Tuesday, 30 April 2013

BLUE IN HEAVEN "Explicit Material" 1985

Blue In Heaven is a rock quartet from Ireland led by singer Shane O'Neill. - William RuhlmannAs you can see there not much about this band on AllMusic.com, I just know that their first LP was produced by Martin Hannett, and for me it sounds like a poor Joy Division... With "Explicit Material" they radicaly change direction, for something more punchy. This album was the record of my summer 85, nobody cares for sure, but it had to be said... Enjoy that vinyl rip!!! - Magic Kaic's Musictrax:
01 Change Your Mind 02 Tell Me 03 Just Another Day 04 Sister 05 Be Your man 06 I Just Wanna 07 Close Your Eyes 08 Rolling in The Crowd 09 Hope To God
...served by Magic Kaic's Music...

Monday, 29 April 2013

The Stomach Mouths "Psychomania Festival, Bochum (Germany), 02/87"

The Stomachmouths were a garage punk band from Stockholm, Sweden active in the 1980s. Formed in 1984, they were one of the earliest 'pure' garage bands in the European garage revival of the 1980s. Along with local colleagues the Crimson Shadows they pioneered the notion of a garage punk band that strove for authenticity in replicating the sound and the look of the original '60s inspirators, primarily from the US. The Stomachmouths received immediate international attention with their self-released debut 45, which raised interest on the independent music scenes in England and the USA. The band toured extensively in Europe, appearing on German television and receiving major newspaper coverage in Italy.
Originally a quartet, Anna Nystrom joined the band in 1986. In 1987 Kjellen and Stavborg left to form the Livingstones. Jens Lindberg, formerly of the Crimson Shadows and High-Speed V joined as a replacement bass player for the last recordings and European tours. Band leader Stefan Kéry later went on to form the successful independent Xotic Mind/Subliminal Sounds record label. - wiki

trax:
01 Take One Look At Me 02 Don't Mess With My Mind 03 That's Cool, That's Trash 04 Ode To Rhythm And Blues 05 Ugly Things 06 Don't You Know 07 You Better Run Now 08 That Girl Of Mine 09 Crowd 10 Hold Me Now 11 Crowd 2 12 RnB No. 65

RARE 1960'S COUNTRY ROCK FROM NASHVILLE

Classic 1960's Country music from the Nashville based SPAR Records Label. Contains the ultra rare 'Wanted One Mother', written by Willie Nelson & Hank Cochran!, recorded by Hal Kennedy.The Spar Record Company of Nashville, Tennessee was founded in 1961 by veteran record men William Beasley, Alan Bubis and Reynold Bubis. Spar initially concentrated on middle of the road rhythm & blues and pop records, twist and other dance records. But with their incredible distribution network, they soon realized that they could also move their premier imprint (Spar) into rural areas where the majors couldn't compete with them. Rural areas meant country music in the sixties and they soon expanded into that genre. This imprint was wildly successful, and by the mid 1960s Spar and its various other subsidiaries were selling well over a million records every month. An impressive figure then or now. Spar moved into the LP market fairly quickly, releasing both sound alike (at budget price) and individual artist releases on their various album imprints (Spar, Spar Premier, Sterling, Modern Sound, Hit, Nashville Sound, Plantation House). Some of the artists they recorded were country singers Urel Albert, Chase Webster, Moon Mullican, Ricky Page and Carl Story, and instrumentalists Bill Pursell, Jack Eubanks, Jimmy Wilkerson and William Beasley's various orchestral recordings. Spar was an amazing operation. They had their own offices, recording studio, publishing company and even their own pressing plant. They employed musicians, songwriters, arrangers, engineers and producers. The list of musicians alone is quite staggering, the absolute cream of the crop. These people played on every thing from Roy Orbison to Elvis Presley to Bob Dylan and Charlie Rich records. This collection is a fascinating window into a time when musical walls were being torn down and the rules were being broken, so enjoy some of the best music you never heard.trax:
1. It's Been A Long Long Time - Steve Bess 2. Sugar Creek Bottom - Joe Pain 3. I Don't Care, Just As Long As You Love Me - Tom Bell 4. The Heartaches That You Gave Me - Chase Webster 5. From The Cup To The Lip - John Reeves 6. Headlines In My Heart - Rink Hardin 7. I'm Free From Your Love - Gene Snipes 8. Love's Gonna Live Here - Don Branch 9. You've Got To Love Her A Lot - Jay Dee Pepper 10. Mary And Jane - Ken Kennedy 11. Wanted One Mother - Hal Kennedy 12. Such A Short Time - Carl Phillips 13. The Welfare Check - Ken Kennedy 14. Ride Buddy Ride - Urel Albert 15. The Way You've Treated Me For Years - Bob Adams 16. The Swingingest Thing In Town - Urel Albert 17. I Walk Alone - Jack Bond 18. She Even Woke Me Up To Say Goodbye - Nashville Country Jamboree 19. I'm A Country Boy - Joe Cash 20. I Haven't Got The Heart - Charlie Jones 21. Me And Bobby McGee - Nashville Country Jamboree 22. Promised Land - The Country Music Five
...served by Gyro1966...

Billy Lee & The Rugbeaters "Early Rockin` The Real Stuff" + Jim & The Invictas "Memphis" 7"/45rpm

Moin, hier etwas Mucke für das WE. - DooWopDaddyOtrax Billy Lee & The Rugbeaters "Early Rockin` The Real Stuff":
01 Back Door Love Affair 02 Midnight Rockin` 03 Gonna Meet A Woman 04 Gonna Meet A Woman 05 Razzle Dazzle (Twinkle In Your Eyes) 06 Razzle Dazzle (Twinkle In Your Eyes) 07 Down And Broke 08 My Baby _ Chicken Shack 09 My Baby / Chicken Shack 10 Gonna Boogie Tonight 11 Play To Play (Take 4) 12 You're My Superstar 13 You're My Superstar 14 Gimme Your Sweet Sweet Love 15 Gimme Your Sweet Sweet Love 16 If I 17 Look At The Moon 18 Ride With Me 19 Midnight Rockin' 20 Don't Make Me Blue 21 Anytime You Need Me 22 A Cadillac Ride 23 Baby Baby 24 Everbody Loves Girls 25 Won't You Take Me Back 26 Hey Now Baby
...served by DooWopDaddyO...trax Jim & The Invictas "Memphis" 7"/45rpm:
01 Memphis 02 Cottonpickin' 03 Trippin'
...served by DooWopDaddyO...

Saturday, 27 April 2013

THE METERS "Here Comes The Meter Man" The Complete Josie Recordings 1968-1970

Organist Art Neville formed a band in 1966 in New Orleans with his brothers Aaron and Charles on vocals, Leo Nocentelli on guitar, George Porter on bass, and Joseph “Zigaboo” Modeliste on drums. Billing themselves as Art Neville & the Sounds, they signed to Sansu Enterprises, a label founded by Marshall Sehorn and writer, producer, arranger, and recording artist Allen Toussaint, and minus the vocalists, and now called the Meters, they became the house band for the label, providing backing tracks for releases by Lee Dorsey, Earl King, Betty Harris, and many others, including many cuts by Toussaint himself. the Meters would also track instrumentals that were used as filler tracks on LP releases by Sansu artists, and in time, there were enough of these instrumentals to release an LP in 1969 called the Meters, which Sehorn shrewdly placed with Josie Records because of that label’s connection to its parent company, Cosnat Distributors, at that time the largest East Coast music distributor. the Meters were something special, and their swampy precision practically defined the meaning and template of funk. Two more LPs, Look-Ka Py Py and Struttin’, appeared a year later in 1970 on the Josie imprint. When Josie went bankrupt in 1971, the Meters moved on to sign with Reprise Records and continued to release thundering funk records through the decade before gradually morphing into the more vocal-oriented group the Neville Brothers. This two-disc set collects the Meters' entire Josie catalog, including all three LPs, the A- and B-sides of four singles, four tracks billed to Art Neville & the Meters, and two tracks attributed to Cyril Neville & the Meters. The end result is a joyous and impressively funky survey of this stellar and professional band’s earliest recordings. (Steve Leggett, Allmusic)trax CD 1:
01 Cissy Strut 02 Here Comes The Meter Man 03 Cardova 04 Live Wire 05 Art 06 Sophisticated Cissy 07 Ease Back 08 6V6 La 09 Sehorn's Farm 10 Ann 11 Stormy 12 Simple Song 13 Look-Ka Py Py 14 Rigor Mortis 15 Pungee 16 Thinking 17 This Is My Last Affair 18 Funky Miracle 19 Yeah You're Right 20 Little Old Money Maker 21 Oh Calcutta! 22 The Mob 23 9 'Til 5 24 Dry Spell
trax CD 2:
01 Chicken Strut 02 Britches 03 Darlin' Darlin' 04 Go For Yourself 05 Hand Clapping Song 06 Hey Last Minute 07 Joog 08 Liver Splash 09 Same Old Thing 10 Tippi-Toes 11 Wichita Lineman 12 Ride Your Pony 13 Message From The Meters 14 Zony Mash 15 Stretch Your Rubber Band 16 Groovy Lady 17 (The World Is A Little Bit Under The Weather) 18 I Need More Time 19 Good Old Funky Music 20 Sassy Lady 21 Bo Diddley Pt 1 22 Bo Diddley Pt 2 23 Heartaches 24 I'm Gonna Put Some Hurt On You 25 Gossip 26 Tell Me What's On Your Mind
...served by Gyro1966...

