Wednesday, 31 August 2011

"NYMPHOMANIA" Vol 2 - More Sexy European Go Go Music From The 60's

trax:
1. Take A Shake - Gus Brendel Group 2. Ma Ceinture De Sécurité - Antoine 3. Funky - Andre Brasseur 4. Le Winston - The Nilsmen 5. Midnight Dance - Ambros Seelos 6. Sexology - Rita 7. Shakemaster - Charly Steinham 8. Dear Lover - Orchester Lou Castell 9. Femme Femme - Sophie Daumier 10. Something Different - The Monaco Danceband 11. Black Magic Woman - Orchester Hugo Strasser 12. Apache - Adi Zehnpfennig 13. Pagan Love Song - Samoa Serenaders 14. Beryl's Tune - Augusto Martelli 15. Sex Machine - Orchester Werner Müller
...served by Gyro1966...

"HARLEM HOLIDAY" NEW YORK RHYTHM & BLUES Vol. 6

Harlem Holiday: New York Rhythm & Blues is a seven-volume series from Collectables that documents New York's thriving doo wop and R&B scene of the late '50s and early '60s. This is a fine series of CDs for those who want to dig deeper -- perhaps after devouring Rhino's Doo Wop Box sets -- but it's definitely too specialist for beginners, since it focuses on groups who were primarily local or regional sensations. Andy Kellman, Allmusic

trax:
1. Stay - Maurice Williams 2. Ship Of Love - The Nutmegs 3. Look Me In The Eyes - The Five Willows 4. Shadows - The Five Satins 5. Why Should We Break Up - The Sonnets 6. Sister Sookey - The Turbans 7. Ginny - The Smart Tones 8. Wonderful Girl - The Five Satins 9. Fountain Of Love - The Skylarks 10. Bobby You - The Desires 11. Remember The Night - The Loungers 12. Darlin' - The Five Debonaires 13. Dance Dance - The Vocalaires 14. You're Daddy's Little Girl - Roger & The Travelers
...served by Gyro1966...

Tuesday, 30 August 2011

"NYMPHOMANIA" Vol 1 - A Collection Of Sexy European Go Go Music From The 60's

trax:
1. Lovebug - Orchester Lou Castell 2. Young Stud - Klaus Und Uschi 3. Snake In The Grass - The Monaco Danceband 4. Gogomobil - Carlo Montez 5. Theme From "Claudine '69" - Alfredo Luna 6. Mini Skirt - Orchester Lou Castell 7. Theme From "Nights Of Sin" - Juliette LeBlanc 8. Le Resteral Ton Amour - Antoine 9. Theme From "Danger In Go Go Boots" - Carlo Montez 10. Green Light - The Hammond Brothers 11. Drag De Marquis De Sade - Pedro Fumetti 12. Je M'en Fous - Pascal Danel 13. Pink Carpet - Juliette LeBlanc 14. Geisterreiter - Adi Zehnpfennig 15. Mädchen Die Sich Selbst Bedienen - unknown
...served by Gyro1966...

"HARLEM HOLIDAY" NEW YORK RHYTHM & BLUES Vol. 5

Harlem Holiday: New York Rhythm & Blues is a seven-volume series from Collectables that documents New York's thriving doo wop and R&B scene of the late '50s and early '60s. This is a fine series of CDs for those who want to dig deeper -- perhaps after devouring Rhino's Doo Wop Box sets -- but it's definitely too specialist for beginners, since it focuses on groups who were primarily local or regional sensations. Andy Kellman, Allmusic

trax:
1. Paradise Hill - The Embers 2. Story Untold - The Nutmegs 3. Tell Me Why - The Sunbeams 4. When You Dance - The Turbans 5. Dear Diary - The Smooth Tones 6. Foolish One - Rocketeers 7. They Call Me A Dreamer - The Starlites 8. In the Still of the Night - The Five Satins 9. Lizabeth - The Thrillers 10. Lay Your Head On My Shoulder - The Five Willows 11. Sandy - The Colonaires 12. Whispering Sorrows - The Nutmegs 13. Congratulations - The Turbans 14. Eternel Love - The Heralds
...served by Gyro1966...

Monday, 29 August 2011

"DON'T KNOCK THE TOM!" TOMMYKNOCKERS' BEAT CLUB VOL 3

MODYSSEY AND ORACLE: UNCOMPED 60s UK-BEAT 61-70 WITH SOME SKAVENGERS CRUISIN' 'ROUND AGAIN. (Including the youthful (mis)deeds of Philip Goodhand-Tait, Rory Gallagher, Jack Bruce, Dave Edmunds etc.)I've been asked why we don't upload more of this stuff faster?!? Hey, this isn't like squeezing a cd in the slot and up we go! This is hard work going through my collection, including hundreds of ancient, scruffily indexed tapes, some of them reel-to-reel. Then check if the tracks are uncomped. Then digitalize, seperate, index and clean up the sound. Guess, we're pretty fast, as a matter of fact! Oh, I forgot: research and write liners. Awright, here we go again, greedy bastards: (The Lolly Pope) Read all about this comp here:
http://spurensicherung.blogspot.com/

trax:
01 Little Egypt - The Cyclones (Oriole,63) 02 Little Bit 'O Soul - The Little Darlings (Fontana,65) 03 Bye Bye Johnny - The Dominoes (Reading Rag Records,66) 04 Louie Louie - Rhythm & Blues Inc. (Fontana,65) 05 Let The Sun Shine In - The Peddlers (Philips,65) 06 What Can I Do - The Vikings (Alp,66) 07 Number One - The Stormeville Shakers (EP, Odeon,67. Released in France) 08 I Tried To Forget - The Transatlantics (Fontana, 65) 09 She's Gone - Cliff Richard & The Shadows (EP:"Time For Cliff", Columbia,61) 10 Don't You Ever - Gerry & The Pacemakers (EP:"I'm The One", Columbia,64) 11 ForYou, For You - Wayne Fontana & The Mindbenders (Fontana,63) 12 Situation Now - Situation (CBS,66) 13 You've Got To Pay - Taste (BASF, recorded 67, released 71 in Germany) 14 Please Don't Touch - The Wild Angels (B&C,69) 15 Rootin' Tootin' - Jack Bruce (Polydor,65) 16 Trying To Forget The One You Love - The Shadows (Columbia,68) 17 Come Back - Ossie Layne (R&B Rec.,66) 18 Neighbour, Neighbour - The Adlibs (Fontana,65) 19 Bye Bye Baby - The Perishers (Fontana,68) 20 If You Can't Give Me All - The Monotones (Hickory,65. US-only release) 21 It's A Wonder - The Human Beans (Columbia,67) 22 Madness - Georgie Fame & The Blue Flames (EP"Rhythm & Blue Beat", Columbia,64) 23 The Fightin' - The Chessmen (Rex Rec., Ireland, 65) 24 The Cramp - Vince Philpott & The Drags (Decca,64) 25 Rosie - Alexis Korner (Fontana,67) 26 Taking Care Of Myself - The Endevers (Decca,68) 28 That's When I Need Him - The Clearways (EP, Roundabout Rec, 70) 28 Foolin' - Lee Castle & The Barons (Parlophone,64) 29 Deep Blue Feeling - The Isle Of Wight Cherokees (Polydor,67, released in Sweden) 30 Shake And Scream - Kenny Lynch with The Laurie Jay Combo (HMV Pop,64) 31 Baby Don't Care - Force Five (United Artists,65) 32 Love Me - Dave Lee & The Staggerlees (Oriole,63)
From ROOTS AND TRACES: SPURENSICHERUNG Blogspot, served by Gyro1966

"HARLEM HOLIDAY" NEW YORK RHYTHM & BLUES Vol. 4

Harlem Holiday: New York Rhythm & Blues is a seven-volume series from Collectables that documents New York's thriving doo wop and R&B scene of the late '50s and early '60s. This is a fine series of CDs for those who want to dig deeper -- perhaps after devouring Rhino's Doo Wop Box sets -- but it's definitely too specialist for beginners, since it focuses on groups who were primarily local or regional sensations. Andy Kellman, Allmusic

trax:
1. Florence - The Paragons 2. Must Be Falling In Love - The Duponts 3. Zoom, Zoom, Zoom - The Collegians 4. Oh Baby - The Jesters 5. What Could It Be - The Pretenders 6. Let's Start All Over Again - The Paragons 7. Hong Kong - The Quinns 8. The Wind - The Jesters 9. You - The Duponts 10. On Your Merry Way - The Collegians 11. Oh Starlite - The Quinns 12. Tears - The Persuaders 13. The Plea - The Jesters 14. Twilight - The Paragons
...served by Gyro1966...

Sunday, 28 August 2011

"HARLEM HOLIDAY" NEW YORK RHYTHM & BLUES Vol. 3

Harlem Holiday: New York Rhythm & Blues is a seven-volume series from Collectables that documents New York's thriving doo wop and R&B scene of the late '50s and early '60s. This is a fine series of CDs for those who want to dig deeper -- perhaps after devouring Rhino's Doo Wop Box sets -- but it's definitely too specialist for beginners, since it focuses on groups who were primarily local or regional sensations. Andy Kellman, Allmusic

trax:
1. Teenage Dream - Pearl & The Deltars 2. I've Got A Feeling - The Topps 3. All Because Of Love - The Charts 4. I Really Love You - The Channels 5. All Night Long - The Du Mauriers 6. Come On And Love Me Baby - The Du Droppers 7. Dear Loraine - The Federals 8. One Love - The Logics 9. Whispering Heart - The Empires 10. Kiss Me - The Scarlets 11. Flames In My Heart - The Channels 12. Everybody's Got Somebody - The Skylarks 13. Don't Fall In Love - The Sequins 14. I Found Out Too Late - Jackie & The Starlites
...served by Gyro1966...

