Love the Way You Love - Marv Johnson 17. Sing on Baby - Meg Myles 18. Comin' Home Baby - Mel Torme 19. Burnt Toast and Black Coffee - Mike Pedicin 20. If I (Could Be with You Tonight) - Nolan Strong and The Diablos 21. A Rockin' Good Way - Capitol #4881 (1962) Popcorn Soul - Odessa Harris 22. You Can't Sit Down - Part One - Phil Upchurch 23. I'm Going Home - Prince Conley 25. Salt & Pepper - Rita Faye 25. Chills & Fever - Ronnie Love
trax disc 4:
1. Earthquake (Epic) - Roy Hamilton 2. You'd Better Come Home - Russell Byrd 3. Oh Lover 1 - Sherri Taylor 4. Cry to Me - Solomon Burke 5. Confidential - Sonny Knight 6. Wandering - Stevie Wonder 7. Put a Ring on My Finger - Sue Perrin 8. No More Heart - Sylvia Hill 9. I Sold My Heart to the Junkman - The Bluebelles 10. What Kind of Girl (Do You Think I Am) - The Charmaines 11. Bad Boy - The Donays 12. Inky Dinky Wang Dang Doo (Northern Soul) - The Dramatics 13. Charlie Chan - Okeh 7142 - The Eventuals 14. Tell Him - The Exciters 15. Honkey Tonk Woman - The Fabulous Playboys 16. Catch That Teardrop - The Five Royales 17. Sack O' Woe - The Mar-Keys 18. I Wonder (If Your Love Will Ever Belong to Me) - The Pentagons 19. Jaywalking - The Upsetters 20. The Watusi - The Vibrations 21. The Sound of My Man - Theola Kilgore 22. Just a Little Bit - Tiny Topsy 23. Miss You So - Tiny Topsy 24. Fly by Night - Varetta & The Thomases 25. Let's Stick Together - Wilbert Harrison
...Many Thanks To Wayne For The Share! served by Gyro1966...

Monday, 26 October 2015

Gary Lewis "Listen!" '67 (Deluxe Stereo-Mono Edition 2010)

First time on CD anywhere! Includes both stereo & mono mixes from the original master tapes! Following a run of ten Top 40 singles in the span of two years, Gary Lewis & The Playboys hit a career crossroads in 1967. Called on to actively serve in the Vietnam War, Gary Lewis used his brief leaves from the service to maintain some semblance of a recording career, recording as a solo artist. The result was his late 67 psych-pop gem Listen! , arranged by Jack Nitzsche. Featuring his best recordings to date, Listen! includes the spellbinding hit Jill (written by Happy Together songsmiths Garry Bonner and Alan Gordon). The deluxe, full-colour booklet also includes rare, unpublished photos and extensive liner notes by noted pop historian Andrew Sandoval, featuring the participation of Gary Lewis. Produced by Gary Klein Arranged and Conducted by Jack Nitzsche.trax stereo:
01 Jill 02 Don't Make Promises 03 She'd Rather Be With Me 04 Look, Here Comes The Sun 05 Happiness 06 Bring The Whole Family 07 Reason To Believe 08 New Day 09 Small Talk 10 Angel On The Corner 11 Six O'Clock 12 Young And Carefree
trax mono:
13 Jill 14 Don't Make Promises 15 She'd Rather Be With Me 16 Look, Here Comes The Sun 17 Happiness 18 Bring The Whole Family 19 Reason To Believe 20 New Day 21 Small Talk 22 Angel On The Corner 23 Six O'Clock 24 Young And Carefree 25 Jill 26 New In Town
...served by Gyro1966...

DEL SHANNON "Del Shannon Sings Hank Williams" + Bonus Tracks 1965

Del Shannon released this magnificent tribute to Hank Williams in 1965, at the very height of the British Invasion, and since he played it straight on his interpretations of Williams' songs, trying to capture the sound and feel of the Drifting Cowboys, the album was essentially ignored by Shannon's pop following and given not much more than a glance by the country crowd, which is a shame, because Shannon sang his heart out on these classic tracks. Among the highlights on this remarkably consistent and coherent album are Shannon's takes on "I Can't Help It" and "I'm So Lonesome I Could Cry," plus a wonderful and haunting version of "Ramblin' Man" that features Shannon's trademark minor key approach to arrangements. In retrospect, this project doesn't seem as drastically different from Shannon's more pop-oriented work as it did in 1965, and in many ways it prefigures the country-rock sound that bands like the Byrds, Buffalo Springfield, and the Flying Burrito Brothers would develop a couple of years down the road. (Steve Leggett, Allmusic)
(This album & the bonus tracks were taken by Gyro1966 from a fresh rip of The 8 CD Del Shannon Bear F. Box Set)trax:
01 Your Cheatin' Heart 02 Kaw-Liga 03 I Can't Help It 04 Honky Tonk Blues 05 I Heard That Lonesome Whistle 06 You Win Again 07 Ramblin' Man 08 Hey Good Lookin' 09 Long Gone Lonesome Blues 10 Weary Blues 11 I'm So Lonesome I Could Cry 12 Cold Cold Heart 13 Wrong Day, Wrong Way 14 Table Reserved For The Blues 15 Pardon Me I Guess I'm In The Way 16 Queen Of The Honky Tonks
...served by Gyro1966...

Sunday, 25 October 2015

Billy Nicholls "Would You Believe" '68

It actually IS that good. Who would've thought? A "lost masterpiece" that actually lives up to the hyperbole? Wow. This is one of the rarest occurences in the record-geek world, a genuine obscurity that's actually as good as everyone says it is. “Pet Sounds" comparisons are apt, as far as the gorgeously gooey overproduction goes, but this record lacks the introspective depth of “Pet Sounds" - this is "just" an album of pop songs. But what songs! Buried in monolithic Spectoresque echo, sweeping strings and soaring harmonies, this album is a distillation of a time - whatever made swinging London swing is captured in these tracks. From the happy-go-lucky pop of "would you believe" to the gorgeously aching pastoralism of "feeling easy," the pilled-up finger to the establishment in “London Social Degree," and the purple-hearted teeth-grinding savagery of Steve Marriott's guitar on “Girl From New York," this is an amazing album, and every bit the "lost masterpiece" it's been trumpeted as. If you dig The Beatles, The Zombies, The Left Banke, or Immediate-era Small Faces - this is for you. An absolutely essential artifact of 60s Britpop. (Shindig)Billy Nicholls' stillborn 1968 album does indeed recall the Beach Boys' 1966-19 67 era, not just due to Nicholls' melodies and high, versatile vocals, but also the production of Andrew Oldham, an avowed fan of Phil Spector and Pet Sounds. Although very attractive, however, the songs and production do not have the depth and emotional resonance of Pet Sounds. This is not a knock; Nicholls was very young at the time, after all, and it's hard to match Brian Wilson, though Oldham pulled out a bunch of tricks with baroque keyboards, tasteful brass, and airy multi-part harmonies. As with the Oldham-produced cuts done by Del Shannon in the same era, the deftly elaborate L.A.-meets-London semi-Wall of Sound is more impressive than the pretty but often rather slight material. It's still a pleasurable listen, with the more acoustic and darker "Come Again" slightly foreshadowing the kind of sound Pete Townshend would employ on much of Who Came First, and "Girl from New York" (with Steve Marriott on lead guitar) going for a gutsier British rock vibe. The CD reissue (on the Immediate imprint, but actually put out by the British reissue label Sequel) includes mono single versions of "Would You Believe?" and "Daytime Girl" as bonus tracks. (Richie Unterberger, Allmusic)
INFO:
http://www.allmusic.com/album/would-you-believe-mw0000454519
http://www.amazon.com/Would-You-Believe-Billy-Nicholls/dp/B00000J1ZYtrax:
01 Would You Believe 02 Come Again 03 Life Is Short 04 Feeling Easy 05 Day Time Girl 06 Daytime Girl (Coda) 07 London Social Degree 08 Portobello Road 09 Question Mark 10 Being Happy 11 Girl From New York 12 It Brings Me Down 13 Would You Believe_ (Mono Single Version) 14 Daytime Girl (Mono Single Version) 15 I Want To Be Friendly With You 16 Always On My Mind (acoustic version) 17 Would You Believe (alt. vocal)
...served by Gyro1966...