TROC "Troc" 1973

Hi, I have taken nothing today, but I would like to thank you very much for the pleasure and the magic that brings this blog. Still one ' vinyl rip ', without knowing if this music style is the type of the Home, but it is the only place where I can share my ' vinyl rips ' easily. up to you to choose ... For the biography, I found no article on ' AllMusic ' concerning TROC, it is therefore from wikipédia and in French that comes information. Enjoy!!! - Magic Kaic's MusicTroc est un groupe de Jazz Fusion FranÁais, crÈÈ en 1971 par le batteur AndrÈ Ceccarelli. La premiËre formation comprend aussi Alex Ligertwood au chant, Henri Giordano au piano Èlectrique, Claude Engel ‡ la guitare Èlectrique et Francis Moze ‡ la basse (tous deux en provenance de Magma). Cette formation sortira un seul 45 tours avec les titres Old Man River et May Be Tomorrow Not Today (rÈf. CY Records CY 4501). Francis Moze est bientÙt remplacÈ par Jannick Top et Claude Engel par Jacky Giraudo et le groupe sort un album du mÍme nom en 1973 (rÈf. CY Records CY 30-02).
La musique de Troc est un mÈlange savant de jazz, de soul, de rock et de blues avec parfois des passes de piano classique. Le tout est accompagnÈ par la voix d'Alex Ligertwood que l'on retrouvera par la suite au sein de Santana.
Le groupe se reforme 40 ans aprËs sa crÈation et sort en octobre 2011 chez Universal l'album Troc 2011, bien accueilli. - Wiki

trax:
01 Kali Lo 02 Truth Vérité 03 Old Man River 04 Did You Ever 05 Plum 06 Stick Time
...served by Magic Kaic's Music...

Friday, 26 April 2013

The Sorrows "Teenage Heartbreak" 1980 (nothing to do with the Soorrows from Coventry)

The mid-'70s New York club scene had a large population of Anglo-pop bands, playing Merseybeat root music as accurately as possible. The Sorrows were formed in 1977 from the remains of the Poppees, a minor member of the skinny tie brigade; two years later the Sorrows had a major-league record deal. - Ira RobbinsOver the course of their short two-album career, Sorrows did absolutely nothing that was startlingly new or original. But what they did, they did really well, especially on their 1980 debut, Teenage Heartbreak. More than just another entry in the post-Knack skinny-tie brigade, Teenage Heartbreak is a first-class power pop album of its era, up there with the debuts by the Rubinoos and the Plimsouls. The title track sets the tone immediately, with a killer stuttering hook and appropriately rough-edged harmonies. All four members write, but most of the best songs belong to guitarist Arthur Alexander (not the '60s R&B guy who sang "Anna [Go to Him]" and "Soldier of Love," obviously), whose Roy Loney-style voice adds a nice garage rock element to songs that might otherwise be a little too bubblegummy. The best of the non-Alexander songs is "Can't Go Back," a winsome little sweet 'n' jangly rocker written and sung by Joey Cola, Alexander's former bandmate in the short-lived but much admired Poppees. Bassist Ricky Street's "I Don't Like It Like That" is pretty terrific too, with a stomping break that makes it sound like a classic early Sweet single. Not every song is up to those standards, but even the two or three weaker tracks are performed with enough infectious enthusiasm to get by on attitude. Teenage Heartbreak is probably for power pop fans only, but those fans will find themselves richly rewarded. - by Stewart Masontrax:
01 Teenage Heartbreak 02 I Don't Like It Like That 03 Bad Times 04 I Want You Tonight 05 Lonely Girl 06 She Comes And Goes 07 Can't Go Back 08 All You Gotta Say 09 I Want You So Bad 10 Can't You Tell A Lie 11 Second Chance 12 Televison

"THE ESSENTIAL BOB MARLEY & THE WAILERS"

There are countless Bob Marley collections on the market, most of them drawing from his pre-Island Records Jamaican releases. These are usually poorly annotated, tossed-together affairs of dubious legality, and since Marley & the Wailers often re-recorded songs at various stages of their career, it can be nearly impossible to tell which versions you're getting without actually playing the disc. All of this confusion is a shame, since some of Marley's best work was done before the group signed its Island contract, and many casual Marley fans have no idea this stuff even exists, which is why this two-disc set from Trojan/Sanctuary is so welcome. It does a decent job of cherry-picking key Wailers tracks from several Jamaican producers, and makes a nice entry into the mare's nest of pre-Island releases. Included are tracks produced by Bunny Lee ("Mr. Chatterbox"), Leslie Kong ("Caution," "Soul Shakedown Party," "Stop the Train," "Back Out," "Cheer Up," "Soul Captives"), Ted Powder ("Adam and Eve"), a handful of Wailers self-productions ("Concrete Jungle," "Lively Up Yourself," "Satisfy My Soul"), and a generous selection of Lee "Scratch" Perry's 1970 and 1971 work with the group ("Mr. Brown," "Small Axe," "Kaya," "Soul Rebel," "Sun Is Shining," "Brand New Second Hand," "Duppy Conqueror," "Stand Alone"). Perry also worked with Marley for brief periods in 1976 and 1977, and "Who Colt the Game," "I Know a Place," "Natural Mystic," and "Keep on Skanking" are included from those sessions. The end result isn't the essential Bob Marley & the Wailers, as the title proclaims, but it certainly contains tracks that are essential, particularly the Perry material. Serious fans of the Wailers will already have everything here, but for casual listeners looking for a well-sequenced set of the earlier years to augment the Island releases, this one fills the bill nicely. (Allmusic)trax CD 1:
01 Soul Shakedown Party 02 Caution 03 Soul Rebel 04 Stop The Train 05 Sun Is Shining 06 Adam And Eve 07 Back Out 08 Corner Stone 09 Mr. Chatterbox 10 Brand New Second Hand 11 Duppy Conqueror 12 Soul Captives 13 Try Me 14 Cheer Up 15 Soul Almighty 16 Four Hundred Years 17 Mr. Brown 18 All In One
trax CD 2:
01 Lively Up Yourself 02 Keep On Moving 03 Small Axe 04 Don't Rock The Boat 05 Trenchtown Rock 06 Kaya 07 African Herbsman 08 Down Presser 09 Concrete Jungle 10 Stand Alone 11 Satisfy My Soul 12 Fussing & Fighting 13 Dreamland 14 Keep On Skanking 15 Natural Mystic 16 Who Colt The Game 17 I Know A Place
...served by Gyro1966...

Die Barracudas "Ich will Rock'n'Roll"

Moin RYP, nach den geilen Champions-League Hinspielen hier etwas Rock'n'Roll aus deutschen Gefilden. Die Burschen machen ganz gut Alarm. rockige Grüße aus BÄRlin sendet good ole DooWopDaddyOtrax:
01 Wartburg Cabriolet 02 Oh Du 03 Rocken & Rollen 04 Die Tänzerin 05 Mondscheintwist 06 Bob Cat 07 Rock'n'Roll Daddy 08 Motorroller 09 Käfer Cabriolet 10 Black Jeans 11 Take It Easy 12 Du 13 Girl 14 Wartburg Cabriolet (Version 2) 15 A Teenager In Love 16 Medley
...served by DooWopDaddyO...

Thursday, 25 April 2013

NASHVILLE COUNTRY JAMBOREE "Nashville's First Country-Rock Group"

The Spar Record Company of Nashville, Tennessee was founded in 1961 by veteran record men William Beasley, Alan Bubis and Reynold Bubis. They launched the Spar imprint as a standard independent label that would be serviced to radio stations and would strive to have hit records. Texan native Johnny Elgin was brought in to run the Country sessions, soon became a songwriter along with A&R man Jerry Foster and formed the prolific Nasville Country Jamboree in the mid-sixties. The Nashville Country Jamboree featured the cream of the crop of Nashville's studio musicians of the day (many would go on to become country-rock legends with the Area Code 615 Band and Barefoot Jerry) and the singers, songs and performances were all top notch. This was the best that Nashville had to offer, and it's high time that The Nashville Country Jamboree was recognized for their contribution to the musical genre that would come to be known as Country-Rock.
Read all about this album here:
http://jeffersonross.com/wp-content/uploads/2011/05/JeffRossReview.pdftrax:
01 Shove It Up Your Heart 02 Lovin' My Way Through Life 03 The Heart That I Gave You 04 Bring Me Sunshine 05 One Thing 06 My Home Town 07 When I hear A Sad Song 08 Young and Foolish 09 We Must Have Been Out of Our Minds 10 The Heartaches You Gave Me 11 The Best Years of Your Life 12 To See An Angel Cry 13 You Don't Deserve the Pain 14 New City Limits 15 I Knew Her When 16 Tear Drops in a Rainstorm 17 Night Sounds 18 A Fifth Wheel 19 With Your Hand in Mine 20 How Long Is a Memory
...served by Gyro1966...