Saturday, 27 August 2011

"HARLEM HOLIDAY" NEW YORK RHYTHM & BLUES Vol. 2

Harlem Holiday: New York Rhythm & Blues is a seven-volume series from Collectables that documents New York's thriving doo wop and R&B scene of the late '50s and early '60s. This is a fine series of CDs for those who want to dig deeper -- perhaps after devouring Rhino's Doo Wop Box sets -- but it's definitely too specialist for beginners, since it focuses on groups who were primarily local or regional sensations. Andy Kellman, Allmusic

trax:
1. The Girl Next Door - Earl Lewis & The Channels 2. While Our Hearts Are Young - The Federals 3. What Do You Do (To Make Me Love You So) - The Topps 4. Please Tell the Angels - Lewis Lymon & The Teenchords 5. How Could You - The Mello Moods 6. True Love - The Scarlets 7. Come to Me - The Quadrells 8. My Diane - The Charts 9. On Your Mark - The "C" Notes 10. My Heart is Sad - Earl Lewis & The Channels 11. Cora Lee - Little Bobby Rivera And Hemlocks 12. Close Your Eyes - The Pretenders 13. Magic Mirror - The Whirlers 14. Your Love is All I Need - Carl Hogan & The Miracles
...served by Gyro1966...

Friday, 26 August 2011

"HARLEM HOLIDAY" NEW YORK RHYTHM & BLUES Vol. 1

Harlem Holiday: New York Rhythm & Blues is a seven-volume series from Collectables that documents New York's thriving doo wop and R&B scene of the late '50s and early '60s. This is a fine series of CDs for those who want to dig deeper -- perhaps after devouring Rhino's Doo Wop Box sets -- but it's definitely too specialist for beginners, since it focuses on groups who were primarily local or regional sensations. Andy Kellman, Allmusic

trax:
1. Castle in the Sky - The Bop Chords 2. My Darling You - The Bop Chords 3. When I Woke Up This Morning - The Bop Chords 4. I Really Love Her So - The Bop Chords 5. So Why - The Bop Chords 6. Baby - The Bop Chords 7. Mary - The Thunderbirds 8. In My Thunderbird - The Thunderbirds 9. Lorraine - The Harmonaires 10. Come Back - The Harmonaires 11. United - The Love Notes 12. Tonight - The Love Notes 13. Don't Go - The Love Notes 14. If I Could Make You Mine - The Love Notes 15. Tonight - The Pretenders 16. I Love You So - The Pretenders 17. Counting the Stars - The Ladders 18. I Want to Know - The Ladders
...served by Gyro1966...

"BEST OF HALEM & JAX RECORDS" VOL. 2 - Rockin' Blues & Boogie

Hard hittin' blues rockers.trax:
1. I Love You Baby - Sonny Terry & Buckshot Five 2. Slow Down Baby - Bob Gaddy & His Keys 3. Miss Christine - Brownie McGhee & The Jook Block Busters 4. Do You Know How to Boogie - Rufus Beacham & The Tampa Toppers 5. Mad Man's Boogie - Lightnin' Hopkins & Guitar 6. Bicycle Boogie - Bob Gaddy & The Alley Cats 7. Bluebird Bluebird - Brownie McGhee & The Jook Block Busters & The Concords 8. Mad As I Can Be - Lightnin' Hopkins & Guitar 9. Harmonica Train - Sonny "Hootin" Terry & The Night Owls 10. Love Love Love - Bobby Harris 11. Tap Dance Boogie - Lightnin' Hopkins & Guitar 12. Boogie Woogie Nighthawk - James "Widemouth" Brown 13. Meet You in the Morning - Brownie McGhee & The Jook Block Busters 14. I Believe You Got a Sidekick - Bob Gaddy & The Alley Cats 15. I Don't Worry - Sonny "Hootin" Terry & Harmonica 16. Relief Check - Bobby Sue & Freeloaders 17. Jack Stropper - Lightnin' Hopkins & Guitar 18. Mean Ole Frisco - Brownie McGhee & The Sugar Men 19. Junko Partner - James Wayne 20. Little Girl's Boogie - Bob Gaddy & The Alley Cats 21. Woman is Killing Me - Sonny "Hootin" Terry & The Night Owls 22. Shame Shame Shame - Larry Dale 23. Papa Jones Boogie - Lightnin' Hopkins 24. She's My Baby - Peppermint Harris 25. I Feel So Good - Brownie McGhee & The Jook Block Busters
...served by Gyro1966...

Thursday, 25 August 2011

"BEST OF HALEM & JAX RECORDS" VOL. 1 - The Groups

Two dozen cool greasy group sides!trax:
1. Candlelight - The Concords 2. Why Oh Why - Bobby Hall & The Kings 3. Make or Break Me - The Empires 4. Do You Wanna Rock - The Four Kings 5. Search My Heart - The Ramblers 6. Sunday Kind of Love - Bobby Hall & The Kings 7. You Can't Stay Here - Pearl Reeves & The Concords 8. Traveling All Alone - The Dixieaires 9. Baby Be There - Bobby Hall & The Kings 10. Magic Mirror - The Empires 11. Monticello - The Concords 12. Fire in My Heart - Bobby Hall & The Kings 13. Raggedy And Hungry - Lightnin' Jr. & The Empires 14. You Never Knew - The Four Kings 15. Corn Whiskey - The Empires 16. It Takes a Lot of Love - Bobby Sue & Freeloaders 17. You Made Me Cry - Bobby Hall & The Kings 18. 50 50 Love - The Ramblers 19. My Baby, My Baby - The Empires 20. I Love My Baby - Bobby Hall & The Kings 21. I'm Not Like I Used to Be - The Dixieaires 22. I'm Not Ashamed - Pearl Reeves & The Concords 23. Somebody Changed the Lock - Lightnin' Jr. & The Empires 24. Love No One - Bobby Hall & The Kings
...served by Gyro1966...

"QUEEN OF HITS" THE MACY'S RECORDING STORY

Acrobat Music Ltd of the U.K., which brings you many fine oldies series, among them the one covering some of the best Blues/R&B artists of the 1940s/early 1950s under the generic heading Jukebox Hits, has also focused on the production of some small short-lived independent U.S. labels, one such being Atlas Records. This one deals with the label founded by Macy and Charles Henry in Houston, Texas and named Macy's Recordings (subtitled Queen Of Hits), setting out in late 1949 to present Blues/R&B in one series of releases (5000) and Hillbilly/Western Swing in another (100).Functioning for about 2 years, and despite releasing some 153 singles in the 100 series and 17 in the 5000 series, and contrary to what is said in the official blurb above ("... the label enjoyed two huge hits on its first release with Lester Williams' 'Wintertime Blues' and Clarence Garlow's 'Bon Ton Roula' ...") they only registered the one national hit single, that being Garlow's Bon Ton Roula (let the good times roll in Cajun-speak) which reached # 7 on what then passed for the R&B charts in February 1950.
Some, like Wintertime Blues, may have enjoyed considerable local success within the limited distributional capacity of the company, but the shoe-string operation in terms of promotional capability worked against them, not to mention the fierce competition within the same fields, and gobbling up of the better local artists, from operations such as Freedom, Peacock/Duke and even the Sittin'-In-With operation out of New York City.
So, when their primary stars like Lester Williams moved to Art Rupe's Specialty Records, Aladdin beckoned to Clarence Garlow, and Smokey Hogg moved on to Modern, and they could no longer compete with what they had left in their stable, they closed shop in 1952. And without this great little release from Acrobat, with fascinating background notes written by Dave Penny, precious few today would even know they once existed.

Here are the trax included, showing label numbers and year of release:
1. Wintertime Blues - Lester Williams (Macy's 5000-A - late 1949); 2. I Know That Chick Standing In The Corner - Lester Williams (Macy's 5004 - early 1950); 3. Three Woman Blues - Cab McMillan & The Fadeaways (Macy's 5011-A - July 1950); 4. I'm Young And Able - Cab McMillan & The Fadeaways (Macy's 5011-B); 5. Leaving My Baby - Smokey Hogg (Macy's 5003-A - late 1949); Bon Ton Roula - Clarence Garlow (Macy's 5002-A - # 7 R&B February 1950); 7. Harry's Blues - Harry Choates (Macy's 158 - 1951); 8. Tennessee - Tommy Scott (Macy's 116 - 1950); When A Man Gets The Blues - Tommy Scott (Macy's 148 - 1951); 10. You Gotta Go - Smokey Hogg (Macy's 5003-B - late 1949); 11. Hubert Robinson - I Love You Baby (Macy's 5015-A - summer 1950); 12. High Class Woman (Macy's 5015-B); In A Boogie Mood - Clarence Garlow (Macy's 5002-B); 14. Blues As You Like It - Clarence Garlow (Macy's 5001-A - late 1949); 15. I'm So Happy I Could Jump And Shout - Lester Williams (Macy's 5000-B late 1949); 16. Hey Jack - Lester Williams (Macy's 5016 - late summer 1950); 17. Humble Road Boogie - Curly Rash (Macy's 145 - 1950?); 18. Boogie Woogie Blues - Art Gunn & His Arizona Playboys (Macy's 122 - 1950?); 19. Let's Call It Quits - Barney Vordeman & His Drifting Texans (Macy's 103 - late 1949); 20. Ramblin' Man - Bill Grady (Macy's 136 - 1950); 21. Boogie The Joint - Hubert Robinson (Macy's 5005 - early 1950); 22. Old Woman Boogie - Hubert Robinson (Macy's 5007 - 1950); 23. Jumping For Joy - Clarence Garlow (Macy's 5012 - 1950); 24. Bad Luck And Trouble - Hubert Robinson (Macy's 5010-A - 1950); 25. Room And Board Boogie - Hubert Robinson (Macy's 5010-B); 26. Texas Town - Lester Williams (Macy's 5009 - 1950); 27. Dowling Street Hop - Lester Williams (Macy's 5006 - 1950). (Avid Oldies Collector)
...served by Gyro1966...