Pete Townshend "Who Came First" 1972

Pete Townshend's first solo album was a homespun, charming forum for low-key, personal songs that weren't deemed suitable for the Who, as well as spiritual paeans (direct and indirect) to his spiritual guru Meher Baba. Who fans will be immediately attracted by the presence of a couple of songs from the aborted Who concept album Lifehouse (much of which ended up on Who's Next), "Pure & Easy" and "Let's See Action." the Who did eventually release their own versions of both those songs. But Townshend's own versions aren't the highlights of this record, which shows a folkier and gentler side to the Who's chief muse than his albums with the group. "Sheraton Gibson" is a neat tune about rock & roll road life, and "Time Is Passing" takes very subtle inspiration from Baba. Most of the rest of the album contains some of the most unusual pieces Townshend has released: his acoustic cover of Jim Reeves' "There's a Heartache Following Me" (recorded because it was one of Baba's favorite tunes), "Evolution" (which is actually pretty much a solo track by his buddy Ronnie Lane of the Faces), "Parvardigar" (adapted from Baba's Universal Prayer), and "Content" (a philosophical poem by Maud Kennedy that Townshend put to music). The 1993 reissue of this LP for compact disc fleshes out the program considerably with six previously unreleased tracks, including Townshend's demo of the Who single "The Seeker." The other bonus cuts are by no means filler; meditative and melancholy originals, they're just as strong as the tracks on the original release. (Richie Unterberger, Allmusic)Like ROUGH MIX, the album Townshend cut with Ronnie Lane, WHO CAME FIRST mixes a batch of unrelated tunes - some rejected by the Who, some Townshend didn't want to give the Who, and some surprising covers - and fuses them into a little gem of a record.
"Pure & Easy" is one of the best songs Townshend ever wrote. While I prefer the Who version on ODDS & SODs, Townshend does a great acoustic version here. Lane takes the lead on "Evolution" which is... well, very Ronnie Lane-ish. Like your neighbor sitting on his back step with a guitar and a pint of Guiness.
I love the sappy acoustic tunes "Time Is Passing," "There's A Heartache Following Me" and, especially and always, "Sheraton Gibson." Just great great great stuff from a period when Townshend could do anything--ANYTHING - on the guitar. The most intimidating wizard of all, in my book, even more so than Hendrix because Townshend never lost the beat in the midst of his revery (how's that for a poetic twitch?).
And "Content" is almost angelic. Other than George Harrison I can't imagine anyone in Rock at the time (1972) who would have dared be this fragile and prostrate on a solo LP.
For all his human shortcomings, Townshend remains my hero - guitar, spiritual, philosophical, whatever - and this album demonstrates the real heart of why that came to be. There are no hits, and that's really the point: this was a demonstration of a kind of faith, not an attempt to conquer Top Of The Pops.
Later in the 70's Townshend would fight an internal battle to mix this kind of spiritual enlightenment with an urge to remain commercially viable; he would try to inject this kind of philosophical openness into a Rock/Pop Rock format. Whether or not he was successful--and whether or not that effort led, in part or in whole, to the creative collapse of the Who--is a wordy issued we can debate some other time. This is a great record, though, no matter how you approach it. (David Bradley, Record Runner)

trax:
01 Pure and Easy 02 Evolution 03 Forever's No Time at All 04 Let's See Action 05 Time Is Passing 06 Heartache 07 Sheraton Gibson 08 Content 09 Parvardigar 10 His Hands 11 The Seeker 12 Day of Silence 13 Sleeping Dog 14 The Love Man 15 Lantern Cabin 16 Mary Jane 17 I Always Say 18 Begin the Beguine
...served by Gyro1966...

Saturday, 24 October 2015

"THE BEST OF HORROR"

75 Original Horror favorites!trax disc 1:
1. Monster Mash - Bobby "Boris" Pickett & The Crypt-Kickers 2. Zombie Jamboree - Harry Belafonte
3. Rockin' In The Graveyard - Jackie Morningstar 4. 'Til The Following Night - Screaming Lord Sutch 5. Gravy (With Some Cyanide) - John Zacherle 6. At The House Of Frankenstein - Big Bee Kornegay 7. She's My Witch - Kip Tyler 8. Mad House Jump - The Daylighters 9. Frankenstein Rock - Eddie Thomas 10. Nightmare - Scottie Stuart 11. The Head Hunters - Mike Fern 12. The Voo Doo Walk (Featuring Cindy & Misty) - Sonny Richard's Panics 13. Drac's  - Billy DeMarco 14. Night Of The Vampire - The Moontrekkers 15. You Can Get Him Frankenstein - The Castle Kings 16. Popeye (The Gravedigger) - John Zacherle 17. I Was A Teenage Monster - The KeyTones 18. Jekyll And Hyde - Jim Burgett 19. Frankenstein's Party - The Swinging Phillies 20. Graveyard Shift - Bobby "Boris" Pickett & The Crypt-Kickers 21. Frankie Frankenstein - Ivan 22. The Rockin' Ghost - Archie Bleyer 23. The Purple Monster - Dean Hightower 24. Graveyard Rock - Tarantula Ghoul And Her Gravediggers 25. Igor's Party - Tony's Monstrosities
trax disc 2:
1. Dinner With Drac, Pt. 1 - John Zacherle 2. The Purple People Eater - Sheb Wooley 3. Monster's Holiday - Bobby "Boris" Pickett & The Crypt-Kickers 4. Don't Meet Mr. Frankenstein - Carlos Casal, Jr. 5. Sunglasses After Dark - Dwight Pullen 6. Nightmare Hop - Earl Patterson 7. Midnight Monsters Hop - Jack And Jim 8. Bo Meets The Monster - Bo Diddley 9. Werewolf - The Frantics 10. The Mummy - Bob McFadden 11. Frenzy - Screamin' Jay Hawkins 12. Coolest Little Monster - John Zacherle 13. The Mummy's Bracelet - Lee Ross 14. Wolf Call - Lord Dent & His Invaders 15. The Legend Of Sleepy Hollow - The Monotones 16. Batman, Wolfman, Frankenstein Or Dracula - The Diamonds 17. Zippy, Hippy, Dippy - Coye Wilcox 18. The Fang - Nervous Norvous 19. He's A Vampire - Archie King 20. The Creature (From Outer Space) - The Jayhawks 21. The Cat - Rod Willis 22. Leopard Man - Joe Wallace 23. Monster Party - Bill Doggett 24. Rabian The Fiendage Idol - Bobby "Boris" Pickett & The Crypt-Kickers 25. Teenage Creature - Lord Luther
trax disc 3:
1. I Put A Spell On You - Screamin' Jay Hawkins 2. Me & My Mummy - Bobby "Boris" Pickett 3. Jungle Hop - Kip Tyler 4. Frankenstein's Den - The Hollywood Flames 5. Graveyard - Leroy Bowman 6. Walkin' Through A Cemetery - Claudine Clark 7. Creature From Outer Space - Sonny Day 8. The Shadow Knows - The Coasters 9. Screamin' Ball (At Dracula Hall) - The Duponts 10. The Blob - The Five Blobs 11. The Little Martian - Jan Amber 12. Graveyard Cha Cha - The Three D's 13. The Bat - John Zacherle 14. Ghost Satellite - Bob & Jerry 15. Music To Be Murdered By - The Alfred Hitchcock Orchestra 16. Monster Mash Party - Bobby "Boris" Pickett & The Crypt-Kickers 17. Rocket To The Moon - The Astro-notes 18. Zombie - Los Sleepers 19. Beware - Bill Buchanan 20. Voodoo Woman - Smiley Smith 21. Let's Twist Again (Mummy Time Is Here) - John Zacherle 22. Amazon - Phil Carter 23. The Monster - Bobby Please & The Pleasers 24. The Gila Monster - Joe Johnson 25. The Purple People Eater Meets The Witchdoctor - Big Bopper
...served by Gyro1966...