"GLITTERBEST" 20 Pre Punk 'n' Glam Terrace Stompers

There isn't a single redeeming quality to Glitterbest: 20 Pre Punk 'n' Glam Terrace Stompers. Nothing but good old dumb fun. From the mindless cover of the Kinks' "You Really Got Me" by the Hammersmith Gorillas that kicks things off with a resounding thud all the way to the end of the disc, it is nothing but loud guitars, shouted vocals, stomping beats, and ridiculous lyrics. It covers the years 1971-1976, and if you recognize any of the bands here you were probably a member. Lost gems? There are a few: the tough power pop of the Jook's "Aggravation Place," the '50s-inspired outer-space boogie of Flintlock's "Sooner or Later," the tough Modern Lovers in a wind tunnel sound of Despair's "Sweet Sweet Heart," Streak's "Bang Bang Bullet" (which apes the New York Dolls right down to Johnny Thunders' trademark guitar swoops), and the primitive thunk of Crushed Butler's very very stupid "High School Dropout." (Is Crushed Butler the greatest name for a band ever? Maybe.) Best of all is the extremely nasty "Sick on You" by the Hollywood Brats, which includes tender lyrics like "I'm sick to death of everything you do/And if I'm gonna puke/Oh babe I'm gonna puke on you." Otherwise, the disc serves up a wide range of forgotten music that never made a dent in any chart but sounds damn fine in 2004. You get glitter with Bowie as alien vocals on Jet's "Nothing to Do With Us," weird Roxy Music by way of Taco cabaret glam from Tiger Lily on "Ain't Misbehavin'," an early primitive version of "City of Fun" by England's Glory (later the Only Ones), hyped-up pub rock from Ducks Deluxe on the rockin' "Coast to Coast," and wonderfully silly stuff like American Jam Band's "Jam Jam" and Spunky Spider's "You Won't Come." You won't find any of this stuff in the history books and no one would ever call any of these bands innovators or visionaries. So what. Crank it up next time you want to bug your neighbors, blast it out of your car speakers, embrace it as the offspring of the ridiculous novelty singles of the '50s that you always turn up when they get played by accident on oldies radio. Have fun! That is what rock & roll is truly about and Glitterbest is 100 percent rock & roll. (Allmusic)

trax:
1. You Really Got Me - The Hammersmith Gorillas 2. Bang Bang Bullet - Streak 3. Aggravation Place - Jook 4. Nothing With Do With Us - Jet 5. Good Friends - Milk 'N' Cookies 6. Sooner Or Later - Flintlock 7. Crazy Kids - Trevor White 8. Jam Jam - American Jam Band 9. You Won't Come - Spunky Spider 10. Goodbye - One Hit Wonders 11. All For The Love Of City Lights - Dog Rose 12. I Need You - Helter Skelter 13. Coast To Coast - Ducks Deluxe 14. Ain't Misbehavin' - Tiger Lily 15. Pogo Dancing - Chris Spedding & The Vibrators 16. Sweet Sweet Heart - Despair 17. Fat Judy - The Farm 18. High School Dropout - Crushed Butler 19. City Of Fun - England's Glory 20. Sick On You - The Hollywood Brats
...served by Gyro1966...

Wednesday, 24 April 2013

"April March Sings Along With The Makers"

A departure from April March's previous solo albums, April March Sings Along With the Makers is much more along the lines of the shambolic punk rock of her records as lead singer of the Shitbirds. The album is a true collaboration with Spokane, WA's the Makers, who ignore the grunge explosion entirely, preferring to focus on the snotty garage rocking style of earlier Pacific Northwest heavies like the Kingsmen, the Wailers, and the Sonics. The songs are as stagey as March's previous explorations of French pop and Lesley Gore-style bubblegum, only this time the chameleonic March is affecting the persona of a black-eyeliner- and sunglasses-clad rocker chick, singing with her usual adorableness but with an extra hint of punky aggression. (Most songs include at least one ear-splitting yowl, but March even screams cutely.) The tunes are shamelessly derivative, but the Makers know this style so intimately that even the most obvious rip-offs somehow sound fresh and inventive. Above all, everyone concerned sounds like they're having a blast, which is all that matters in this style of music. Be warned if you're expecting more French pop, but this is a gem. - by Stewart Masontrax:
01 Dreams Don't Come True 02 I Just Might Crack 03 Try to Cry 04 Sometimes Sometimes 05 Sad Little Bug 06 Explosion 07 I'm Alone 08 Let Him Try 09 Bust Out

DOWNTOWN SOUL FROM THE NASHVILLE INDIES

According to the title, this is a collection of 20 downtown soul tracks released by various independent Nashville labels, and it is that, but it’s really more uptown soul, because there’s a lot of Nashville sweetening going on in these cuts, from strings to horns and choirs, and there’s some jazz and country DNA tossed in there, too. The end result is pretty smooth and it isn’t much like Memphis soul at all, and sounds more East Coast in temperament. Highlights include Rufus Hunter's elegant “Caught Up,” Roscoe Shelton's sincere “What Is It Baby,” and a cool instrumental version of Bobbie Gentry's “Ode to Billie Joe” that was arranged and recorded by Bob Holmes, one of Nashville’s greatest arrangers.(Allmusic)Ref-O-Ree Records was founded by legendary songwriter/record producer Ted Jarrett in 1968, and its Tee-Jay subsidiary was launched a few years later. Ted had begun his career as an A&R man at Tennessee and Republic Records in the early 1950s, producing gospel music and R&B. When that company folded in 1955, Ted went with Alan Bubis´ Champion/Calvert/Cherokee/Kit group of labels from 1956 to 1959. He produced nearly every record that the company released. By 1960 Ted was one of the best known songwriters in rhythm & blues, having penned million sellers like "It´s Love Baby-24 Hours A Day" (Louis Brooks and the Hi-Toppers 1955) and "You Can Make It If You Try" (Gene Allison 1958). When Alan Bubis founded the Spar label in 1961, he again enlisted the services of Ted Jarrett. Ted produced most of the R&B recordings for the company and the two Herbert Hunter tracks featured here are from the Spar catalog, whereas all of the others on this collection are from the Ref-O-Ree years. (Blues Unlimited)

trax:
1. Caught Up - Rufus Hunter 2. Girl Watching On Broadway - Little Rock Brotherhood 3. Do Love You - Rufus Hunter 4. Morning After - Little Rock Brotherhood 5. Wonderful World Of Love - The Precious Three 6. Monterey Goodbye - The Avalon Strings 7. What Is It Baby - Roscoe Shelton 8. Winter I Remember - The Avalon Strings 9. Reality - Freddie Waters 10. The People's Choice - Little Rock Brotherhood 11. The Funky Preacher (Alternate Unreleased Version) - Don Whitehead 12. Too Much For Words - Little Rock Brotherhood 13. Three For Sundown - Bob Holmes 14. Will You Be Staying After Sunday - Wendell Watts 15. Ode To Billie Joe - Bob Holmes 16. I'll Hold You In My Heart - Herbert Hunter 17. And I Love Her - Bob Holmes 18. Make Me Know - Herbert Hunter 19. Popa Nickel (Alternate Unreleased Version) - The Tempo Rhythms 20. Little Green Apples - Bob Holmes
...served by Gyro1966...

NASHVILLE ROCKABILLY 1957-1987

Very few of the sides on this 22-track collection are technically rockabilly, being instead a mixture of countrified R&B, horn-led jump bands, and other odds and ends that approximate rockabilly in tone and approach, which is fine, because it means this set list rocks right along from start to finish no matter what label one throws on it. Drawn from tracks recorded in Nashville between 1957 and 1987, this lively compilation shows there’s been more than just mainstream country going on in Nashville and that’s been true for a very long time. Highlights include Baker Knight's big-band and horn-driven “Bring My Cadillac Back,” a little bit of honky tonk Western swing from Whitey Pullen on “Broke Waitin’ for a Break,” a sleek rockabilly take on “Tear It Up” from Andy Arrow & the Twangtown Mavericks (complete with a guitar break that literally takes over the song midway through), and Jimmy Ellis & the Rockabilly All Stars' “Back on the Street,” among others. It might not add up to a rockabilly collection exactly, but it rocks along pretty well just the same. (Steve Leggett, Allmusic)trax:
1. Bring My Cadillac Back - Baker Knight 2. I Cried - Baker Knight 3. They Wanna Fight - Chuck Harrod & The Anteaters 4. Sandy - Chuck Harrod & The Anteaters 5. Crawdad Song - Chuck Harrod & The Anteaters 6. Broke Waitin' For A Break - Whitey Pullen 7. Jinglin' Janglin' Pockets - Tommy Jay 8. Sandy Jane - Tommy Jay 9. It'd Surprise You - Jan Smith 10. Then You'll Know - Big C & The Galaxies 11. Raid On Cedar Street - Big C & The Galaxies 12. Pipeliner Blues - Moon Mullican 13. That's All Right Mama - Jerry Foster 14. Johnny B. Goode - Nashville Country Jamboree 15. Old Pipeliner - Jimmy Ellis & The Rockabilly All Stars 16. Restless - Jimmy Ellis & The Rockabilly All Stars 17. Back On The Street - Jimmy Ellis & The Rockabilly All Stars 18. You're Never Too Old To Rock & Roll - Jimmy Ellis & The Rockabilly All Stars 19. Get Rhythm - Billy C. & The Sunshine 20. Dixie Fried - Billy C. & The Sunshine 21. Tear It Up - Andy Arrow & The Twangtown Mavericks 22. Big Black Cadillac - Freddie & The Screamers
...served by Gyro1966...

Tuesday, 23 April 2013

"VELVET TINMINE" 20 Junk Shop Glam Ravers

Subtitled - 20 Junk Shop Glam Ravers. Obscure yet high quality singles from the glam era - roughly 1973-75. This compilation really is a Glam Rock 'Nuggets'trax:
1. Rebels Rule - Iron Virgin 2. Another School Day - Hello 3. Let's Get The Party Going - Warwick 4. Morning Bird - The Damned 5. Kick Your Boots Off - Sisters 6. Big Wheel Turning - Flame 7. Toughen Up - Arrows 8. Let's Do It Again - Crunch 9. Rock Star - Bearded Lady 10. (Baby) I Gotta Go - Simon Turner 11. VaVaVa Voom - Brett Smiley 12. Love Machine - Shakane 13. The Comets Are Coming - Washington Flyers 14. Slippery Rock '70s - Stavely Makepeace 15. Neo City - The Plod 16. I Wanna Go To A Disco - Ricky Wilde 17. Bay City Rollers We Love You - Tartan Horde 18. Shake A Tail - Big Wheel 19. Wild Thing - Fancy 20. Kick Out The Jams - Tubthumper
...served by Gyro1966...