Wednesday, 24 August 2011

The Heatscores "Light 'Em Up" 2000

"Very tastefully and stylishly designed 10’’ having 11 entertaining instrumentals. Very nice, surfy rock’n roll…Go test it!" (MOLOKO PLUS #18)The Canadian originators of the Hub City hot-rod sound driven by fat Gretsch guitars. Highest scores! "Super surf music…11 tracks, not entirely for wave riders and hot-rod teenagers, placed on such a beautifully styled 10’’ just kick ass. Rock’n roll but stylish." (OX #42)

trax:
01 Top Fuel Mama 02 The Sunset Flip 03 Cool As A Corpse 04 Vengeance On Wheels 05 The Bruce Is Loose 06 Knife Fight At The Wier 07 Shot Fulla Holes 08 Rumbleseat 09 Hot Night At The Whore House 10 The Bruce Is Still Loose 11 Light 'Em Up

"CRUISIN' AROUND" Rock-N-Roll Car Tunes

Great collection of 32 rockin' songs about cars!trax:
1. Cruisin Around - Tommy Payne 2. Let's Go - The Collegians 3. Drive In Movie - The Academics 4. Speedy - The Casinos 5. Dynaflo - The Cavaliers 6. Santa's Got A Coup De Ville - The Four Imperials 7. I Love My Baby - The Crystals 8. (Uh Oh)Get Out Of The Car - The Treniers 9. The Drive In - The Aquatones 10. Hey Little Car Hop - George Weston 11. Corvette Corvette Corvette - The Corvettes 12. My White Convertible - The Hall Brothers 13. Gasoline - The Jay Tones 14. Fabulous Cars And Diamond Rings - The Larks 15. Flat Tire - The Dell-Vikings 16. Pink Cadillac - Sammy Masters 17. Little Forty Ford - Leon Smith 18. Loud Mufflers - Robert Williams 19. Hot Rod - Little Joey & The Flips 20. Drop Top - Roy Perkins 21. Cool Short - The Olympics 22. Speedillac - Sonny Day & The Versatiles 23. Get Out Of The Car - Richard Berry 24. Black & White Thunderbird - The Delicates 25. Bring My Cadillac Back - Baker Knight 26. Hot Rod Baby - Rocky Davis 27. Kiddy Car Lover - The Sensations 28. My Bonneville - The Rollers 29. Automobiles - The Spaniels 30. Little Drive In - Tex Harris 31. Hot Rod Man - Tex Rubinowitz 32. Scadillac - The Squires
...served by Gyro1966...

"LET ME GO TO THE HOP"

28 Hard To Find Teen Rockers from the late 50's to the early 60's.trax:
1. Let Me Go To The Hop (Power) - The Sweethearts 2. Rockin' Pneumonia (Big Beat) - Tony Grecco 3. Sweet Shop (Apollo) - Larry Kirby 4. Party Party (Atlantic) - Dean Beard 5. Litttle Mama (Athens) - Andy Wilson 6. What Would I Do - Jerry Foster & His Band (Backbeat) 7. Bony Maronie (Vee Gee) - Dave McQuitty w/The Viscounts 8. Sidewalk Rock (Teen) - Jimmie Byron 9. Squeelin' Parrot (Russ-Fi) - Vince Edwards 10. Eddie Can I Park in Your Lot (Dore) - Sharon Mason 11. Rock and Roll Age (United Artists) - The Four J's 12. Say Mama (Big Beat) - Tony Grecco 13. I'd Love To Take You Walking (Perry) - Little Denny & The Torkeys 14. Uh Uh Honey (Pontiac) - Mary Anne Curtis 15. Baby Tonight (Bobbin) - The Harmony Brothers 16. Grapevine (Backbeat) - Doodle Owens 17. Skippin' and a Jumpin' (Okeh) - The Flints 18. On Down The Line (R) - Zig Dillon 19. Your Driver's License, Please (Era) - Bobby Please 20. Your Kind of Love (Blue Chip) - Bob & The Rockbillies 21. Tiddley Diddley (Strut) - Hank Price III 22. Bird Brain (Ember) - Dapper Dans 23. Hawaiian War Rock (Scarlet) - The Gem Tones 24. Sandra (Gizmo) - Willie Zango 25. Boppin' Bobbie Jean (Madison) - King Victor 26. Something Else (Big Beat) - Tonny Grecco 27. Teen Twist (VEM) - Buddy Miller 28. Baby Why Did You Have To Go (Blue Chip) - Bob & The Rockbillies
...served by Gyro1966...

Tuesday, 23 August 2011

LITTLE MILTON "Tending His Roots" Chess/Checker 1963-1969

trax:
01 Feel So Bad 02 If Walls Could Talk 03 Life Is Like That 04 Sweet Sixteen 05 I Can't Quit You Baby 06 I'm Mighty Grateful 07 Don't Talk Back 08 Reconsider Baby 09 Losing Hand 10 We're Gonna Make It 11 Stormy Monday 12 Blind Man 13 I'm Gonna Move To The Outskirts Of Town 14 Blues In The Night 15 Did You Ever Love A Woman 16 Who's Cheating Who 17 Blues Get Off My Shoulder 18 Things I Used To Do 19 Don't Deceive Me 20 Grits Ain't Groceries (All Around The World)
...served by Gyro1966...

"HERB ABRAMSON'S FESTIVAL OF GROUPS" New York Doo Wop 1958-1966

Herb Abramson was a legendary R&B producer whose career covered most of the first quarter century of music from the end of World War II on at Jubilee Records and later at Atlantic. He was responsible for recording the likes of the Ravens, the Orioles, and the Clovers, among numerous others, and was regarded as one of the top men in his field. It's a sign of just how pathetically ignorant Americans are of their own musical heritage that London-based Sequel Records felt confident issuing a disc with this title, knowing that enough Europeans would know who Herb Abramson was, where no American label (including Atlantic Records) could ever consider such a collection or a name. This specific volume is devoted to the 1960s sides cut by groups that Abramson had recorded in the '40s and '50s and whose original members he had brought back into the fold. The astonishing part is that 1940s veterans like Jimmy Ricks and Sonny Til still had a huge amount to offer on dance numbers and ballads. Ricks' "You've Got Just What I Need," "Daddy Rollin' Stone," and even his rendition of "Ol' Man River" are strong enough to carry the collection, but Til's ethereal "So Long" and especially "Night and Day" (an update of the Ravens' 1947 single) are not to be missed. Also aboard are the re-formed Clovers doing "He Sure Could Hypnotize" in a beguiling, ebullient performance. Also included are such lesser-known outfits as the Universals and the Magnetics, all of whom were every bit as solid in the recording department -- thanks to Abramson -- as Ricks and Til. The sound is excellent and the annotation, though a bit disjointed and sketchy at times from poor editing, is fairly thorough. (Bruce Eder, Allmusic)

trax:
1. Love Bound - The Universals 2. Ol' Man River - Jimmy Ricks & The Ravens 3. Night And Day - Sonny Til & The Orioles 4. Daddy Rolling Stone - Jimmy Ricks & The Ravens 5. Dreaming - The Universals 6. Poor Baby - The Clovers 7. You've Got Just What I Need - Jimmy Ricks 8. So Long - Sonny Til & The Orioles 9. Deep River - Jimmy Ricks & The Ravens 10. Sincerly - Sonny Til & The Orioles 11. Kisses In My Dreams - The Universals 12. Homesick - Jimmy Ricks & The Ravens 13. Some Of This Some Of That - Sonny Til & The Orioles 14. Oh What A Feeling - Jimmy Ricks & The Ravens 15. Do The Zombie - The Symbols 16. He Sure Could Hypnotise - The Clovers 17. Snatchin' Peaches - The Chanteclaires 18. The Invasion - The Dovers 19. Cecilia - Jimmy Ricks & The Ravens 20. Sha-He-Be - The Essentials 21. Daddy Can I Go To The Hop? - The Cashmeres w/Eddie Jones 22. Sardines - The Magnetics 23. Ling Ting Laundry - The Chanteclaires 24. Umgowa Twist - Jimmy Ricks & The Ravens 25. Earth Cousins - Tony Middleton & Jack Hammer
...served by Gyro1966...

Wednesday, 17 August 2011

Taking a break till Monday!

...and this is where I'm going to....