James Brown "Foundations Of Funk" (A Brand New Bag, 1964-1969)

There are several worthy James Brown compilations. But this is the one, more than any other, that presents his most fertile and innovative soul and funk material. From 1964's "Out of Sight" through 1969's "Mother Popcorn," this was Brown at the apex of his creativity, turning soul into funk in the mid-'60s, then pushing the rhythm even more to the forefront. Most of his hit singles from this five-year explosion of white heat are on this 27-track, two-CD set, including "Out of Sight," "Papa's Got a Brand New Bag," "I Got You (I Feel Good)," "Say It Loud--I'm Black and I'm Proud," and "Cold Sweat." There are some minor omissions that could be questioned (the absence of the studio version of "Bring It Up," for instance), and big James Brown fans will already have the lion's share of tracks, on the Star Time box and other releases. It does, however, contain minor but significant bonuses: an alternate take of "Cold Sweat," a previously unreleased live medley of "Out of Sight" and "Bring It Up," and a previously unreleased live version of "Licking Stick--Licking Stick." There are also longer versions of "I Don't Want Nobody to Give Me Nothing" (ten minutes!), "I Got the Feelin'," "The Popcorn," and "Brother Rapp" that were edited when they were prepared for official release. (Richie Unterberger, Allmusic)

trax disc 1:
01 out of sight 02 papa's got a brand new bag, pts. 1 & 2 03 i got you (i feel good) 04 money won't change you, pts. 1 & 2 05 introduction-out of sight-bring it up (live) 06 let yourself go 07 there was a time 08 cold sweat, pts. 1 & 2 09 get it together, pts. 1 & 2 10 goodbye my love, pts. 1 & 2 11 i can't stand myself (when you touch me), pts. 1 & 2 12 i got the feelin' 13 the popcorn 14 cold sweat (false start and studio dialogue) 15 cold sweat (alternate take)
trax disc 2:
01 licking stick-licking stick (live) 02 say it loud-i'm black and i'm proud, pts. 1 & 2 03 give it up or turnit a loose 04 you got to have a mother for me 05 i don't want nobody to give me nothing (open up the door i'll get it myself) 06 let a man come in and do the popcorn, pts. 1 & 2 07 it's a new day, pts. 1 & 2 08 ain't it funky now 09 brother rapp 10 funky drummer, pts. 1 & 2 11 she's the one 12 mother popcorn (live)
...Many Thanks To Jillem, Clash, Jimmie Dee, and JcOrk For The Share! served by Gyro1966...

Friday, 23 October 2015

"Blues, Blues, Hoodoo Halloween" '14

This set includes music perfect for Halloween that isn't actually about Halloween, although everything included here is definitely scary on one level or another. Consisting of vintage jazz and blues tracks issued between 1925 and 1961, there are plenty of songs here about devils and witches, including Tampa Red's "Witchin' Hour Blues," Sippie Wallace's "Devil Dance Blues," and the Mississippi Sheiks' "I Am the Devil," among others. There's also a classic version of Screamin' Jay Hawkins doing his signature tune, "I Put a Spell on You," this one done with the Leroy Kirkland Orchestra. (Steve Leggett, Allmusic)For your spooky pleasure. Black American music has long been associated with both Hoodoo, and in the Caribbean and parts of Louisiana, Voodoo. There are many references to the Hoodoo Man, or Hoodoo Lady, who would cast a spell for you, or supply you with a ‘Conjure Bag’, a ‘Mojo Hand’ or other charms to do the same. The ‘Black Cat Bone’, the ‘John The Conqueror Root’, or the Voodoo ‘Gris Gris. Sometimes to give you power over money, or other powers, but almost always to give you control of the opposite sex.
With this stuff, you could become The Hoochie Coochie Man!
A treatise could be written about the cultural meanings of Hoodoo and Voodoo in Blues lyrics and indeed Catherine Yronwode’s ‘HOODOO IN THEORY AND PRACTICE - An Introduction to African-American Rootwork’ is a highly recommended read. She says “Hoodoo consists of a large body of African folkloric practices and beliefs with a considerable admixture of American Indian botanical knowledge and European folklore. Although most of its adherents are black, contrary to popular opinion, it has always been practised by both whites and blacks in America. Other regionally popular names for hoodoo in the black community include "conjuration," "conjure," "witchcraft," "rootwork," and "tricking."
Whichever term you use, Hoodoo or Voodoo, this CD is packed with a diverse selection of great performances from the stars, and journeymen of Blues, R & B and Jazz. A scary musical must for your Halloween Night. (The Guardian)
Amazing and superb collection of Devilish Down-at-the-Crossroads Blues and old-time Jazz. These marvelous down-and-dirty original shockers like Tampa Red's "Witchin Hour Blues", St. Louis Bessie's 1927 gem "Ghost Creepin Blues" and (of course) Screamin Jay Hawkins' "I Put a Spell on You" and Muddy Waters' "Got My Mojo Working" all are really incredible, stripped-down howlers that I'd expect to hear playing in R. Crumb or Anton LaVey's sitting rooms. Sippie Willis' 1925 track "Devil Dance Blues" make the price of this disc worth it alone. An outstanding collection of Hoodoo and Voodoo inspired rarely heard songs from 1925 to 1961. Absolutely beautiful in its raw energy. Get a mason jar of Corn-Mash Moonshine Skull-Pop, slip this treasure into your CD player, and revel in the spirits - both real (from the jar) and those conjured up by these timeless recordings. (Blues World)
INFO
http://www.document-records.com/fulldetails.asp?ProdID=DOCD-32-20-20

trax:
1. I Put a Spell On You - Screamin' Jay Hawkins 2. I Been Dealing with the Devil - Sonny Boy Williamson I 3. Witchin' Hour Blues - Tampa Red 4. Got My Mojo Working - Muddy Waters 5. Voodoo Vodoo - LaVern Baker 6. Hoodoo Lady - Memphis Minnie 7. Magic Spell Blues - Charlie Burse 8. Devil Dance Blues - Sippie Wallace 9. Casting My Spell On You - The Johnny Otis Show 10. My Woman Has a Black Cat Bone (Take 2) - Poppa Hop 11. Mr. Ghost Goes to Town - The 5 Jones Boys 12. Jinx Blues - Casey Bill Weldon 13. Creepin' Blues - St. Louis Bessie 14. Skeleton in the Closet - Louis Armstrong 15. Blue Ghost Blues - Lonnie Johnson 16. Haunted House - Johnny Fuller 17. I Am the Devil - Mississippi Sheiks 18. Secret Mojo Blues - Brownie McGhee 19. Call of the Freaks - King Oliver 20. Its Your Voodoo Working - Charles Sheffield
...served by Gyro1966...