"BOOBS" The Junkshop Glam Discotheque

Disregard the word "discotheque" in the title of RPM's glorious Boobs: The Junkshop Glam Discotheque, the sixth installment in their wonderful Lip Smackin' 70s series. Although each of the 20 tracks here has a relentless, pounding beat, this isn't disco, this is glitter -- or, more precisely, what record collectors call junkshop glam, the forgotten glam and glitter singles from the '70s that are coveted precisely because these trashy tunes weren't intended to be remembered 30 years after their initial release. Screemer, just one of 20 unknowns on this collection, were strangely prescient when they declared on their shameless "Ballroom Blitz" ripoff "Interplanetery Twist" that "the people of the 21st century ain't never seen a rock & roller," and listening to Boobs, it's hard not to think that there's some truth there. Certainly, rock & roll in the 21st century no longer means the trashy, sleazy fun that is Boobs (the title, by the way, is an homage to a glam club of the same name from the mid-'70s) -- with an exception or two, it's well-intentioned and somber, even morose, either stagnant in its sincerity or designed for posterity and overly reverential of the past. Glitter and glam had no good intentions at all. The music was cheaply made and quickly released, blatantly aping the sounds of such stars as T. Rex, David Bowie, the Sweet, Slade, and the Bay City Rollers. It wasn't about anything but the moment, and when it did reference the past, say in how Iron Cross covered "Little Bit o' Soul" or Shelby tarted up Duane Eddy's "(Dance with The) Guitar Man," there was no respect there. So why does it still sound so intoxicatingly good after all these years? Because there's a kinetic energy to these fizzy productions -- the bands sound as if they truly believed that they could be stars, while the producers and labels behind them truly believed that they could score a quick buck by duping these young lads to wear fringes and platform shoes, and to cake their faces in makeup. These singles were written, recorded, released, and forgotten so quickly, they're freeze-dried time capsules, so the music sounds startlingly fresh, even if it's unquestionably tied to its time.
While there's a track or two that's nothing more than good-time fun, there are plenty of gems here, first among them the Rats' giddy T. Rex homage "Turtle Dove," which kicks off the party in grand style. It's quickly followed by Hector's Sweet-styled teenaged rampage "Wired Up," and from that point on it's clear that Boobs never will let the momentum sag: it's a party record and the closest it comes to a ballad is when Chunky reworks Norman Greenbaum's "Spirit in the Sky" as a spangled space rock anthem called "Albatross." Along the way are such highlights as Jimmy Jukebox's David Bowie rip "Motor Boat," complete with fey vocalizations and a reference to "Garbo's daughter"; "Jungle" by Erasmus Chorum, the only black glam band in recorded history; the irresistible stomp of Hot Rod's "Love Is Alright (Hey)," which recalls Gary Glitter in its chorus and steals from Three Dog Night's "Joy to the World" in the verse; the trippy, electric sitar-fueled "Natural Gas" by Paul Ryan (a terrific send-up of Marc Bolan at his spaciest); and Catapult's horn- and wah-wah-driven party anthem "Let Your Hair Hang Down." Reasonable critics could claim it's all trash, which it proudly is, but they're not only spoilsports, they're ignoring the fact that these songs were made at the precise moment trash was made with both skill and spirit, walking the fine line between disposable garbage and oddly resilient, eternally infectious junk. The junk of the 21st century is too cold and calculating, too slick and passionless, to be anywhere near this much fun. Put it this way: today, there wouldn't be a club called "Boobs" -- it'd be something crude and direct like, say, "Tits" -- but it was the right name for a glitter club and it's the right name for this disc. It's sexy, silly, and fun, which is exactly what this brilliant compilation is.(Allmusic)

trax:
1. Turtle Dove - The Rats 2. Wired Up - Hector 3. Interplanetary Twist - Screemer 4. Albatross - Chunky 5. Motor Boat - Jimmy Jukebox 6. (Dance With The) Guitar Man - Shelby Flint 7. Jungle - Erasmus Chorum 8. Love Is Alright (Hey) - Hot Rod 9. Black Eyed Woman - Sensation 10. Natural Gas - Paul Ryan 11. Little Bit O' Soul - Iron Cross 12. Don't Let Go - Light Fantastic 13. Let Your Hair Hang Down - Catapult 14. Good Time Fanny - Angel 15. Poor Annie - Barry Blood 16. Shout It Out - Ice Cream 17. Did You Get What You Wanted - Boston Boppers 18. Baby - Sensation 19. She's Just A Friend Of Mine - Hobnail 20. Let's Go - Rock Rebellion
...served by Gyro1966...

Monday, 22 April 2013

Little Willie John "Grits & Soul" 1955

Big thanks for this one (The Philly Sound), concentring the essential. Another vinyl rip, I bought that one on a second hand market, the seller who really had good discs (but I had not much money...), insisted so that I take it, underlining that there was the 'hit ' ' Fever ', and it made well because it remains my favourite version of this song. Enjoy!!! - Magic Kaic's MusicHe never received the accolades given to the likes of Sam Cooke, Clyde McPhatter, and James Brown, but Little Willie John ranks as one of R&B's most influential performers. His muscular high timbre and enormous technical and emotional range belied his young age (his first hit came when he was 18), but his mid-'50s work for Syd Nathan's King label would play a great part in the way soul music would sound. Everyone from Cooke, McPhatter, and Brown to Jackie Wilson, B.B. King, and Al Green has acknowledged his debt to this most overlooked of rock and soul pioneers.
His debut recording, a smoking version of Titus Turner's "All Around the World" from 1955, set the pattern for a remarkable string of hits: "Need Your Love So Bad," "Suffering with the Blues," "Fever," "Let Them Talk," and his last, "Sleep," from 1961. His version of "Fever" was copied note for note by Peggy Lee and Elvis Presley, both of whom had bigger hits with it; John's version, however, remains definitive. His second hit, "Need Your Love So Bad," contains one of the most intimate, tear-jerking vocals ever caught on tape.
John had a volatile temper, fueled by a taste for liquor and an insecurity regarding his slight height (5 feet 4 inches). He was known to pack a gun and knife; in 1964, he stabbed a man and was sent to the Washington State penitentiary, where he died of pneumonia in 1968. James Brown recorded a tribute album to John that year, and his material has been recorded by scores of artists from the Beatles to Fleetwood Mac to the Blasters. Nevertheless, Little Willie John remains a stranger to most listeners and has never received the respect his talent deserves. - AllMusic

trax:
01 All Around The World 02 Need Your Love So Bad 03 Fever 04 Do Something For Me 05 Suffering With The Blues 06 I've Been Around 07 Person To Person 08 Talk To Me, Talk To Me 09 Let's Rock While The Rockin's Good 10 Let Them Talk 11 Leave My Kitten Alone 12 Walk Slow 13 You Hurt Me 14 My Baby's in Love With Another Guy 15 Big Blue Diamonds 16 Come Back to Me
...served by Magic Kaic's Music...

Sunday, 21 April 2013

"The Philly Sound" Kenny Gamble, Leon Huff & The Story Of Brotherly Love (1966-1976)

The vintage music recorded at Philadelphia International Records, especially during owner/producers Kenny Gamble and Leon Huff's first decade, glue the classic soul of Memphis and Motown with the disco and hip-hop sounds to follow. "The Philly Sound," three volumes including #1 hits by Billy Paul, the O'Jays, Harold Melvin and the Blue Notes and others, celebrates gritty vocals, lush, deep-grooved orchestration, and socially proactive lyrics for what became classic R&B's final bow.
The set serves to salute not only Gamble-Huff and their considerable artist stable, but also their distinctive backup band MFSB (whose trumpet player, Rocky Bene, tried in vain to teach yours truly in high school). Also, it salutes songwriters like McFadden-Whitehead and Linda Creed, and arrangers like Bunny Sigler, Bobby Martin and Thom Bell (who himself could merit a producer's box set).
The introductions alone to these songs are 70s signposts: the strings and horns blowing smokerings to introduce Paul's "Me and Mrs. Jones," the musical sunrise on the Blue Notes' "Wake Up Everybody," the sinister bass line which begins the O'Jays earth-shaking "For The Love Of Money." The outros went on a bit too long (this music started disco, after all) but Teddy Pendergrass' personal-into-political-into-spiritual rant at the end of "Bad Luck" is one of soul's best performances (recorded in a town whose mayor, often perceived at odds with Gamble and the black community, actively supported the president who "said he was gonna give it up!")(Amazon)