Tuesday, 16 August 2011

"COLLECTOR'S CHOICE" FEATURING PROFESSOR LONGHAIR etc. 1996

Professor Longhair is indisputably one of the legends of New Orleans music, a major influence on virtually all later Crescent City keyboard players. On Collector's Choice, 10 early, seminal Longhair recordings are featured in context with the work of other New Orleans R&B figures most popular at the time these 45s were originally cut, a veritable Who's Who of late `50s to mid `60s R&B from New Orleans. Also featured is Irma Thomas' original "You Can Have My Husband (But Please Don't Mess With My Man)," Al Johnson's Mardi Gras classic "Carnival Time," plus tracks by Tommy Ridgley, Eddie Bo and others. All but two tracks are from original Ric and Ron masters - (Bluebeat Music)An excellent collection in the New Orleans' piano blues style, featuring tracks from various artists with Professor Longhair as the dominant figure, cranking out ten of the 19 songs. Longhair's recordings are from the same era as Fats Domino; Domino scored worldwide with a long list of hits and Longhair became a cult figure, but it's easy to understand the accolades -- Longhair's a stone groove to listen to. Vocally, he's similar to Domino, but less colorful; however, the accompanying blues/R&B arrangements, with some charts apparently written for a whistler, even the score. The disc's other nine tracks are performed by Al Johnson, a young Irma Thomas on "Don't Mess With My Man," Joe Jones yakking out "You Talk Too Much," Eddie Bo, and others. Longhair's tracks alone make this an essential item for '60s big easy piano blues lovers. - by Andrew Hamilton, Allmusictrax:
1. Go To The Mardi Gras - Professor Longhair 2. Every Day, Every Night - Professor Longhair 3. If Only I Knew - Professor Longhair 4. Cuttin' Out - Professor Longhair 5. Big Chief - Part 1 - Professor Longhair 6. Big Chief - Part 2 - Professor Longhair 7. Everyone's Blowing - Part 1 - Professor Longhair 8. Everyone's Blowing - Part 2 - Professor Longhair 9. I Believe I'm Going To Leave - Professor Longhair 10. A Whole Lot Of Twisting - Professor Longhair 11. Carnival Time - Al Johnson 12. Don't Mess With My Man - Irma Thomas 13. You Talk Too Much - Joe Jones 14. I Don't Talk Too Much - Martha Y Nelson 15. Double-Eyed Whammy - Tommy Ridgley 16. Check Mr. Popeye - Eddie Bo 17. Mama Don't Allow - Bobby Mitchell 18. Genevieve - Lenny Capello & The Dots 19. Feelin' Right On A Saturday Night - The Velvetiers
...served by Gyro1966...

THE CLIQUE "The Complete Recordings" 1964-1965

The Clique were a five-piece band about which little is known (John Kitch played rhythm, and Adrian Stambach handled the bass), except that they had a tough sound reminiscent of the Pretty Things and cut two singles for Pye in the mid-1960's under producer Larry Page. They had a crude, bluesy sound, similar to The Boys but rougher, and only lacked some of the energy projected by acts like the Pretties and the Rolling Stones at their respective bests—and their debut single "She Ain't No Good" was still rather unforgettable for its proto-punk sensibilities. Their second single, "We Didn't Kiss, Didn't Love, But Now We Do," was even more bluesy as well as very experimental in structure. Along with their privately pressed four-song demo, it's a choice piece of '60s vinyl among collectors, but despite this after the fact adoration, the Clique never caught on in their own time. With a few breaks, they might've been as big as producer Larry Page's great enduring success, the Troggs. (Allmusic)

trax:
01 She Ain't No Good [demo] 02 Ooh Poo Pah Doo [demo] 03 Pretty Thing [demo] 04 One Kinda Favour [demo] 05 Leaving Here [demo] 06 She Ain't No Good 07 Time Time Time 08 We Didn't Kiss, Didn't Love, But Now We Do 09 You've Been Unfair 10 I Left My Heart [demo]
...served by Gyro1966...

Saturday, 13 August 2011

"A Glass Menagerie" Pop, Psych, Pye Collectables 1967-1969

Pye Records were not one of the more adventurous labels in British pop during the '60s, with their roster dominated by the likes of Petula Clark and Sandie Shaw (in all fairness, they also released fine music by the Kinks and Donovan), so it's hardly surprising that there's not a lot of heavy duty psychedelia on this collection of late-'60s material from the label's archives. Still, A Glass Menagerie shows that they were making an effort to keep up with the times, and there's plenty of gently trippy pop and cautiously strong rock & roll among these 22 tracks. Glass Menagerie, the group whose name gives this collection its title, dominates the lineup with six songs, and while they seemed to have a bent towards covers rather than original material (the tracks include versions of the Rolling Stones' "She's a Rainbow" and the Lovin' Spoonful's "You Didn't Have to Be So Nice"), their moody Hammond-powered sound is effective on the three singles present (which represent their entire Pye output). Timon's two numbers here are considerably more Baroque, but "The Bitter Thoughts of Little Jane" is a masterful bit of twee pop, and "Rambling Boy" is nearly its match. "My Son John" from Onyx is a winning example of the "suburbanites horrified by hippies" subgenre, and while the flip, "Step by Step," isn't nearly as interesting, the guitar line makes it well worth a spin. Mooche weren't especially remarkable, but any band that could cover the Bubble Puppy's sloppy psych masterpiece "Hot Smoke and Sassafras," and add a flute to the arrangement, at least gets credit for audacity. The Gentle Influence couldn't come up with a song as good as their title " "Sever Trust in Tomorrow," but they sure tried, and with a title that great one is tempted to cut them some slack. And the Movement's gentle plea for romantic advice, "Mr. Man," is a more pleasing tune than its A-side, "Head for the Sun." The other material ranges from fine to blandly inoffensive, but it's all executed with the fine craft of top-notch British pop of the period, the audio remastering is great, and the liner notes by Stefan Granados are informative, entertaining and well-researched. This is very fun stuff for folks who enjoy exploring the lesser-known tributaries of U.K. pop of the '60s. (Allmusic)

trax:
1. She's A Rainbow - The Glass Menagerie 2. That's When I Start to Love Her - The Glass Menagerie 3. Bitter Thoughts of Little Jane - Timon 4. Rambling Boy - Timon 5. Anonymous Mr. Brown - Tony Crane 6. His World - Tony Crane 7. Head for The Sun - The Movement 8. Mr. Man - The Movement 9. You Didn't Have to Be So Nice - The Glass Menagerie 10. Let's All Run to The Sun - The Glass Menagerie 11. Riding A Wave - Turnstyle 12. My Son John - Onyx 14. Step by Step - Onyx 15. Sever Trust in Tomorrow - Gentle Influence 16. Easy to Know - Gentle Influence 17. My Baby's Coming Home - New Formula 18. Burning in The Background of My Mind - New Formula 19. Hot Smoke and Sasafrass - The Mooche 20. Seen Through A Light - The Mooche 21. Frederick Jordan - The Glass Menagerie 22. I Said Goodbye to Me - The Glass Menagerie
...served by Gyro1966...

Friday, 12 August 2011

"BEAT AT ABBEY ROAD" 1963-1965

Abbey Road Studios was one of the busiest recording studios in England during the British Invasion boom of the early to mid '60s. The studio was constantly booked and magic was created within the studio's walls, with many charting hits having been taped there. The Beatles even named an album after the place! This 28 track compilation features cuts recorded at the legendary studio 1963-65.

trax:
1. Love Of The Loved - Cilla Black 2. I'm In Love - The Fourmost 3. The Cruel Sea - The Dakotas 4. If You Gotta Make A Fool Of Somebody - Freddie & The Dreamers 5. Roll Over Beethoven - Pat Wayne & The Beachcombers 6. The Answer Is No - Keith Powell & The Valets 7. Please Mr. Postman - Mike Sheridan & The Nightriders 8. Shake, Shake, Shake - Tony Rivers & The Castaways 9. 5-4-3-2-1 - Manfred Mann 10. Bad Time - The Roulettes 11. Come On Back - The Hollies 12. You're No Good - The Swinging Blue Jeans 13. I Should Have Known Better - The Naturals 14. She's My Girl - Bobby Shafto 15. When You Walked In The Room - Billy J. Kramer & The Dakotas 16. Look At Me - The Whirlwinds 17. I'm the One Who Loves You - The Paramounts 18. Things Will Never Be The Same - The Four Just Men 19. What A Sweet Things That Was - Mike Sheridan & The Nightriders 20. I'll Wait For You - Gerry & The Pacemakers 21. I Gotta Woman - The Black Nights 22. I'd Much Rather Be With The Boys - The Toggerty Five 23. Blue Ribbons - The Paramounts 24. Tired Of Trying, Bored With Lying, Scared Of Dying - Manfred Mann 25. The Name Game - Dean Ford & The Gaylads 26. Candy To Me - Martin Raynor & The Secrets 27. Break-A-Way - Beryl Marsden 28. The Day Will Come - Rod Stewart
...served by Gyro1966...

Thursday, 11 August 2011

THE IMMIGRANTS "IMMIGRANTS '66" (CRUDE GARAGE US 1966)

The Immigrants" are a quintet of students based at Wesleyan University in Salina, Kansas, though they hailed from New Jersey, Brooklyn and Staten Island, New York."The Immigrants" are a great student Garage band from mid '60s.
They were signed in 1966 by "Starburst Recordings" and recorded a single in 1966 "Walking The Dog" / "Time To Say Goodbye" ("Starburst Recordings" SR 3121 1966) and reached #175 in local chart. The Immigrants: "Walking The Dog" / "Time To Say Goodbye", Starburst Recordings SR 3121, US 1966. The same year "The Immigrants" recorded their sole album "Immigrants '66" ("Starburst Recordings" SRA 9837): influenced by US Rock 'n' Roll and instrumental groups, plus the British Invasion sounds.
"The Immigrants" released covers of "The Animals"' "House Of The Rising Sun", "The Beatles"' "Run For Your Life", "The Zombies"' "She's Not There", "Little Richard"'s "Keep A Knockin'","Jerry Leiber" and "Mike Stoller"'s "Kansas City" and "Chuck Berry"'s "Route 66" and some great originals. "The Beatles" influences are strong, but these guys could certainly have made a good living as a house band.trax:
01 I'm Feelin' Blue 02 If You Need Me 03 Reuben Rubin 04 Keep A Knockin' 05 Sleepwalk 06 She's Not There 07 2-25 Blues 08 Driving Guitars 09 House Of The Rising Sun 10 Run For Your Life 11 Chains 12 Kansas City 66
...served by Gyro1966...