Jimmy Radcliffe "Where There's Smoke, There's Fire" 2008

This disc contains 16 tracks of previously unissued music, alternate takes and original demos. Jimmy Radcliffe began his career in 1954 singing lead with a five man group called The Fascinators and sang solo accompanying himself on guitar. By 1959 he had gained a reputation for his stage performance and acquired some radio play. This led to his signing with Aaron Schroeder, who with United Artists president, Art Talmedge, had just founded Musicor Records-which issued Jim's first record, Twist Calypso. His songs have been recorded by such acts as Aretha Franklin, Pat Lundy, Johnny Mathis, Clyde McPhatter, Walter Jackson, Jackie Wilson, Ray Charles and Etta James to name a few. (Roots & Rhythm)Where There's Smoke There's Fire - Compiled for the first time are some of Jimmy Radcliffe's best previously unreleased tracks, alternate takes and the original demos of songs that would score a Pop Chart # 1 for Gary Lewis & the Playboys and R&B Chart action for Clyde McPhatter, Walter Jackson and Tommy Hunt.
Jimmy's Northern Soul Anthem "Long After Tonight Is All Over" and soul crushing Big Ballad "My Ship Is Comin' In" are both here in the Alternate take category.
Equally adept with bubblegum pop, soul, jazz, country, folk and standards Jimmy's vocal prowess was such that he earned the nickname the man with the `Pipes And Thunder' for his powerful handling of `Big Ballads' with difficult vocal harmonies. In fact some writers wanting his talents would ask him to hold back, vocally, a bit as not to scare off lesser yet better known singers.
Every professional writing team on the scene at one point or another sought him out to help give their latest work the best presentation possible. Bacharach-David would have him cut songs for Gene Pitney as would Ellie Greenwich. Gloria Shayne, famous for the Christmas song "Do You Hear What I Hear", would enlist his help to get Burl Ives' and Arthur Prysock covers and Al Kooper, Bobby Brass And Irwin Levine tried to get to the Drifters with "This Diamond Ring". Well the Drifters turned it down but Gary Lewis And The Playboys picked it up and took it pop and to the Top! It scored #1 in Febuary 1965.
Another song from the Kooper-Brass-Levine team that had Jimmy's touch was "Where There's Smoke There's Fire". Al Kooper would record the song a couple of years later with the Blues Project Outfit.
Of Radcliffe's own composition represented here are Deep In The Heart Of Harlem,The Complete Man, Sunshine, Hope And Love, The Greater The Love The Deeper The Hurt, I Pretend I'm Loving You, Could Anybody Else and Stand Up.
"Deep In The Heart Of Harlem" is probably one of Jimmy's best known songs. Harlem has been recorded by Johnny Nash, On Groove (1963), Clyde Mcphatter, on Mercury (1963), and Walter Jackson, On Okeh (1967). Clyde McPhatter enjoyed the most amount of success from the composition, albeit the last bit of chart action he would see again. Jimmy's demo done completely with acoustic guitar, with a slight counter samba rhythm drum, that again reveals the strength and warmth of his singing and story telling artistry.
"The Complete Man" also has a sparseness that actually adds to the distinctive emotive qualities of the song. The subject matter will undoubtedly give way to comparisons to Percy Sledge's "When A Man Loves A Woman", and lets face it there are worse songs to be compared to, but Jimmy if nothing else is a better all around singer than Percy. His voice delivers all the impassioned escalation of love within a freefall down the face of a waterfall of emotions in the absence of a fully orchestrated arrangement.
"Could Anybody Else" is a straight ahead up-tempo soul dancer with a brilliant horn arrangement that has Jimmy working a duet with Barbara Jean English.
"Sunshine Hope And Love" is a beautiful lilting ballad that once again swings with that easy calypso sound, that the `Man' apparently loved, while his triple layer doo wop vocal harmonies add an ethereal lullaby quality to the recording.
"The Greater The Love, The Deeper The Hurt" is another brilliant song from the collaborative efforts of Jimmy and Oramay Diamond. Though this team hit paydirt with the Garnet Mimms & The Enchanters soul cover of their "The Truth Hurts (But Not As Much As Your Lies)" `Greater The Love' seemed destined for a Roy Orbison pitch if Jimmy's vocal octave range on this recording gives any hints.
"I Pretend I'm Loving You" deserves a special mention for it's inclusion in the soundtrack to two major motion pictures, 1997's "Eve's Bayou" and the 2006 romantic comedy "Something New", thus helping to bring the Radcliffe sound back into the mainstream consciousness.
"Sweet Taste Of Lovin'" I was a fan of this song on first listening! What's not to like about this serving of southern soul with it's stutter Rick Danko style bass groove, whiskey juke joint piano and salacious lyric "You Did It So Sweet And Easy, Every Time You kissed Me And Squeezed It"
From top to bottom Jimmy Radcliffe was a consummate artist. "The Singer's Singer", as he was called in a 1965 Norman Joplin, Record Mirror, article.
Jimmy had the voice!, the musicianship, arrangement and conducting chops along with innate good studio sensibilities that made him a highly sought after recording session contractor and contributor. It's unfortunate that he didn't release more sides but what he did record is beyond compare. Ultimately because of all the work he did do as recording artist, session singer - both demo and background, and his considerable vocal work in the Jingle industry he has the distinction of being one of the most recorded singers in New York of that era. As one of his biggest fans I'm truly proud to be able to be a part of any celebration of his songs, his voice, And These Classic Gems From An Era Long Ago!
Now sit back and get blown away by the man with the "Pipes & Thunder"! Jimmy is Smokin', and as they say: "Where There's Smoke There's Fire". (The Soul Detective)

trax:
01 Long After Tonight 02 My Ship Is Coming In 03 What I Want 04 (There Goes) The Forgotten Man 05 Could Anybody Else 06 Where There's Smoke There's Fire 07 Deep In The Heart Of Harlem 08 This Diamond Ring 09 Satisfaction 10 The Complete Man 11 I'm Your Special Fool 12 Sunshine Hope And Love 13 The Greater The Love The Deeper The Hurt 14 Sweet Taste Of Love 15 I Pretend I'm Loving You 16 Stand Up
...Many Thanks to The Northern Madman for the share! served by Gyro1966...