trax CD 1:
1. Expressway To Your Heart - The Soul Survivors 2. Cowboys To Girls - The Intruders 3. I Can't Stop Dancing - Archie Bell & The Drells 4. Only The Strong Survive - Jerry Butler 5. One Night Affair - The O'Jays 6. (We'll Be) United - The Intruders 7. Silly, Silly Fool - Dusty Springfield 8. Don't Let The Green Grass Fool You - Wilson Pickett 9. Slow Motion, Part 1 - Johnny Williams 10. Me And Mrs. Jones - Billy Paul 11. Regina - Bunny Sigler 12. The Bells - Laura Nyro & LaBelle 13. Drowning In The Sea Of Love - Joe Simon 14. If You Don't Know Me By Now - Harold Melvin & The Blue Notes 15. 992 Arguments - The O'Jays 16. You're The Reason Why - The Ebonys 17. I Miss You - Harold Melvin & The Blue Notes 18. When The World's At Peace - The O'Jays 19. That's How Long I'll Be Loving You - Bunny Sigler 20. Back Stabbers - The O'Jays
trax CD 2:
1. Love Train - The O'Jays 2. The Love I Lost - Harold Melvin & The Blue Notes 3. Now That We Found Love - The O'Jays 4. Yesterday I Had The Blues - Harold Melvin & The Blue Notes 5. I'll Always Love My Mama - The Intruders 6. For The Love Of Money - The O'Jays 7. Bad Luck - Harold Melvin & The Blue Notes 8. Don't Call Me Brother - The O'Jays 9. Zach's Fanfare (I Hear Music) - M.F.S.B. 10. Love Is The Message - M.F.S.B. 11. Am I Black Enough For You - Billy Paul 12. Sunshine - The O'Jays 13. When Will I See You Again - The Three Degrees 14. TSOP (The Sound Of Philadelphia) - MFSB Feat. The Three Degrees
trax CD 3:
1. Livin' For The Weekend - The O'Jays 2. Wake Up Everybody - Harold Melvin & The Blue Notes 3. Enjoy Yourself - The Jacksons 4. I Could Dance All Night - Archie Bell & The Drells 5. I Love Music - The O'Jays 6. Love Epidemic - The Trammps 7. Stairway To Heaven - The O'Jays 8. Show You The Way To Go - The Jacksons 9. Do It Any Way You Wanna - People's Choice 10. My One And Only Love - M.F.S.B. 11. Rich Get Richer - The O'Jays 12. Hope That We Can Be Together Soon - Harold Melvin & The Blue Notes 13. O-o-h Child - Dee Dee Sharp 14. Love Train - Bunny Sigler
...served by Gyro1966...

Saturday, 20 April 2013

"DYNAMITE" The Best Of Glam Rock

43 blasts of glam rock from 1971-1974!trax CD 1:
1. Dance With The Devil - Cozy Powell 2. Ballroom Blitz - Sweet 3. The Tears I Cried - The Glitter Band 4. Good Time Fanny - Angel 5. 48 Crash - Suzi Quatro 6. Mama Weer All Crazee Now - Slade 7. I Love To Boogie - T.Rex 8. Good Old USA - Hello 9. Goodbye Love - Geordie 10. Dyna-Mite - Mud 11. I'm The Leader Of The Gang - Gary Glitter 12. Girl From Germany - Sparks 13. Make Me Smile (Come Up And See Me) - Cockney Rebel 14. Standing In The Road - Blackwood Sue 15. Do You Wanna Dance - Barry Blue 16. The Kid's A Punk - Slik 17. Fancy Pants - Kenny 18. Yesterday's Hero - Bay City Rollers 19. What's Your Name - Chicory Tip 20. Rock'n'Roll Lady - Showaddywaddy 21. One And One Is One - Medicine Head 22. The Man Who Sold The World - Lulu Featuring David Bowie
trax CD 2:
1. Get Down And Get With It - Slade 2. The Wild One - Suzi Quatro 3. Sing Don't Speak - Blackfoot Sue 4. Na Na Na - Cozy Powell 5. Motorbikin' - Chris Spedding 6. Don't Do That - Geordie 7. The Cat Crept In - Mud 8. Do You Wanna Touch Me - Gary Glitter 9. He's Gonna Step On You Again - John Kongos 10. Man In Black - Cozy Powell 11. Forever And Ever - Slik 12. Hey Rock'n'Roll - Showaddywaddy 13. Angel Face - The Glitter Band 14. Little Boy Blue - Angel 15. She's No Angel - Heavy Metal Kids 16. Clap Your Hands - Bonnie Stçlaire 17. Tell Him - Hello 18. Tokoloshe Man - John Kongos 19. You Could've Been A Lady - Hot Chocolate 20. Hot Lips - Kenny 21. See My Baby Jive - Wizzard
...served by Gyro1966...

"Rumba Doowop" Vol. 2 - 1955-1956

In jazz music, the Latin tinge is well-documented, but its influence on pop music has been given far less space; although it's not often hard to connect the dots between Cuban or Brazilian rhythms in early swing, it's far more difficult to see how those rhythms eventually filtered through the rest of popular music, especially R&B and rock & roll. The astonishingly thorough compilation Rumba DooWop, Vol. 1: 1933-1954 provides no less than 64 examples of how vocal groups (nearly all of them black) incorporated Latin rhythms into their recordings, nearly always easily and naturally. The set begins in the mid-'30s, with early vocal groups or gospel combos like the Mills Brothers, Delta Rhythm Boys, Golden Gate Quartet, and the Ravens -- groups that weren't doo wop, but certainly paved the way for all the Coastersand Platters and Robins to come. The rock & roll era is accounted for too, both here on the second disc of the set, as well as on volume two (Rumba DooWop, Vol. 2: 1955-1956), mostly with lesser-known songs and artists. (Only one song on the second disc, "Ling Ting Tong" by the Charms, is well-known.) Aside from containing dozens of great songs by talented groups, listeners shouldn't assume that many of these sides from the '50s are radical departures from standard doo wop; in fact, the fusion of Latin and American was so complete by the late '40s that scads of doo wop sides could use Latin rhythms without even sounding exotic -- which works slightly to the detriment of the compilation, at least as a concept. The best course of action is to treat it simply as a repository for great sides by a variety of doo wop groups, both popular and obscure. (Allmusic)This 2-CD set is the second of a two-volume collection looking at the influence of Latin rhythms, notably the rumba, in the doowop vocal group strand of American R&B music during the decades either side of the Second World War. Africa and Latin America together have moulded American popular music since the beginning of the twentieth century. African influences have led to the development of jazz, gospel and blues while their rhythms have been largely determined by successive waves of dance music from Cuba, Argentina, Brazil, Mexico, Puerto Rico and Jamaica. Every American musical genre from Broadway stage, Hollywood film, Tin Pan Alley pop and even country music has been affected to some degree. Dance forms and musical stylings such as habanera, bolero, tango, rumba, conga, samba, baion all have their origins in the Caribbean or in Latin America. New Orleans has been responsible more than any other city in the world for shaping the sound of twentieth century popular music. A sweeping statement that may seem, but as the birthplace of jazz, funk and arguably rock’n’roll, it really has no other contenders. At the heart of these three widely different varieties of music lies the rhythmic complexity of second line parade drumming. Its two-beat patterns combining military band and Caribbean rhythms underpin early jazz recordings much as they do those of Little Richard and James Brown. It is in this parade band beat that the first intimations of early funk drumming can be heard. This collection brings together over sixty recordings featuring vocal groups from the heyday of the booming doowop fraternity that was a key element of the R&B market in the mid- ‘50s, as popular music made its transition to rock ‘n’ roll. With carefully restored recordings and complete with a comprehensive 24-page booklet providing a detailed background narrative and discography, this is once again an absolute must for enthusiasts and collectors of classic R&B. (R&B Review)

trax CD 1:
1. Help Me - The Aladdins 2. Somebody Changed the Lock - The Empires 3. Zindy Lou - The Chimes 4. Jingle Jangle - The Penguins 5. That's the Way I Like It - The Queens 6. When You Dance - The Turbans 7. Mardi Gras Mambo - The Hawketts 8. Hot Mama - The Chanters 9. You Know I Can't Refuse - The Five Dollars 10. Do-Be-Do-Be-Wop-Wop - The Squires 11. Witchcraft - The Spiders 12. Lips Red As Wine - The Colts 13. Don't Do That - The Five Tinos 14. Day By Day - The Four Freshmen 15. Rollin' Stone - The Marigolds 16. Gumbo Mambo - The Larke Sisters 17. Grand, Nice, Swell - The Ebony Moods 18. Chop Chop Boom - The Danderliers 19. Morocco Chant - The Moroccos 20. Going Down to Tia Juana - The Don Juans 21. Rock It, Davy, Rock It - The Jaguars 22. Cha Cha Baby - The New Yorkers 5 23. Yacka Hoom Boom - The Savoys 24. Cigareetos - The Orioles 25. Laverne - The Earls 26. Ay Si Si - The Dootones 27. Mambo Baby To-Nite - The Falcons 28. Watussi Wussi Wu - The Tenderfoots 29. Cool, Mambo - The Sheppards 30. Red Hots and Chili Mac - The Moroccos 31. Man from Utopia - The Vel-Aires
trax CD 2:
1. Brazil - The Coasters 2. Goin' Goin' Gone - The Jewels 3. Patricia - The Rhythm Masters 4. Choo Choo - The Cardinals 5. Everybody's Whalin' - Huey 'Piano' Smith And His Rhythm Aces 6. Gift O' Gabbin' Woman - The Nutmegs 7. Stranded In The Jungle - The Jayhawks 8. Don't Worry About A Thing - The Sweet Teens 9. Cha Jezabel - The Notes 10. All My Love Belongs To You - The Joytones 11. A Fallen Tear - The El Dorados 12. Shimmy Shimmy Ko Ko Wop-cr2 - The El Capris 13. A-1 In My Heart - The Spiders 14. Mambo Fiesta - The Calvaes 15. Watusi - The Pharaohs 16. Gotta have you baby - The Combonettes 17. Let's Do The Razzle-Dazzle - The Rip Chords 18. I'm Yours - The Mellows 19. Last Night - The Starlighters 20. Cotton Picking Hands - The Dukes 21. Show Me The Merengue - The Hearts 22. It Was a Night Like This - The Turbans 23. So Good - The Playboys 24. Tonight - The Supremes 25. Mexico Bound - The Champions 26. Out Of The Picture - The Robins 27. Smooth, Slow & Easy - The Drivers 28. Ain't She Got Nerve - The Mellows 29. Last Ride - The Dukes 30. Down In Mexico - The Coasters 31. In Paradise - The Cookies
...served by Gyro1966...