THE SWINGING BLUE JEANS "At Abbey Road" 1963-1967

Although they're only remembered today for their 1964 hit "Hippy Hippy Shake," which charted on both sides of the Atlantic -- the Swinging Blue Jeans were actually one of the strongest of the Liverpool bands from the '60s British Invasion; and, indeed, the Blue Jeans' earliest incarnation goes back about as far as the roots of the Beatles as the Quarry Men. "Hippy Hippy Shake" -- a cover of an obscure '50s rocker that was actually done much better by the Beatles on tapes of their BBC performances -- was their only Top 30 entry in the U.S.. But the band enjoyed some other major and minor hits in the U.K., including a top-notch Merseyization of Betty Everett's (and later Linda Ronstadt's) "You're No Good," which they took into the British Top Five in 1964.The group's origins go back to 1957, when singer/guitarist Ray Ennis decided to form a band. The result was a skiffle sextet called "the Bluegenes" -- the latter a misspelling of "blue jeans" that remained unchanged for a couple of years. Surprisingly, Ennis had already played rock & roll, but -- in a manner the opposite of many other young musicians of the time -- he regarded skiffle as an advancement; equally surprisingly, given their later work, the Bluegenes were heavily jazz influenced, and stayed away from trying to cover songs associated with Elvis Presley and other American rock & rollers, preferring instead to try and emulate the horn and sax parts that they heard on their guitars. The skiffle group lineup also included Bruce McCaskill on guitar and vocals, Tommy Hughes on banjo, Norman Kuhlke on washboard, and Spud Ward on oil drum bass. Ralph Ellis later joined on guitar, and Ward subsequently moved over to Rory Storm's band, and eventually Les Braid took over the bassist spot. Hughes and McCaskill later left, the former for the army and the latter over personal disagreements, replaced by Johnny Carter and Paul Moss, respectively. By 1962, they were working full-time and playing the same venues in Liverpool as rival bands such as the Beatles, Gerry & the Pacemakers et al, and also performed for the first time at the Star Club in Hamburg late in the year. But amazingly, they were still playing jazz-based skiffle, and had even done some unsuccessful record company auditions working in that musical genre. They saw no reason to change until the German audiences, not as tolerant of skiffle music as Merseyside listeners at the Cavern had been, booed them off the stage. At that point, seemingly in the blink of an eye, they switched to rock & roll, trading in their acoustic instruments for their electric equivalents. And in that guise -- and a name change to the Swinging Blue Jeans, they not only won over German audiences but earned a coveted recording contract with EMI's HMV imprint, under producer Walter J. Ridley (who handled such diverse talents -- and not too well, by some accounts -- as Johnny Kidd & the Pirates and Alma Cogan). With the departure of banjo player Paul Moss soon after, they were left as a quartet comprised of Ray Ennis (rhythm guitar, vocals), Les Braid (bass, keyboards), Ralph Ellis (lead guitar), and Norman Kuhlke (drums). They made their recording debut -- still as a quintet -- with a Ray Ennis original, "It's Too Late Now," which made the British Top 30. Their second single, "Do You Know," released in the fall of 1963, failed to sell, but in December of that year they broke through to stardom in with their rendition of "Hippy Hippy Shake." They rode that record's success all the way to the number two chart spot in England, right behind the Dave Clark Five's "Glad All Over," and earned a place on the first-ever broadcast of Top of the Pops in the bargain.
Their follow-up single, "Good Golly Miss Molly," released in March of that year, charted in England at number 11. And "You're No Good" followed two months later, and soared to number three in the U.K.. That string of successes led to a good debut album called Blue Jeans A' Swinging, issued in July of 1964. They were only to enjoy one more charting single, a rendition of the Burt Bacharach/Hal David-authored "Don't Make Me Over," which only reached number 31 in 1965. Ralph Ellis -- who, with Ray Ennis was one of the two songwriters in the group -- left early in the following year, and was succeeded by Terry Sylvester, who had previously played with the Escorts. The band carried on for a couple of more years, but, like most early-'60s Liverpool outfits, the Blue Jeans' career rapidly lost momentum as the '60s progressed. As with most other Liverpool bands of the period, they were masters of that particular brand of rhythm-heavy rock & roll known as Merseybeat, but like most of their compatriots -- and the Beatles were the notable exception -- they were unable or unwilling to let their music evolve into new forms and directions.
By 1965 their string of hits was over, though their chart success in America (and elsewhere) with "Hippy Hippy Shake" did give them a higher international profile than all but a handful of Merseybeat bands. Ennis and Ellis had written some catchy and energetic, if slightly sappy, originals in the purest Merseybeat style. And while it doesn't add up to an enduring legacy, there's a lot to be said for the naive energy of the best of their early tunes, and they did hang on quite effectively until 1968, remaking themselves as more of a harmony group in the process. Terry Sylvester left that year to join the Hollies, succeeding Graham Nash in the latter group, but the Swinging Blue Jeans soldiered on, right into the early 1970s. Ennis and Braid stayed on in the core of the band, amid myriad personnel changes, and kept them going for years after that. The group essentially became an oldies act, their playing and recordings mostly consisting of remakes of their '60s hits. Braid passed away in 2005, but a version of the band featuring Ennis was still playing in the 21st century. (Allmusic)

trax:
01 Old Man Moses 02 It's Too Late Now 03 Hippy Hippy Shake 04 Good Golly Miss Molly 05 Shakin' Feeling 06 Shakin' All Over 07 Shake Rattle And Roll 08 You're No Good 09 Don't You Worry About Me 10 Promises You'll Tell Her 11 It's So Right 12 Tutti Frutti 13 It Isn't There 14 Make Me Know You're Mine 15 Crazy 'Bout My Baby 16 Good Lovin 17 Don't Make Me Over 18 What Can I Do Today 19 I'm Gonna Sit Right Down 20 Sandy 21 I'm Gonna Have You 22 You Don't Love Me 23 Do You Believe In Magic 24 This Boy 25 It's In Her Kiss 26 Rumours, Gossip, Words Untrue 27 Tremplin 28 Don't Go Out Into The Rain
...served by Gyro1966...

Wednesday, 10 August 2011

"THE DEVIL IS A BUSY MAN"

This compilation explores one of the most vibrant periods in American blues, when the style of rural blues was transformed by the medium of electricity. Focusing on the hardest to find cuts not found on any other CD on the market, this CD is a shoe-in for "Blues Reissue of The Year". Featuring the early "lost" tracks of blues icons Albert King, Lightnin’ Hopkins, J.B. Lenoir, Earl Hooker and many others.OH MY GAWD! I musta just died and went to heaven. In an age when every blues comp looks the same, here's one that not only doesn't feature the same old stuff, almost everyone of these tracks is a hard to find collectors item. This hands down, pound for pound, is the grandady of all electric blues comps. C'mon, when was the last time you heard Earl Hooker on the same disc as Lightnin' Hopkins AND both tracks even the most hard boiled blues freak has probably never heard, and the Lightnin' track is even tougher than anything he ever did. You've got ultra rare gems from a young Joe Hill Louis (under the name of Johnny Lewis)the very first Albert King recording in existence, J.B. Lenoir's original version of "Mama Talk To Your Daughter", I can't say enough about how wonderful this CD is. If St' Louis Jimmy's "Murder In The First Degree" doesn't kill you, the rest of this CD will. OUTSTANDING!! - (Southern Slim, Amazon)trax:
1. The devil is a busy man - Sunnyland Slim 2. Murder In The First Degree - St. Louis Jimmy 3. Watch Yourself - Henry Gray 4. Drop Anchor - Harmonica Slim 5. Wear Your Black Dress - Willie Egan 6. Mama Talk To Your Daughter - J.B. Lenoir 7. Rosalie Blues - L.C. McKinley 8. Easy Lovin' - Little Papa Joe 9. Blue Blue Boogie - Nature Boy Brown 10. Cool Playing Blues - Curtis Jones 11. Crosstown Blues - Snooky Pryor 12. Four Day Jump - Little Willie Foster 13. Bad Luck Blues - Albert King 14. On The Hook - Earl Hooker 15. Goin' To New Orleans - Little Sammy Davis 16. She's Takin' All My Money - Johnny Lewis 17. Alley Blues - Jimmy Wilson 18. Walkin' The Streets - Lightnin' Hopkins 19. Goin' Back Home Today - Willie (W.C.) Baker 20. Lost Child - Eddie Hope & The Mannish Boys
...served by Gyro1966...