Thursday, 22 October 2015

"Sorrow Bound" - Hank Williams Re-Examined 2006

You really don’t have to be a fan of Hank Williams music (although I’ve never heard of such a species) to enjoy this 2-CD collection featuring renditions of his classic songs and hit recordings, and new material in large part inspired by the immortal Williams. The recordings feature performances by five Alberta-based country artists.
Disc One contains marvelous interpretations of Williams’ nuggets by project producer Tim Williams (Lost Highway / On The Banks Of The Old Ponchartrain / I Heard That Lonesome Whistle Blow); Jane Hawley (I’m So Lonesome I Could Cry / Jambalaya / Take These Chains From My Heart); Stewart MacDougall (There’ll Be No Teardrops Tonight / My Heart Would Know / Men With Broken Hearts); Tom Phillips (Long Gone Lonesome Blues / Lovesick Blues / Cold, Cold Heart); and Billy Cowsill ( You Win Again / Your Cheatin’ Heart / Hey Good Lookin’). Sadly, these recordings by Billy Cowsill, and his new compositions on Disc Two of the album, would mark his final work before his passing, February 18th, 2006.
Disc Two features the same five artists, this time performing their own compositions, under the sub-title Touched By The Spirit Of Hank. Included are songs by Tim Williams ( Alberta Winds / I’m Not Missing You At All / For Loving You); Jane Hawley (Sympathetic Heart / Wouldn’t It Be Nice / Please Check Your Heart At The Door); Stewart MacDougall ( If You’re Still There / Wrong Side Of The Hill / It’s Over When Somebody Wins); Tom Phillips (The Starlight Motel / I Was Gonna Clean Up A Little / Wherever There’s A Party); and Billy Cowsill’s (I’m A Little Bit Lonesome / Hotter Than Fire / It’s Over Now).
All five singer/songwriters featured here no doubt have a deep devotion for the music of Hank Williams…but one would suspect that Hank himself must be smiling down on these five with a confirming nod that their new songs performed here, fit very snugly alongside his masterful creations.
Sorrow Bound – Hank Williams Re-Examined, is one of the finest recording projects in Cancountry history and deserves serious recognition for Album Of The Year…on both sides of the border!! - Larry DelaneyIn the cosmic scheme of things, a flood of grief and loss often sends back a  wave of life and understanding. No greater proof of that could have been provided than the new  Calgary-produced collection Sorrow Bound: Hank Williams Re-Examined.
The two-disc collection arrives with a backstory tinged with inspiration as well as infinite sadness. The idea of music lover and Ruby Moon Records label founder Joel Shortt, the sessions for the recordings collected a handful of singer-songwriters and paired  them - in the tradition of old label and studio bands such as Motown’s Funk Brothers and Booker T & the MGs - with a set group of local players to pay tribute to the music and memory of ol' Hank.
Before the project saw the light of day, though, Shortt died and friend and local bluesman Tim Williams - who hand-picked the players and produced the sessions - was left to see it to completion. Of course, before that happened, Billy Cowsill, one of the featured  singer-songwriters in the project, also died - giving an extra sense of sadness  and notoriety to the proceedings.
And while Cowill's appearance on the disc will likely gain a great deal of the attention based on the fact it was his last studio session, it certainly shouldn’t eclipse what he and the other musicians and songwriters accomplished with  Sorrow. It is a once-in-a-lifetime effort, that accomplishes everything it set out to do while giving back so much more.
Disc one features the band - Tim Leacock, Kit Johnson, Thom Moon, Charlie Veilleux and Ron Casat - laying down the music to 15 of William's most beloved numbers, such as I'm So Lonesome I Could Cry, Jambalaya, Cold, Cold Heart and Hey, Good Lookin'. Alone, without vocal accompaniment, the performances are the warmest, most skilled and soulful you'll be blessed to encounter. The band plays together as if it weren't assembled, but born from the same musical womb, creating a sense of intimacy and familiarity that really is stunning.
As for the voxes lovingly welcomed into the mix, producer Williams, Cowsill, Tom Phillips, Stewart MacDougall and the inimitable Jane Hawley, they become family the second they open their mouths and lend their own distinct and unique takes on the songs.Hawley, especially, adds a dollop of honey to I'm So Lonesome I Could Cry and Take These Chains From My Heart, which makes you weep at the bittersweetness.
The second disc allows the vocalists to bring in their own Hank-inspired material and have it treated the same way - with the exact same results. There are nothing but highlights amongst the 15 originals - Phillips' remarkable Wherever There's A Party, MacDougall's clear and cloudless Wrong Side of the Hill, Williams' easy For Loving You, Cowsill's breezy Hotter Than Fire and the closing heartbreaker It's Over Now.
Sorrow Bound isn't just a tribute to Hank Williams and an interesting story - It's an  astounding testament to the power and spirit of music when it's in the hands of  those who live and, yes, sometimes die for it. - Mike Bell, The Calgary Sun
INFO: http://www.troubleclef.ca/sorrowbound.htmtrax disc 1:
1. You Win Again - Billy Cowsill 2. I'm So Lonesome I Could Cry - Jane Hawley 3. Long Gone Lonesome Blues - Tom Phillips 4. Lost Highway - Tim William 5. There'll Be No Teardrops Tonight - Stewart MacDougall 6. Jambalaya (On The Bayou) - Jane Hawley 7. Your Cheatin' Heart - Billy Cowsill 8. My Heart Would Know - Stewart MacDougall 9. Lovesick Blues - Tom Phillips 10. Take These Chains From My Heart - Jane Hawley 11. Hey, Good Lookin' - Billy Cowsill 12. On The Banks Of The Old Ponchartrain - Tim William 13. Cold, Cold Heart - Tom Phillips 14. Men With Broken Hearts - Stewart MacDougall 15. I Heard That Lonesome Whistle Blow - Tim William
trax disc 2:
1. Alberta Winds - Tim William 2. I'm A Little Bit Lonesome (And Just A Little Bit Blue) - Billy Cowsill 3. The Starlight Motel - Tom Phillips 4. Sympathetic Heart - Jane Hawley 5. If You're Still There - Stewart McDougal 6. Hotter Than Fire - Billy Cowsill 7. Wouldn't It Be Nice - Jane Hawley 8. I'm Not Missing You At All - Tim William 9. I Was Gonna Clean Up A Little - Tom Phillips 10. Wrong Side Of The Hill - Stewart McDougal 11. Please Check Your Heart At The Door - Jane Hawley 12. Wherever There's A Party - Tom Phillips 13. For Loving You - Tim William 14. It's Over When Somebody Wins - Stewart McDougal 15. It's Over Now - Billy Cowsill
...served by Gyro1966...

Serge Gainsbourg "Histoire De Melody Nelson" 1971

enjoy that vinyl rip!!! - Magic Kaic's MusicYou don't need to speak a word of French to understand Histoire de Melody Nelson -- one needs only to look at the front cover (with its nearly pornographic portrait of a half-naked nymphet clutching a rag doll) or hear the lechery virtually dripping from Serge Gainsbourg's sleazily seductive voice to realize that this is the record your mother always warned you about, a masterpiece of perversion and corruption. A concept record exploring the story of -- and Gainsbourg's lust for -- the titular teen heroine, Histoire de Melody Nelson is arguably his most coherent and perfectly realized studio album, with the lush arrangements which characterize the majority of his work often mixed here with funky rhythm lines which underscore the musky allure of the music. Perhaps best described as a dirty old bastard's attempt to make his own R&B love-man's record along the lines of a Let's Get It On (itself still two years away from release), it's by turns fascinating and repellent, hilarious and grim, but never dull -- which, in Gainsbourg's world, would be the ultimate (and quite possibly the only) sin (allmusic)

trax:
01 - Melody 02 - Ballade De Melody Nelson 03 - Valse De Melody 04 - Ah ! Melody 05 - L'Hotel Particulier 06 - En Melody 07 - Cargo Culte
...served by Magic Kaic's Music...