Friday, 19 April 2013

"BUBBLE GUM MUSIC IS THE NAKED TRUTH"

When Buddah Records released Bubblegum Music Is the Naked Truth, Vol. 1 in 1969, it was a collection of the label's biggest pop hits, but at the time it was a statement of purpose -- if this music was sneered at by rock critics as empty-headed AM radio fodder, the liner notes by Neil Bogart made it clear that as long as the kids were digging it, the folks behind these songs were convinced they were doing something right (and making money hand over fist at the same time). Producers Jerry Kasenetz and Jeff Katz devised a hitmaking formula that worked remarkably well for them in 1968 and 1969 -- simple tunes with aggressive melodic hooks, nasal vocals, lyrics that combined playground rhymes with subtle (or not so subtle) sexual innuendo, and a hard stomping beat often accentuated by handclaps or additional percussion. The 1910 Fruitgum Company's "Simon Says" and "1,2,3 Red Light" and "Chewy Chewy" by the Ohio Express represented the Kasenetz-Katz formula at its apex, hit singles that were dirt simple but perfectly formulated teen pop, and though they got more ambitious with the passage of time, they were never better at working their magic formula. Bubblegum Music Is the Naked Truth, Vol. 1 is arguably the definitive document of the Kasenetz-Katz aesthetic in action; while the cuts from the Lemon Pipers are a bit arty compared to the rest of the disc, "Green Tambourine" and "Jelly Jungle (Of Orange Marmalade)" are brilliant psychedelia for people who haven't used drugs yet, and "Yummy Yummy Yummy" and "1,2,3 Red Light" are either brilliant or perverse (or a bit of both) in their erotic metaphors and irresistible prefabricated production. Bubblegum was a perfect analogy for this music -- sure it's sickly sweet and not necessarily good for you, but those who say they never took pleasure from this is probably lying, and Bubblegum Music Is the Naked Truth, Vol. 1 is as satisfying as guilty pleasures get. (Allmusic)trax:
1. Simon Says - 1910 Fruitgum Company 2. Yummy Yummy Yummy - The Ohio Express 3. Quick Joey Small (Run Joey Run) - Kasenetz-Katz Singing Orchestral Circus 4. Green Tambourine - Lemon Pipers 5. 1,2,3 Red Light - 1910 Fruitgum Company 6. Down At Lulu's - The Ohio Express 7. Shake - Shadows Of Knight 8. Chewy Chewy - The Ohio Express 9. May I Take A Giant Step (Into Your Heart) - 1910 Fruitgum Company 10. Jelly Jungle (Of Orange Marmalade) - Lemon Pipers 11. Goody Goody Gumdrops - 1910 Fruitgum Company 12. Rice Is Nice - Lemon Pipers 13. Indian Giver - 1910 Fruitgum Company 14. Sausalito (Is The Place To Go) - The Ohio Express 15. Rainbow Tree - Lemon Pipers 16. Run Run Billy Porter - Shadows Of Knight 17. Sweeter Than Sugar - The Ohio Express 18. Finders Keepers - Salt Water Taffy 19. Special Delivery - 1910 Fruitgum Company
...served by Gyro1966...

"Rumba Doowop" Vol. 1 - 1933-1954

In jazz music, the Latin tinge is well-documented, but its influence on pop music has been given far less space; although it's not often hard to connect the dots between Cuban or Brazilian rhythms in early swing, it's far more difficult to see how those rhythms eventually filtered through the rest of popular music, especially R&B and rock & roll. The astonishingly thorough compilation Rumba DooWop, Vol. 1: 1933-1954 provides no less than 64 examples of how vocal groups (nearly all of them black) incorporated Latin rhythms into their recordings, nearly always easily and naturally. The set begins in the mid-'30s, with early vocal groups or gospel combos like the Mills Brothers, Delta Rhythm Boys, Golden Gate Quartet, and the Ravens -- groups that weren't doo wop, but certainly paved the way for all the Coastersand Platters and Robins to come. The rock & roll era is accounted for too, both here on the second disc of the set, as well as on volume two (Rumba DooWop, Vol. 2: 1955-1956), mostly with lesser-known songs and artists. (Only one song on the second disc, "Ling Ting Tong" by the Charms, is well-known.) Aside from containing dozens of great songs by talented groups, listeners shouldn't assume that many of these sides from the '50s are radical departures from standard doo wop; in fact, the fusion of Latin and American was so complete by the late '40s that scads of doo wop sides could use Latin rhythms without even sounding exotic -- which works slightly to the detriment of the compilation, at least as a concept. The best course of action is to treat it simply as a repository for great sides by a variety of doo wop groups, both popular and obscure. (Allmusic)This 2-CD set is the first of a two-volume collection looking at the influence of latin rhythms, and notably the rumba, in the doowop vocal group strand of American R&B music during the decades either side of the Second World War. Africa and Latin America together have moulded American popular music since the beginning of the twentieth century. African influences have led to the development of jazz, gospel and blues while their rhythms have been largely determined by successive waves of dance music from Cuba, Argentina, Brazil, Mexico, Puerto Rico and Jamaica. Every American musical genre from Broadway stage, Hollywood film, Tin Pan Alley pop and even country music has been affected to some degree. Dance forms and musical stylings such as habanera, bolero, tango, rumba, conga, samba, baion all have their origins in the Caribbean or in Latin America. New Orleans has been responsible more than any other city in the world for shaping the sound of twentieth century popular music. A sweeping statement that may seem, but as the birthplace of jazz, funk and arguably rock’n’roll, it really has no other contenders. At the heart of these three widely different varieties of music lies the rhythmic complexity of second line parade drumming. Its two-beat patterns combining military band and Caribbean rhythms underpin early jazz recordings much as they do those of Little Richard and James Brown. It is in this parade band beat that the first intimations of early funk drumming can be heard. This collection brings together over sixty recordings featuring vocal groups from every facet of American popular music, including of course the ubiquitous gospel quartets and the barber shop styled groups of the 30s, through to the groups that were at the heart of the booming R&B market in the early ‘50s, who would provide part of the transition to rock ‘n’ roll. With carefully restored recordings and complete with a comprehensive 24-page booklet providing a detailed background narrative and discography, this is once again an absolute must for enthusiasts and collectors of classic R&B. (R&B Review)

trax CD 1:
1. I Got Rhythm - The Five Spirits Of Rhythm 2. Tiger Rag - The Mills Brothers 3. Jesus Is A Rock In A Weary Land - The Charioteers 4. La Cucaracha - The Delta Rhythm Boys 5. Packing Up - Getting Ready To Go - The Golden Gate Jubilee Quartet 6. St Louis Blues - The Jubalaires 7. Brother Bill - The Five Blind Boys Of Montana 8. Choo Choo - The Four Vagabonds 9. Shadrack - The Golden Gate Jubilee Quartet 10. Casey Jones - The Jubalaires 11. Dry Bones - The Missionary Quintet 12. Jesus Met The Woman At The Well - The Pilgrim Travelers 13. Swing Down Chariot - The Jubalaires 14. Ol' Man River - The Ravens 15. Wanda - The Heartbreakers 16. Roll Roll Pretty Baby - The Swallows 17. Besame Mucho - The Ray-O-Vacs 18. Don't You Know I Love You? - The Clovers 19. I'm So High - The Five Keys 20. My Baby's Gone - The Ray-O-Vacs 21. Be Bop Wino - The Lamplighters 22. Let Me Come Back - The Checkerse 23. I Didn't Want To Do It - The Spiders 24. Softly And Tenderly - The Prisonaires 25. Good Lovin' - The Clovers 26. Calypso Song - The Ravens 27. Geechie Goomie - The Mello-Tones 28. Whop - The Squires 29. Baby Doll - The Four Dukes 30. Bicycle Tillie - The Swallows 31. Chee Koo Baby - The Dukes
trax CD 2:
1. It's Too Late Now - The Hawks 2. Be Bop Baby - The Peacheroos 3. Real Gone Mama - The Moonglows 4. I've Got My Eyes On You - The Clovers 5. Such A Night - The Drifters 6. Mambo Shevitz - The Crows 7. All Night Mambo - The Cookies 8. Shake It Up Mambo - The Platters 9. Natural Natural Ditty - The Jewels 10. Irene - The Holidays 11. Sweet Lulu - The Love Notes 12. Boppin' With The Mambo - The Sultans 13. White Cliffs Of Dover - The Pelicans 14. Drunk, Drunk, Drunk - The Kidds 15. Down In Mexico - The Pelicans 16. I Want You To Be My Baby - The Royals 17. Five Minutes Longer - The Lamplighters 18. Mambo Sh-Mambo - The Charms 19. Bye Bye - The Dreamers 20. Ain't Gonna Do It - The Spiders 21. Trying To Get To You - The Eagles 22. Give It Up - The Hawks 23. All I Do Is Rock - The Robins 24. Sweet Sue - The Starlighters 25. Watts - The Chanters 26. Ling Ting Tong - The Charms 27. I Wanna Love - The Crowns 28. You Made Me Cry - The Platters 29. White Christmas - The Drifters 30. Hey Senorita - The Penguins 31. Tempting - The Moonglows 32. Ko Ko Mo - The Flamingos
...served by Gyro1966...