Tuesday, 9 August 2011

THE FIFTH ORDER "Bonfire! The Return Of The Fifth Order"

Their 1966 garage classic Goin' Too Far b/w Walkin' Away was a tremendous regional success, at the time becoming the biggest selling seven-incher from Columbus, Ohio. Their second local hit, A Thousand Devils (Are Chasing Me) b/w Today I Got A Letter, was picked up by Laurie for national release. These two records have long been recognized as sterling examples of Ohio's vibrant mid-60s garage rock scene. But the story of the Fifth Order has remained untold, until now. Digging into the band's history, a few welcome surprises emerged: a third 45 that collectors were not aware of, and - even better - a cache of unreleased recordings of exceptional quality. read all about The Fifth Order here:
http://www.columbusmusichistory.com/FifthOrder-Bonfire-Insert.pdftrax:
01 Goin' too far 02 Walkin' away 03 A thousand devils (are chasin' me) 04 Today (I got a letter) 05 I was a fool 06 The moment I saw you 07 Today (I got a letter) (different version) 08 Bonfire 09 Follow like the wind 10 Little black egg 11 Walkin' away (organ version) 12 I was a fool (organ version) 13 Medley: Hit the road jack/16 Tons
...served by Gyro1966...

"THE BOW & ARROW RECORDS STORY 1957-1959"

Thirty tracks (30) await you here from Arrow Records and it’s subsidiary Bow Records. Formed in 1957 in Bridgeport, Conn, Arrow had a&r men and offices not only in Bridgeport, but in Los Angeles, San Francisco, Boston, Hartford and New York. For their short lived duration, 1957 – 1959, Arrow & Bow put out some really super Rhythm & Blues and Vocal Group recordings. I believe you will truly enjoy the sounds offered on this compilation.trax:
1. Barbara – Encores ’58 Bow (Start out Rockin’) 2. Thank You – flip side (Excellent Ballad) 3. Heaven Knows (I Love You) – Chuck-A-Lucks ’58 Bow (Even better this ballad is) 4. Chuck-A-Luck – flip side (Work out to this Rock & Roll Ditty) 5. Uncertain Love – Rabbit & Gino (Robert Robinson (aka Count Rabbit) and Gino Washington) ’58 Bow (Good uptempo by this duet) play 6. Why Did You Go – flip side (The slow side! A real seductive belly rubber here) 7. Hold My Hand – Freddie Scott ’58 Arrow (Groovin’ solo by Freddie) 8. Tell Them For Me – flip side (Super ballad! Definitely would have been enhanced further with vocal backup) 9. She’s My Baby – Otis Banks (Supposedly backed by the Majors) ’58 Bow (Good Uptempo) 10. Heaven In Your Eyes – Jimmy Jones & Jones Boys ’57 Arrow $350 (Definitely recognize Jimmy’s distinctive voice on this fine, fine ballad) play 11. The Whistlin’ Man – flip side (Now ya’ll no where Handy Man came from!) 12. Please Call – Freddie Scott & Chimes ’58 Arrow (Freddie heard me and got a group for this ballad! LIKE IT!) 13. The Letter Came This Morning – flip side (Rock & Roll) 14. Run & Tell – Billy Marsh (Mellotones) ’57 Arrow (Nudder good ballad) 15. Yeah, Yeah All The Time – Ginny Angel ’58 Bow (Ginny & unnamed female group with a good Rocker!) 16. A Faded Memory – ’58 Arrow (Freddie Scott takes the helm on this great ballad) 17. Lovin’ Baby – flip side (Move the furniture and Rock & Roll) 18. By My Side – Bobby Long ’58 Arrow (Bobby and maybe the Chimes behind him. Good ballad) 19. Patty – flip side (Good MOVER!) 20. What’s Happening Baby – Joe Erskine (aka Bobby Long) ’58 Arrow (Rockin’s some more with Bobby and group) 21. I Love You So, Oh – flip side (Still cutting the rug here too) 22. Tell Me That You Love Me – James Lewis ’58 Arrow (Gonna be thirsty! Another good Rocker 23. I Cried Last Night – flip side (still Rocking) play Note: Tracks 22 & 23 listed in reverse order on the CD 24. Wrapped, Tangled & Tied – RaV on’s ’58 Arrow (Good Latin beat. Cha Cha Cha) 25. Teenage Hop – flip side (As title indicates, ROCKER!) 26. Mr. John Law – Dick Grass & Hoppers ’59 Arrow (Solo by Dick. Hoppers are the his band) 27. Please Dear – flip side (Rockin’ solo here. Voices just don’t sound the same!) 28. Our Love Is Forever – Johnny Acey ’59 (Blues ballad) 29. Be Fair To Me – flip side (Good uptempo solo by Mr. Acey) 30. Milkshake – T. J. Fowler ’58 Arrow (Instrumental by T.J.’s combo)
...served by Gyro1966...

Monday, 8 August 2011

SNOOKS EAGLIN "The Complete Imperial Recordings 1960-1963"

One of the themes that have animated the musical reviews in this space is how and why some perfectly competent performer, either through his or her own limitations, predilections or just plain happenstance does not attain the kind of recognition that they deserve. That is the case of local New Orleans singer and instrumentalist Snooks Englin who, as this CD demonstrates, had the capacity to make a big name for himself in the blues world. Certainly his history of accompanying many other musicians who did go on to greater fame makes one wonder about the fickle fates that the musical gods have in store for those who challenge them. (Blues Review)This 1995 collection brings together eclectic singer/guitarist Ford "Snooks" Eaglin's 1960-1963 Imperial recordings, New Orleans-style R&B with a bluesy flavour.
This is very solid stuff, some of it influenced by men like Eddie "Guitar Slim" Jones and Ray Charles Robinson... Eaglin's style is sometimes compared to the latter, but it isn't extremely similar, with sparer arrangements and a distinct Creole vocal slur.
Here he tackles blues ("Mama Talk To Your Daughter", "C.C. Rider"), spirituals ("Nobody Knows The Trouble I've Seen"), pop ("Cover Girl", an utterly charming "You Call Everybody Sweetheart But Me"), and lots and lots of juicy rhythm & blues, from the upbeat "I've Been Walkin'" to the smooth swing of "Yours Truly". (by Richie Unterberger, Allmusic)
Snooks Eaglin is apt to be classified as a blues singer with considerable New Orleans R&B influences. This collection of his early-'60s recordings for the Imperial label would be much more appropriately categorized as exactly the opposite. Produced by Dave Bartholomew (who also wrote over half of the material), the thrust of these recordings is most definitely in the classic-'50s/early-'60s New Orleans R&B mold, though Eaglin's vocal delivery may be bluesier than some other practitioners of the sound. It doesn't suffer for this in the least; it's solid stuff betraying the influence of Guitar Slim and Ray Charles (though Eaglin's style is sometimes compared to the latter, it isn't extremely similar, with sparer arrangements and a distinct Creole vocal slur). This compiles 26 tracks (seven previously unreleased) that he cut between 1960 and 1963, none of which were hits, perhaps because the commercial peak of classic New Orleans R&B had already passed. But it's well worth looking into if you like records from the same period by the likes of Bartholomew, Lee Dorsey, and the early Nevilles. (Amazon)

trax:
01 yours truly 02 Nobody Knows (The Trouble I've Seen) 03 That Certain Door 04 By The Water 05 If I Could 06 Guess Who 07 C.C. Rider 08 (Mama) Talk To Your Daughter 09 I've Been Walkin' [previously unreleased] 10 my head is spinnin' 11 Would You [previously unreleased] 12 Travelin' Mood 13 goin' to the river 14 i'm slippin in 15 nothing sweet as you 16 don't slam that door 17 people are talkin' 18 long gone 19 Willy Lee 20 Reality [formerly titled _Wake Up_] 21 If I Loved You Baby [previously unreleased] 22 You Call Everybody Sweetheart But Me [previously unreleased] 23 Little Eva 24 Cover Girl 25 Is It True [previously unreleased] 26 Down Yonder (We Go Balling) [previously unreleased]
...served by Gyro1966...

"THE REVOLA ROCK MACHINE TURNS YOU ON"

For connoisseurs of obscure girl group pop, psychedelic relics, and soft pop sumptuousness, few if any labels are as consistent or as indefatigably eclectic as Britain's Rev-Ola Founded by Joe Foster, who with Alan McGee spearheaded the legendary Creation imprint, its adherence to top-quality mastering, packaging, and liner notes is a rarity in the run-and-gun reissue market. The label's milestone 200th release, the sampler The Revola Rock Machine Turns You On, spotlights its wealth of underground psych reissues, emphasizing pop hooks and fuzz-drenched guitar solos over more cosmic musical pursuits. While the great Nick Garrie is the only act to earn considerable hipster cachet, the disc as a whole is a delight. Highlights include Octopus' "The River," Mortimer's "Second Floor," and Jawbone's "Jeremiah Dreams." (by Jason Ankeny, Allmusic)A solid collection of obscure tracks from bands and solo artists that never made it to the big time. Sound quality is very good pending source material. Stand-out tracks are the two Mortimer titles, one of which is exclusive to this collection; The Chrysalis track "Cynthia Jerome" (demo version, different from the officially released version on their album - also released by Rev-Ola); the Gun track "Lights on the Wall", a good piece of psychedelia; and the Jawbone track "Jeremiah Dreams" another slice of psychedelia. All in all a good listen for fans of collectable obscurity. - Curt L. Schwebs "The Invisible Man"
Rev-Ola Records proudly present a sparkling collection of '60s/early '70s Pop and Rock from the Psychedelic end of the Rev-Ola spectrum with a couple from our sister label RPM for good measure. Featuring mostly British acts such as Pop-Psych heroes Turquoise, Octopus, The Mirage and Sun Dragon as well as singer-songwriters Tony Hazzard and Nick Garrie, it also includes previously un-compiled tracks by cult pop act Majority One and completely unreleased tracks by anglophile acoustic trio Mortimer, UK psych legends Tintern Abbey and Ewan Stephens of Turquoise! You better believe it kids! The first ever Rev-Ola sampler and features previously unreleased and previously un-compiled tracks! Rev-Ola. 2007.

trax:
1. The River - Octopus 2. Goodnight Sweet Josephine - Tony Hazzard 3. Game - Majority Of One 4. River Deep, Mountain High - Sands 5. Second Floor - Mortimer 6. Is Anybody Home? - Mirage 7. Woodstock - Turquoise 8. Cynthia Jerome - Chrysalis 9. Five White Horses - Sun Dragon 10. Where Dragons Guard The Doors - Mortimer 11. You And Me Baby - Unknown Artist 12. Stand Up And Be Judged - Ewan Stephens 13. Light On The Wall - Gun 14. I Nearly Died - Majority Of One 15. Inkpot Eyes - Nick Garrie 16. Jeremiah Dreams - Jawbone
...served by Gyro1966...