SOLOMON BURKE "Soul Arrives!" 1955-1961

Although he never had a huge commercial hit, Solomon Burke's brand of secular gospel mixed with a touch of country helped set the stage for soul, and at least two of his early-'60s singles for Atlantic Records, "Cry to Me" and "Everybody Needs Somebody to Love," are stone-cold pop-soul classics. Burke made full use of his preacher's background in his material, fundamentally understanding that there was little difference between a pulpit and a center stage microphone as long as you had a crowd out in front, and several of his songs are essentially secularized sermons. This generous 31-track set is drawn from Burke's stay with Apollo Records between 1955 and 1961, and while it aptly shows what Burke can do, arguably his best and signature sides were done when he moved on to his next label, Atlantic Records. (Steve Leggett, Allmusic)
INFO
http://www.allmusic.com/album/soul-arrives!-1955-1961-mw0002471329

trax:
01 Christmas Presents 02 I'm All Alone 03 Why Do Me That Way 04 I'm In Love 05 To Thee 06 No Man Walks Alone 07 Walking In A Dream 08 A Picture Of You 09 You Can Run But You Can't Hide 10 This Is It 11 I Need You Tonight 12 You Are My One Love 13 For You And You Alone 14 Don't Cry 15 They Always Say 16 My Heart Is A Chapel 17 Leave My Kitten Alone 18 Friendship Ring 19 Mama, Mama Dear 20 Doodle De Doo 21 It's All Right 22 This Little Ring 23 I'm Not Afraid 24 You Don't Send Me Anymore 25 Always Together 26 Honk, Honk, Honk Pt 1 27 Honk, Honk, Honk Pt 2 28 Keep The Magic Working 29 How Many Times 30 Just Out Of Reach 31 Be Bop Grandma
...Many Thanks To clash and Wayne For The Share! served by Gyro1966...

Wednesday, 21 October 2015

"The Madness Invasion" Vol. 2 - 1988

One of my favorite songs when I was a kid was the Crestones Bad Motorcycle, the 45 I had is long gone, but this sounds pretty good! Thanks, man, VROOOOM! - MuckinfugglyI wonder if all those cars on the overpass are running off the sides because they're afraid of the fifty-feet-tall woman, or are they spending too much time looking up her mini-skirt... - O.B. Dantraxfromwax:
1. The Elite - One Potato 2. The Loafers - Crazy Talk (1959) 3. Phil Johns & The Lonely Ones - Ballad Of A Juvenile Delinquent (1960) 4. The Statesmen: Roo-Buh-Doo-Buh-Doo 5. Hollywood Flames - Frankenstein's Den 6. The Crestones - She's A Bad Motorcycle 7. Kip Tyler - Rumble Rock (1958) 8. Curley & The Jades - Boom Stix 9. Round Robin' - I'm The Wolf Man 10. Drag Kings - Midnight Drag Of Paul Revere 11. Jerry Neal - I Hates Rabbits (1958) 12. Crazy Crickets - Expressway 13. Joe Cota - Creep-A-Con-Rock 14. Billy Taylor & The Tear Drops - Wombie Zombie (1959) 15. The Roxsters - Goodbye Baby (1958) 16. Tommy Falcone & The Centuries - Like Weird
ripped from vinyl in glorious monoloudarama!

Del Shannon "Home and Away" 1967

As if to say hey, don’t forget about me, there’s even a remade version of Del Shannon’s big 1961 No. 1 hit single, called “Runaway ’67.” Not only is it slowed down but it’s without Max Crook’s Musitron — the original song’s hook. There’s no other instrument to replace that original song’s lead break.
All-star musicians for these sessions include Nicholls, Led Zeppelin’s John Paul Jones, Twice As Much, P.P. Arnold, session drummer Andy White, Nicky Hopkins, and the Small Faces’ Steve Marriott. Amongst the bonus tracks are both the UK and US singles (“Led Along,” “Mind Over Matter,” “Runaway ’67,” “He Cheated”) in mono, plus an additional rare mono version of “Silently.” (Steve Elliott, Something Else Reviews)This was an ambitious album for both Del Shannon, and for producer Andrew Loog Oldham. The goal was to make a UK Pet Sounds of sorts, with Del in the guise of Brian Wilson — but the album was shelved by Del’s record label Liberty Records back in ’67.
I’m not so sure they achieved that entirely here but, it is both a delightful and completely new direction for the former hitmaker and great rock ‘n’ roller to have taken. I’d say it’s a lot more akin to Billy Nicholls’ superb 1968 album Would You Believe than Pet Sounds.
Now Sounds’ reissue from last year was the first time all of the tracks have been assembled to recreate the original unreleased album. Nicholls actually contributes a couple of songs (“Cut and Come again,” “Led along,” “Friendly with you”) and they greatly aid the overall album. The Motownish “My Love has gone” is a lovely mid-tempo tune displaying Del’s high end vocal range. “Life is But Nothing” and “Silently” perhaps come the closest to that Pet Sounds sound which Oldham — famous as the Rolling Stones manager, and also president of Immediate Records — was trying to achieve for Del Shannon. “Mind Over Matter” could’ve scraped the Top 40.
INFO: http://somethingelsereviews.com/2013/04/19/del-shannon-home-and-away-1967-2012-reissue/trax:
01 It's My Feeling 02 Mind Over Matter 03 Silently 04 Cut And Come Again 05 My Love Has Gone 06 Led Along 07 Life Is But Nothing 08 Easy To Say, Easy To Do 09 Friendly With You 10 He Cheated 11 Runaway '67 12 Led Along (Mono Version) 13 Mind Over Matter (Mono Version) 14 Runaway '67 (_Live_ Overdub Mono Version) 15 He Cheated (Mono Version) 16 Silently (Mono Version)
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Solomon Burke "The Electronic Magnetism" '71

An album of stunning beauty, and one of Solomon's best-ever! He's recording here in a vein that's more in keeping with the smoother Southern soul sound that began to dominate later in the generation – with weeping guitars, soaring strings, and smooth keyboards – and the sound is a perfect accompaniment to Solomon's raspy voice, and actually brings out a lot more soul than his rootsier recordings. The title cut is a stunning love song that taps into the natural force of magnetism, and which shows that Solomon hasn't lost an ounce of his talent. Other cuts include "Stand", "No Man Walks Alone", "Bridge Of Life", and his weird medley of Elton John tracks, called "Three Psalms of Elton". (Cover has a small stain in the bottom right corner, and a DJ sticker on the back.)  © 1996-2015, Dusty Groove, Inc.trax:
01 The Electronic Magnetism 02 Three Psalms Of Elton 03 You Can Run But You Can't Hide 04 All For The Love Of Sunshine 05 Bridge Of Life 06 Together We'll Light Up The Wo 07 Stand 08 PSR 1983 09 Lookin' Out My Back Door 10 No Man Walks Alone 11 J.C. I Know Who You Are
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Tuesday, 20 October 2015