Thursday, 18 April 2013

Loveland "Order To Love"

WHOLE LOTTA LOVE...Lana is a musician, singer & songwriter from Berlin. Together with Lenny Svilar on guitar they formed their first band Cox Orange in 1995. With Lyricist Marcin Zastrozny they wrote songs in the style of the music from the 60s. (Most of them you can hear on "Order To Love" by LOVELAND). In 2001 she moved to California. Soon after her arrival she was asked to play with the Bonniwell Music Machine, her longtime favorite group from the 60's. One year later she was asked by Rudi Protrudi to join The Fuzztones. Since 2005 she has been touring with them through Europe. She has recorded with the Fuzztones two albums (Horny As Hell/2008 and Preaching To The Perverted/2011) and played organ on several other sideprojects. In 2009 she has also performed with The Fuzztones for german TV show ROCKPALAST. In 2010 she recorded her new album ORDER TO LOVE with Lenny Svilar on guitar, Rudi Protrudi on bass, and Alex Tenas on drums. It was released on GROOVIE RECORDS, February 2011. Butterfly Records has released Loveland's first single "Black Glove" March 2010. In 2011, a spring tour in Spain followed, later that year tours in Germany, Italy, and the UK. - from: http://www.lanaloveland.com/trax:
01 Black Glove 02 Missing Illusions 03 Theater Of Dreams 04 Nervous People 05 Paranoia 06 Missing Link 07 Waiting 08 Silence Everywhere 09 Bandit 10 Constant Furs

Wednesday, 17 April 2013

Columbia Country Classics Vol. 5 - "New Tradition"

The final volume in the set contains music from today, both established artists and up-and-coming ones, like Larry Gatlin, Asleep at The Wheel, Willie Nelson, Sweethearts of the Rodeo, the O'Kanes, and more. (Allmusic)The final installment in this excellent series takes country music (on Columbia Records, at least) through the 60s, 70s and 80s and what a long, strange trip it's been. Label stalwart Johnny Cash kicks off the proceedings with "Daddy Sang Bass," one of his personal classics. But then, look: it's Bob Dylan, the Byrds and later, Poco -- rock and roll acts doing country! And what fine country it is; "Hickory Wind" is the absolute finest from the Byrds' Gram Parsons era and "Pickin' Up the Pieces" is a good early selection from Poco.
The rest is really a set of highs and lows, with the peaks including Merle Haggard's "Big City" and George Jones' "He Stopped Loving Her Today," classics in any idiom, and gems from Rodney Crowell, Moe Bandy and Willie Nelson. (Amazon)

trax:
1. Daddy Sang Bass - Johnny Cash 2. I'll Be Your Baby Tonight - Bob Dylan 3. Hickory Wind - The Byrds 4. When I Stop Dreaming - Jim & Jesse 5. Pickin' Up The Pieces - Poco 6. Can't You Hear Me Calling - Herb Pedersen 7. Uncle Pen - Ricky Skaggs 8. Blue Eyes Crying In The Rain - Willie Nelson 9. Miss The Mississippi And You - Crystal Gayle 10. Faded Love - Willie Nelson 11. Big City - Merle Haggard 12. Choo Choo Ch'Boogie - Asleep At The Wheel 13. Houston (Means I'm One Day Closer To You) - Larry Gatlin & The Gatlin Brothers 14. El Paso City - Marty Robbins 15. The Ride - David Allan Coe 16. Hank Williams, You Wrote My Life - Moe Bandy 17. There's A Song On The Jukebox - David Wills 18. He Stopped Loving Her Today - George Jones 19. Life Turned Her That Way - Ricky Van Shelton 20. Oh Darlin' - The O'Kanes 21. I Couldn't Leave You If I Tried - Rodney Crowell 22. So Sad (To Watch Good Love Go Bad) - Sweethearts Of The Rodeo 23. Seven Year Ache - Rosanne Cash
...served by Gyro1966...

Tuesday, 16 April 2013

Columbia Country Classics Vol. 4 - "The Nashville Sound"

The Nashville Sound picks things up in the mid-'50s, and chronicles the rise of country-pop (aka the Nashville sound). In 1955 Marty Robbins made number one on the country charts with a mixture of pristine honky tonk and smooth vocals in "Singing the Blues." This and many of the early tracks on this collection were produced by Columbia's own Nashville sound architect Don Law, who would bring honky tonk to its logical and streamlined extreme; Ray Price still sounds polished even without strings ("Night Life") and Hawkshaw Hawkins jumps into the fray with an appealing choral and country mixture ("I Can't Seem to Say Goodbye"). Law would reach his peak with Billy Walker's seamless, easy listening rendition of the Willie Nelson perennial "Funny How Time Slips Away." Producer Billy Sherrill took the reigns in 1965, and pushed the Nashville sound to its peak, with up-in-the-mix strings and choir, plenty of echo and reverb, and rhythm sections that sounded unobtrusively compact. Sherrill found quick success with David Houston's "Almost Persuaded," Tammy Wynette's career-defining hit "Stand By Your Man," and later with luxuriously arranged hits for George Jones. Charlie Rich's hugely successful crossover hits "Behind Close Doors" and "The Most Beautiful Girl in the World," though, would be Sherrill's watermark and come to represent the apex of the Nashville sound. Along with Rich's hits, Lynn Anderson's "I Never Promised You a Rose Garden," Barbara Mandrell's "The Midnight Oil," and Tanya Tucker's "Would You Lay With Me (In a Field of Stone)" would set the stage for country's transformation into the ultra-polished music it became during the '80s and '90s. (Allmusic)

trax:
1. I Still Miss Someone - Johnny Cash 2. Singing The Blues - Marty Robbins 3. Charlie's Shoes - Billy Walker 4. Devil Woman - Marty Robbins 5. Ring Of Fire - Johnny Cash 6. Jackson - Johnny Cash & June Carter 7. A Wound Time Can't Erase - Stonewall Jackson 8. I Can't Seem To Say Goodbye - Hawkshaw Hawkins 9. I Think I Know - Marion Worth 10. Funny How Time Slips Away - Billy Walker 11. Night Life - Ray Price 12. Almost Persuaded - David Houston 13. My Elusive Dreams - David Houston & Tammy Wynette 14. Stand By Your Man - Tammy Wynette 15. Bring Him Safely Home To Me - Sandy Posey 16. I Take It On Home - Charlie Rich 17. Take Me - George Jones & Tammy Wynette 18. Behind Closed Doors - Charlie Rich 19. The Most Beautiful Girl - Charlie Rich 20. She's All I Got - Johnny Paycheck 21. A Picture Of Me (Without You) - George Jones 22. The Midnight Oil - Barbara Mandrell 23. The Grand Tour - George Jones 24. I Never Promised You A Rose Garden - Lynn Anderson 25. For The Good Times - Ray Price 26. Would You Lay With Me (In A Field Of Stone) - Tanya Tucker
...served by Gyro1966...

Monday, 15 April 2013

Columbia Country Classics Vol. 3 - "Americana"

Part of Columbia's excellent Country Classics survey series, this 25-track roundup of Americana-themed material takes in the vast landscape by way of geography, history, and patriotism. Ranging from early honky tonk-era sides to '80s roots, Columbia Country Classics, Vol. 3: Americana spotlights hits by Marty Robbins ("El Paso"), Johnny Horton ("North to Alaska"), Lefty Frizzell ("Saginaw, Michigan"), and the Charlie Daniels Band ("The Devil Went Down to Georgia"). Bookended by the picaresque likes of "The Ballad of Davey Crockett" (Fess Parker) and "Highwayman," the mix packs it in with more U.S. gold from Hawkshaw Hawkins, Johnny Cash, and Stonewall Jackson, among others. A rousing bit of old-timey fun. (Allmusic)

trax:
1. The Ballad Of Davy Crockett - Fess Parker 2. Don't Take Your Guns To Town - Johnny Cash 3. Big Iron - Marty Robbins 4. The Ballad Of Paladin - Johnny Western 5. El Paso - Marty Robbins 6. Cross The Brazos At Waco - Billy Walker 7. Long Black Veil - Lefty Frizzell 8. Life To Go - Stonewall Jackson 9. Big Bad John - Jimmy Dean 10. Tennessee Flat Top Box - Johnny Cash 11. Wolverton Mountain - Claude King 12. Saginaw Michigan - Lefty Frizzell 13. North To Alaska - Johnny Horton 14. Twenty Miles From Shore - Hawkshaw Hawkins 15. The Battle Of New Orleans - Johnny Horton 16. Soldier's Joy - Hawkshaw Hawkins 17. Waterloo - Stonewall Jackson 18. The Ballad Of Jed Clampett - Lester Flatt, Earl Scruggs & The Foggy Mountain Boys 19. May The Bird Of Paradise Fly Up Your Nose - "Little" Jimmy Dickens 20. Flowers On The Wall - The Statler Brothers 21. If You Can't Bite, Don't Growl - Tommy Collins 22. A Boy Named Sue - Johnny Cash 23. The Devil Went Down To Georgia - The Charlie Daniels Band 24. Pancho And Lefty - Willie Nelson & Merle Haggard 25. Highwayman - Johnny Cash, Kris Kristofferson, Waylon Jennings & Willie Nelson
...served by Gyro1966...