Sunday, 7 August 2011

GEATER DAVIS "The Lost Soul Man"

The first reissue of his complete Sound-Seventy recordings with outtakes. Classic 1970's Southern Soul recorded in Memphis, Muscle Shoals & Nashville. Sessions produced by legendary New Orleans producer Allen Orange (best known for his work with Allen Tousaint). One of Southern America's great lost soul singers. An impassioned emotional voice that mixes the sweetest soul with the rawest funk. Geater was a composer, part-time producer, guitarist and vocalist. On this 2CD set the best of Geater Davis is heard; deep soul, funk and rhythm & blues.Geater Davis was a singer from Texas who had the chops to be one of the great men of the soul era, but bad luck and bad timing kept him from enjoying the success he deserved. Davis would have been a perfect fit at Stax or Atlantic in the mid- to late '60s, but his recording career didn't get rolling until the early '70s, when his brand of gruff but passionate blues-based R&B was losing ground in favor of funkier sounds. And while producer Allen Orange consistently drew fine performances from Davis in the studio and gave him powerful and sympathetic backing, Orange's record labels (House of Orange and Seventy-Seven Records) didn't have much muscle in the marketplace. Davis recorded for other labels over the course of his career, including Ace and Luna, but they didn't fare much better with him than Orange's imprints, and Davis was little more than a cult figure when he died in 1984 at the age of 38. The Lost Soul Man collects 25 tracks Davis recorded during his tenure with Orange, and while the presence of repeated alternate takes and unreleased tracks that didn't get the studio polish they need dull the impact of this set just a bit, it's still a potent testament to his talents. At his best, Davis' singing suggests the cool passion of Bobby "Blue" Bland blended with the gritty fire of Wilson Pickett, and he's good enough to merit both comparisons; the slow slink of "I'm Gonna Change," the lover's regret of "I've Got to Pay the Price," the potent groove of "Ain't Worrying About Jody," and the primal shouter "Hot Buttered Love" are all stellar performances and leave no doubt this man could and should have had some hits under more favorable circumstances. While Charly's Sad Shades of Blue offers a broader portrait of Geater Davis' career, The Lost Soul Man does restore some of the man's best moments in the studio to circulation, and fans of great Southern soul will want to give this a thorough listen. ~ Mark Demingtrax:
cd1
01 Ain't Worrying About Jody Pt1 02 A Sad Shade Of Blue 03 Don't Walk Off (And Leave Me) 04 A Whole Lot Of Man 05 Don't Want To Lose You 06 I'll Meet You 07 I Know My Baby Loves Me 08 Heavy On My Mind Pt1 09 Heavy On My Mind Pt2 10 Hot Buttered Love Version 1 11 Hot Buttered Love Version 2 12 Chained And Bound 13 Ain't Worrying About Jody Pt2
cd2
01 Two That Stick Together 02 I'm Gonna' Change 03 I'm So In Love With You 04 I've Got To Pay The Price 05 Long Cold Winter 06 Why Does It Hurt So Bad (Version 1) 07 Why Does It Hurt So Bad (Version 2) 08 Why Can't I Cry 09 Will It Be Me Or Him (Part 1) 10 Will It Be Me Or Him (Part 2) 11 You Made Your Bed 12 Your Heart Is So Cold (Part 1) 13 Your Heart Is So Cold (Part 2)
...served by Gyro1966...

JAMES WEE WILLIE WAYNE "From Texas To New Orleans"

Born James Douglas Waynes, 1924, Houston, Texas. I first heard James Wayne(s) via "Travelin' Mood" on the LP "Urban Blues: New Orleans Bounce" (Imperial LM-94004), which I bought in 1970, not long after it came out. An infectious song with an unusual rhythm and lots of whistling. In the 1980's I found a Dutch bootleg LP by Wayne called "Travelin' From Texas To New Orleans" (Sundown CG 709-02, 18 tracks). What follows is mostly adapted from the anonymous liner notes for that LP.
James Waynes was credited with that name on his earliest recordings. Later it became James Wayne and from 1955 onwards, Wee Willie Wayne. He was an R&B singer with a distinctive voice, who was discovered in Texas by Bob Shad, the man probably best known to R&R fans as the owner of the Time, Brent and Shad labels in NYC in the late fifties and early sixties. However, Shad started out recording Southern R&B and blues on his Sittin' In With label in 1948. It was for this label that Wayne made his first recording (in Houston) and his only hit: "Tend To Your Business", which reached # 2 on the Billboard R&B charts in 1951. Shad next recorded Waynes at the WGST studio in Atlanta, Georgia. Among the five songs recorded there was the all-time classic "Junco Partner" (subtitled "Worthless Man" on the old 78), which became a local hit. Waynes was then signed by Imperial, who recorded him in New Orleans. Although he was backed by some of the Crescent City's finest session men (Lee Allen, Edward Frank, Justin Adams, Frank Fields), the style on these records is more Texas than New Orleans. After excursions to Aladdin and Old Town, Waynes returned to Imperial in 1955 and recorded "Travelin' Mood" (among others) on May 27, 1955. Both "Junco Partner" and "Travelin' Mood" became standards in the repertoire of many New Orleans musicians, like Dr. John, Professor Longhair, James Booker and Snooks Eaglin. Further records appeared on the Peacock and Angletone labels, before Waynes was signed by Imperial for a third time in 1961. On February 22 of that year he rerecorded his hit "Tend To Your Business" in a more contemporary style, along with five other tracks. Imperial reissued "Travelin' Mood" on Imperial 5725 and also released a compilation of old and new Wayne material with that title on Imperial LP 9144. Sales were disappointing, though, and the 1961 Imperial recordings were probably his last ones.
Besides being a singer with a very personal vocal style, Waynes played at least one instrument, drums. He also wrote his own material. Judging by his looks, it is not unlikely that he had Indian blood. In 1968 it was alleged that he was nursed in a mental institution in Leavensworth and in 1974 there was a rumour that he was living in Los Angeles. That's where the trail runs cold. Perhaps someone (Dave P.?) can shed further light on what happened to him? I don't even know if he's dead or alive. His music is well worth seeking out, a fine blend of Texas blues and New Orleans R&B.
There is one CD available, probably a bootleg: James Wee Willie Wayne, From Texas To New Orleans (Bayou 1004, released in 2002, 31 tracks).
http://www.rockabilly.nl/references/messages/james_wayne.htm

trax:
01 Travelin' Blues 02 I Remember 03 Junco Partner 04 Kinfolks 05 Ageable Woman 06 Bad Morning Mr. Blues 07 Gotta Good Girl 08 Gypsy Blues 09 Hard To Handle 10 I Got To Be Careful 11 Please Be Careful 12 Woman, I'm Tired 13 A Two Faced Man 14 I'm In Love With You 15 Sweet Little Woman 16 Bull Corn 17 Lonely Room 18 Tend To Your Business 19 Good News 20 Love Me Blues 21 Millionaire Blues 22 I'm Going To Tell Your Mother 23 Bad Weather Blues 24 Vacant Pillow Blues 25 Money Blues 26 Crying In Vain 27 Let's Have A Ball 28 Junko's Return 29 Please Baby Please 30 Trying To Find A Girl 31 When Night Falls
...served by Gyro1966...

Friday, 5 August 2011

"SOUL SOURCE" The Soul Era - Vol 1 (Pye Label)

trax:
1. Emergency 999 - The Alan Bown Set 2. Accept My Invitation - A Band Of Angels 3. Hallelujah - The Revolution 4. Questions - Sandra Barry 5. Hey Diddley Dee Dum Dum It's A Good Good Feeling - Jimmy James & The Vagabonds 6. Neighbour Neighbour - The Spectres 7. Down Home Girl - Felders Orioles 8. When You Move You Loose - Keith & Billie 9. Soul Sauce - The Timebox 10. Nevertheless - The Riot Squad 11. You Beat Me To The Punch - Tony Jackson 12. Parchman Farm - Peter Jay & The Jaywalkers 13. Every Little Bit Hurts - Petula Clark 14. Ain't No Soul Left In These Old Shoes - Kenny Bernard 15. I Can't Believe What You Say - Val McKenna 16. Michael - Geno Washington & The Ram Jam Band 17. Ain't Love Good - The Mike Cotton Sound 18. It Was Easier To Hurt Her - Keith Powell 19. Stay With Me Baby - Long John Baldry 20. Build Me Up Buttercup - The Foundations 21. Ain't That Peculiar - Sounds Orchestral 22. Agent OO Soul - John Schroeder
...served by Gyro1966...