Solomon Burke "Home in Your Heart" The Best of Solomon Burke 1992

Of the great stars of the 1960s soul movement, Solomon Burke isn't as well-remembered as many of his peers, most likely because he had relatively minor success in the crossover marketplace (never scoring a Top 20 pop hit), and he faded from view on the R&B charts by the early '70s. But if Burke's impact was somewhat narrow, it was also quite deep; he was hugely popular in the deep south, a potent live attraction across the country, and (after Ray Charles) one of the first major attractions at Atlantic Records, who helped define the label's signature polished-but-deeply soulful sound. Burke also had, quite simply, one of the finest voices in popular music, a rich and resonant instrument that possessed a churchy authority that was the ideal match for his material, which balanced the pleasures of the flesh with the price of transgression. While Burke made solid albums after leaving Atlantic, his tenure at that label remains his strongest and most rewarding period, and Home in Your Heart: The Best of Solomon Burke is a superbly compiled and annotated two-disc set that cherrypicks 40 superb selections from Burke's Atlantic archive, including the epochal "Everybody Needs Somebody to Love," "Just out of Reach (Of My Two Empty Arms)," "Cry to Me," "The Price," "If You Need Me," and many more. Someday, some archivist should go through Burke's long out-of-print sides for MGM, Bell, Chess, Dunhill, and other labels and create a compilation that will fill in the gaps of Burke's "lost years" before his re-emergence in the mid-'80s, but for the meantime Home in Your Heart: The Best of Solomon Burke remains the best place to start exploring his body of work, and it's a remarkable collection of Southern soul at its finest. (mark Deming, Allmusic)

trax disc 1:
01 home in your heart 02 down in the valley 03 looking for my baby 04 i'm hanging up my heart for you 05 cry to me 06 just out of reach 07 goodbye baby 08 words 09 stupidity 10 can't nobody love you 11 go on back to him 12 baby, i wanna be loved 13 can't nobody love you 14 got to get you off my mind 15 someone to love me 16 you're good for me 17 dance, dance, dance 18 everybody needs somebody to love 19 tonight's the night 20 baby, come on home 21 if you need me 22 the price
trax disc 2:
01 get out of my life woman 02 save it 03 take me (just as i am) 04 when she touches me (nothing else matters) 05 i wish i knew (how it would feel to be free) 06 party people 07 keep a light in the window 08 i feel a sin coming on 09 meet me in church 10 someone is watching 11 detroit city 12 shame on me 13 i stayed away too long 14 it's just a matter of time 15 since i met you baby 16 time is a thief 17 woman, how do you make me love you like i do 18 it's been a change 19 what'd i say
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"Elvis Inspiration" Vol. 2

Forty original recordings that inspired Elvis Presley. The songs he made famous.trax disc 1:
1. Shake Rattle & Roll - Big Joe Turner 2. My Happiness Ella Fitzgerald with - The Song Spinners 3. Baby Let's Play House - Arthur Gunter 4. Harbor Lights - Sammy Kaye & His Orchestra Feat. Tony Alamo & The Kaydets 5. Hearts Of Stone - The Jewels 6. I'll Never Stand In Your Way - Joni James 7. Shake A Hand - Faye Adams 8. Love Me - Jimmie Rodgers Snow & His Tennessee Playboys 9. Sentimental Me - The Ames Brothers 10. I'm Gonna Bid My Blues Goodbye - Hank Snow 11. Pledging My Love - Johnny Ace with The Johnny Otis Orchestra 12. How Do You Think I Feel - Red Sovine 13. I'm Gonna Sit Right Down And Cry (Over You) - Roy Hamilton 14. I Really Don't Want To Know - Eddy Arnold 15. Reconsider Baby - Lowell Fulson 16. I'll Never Let You Go (Little Darlin') - Gene Autry 17. Tomorrow Night - Lavern Baker & The Gliders 18. Tomorrow Never Comes - Ernest Tubb 19. Are You Lonesome Tonight? - Don Cornell (With Hugo Winterhalter Orchestra) 20. White Christmas - The Drifters
trax disc 2:
1. Good Rockin' Tonight - Roy Brown with Bob Ogden's Orchestra 2. Aura Lee - The Shelton Brothers 3. I Feel So Bad - Chuck Willis 4. How's The World Treating You - Eddy Arnold 5. Tweedle Dee - Lavern Baker & The Gliders 6. There's No Tomorrow - Tony Martin 7. Love Me - Willy And Ruth 8. Have I Told You Lately That I Love You? - Red Foley with Roy Ross & His Ramblers 9. Tryin' To Get To You - The Eagles 10. Little Cabin Home On The Hill - Bill Monroe & His Blue Grass Boys 11. I'm 10,000 Years Old - Brownie Mc Ghee & His Jook Block Busters 12. Beyond The Reef - Margaret Whiting & Jimmy Wakely 13. When The Swallows Come Back To Capistrano - Billy Ward & The Dominoes 14. When My Blue Moon Turns To Gold Again - Wiley Walker & Gene Sullivan 15. Love My Baby - Little Junior's Blue Flames (Junior Parker) 16. Hurt - Roy Hamilton 17. Are You Lonesome Tonight? - The Red Caps 18. Hound Dog - Freddie Bell & The Bellboys 19. It's A Sin To Tell A Lie - The Ink Spots 20. Here Comes Santa Clause - Gene Autry
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Monday, 19 October 2015

Solomon Burke "No Man Walks Alone" 1955-1957 (2008)

16 tracks recorded between 1955 and 1957 for Apollo in New York by the legendary soul singer, Solomon Burke, accompanied by Howard Biggs and his Orchestra. Tracks include "When I'm All Alone", "Walking in a Dream", "You Can Run But You Can't Hide" and "You Are My One Love."Personnel:
Solomon Burke - (vocals) with Howard Biggs and his Orchestra featuring King Curtis - (tenor saxophone), Mickey Baker - (guitar) and others

trax:
01 christmas presents from heaven 02 when i'm all alone 03 i'm in love 04 why do me that way? 05 to thee 06 no man walks alone 07 walking in a dream 08 you can run but you can't hide 09 a picture of you 10 i need you tonight 11 this is it 12 my heart is a chapel 13 for you and you alone 14 you are my one love 15 they always say 16 don't cry
...Many Thanks To Jillem For The Share! served by Gyro1966...

"Elvis Inspiration" Vol. 1

Forty original recordings that inspired Elvis Presley. The songs he made famous.trax disc 1:
1. That's All Right - Arthur "Big Boy" Crudup 2. That's When Your Heartaches Begin - The Ink Spots 3. Blue Moon Of Kentucky - Bill Monroe 4. I Love You Because - Leon Payne 5. Ther's Good Rockin Tonight - Wynonie Harris 6. Fool Fool Fool - The Clovers 7. I'll Never Let You Go (Little Darlin') - Jimmy Wakely 8. Just Because - Shelton Brothers 9. Milk Cow Blues Boogie - Kokomo Arnold 10. Tomorrow Night - Lonnie Johnson 11. I Don't Care If The Sun Don't Shine - Dean Martin 12. It's A Sin - Ivory Joe Hunter 13. When My Blue Moon Turns To Gold Again - Eddy Arnold 14. My Baby Left Me - Arthur "Big Boy" Crudup 15. Money Honey - The Drifters 16. A Fool Such As I - Hank Snow 17. I'm So Lonesome I Could Cry - Hank Williams 18. Joshua Fit The Battle Of Jericho - The Golden Gate Quartet 19. Milky White Way - The Trumpeteers 20. Blue Christmas - Ernest Tubb
trax disc 2:
1. So Glad You're Mine - Arthur "Big Boy" Crudup 2. I Need You So - Ivory Joe Hunter 3. Your Cheatin' Heart - Hank Williams 4. I'm Moving On - Hank Snow 5. Hound Dog - Big Mama Thornton 6. Lawdy Miss Clawdy - Lloyd Price 7. Faded Love - Bob Wills 8. It's A Sin - Eddy Arnold 9. Rags To Riches - Billy Ward & The Dominoes 10. Such A Night - The Drifters 11. Tiger Man (King Of The Jungle) - Rufus Thomas 12. Mystery Train - Little Junior Parker 13. I Will Be Home Again - The Golden Gate Quartet 14. Run On For A Long Time - Bill Landford And The Landfordaires 15. Old Shep - Red Foley 16. Milk Cow Blues Boogie - Johnnie Lee Wills & His Boys 17. Crying In The Chapel - Sonny Til & The Orioles 18. Swing Down Sweet Chariot - The Golden Gate Quartet 19. I'll Hold You In My Heart - Eddy Arnold 20. I'll Be Home For Christmas - The Pilgrim Travellers
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Sunday, 18 October 2015

Tav Falco & The Unapproachable Panther Burns "Conjurations: Seance For Deranged Lovers" 2010

It's been 11 years since Tav Falco and Panther Burns have released an album of new material (the last was 2000's Panther Phobia). Falco has been busy, working as a film producer, director, and actor; studying the tango and becoming a dancer; re-forming the band for festival appearances in Europe and the United States, and becoming the author of Ghost Behind the Sun: Splendor, Enigma & Death (Mondo Memphis, Vol. 1), a musical history of the city from the Civil War to the present. All of this, of course, makes Conjurations: Seance for Deranged Lovers, a special occasion. The lineup, a quintet, features a slew of guitars, from baritone and bass to slide and electric six-strings, plus percussion. There is a trio of guests playing piano and harpsichord, bandoneon, and cello as well. Recorded at Section Musicale on the Saint-Germain-des-Prais in Paris, musically Conjurations is the most ambitious recording in Falco's career. This doesn't mean it's "progressive" in any way. Falco's unique, even trademark meld of theatrical personas and styles here -- from blues, rockabilly, tango, chanson, swing and decadent cabaret balladry to mid-20th century rock & roll -- are all distinctly rooted in Memphis. The album plays like a suite, which makes for sometimes jarring transitions: the jangly, midtempo rock balladry of "Ballad of the Rue de la Lune" to the downright nasty distortion blues of "Sympathy of Mata Hari" -- the album's first two cuts -- are one example, but even more so are the lilting, cinematic "Chamber of Desire," driven by Falco's guitar and a harpsichord with the dirty-assed slide guitar madness of "Administrator Blues." Elsewhere, the elegantly ragged "Budapest" bridges two tangos: "Tango Fatale" and "Secret Rendezvous," both marrying the influence of Astor Piazzolla's bandoneon and Carlos Gardel's singing style to film noirish American blues. The grimy harpsichord psychedelia of "Garden of the Medicis" is simply startling as it moves from rocker to uptempo waltz. Falco saves the best for nearly last, however, with the Link Wray-esque, swaggering, decadent rocker "Gentleman in Black," which eclipses into "The Phantôme Demoiselle" -- which channels Johnny Cash at Sun Studios -- before closing it all out with what can only be called a Memphis tango in "Conjuration of Masques." Falco's lyrics have to be heard to be believed, and are as engaging as his brilliant track annotations in the booklet. While better sounding -- sonically -- than any Panther Burns offering in the past, Conjurations is also one of the very best. (Thom Jurek, Allmusic)

trax:
01 Ballad of the Rue de la Lune 02 Sympathy for Mata Hari 03 Chamber of Desire 04 Administrator Blues 05 Tango Fatale 06 Budapest 07 Secret Rendez-vous 08 Garden of the Medics 09 Lady from Shanghai 10 Gentleman in Black 11 Phantome Demoiselle 12 Conjuration of Masques 13 Real Cool Trash
...Many Thanks To Jillem For The Share! served by Gyro1966...

Solomon Burke "Proud Mary" - The Bell Sessions 1969-70

I first discovered Solomon Burke from Nick Honrby's novel "High Fidelity." In the novel, a Burke song "Why Can't We Stay Together" features prominently and since main character Rob has such a breadth of knowledge about music, I sought it out hoping to discover something new. This track can be found on Burke's "Definition Of Soul" album which has a 70's/Al Green kind of vibe to it. It's a swell song, and that album is quite good, worth owning, but it in no way prepared me for the power, and genius, and purity of purpose in "The Bell Sessions," which I've been listening to over and over and over for a few weeks now.
The back of the CD has liner notes by John Foggarty who writes that he feels Burke's recording of "Proud Mary" is definitive - that no one before had ever captured the true essence of the song as Burke did... and he's right. For the first time, I actually listened to, and heard the lyrics of this American classic. It's also the first version I've ever heard to completely erase my memory of Tina Turner's bravura rendition.
Burke has a preacher's background, so his sound is steeped in the Gospel tradition which seems the likely source for his greatest gifts - drama, pacing, and rhythm. The man knows how to build a song from the ground up. He starts slowly, gradually sucks you in, and then gives you the release you're begging for, while beautifully serving the lyric the whole way through. No song demonstrates this better than Track #6, "That Lucky Ol' Sun." In the liner notes Foggarty singles out this tune, and boy is he right. Discover this brilliant recording for yourself before some insurance company or The Gap puts it in an ad sure to give goose-bumps. After listening to Burke's version over and over, I was surprised to stumble on it in other parts of my record collection. Ray Charles does it. So does Johnny Cash on his newest "American Legend III." Obviously I'd heard the song before but I'd never heard the song. Classic doesn't even come close to describing it.
"The Bell Sessions" is made up of two distinct albums, and there's a decided shift in sound mid-way through from a stripped down, more acoustic sound to more fully produced tracks complete with enormous gospel chorus. However both styles work wonderfully - it's impossible to choose a preference. Among the fine tracks in the later half, "Generation of Revelations" will have you dancing around your living room.
Why Burke's work in this era isn't better known is a mystery to me. While you could never actually equal the thrill of discovering Aretha Franklin for the first time, listening to the "The Bell Sessions" will be its own kind of revelation. A classic. (The Soul Digger)trax:
01 Proud Mary 02 These Arms Of Mine 03 I'll Be Doggone 04 How Big A Fool (Can A Fool Be) 05 Don't Wait To Long 06 That Lucky Old Sun 07 Uptight Good Woman 08 I Can't Stop 09 Please Send Me Someone To Love 10 What Am I Living For 11 She Thinks I Still Care 12 I'm Gonna Stay Right Here 13 The Generation Of Revelations 14 In The Ghetto 15 God Knows I Love You 16 The Mighty Quinn 17 A Change Is Gonna Come
...Many Thanks To Jillem For The Share! served by Gyro1966...