"THE BEST OF MAD RECORDS"

Obscure collection of R&B from this Chicago label.trax:
1. Angels In The Sky - John McKinney & Premiers 2. Underneath The Sun - The Equalos 3. Say It - Freddie & The Freeloaders 4. I Don't Know - Willie Mabon 5. When It Rains It Pours - Billy "The Kid" Emerson 6. Come Here - Four Shades Of Rhythm 7. Don't Say Goodbye - Rudy Robinson & Tone Blenders 8. Big Nellie's - Tony Smith 9. Patty Patty - The Equalos 10. Cha Cha Boogie - Louis Capenter's All Stars 11. Jess One Mo Time - "Madman" Jones 12. Michelle - Willie Mabon 13. Ala Cart - Red Hollander 14. I Never Get Enough - Billy "The Kid" Emerson 15. Sugar In My Tea - Piney Brown & Blues Toppers 16. Gee (How I Love You) - John McKinney & Premiers 17. In Between Tears - The Equalos 18. Hi Fi Apartment - "Madman" Jones 19. Background - Lefty Bates 20. Nursery Love - Little Prince & Freeloaders 21. When You're Hurtin - Rudy Robinson & Tone Blenders 22. I Got To Have Her - Willie Mabon 23. Oh Henry - "Madman" Jones 24. Am I Blue - Lefty Bates 25. Simple Steps - Red Hollander 26. Tell Me Why - Johnny Hallyday 27. My Love - Piney Brown & Blues Toppers 28. Rooster Rock - "Madman" Jones 29. I Gotta Go Now - Willie Mabon 30. Yeah - Louis Carpenter's All Stars 31. Yodelin - The Equalos
...served by Gyro1966...

Thursday, 4 August 2011

THE ROYAL FLAIRS "Rare Recordings From 1965-66"

From Omaha/Nebraska this garage band was best known for their song "Suicide" which found its way on several compilations, "Back From The Grave Vol. 3" for instance. 1988 Unlimited Productions released an album full of demos and singles (Unlimited Productions UPLP 1007). The a-side is crude garage recorded in 1965. "She's Not There" is a pretty cool version of the Zombies song. The leftovers are standard garage tunes like "Little Latin Lupe Lu" or "Jolly Green Giant". The things become more interesting on the flip side. The before mentioned "Suicide", "Feelings" or "My Baby Cries" are first rate punkers while "Sunshine Madness" is a sweet and innocent track that should have deserved a better sound. They also released their records as "The Unlimited" and "Bobby & Dave".trax:
1. She's Not There (unreleased, Omaha '65) - The Royal Flairs 2. Little Latin Lupe Lu (unreleased, Omaha '65) - The Royal Flairs 3. Jolly Green Giant (unreleased, Omaha '65) - The Royal Flairs 4. I Feel Fine (unreleased, Omaha '65) - The Royal Flairs 5. Gone, Gone, Gone (unreleased, Omaha '65) - The Royal Flairs 6. Out Of Sight (unreleased, Omaha '65) - The Royal Flairs 7. Suicide (Marina '66) - The Royal Flairs 8. One Pine Box (Marina '66) - The Royal Flairs 9. Feelings (Marina '66) - The Unlimited 10. Gone Away (Marina '66) - The Unlimited 11. Sunshine Madness (unreleased IRC '66) - The Royal Flairs 12. Tomorrow's Yesterday (unreleased IRC '66) - The Royal Flairs 13. Hat On Tie (Tonorous '66) - Bobby & Dave 14. My Baby Cries (Tonorous '66) - Bobby & Dave
...served by Gyro1966...

THE OLYMPICS "WESTERN MOVIES"

I may not be an impartial judge of this CD, because the Olympics may be my all-time favorite vocal group. From 1960-1963 there was no group that could match the chilling excitement of the Olympics' R&B-rock recordings. (Amazon)The Olympics were one of the great L.A.-based acts who managed to score regional hits on the West Coast by balancing upbeat and often humorous novelty R&B tunes with those about popular dances of the day (some of the other West Coast groups who fit this description were the Jay Hawks, the Cadets/Jacks, the Marathons, and the DooTones). They are perhaps best remembered for their Coasters-derived "Western Movies," but their other L.A.-area hits include the popular dance number "Baby Hully Gully," "Big Boy Pete" (which stalled out at number 50 pop, but went to number ten R&B), and "Mine Exclusively."
The Olympics' original lineup -- raspy baritone Walter Ward (who sang lead), Eddie Lewis (tenor), Charles Fizer (baritone), and Walter Hammond (baritone) -- started out as Walter Ward & the Challengers, waxing "I Can Tell" in 1958. All three baritone leads rarely exploited their low range, preferring to sing in shrill high tones. They changed their name to the Olympics shortly thereafter, hooking up with the songwriting team of Fred Smith and Cliff Goldsmith, who wrote and produced the act's first hit in 1958 for Si Aronson's Hollywood-based Demon Records. "Western Movies," a Coasters-type novelty number, caught on quickly, right around the same time that all of America was preoccupied with Western-themed movies and TV shows. The single climbed to number eight pop and number seven R&B in 1958.
The Olympics then moved -- along with Smith and Goldsmith -- over to the Arvee label in 1959. For their numerous A-sides (for several labels), the Olympics preferred to issue inner-city generated dance ditties, including the Smith/Goldsmith-penned "(Baby) Hully Gully," " "The Philly Dog," "The Slop," and "The Duck" (a local hit for Jackie Lee [aka Earl "Chip" Nelson]). The group only occasionally performed ballads, like the doo-wop inspired "Stay Where You Are," and a few rockers like "Shimmy Like Kate" and "Dance by the Light of the Moon." Mostly, the Olympics attempted to duplicate their hit status with novelty songs along the lines of "Western Movies."
Their biggest success in the novelty realm was their remake of "Big Boy Pete," written and first recorded by Don & Dewey for Specialty. Other regional hits included "Little Pedro," "Little Dooley," and "Big Chief Little Foot" (which featured "war whoops"). Others, like the humorous "Dodge City" and "(I Wanna) Dance With the Teacher" sound like teenage West Coast Americana at its most innocent (though at the time, extremist church groups saw nothing innocent about this type of material and often complained that their lyrics were the work of the devil).
Several members of the Olympics also recorded a cover of the Marathons' hit "Peanut Butter," which had been a hit for their producer H.B. Barnum in 1961, waxed for the Checker label. The song was essentially a rewrite of the Olympics' "(Baby) Hully Gully." Arvee sued and acquired the "Peanut Butter" master through contract-infringement litigation. They then rounded up some more singers (including a few Olympics) to record "Peanut"'s successor and album tracks. What makes this more confusing was the fact that the Marathons had some, if not total, personnel overlap with the Vibrations on Checker (who had in 1956 been known as the Jayhawks, who recorded "Stranded in the Jungle" for Flash Records). The same group also performed on-stage as the Marathons. This initially has caused confusion as to whether the two group's shared the same lineup and who did which song and who was in which group at what time.
In total, Arvee released three albums by the Olympics -- Doin' the Hully Gully (1960), Dance by the Light of the Moon (1961), and Party Time (also 1961).
After the Olympics left Arvee, they scored a couple of hits in 1963 on the L.A.-based Tri-Disc label: the rollicking dance ditty "The Bounce" and "Dancin' Holiday," both produced by Fred Smith. In 1965, they moved over to the Loma label and recorded "Good Lovin'," which failed to connect, but a year later it was remade into a giant hit by the Young Rascals for Atlantic.
In 1966, the Olympics signed with Mirwood, the label run by ex-Vee-Jay executive Randy Wood (and not the Randy Wood from Dot Records). They recorded two hits: "(Baby) Do the Philly Dog" and the gospel-drenched East-side soul single "Mine Exclusively," which inched into Billboard's Hot 100 chart, reaching number 99 in May 1966. Sensing a resurgence of interest in the group, Wood decided to put out an album by the Olympics, but since he had only two minor hits, he opted to have them re-record their old hits from Demon, Arvee, and Tri- Disc for an album called Something Old, Something New. (These re-recorded versions have often been included in a vast majority of the reissues and various artist albums where the Olympics appear, much to the annoyance of collectors.)
Over the remaining years, the Olympics spawned a host of similar groups (the Contours, the Five Dutones, Bull & the Matadors), though they continue to perform at oldies revival shows and around the country. The quartet consists of two original members, Walter Ward and Eddie Lewis. Charles Fizer passed away in 1963 and Walter Hammond retired. Their replacements William DeVase and Kenneth Sinclair have been with them for over 20 years. After working with the Olympics, Fred Smith worked with Little Caesar & the Romans, and he and Goldsmith later formed Keyman Records. Goldsmith died June 14, 1991, in Burbank, CA. (Allmusic)

trax:
01 I Can Tell 02 The Mambo Beat 03 Western Movies 04 Well! 05 Dance With The Teacher 06 Everybody Needs Love 07 Your Love 08 The Chicken 09 Cool Short 10 I'll Never Fall In Love Again 11 (Baby) Hully Gully 12 Dance By The Light Of The Moon 13 Shimmy Like Kate 14 Stay As You Are 15 Big Boy Pete 16 Private Eye 17 Little Pedro 18 The Slop 19 The Return Of Big Boy Pete 20 The Bounce 21 Fireworks 22 Dancin' Holiday 23 Bounce Again 24 The Broken Hip 25 So Goodbye 26 Good Lovin' 27 Mine Exclusively 28 Baby Do The Philly Dog 29 I'll Do A Little Bit More 30 Looking For A Love
...served by Gyro1966...