Sunday, 14 April 2013

PHIL ALVIN "County Fair 2000" (1994)

Phil Alvin's second solo date, County Fair 2000 continues his thorough exploration of Americana with references to tap dancing ("Low Down Rhythm"), Ellingtonia ("The Terror"), Delta blues ("That Thing"), New Orleans brass bands ("Danny Boy's Mourning Sunset"), rockabilly/country ("County Fair 2000"), automobiles ("Wreck Your V-8 Ford"), and the Jimmy Reed-styled "Oh, Doctor." Alvin has the good taste to employ an impressive list of guests including the Dirty Dozen Brass Band, Billy Boy Arnold, Cesar Rosas from Los Lobos, James Intveld, and members of the Blasters (without brother Dave Alvin.) County Fair 2000 leaves no doubt that Phil Alvin is a premier musicologist, preserving and staying true to what he loves. (Allmusic)

trax:
1. County Fair - The Blasters 2. Wreck Your V-8 Ford - Phil Alvin & Billy Boy Arnold 3. The Blue Line - The Blasters 4. That Thing - Phil Alvin 5. Turnin' Blues Into Gold - Phil Alvin w/James Intveld & The Dirty Dozen Brass Band 6. Starlight - Phil Alvin 7. Keep In Touch - The Blasters w/Jerome Bowman 8. What's The Reason I'm Not Pleasin' You - Phil Alvin w/Mary Franklin & The Faultline Syncopators 9. She Loves So Good - Phil Alvin 10. Callin' Corrine - Phil Alvin 11. The Terror - The Faultline Syncopators 12. Oh, Doctor - The Gauda La Habrians 13. Mr. Satellite Man - The Blasters w/Top Jimmy & Mary Franklin 14. Low Down Rhythm - Phil Alvin w/Fayard Nicholas, Eddie Baytos & The Faultline Syncopators 15. Old Rugged Cross / Ankh - Phil Alvin & The Dirty Dozen Brass Band 16. Didn't He Ramble - The Dirty Dozen Brass Band
...served by Gyro1966...

Columbia Country Classics Vol. 2 - "Honky Tonk Heroes"

As part of Columbia's excellent Country Classics series, Honky Tonk Heroes spotlights country music's transition from the bluegrass-heavy golden age of Roy Acuff and Bill Monroe to the honky tonk style that featured the more urbane, shuffle-beat sound forged by Lefty Frizzell and Ray Price in the '40s and '50s. A shift in lyric matter occurred too, as depression-era tales of rural strife were supplanted by woeful stories of tavern life. While Floyd Tillman's overwrought vocals and cloying violin passages on "This Cold War With You" are planted in the past, Little Jimmy Dickens' mixture of country bumpkin singing and hard-driving, guitar-heavy accompaniment on "A Sleepin' at the Foot of the Bed" rides the line between the golden and honky tonk age. The transition is made complete on Lefty Frizzell's classic "If You've Got the Money, I've Got the Time," with its swinging 4/4 beat and tale of bar hopping. Ray Price would take the honky tonk sound to full flower, compliments of his famous shuffle-beat sound on huge hits like "Crazy" and "Heartaches by the Number." Johnny Horton would even add a little rockabilly flavor to the mix with "Honky Tonk Man." With even more great songs by Charlie Walker, Marty Robbins, and Stonewall Jackson, Honky Tonk Heroes is the perfect introduction to the honky tonk sound and a must for any country music collection. (Allmusic)

trax:
1. Brain Cloudy Blues - Bob Wills & His Texas Playboys 2. Slippin' Around - Floyd Tillman 3. This Cold War With You - Floyd Tillman 4. (Remember Me) I'm The One Who Loves You - Stuart Hamblen 5. I Love You So Much It Hurts - Floyd Tillman 6. Room Full Of Roses - Mickey Gilley 7. I Overlooked An Orchid (While Searching For A Rose) - Carl Smith 8. Country Boy - "Little" Jimmy Dickens 9. Take An Old Cold 'Tater (And Wait) - "Little" Jimmy Dickens 10. Let Old Mother Nature Have Her Way - Carl Smith 11. A-Sleepin' At The Foot Of The Bed - "Little" Jimmy Dickens 12. If You've Got The Money, I've Got The Time - Lefty Frizzell 13. I Love You A Thousand Ways - Lefty Frizzell 14. I Couldn't Keep From Crying - Marty Robbins 15. Always Late (With Your Kisses) - Lefty Frizzell 16. Hey Joe! - Carl Smith 17. Honky Tonk Man - Johnny Horton 18. Crazy Arms - Ray Price 19. Knee Deep In The Blues - Marty Robbins 20. Invitation To The Blues - Ray Price 21. Pick Me Up On Your Way Down - Charlie Walker 22. Heartaches By The Number - Ray Price 23. Why I'm Walkin' - Stonewall Jackson 24. Who Will Buy The Wine - Charlie Walker 25. Honky Tonkitis - Carl Butler 26. Heart Over Mind - Ray Price 27. Don't Let Me Cross Over - Carl Butler
...served by Gyro1966...

Saturday, 13 April 2013

THE SHANGRI-LAS "Myrmidons of Melodrama" Definitive Collection

Until the release of this import, there had never been a truly satisfactory Shangri-Las anthology; in fact, the group had been subject to worse piecemeal mangling than almost any other significant act of the 1960s. This 33-track production finally sets the record straight, including all of the significant A-sides, B-sides, and album tracks they recorded for Red Bird between 1964 and 1966, as well as an earlier single for a different label, and four radio commercials. Includes every one of their hits, but anyone who likes those will be enchanted by quite a few of their more obscure numbers here: "Dressed in Black," "Paradise," "It's Easier to Cry," "Never Again," and "Heaven Knows" are all first-class (if sometimes mordant). Not everything is up to that level, but enough is to make a case for them as one of the very best girl groups, and the good sound and thorough liner notes are significant bonuses. It may be more extensive and expensive than some fans wish, but don't settle for the numerous skimpy/rip-off domestic compilations, all of which manage to leave off some key tunes; this is the definitive document. (Allmusic)Mini soap operas set to music. That's how co-producer Jeff Barry describes the songs of the Shangri-Las and it's a good description. Certainly, their music was different from anything else around at the time and nobody else has been able to emulate them since.
Only two of their singles made the UK charts although one of them did so on three completely separate occasions. They did better in America, where they had eleven hits, three of which made the top ten. But unlike some of their contemporaries, their B-sides and album tracks are also fascinating with very few covers (although the impressive He cried is a cover of She cried by Jay and the Americans). George Morton, Jeff Barry and Ellie Greenwich between them wrote many of their songs including all the famous hits.
Their most famous song, Leader of the pack, made it to number one in America. It stalled just outside the top ten in Britain, possibly hampered by the success of another motorcycle death song (Terry by Twinkle), which made the UK top five just before Leader of the pack was released in Britain. Re-released in 1972, the song made the UK top three. In 1976, it again made the UK top ten.
The only other Shangri-Las track to make the UK charts is Remember walking in the sand, which was a UK top twenty hit. It made the top five in America but the liner notes give a wonderful description of a seven-minute demo version featuring (maybe) a young Billy Joel on piano. Sadly, that demo version is not included on the compilation.
Of their other American hits, I can never go home anymore made the top ten, Give him a great big kiss made the top twenty, Give us your blessings made the top thirty and Long live our love made the top forty. Four minor hits (Maybe, Right now and not later, He cried, Past present and future) complete their American chart statistics, although they bubbled under with Sweet sounds of summer (not included here) after they switched record labels following the demise of Red Bird, the label on which all their classic recordings were released.
Notable B-sides include Paradise (written by Nilsson for the Ronettes), Train from Kansas City, Heaven only knows, Sophisticated boom boom and Dressed in black. Among their best album tracks are What's a girl supposed to do (also recorded by Lesley Gore), Never again and Sophisticated boom boom.
All those tracks and plenty of others can be found on this magnificent compilation, which even includes some commercials and public notices that you might think would be best avoided. Not so - even these are great performed by the Shangri-Las. (Amazon)trax:
01 Remember (Walkin' In The Sand) 02 It's Easier To Cry 03 Leader Of The Pack 04 What Is Love 05 Give Him A Great Big Kiss 06 Maybe 07 Out In The Streets 08 The Boy 09 Give Us Your Blessings 10 Heaven Only Knows 11 Right Now And Not Later 12 The Train From Kansas City 13 Never Again 14 I'm Blue 15 What's A Girl Supposed To Do 16 The Dum Dum Ditty 17 You Cheated, You Lied 18 I Can Never Go Home Anymore 19 Bull Dog 20 Long Live Our Love 21 Sophisticated Boom Boom 22 He Cried 23 Dressed In Black 24 Past, Present And Future 25 Paradise 26 Love You More Than Yesterday 27 Wishing Well 28 Hate To Say I Told You So 29 Give Him A Great Big Kiss (alt take) 30 Radio Spot #1 How Pretty Can You Get? 31 Radio Spot #2 Revlon Endorsement 32 Radio Spot #3 Good Taste Tip 33 Radio Spot #4 Dating Courtesy Tip
...served by Gyro1966...

Columbia Country Classics Vol. 1 - "The Golden Age"

This five-volume set contains 128 of the greatest country music recordings in Columbia's vaults, which span the genre from its beginnings. Each volume (available separately or as a set) contains major country artists. This first volume contains 27 landmark recordings by the artists that made them famous, such as the late Roy Acuff's "Wabash Cannonball" and The Carter Family's "Will the Circle Be Unbroken" -- 16 artists in all. (Allmusic)

trax:
1. Can The Circle Be Unbroken - The Carter Family 2. Great Speckled Bird [78rpm Version] - Roy Acuff & His Crazy Tennesseans 3. After The Sunrise [Album Version] - The Chuck Wagon Gang 4. You Are My Sunshine - Gene Autry 5. I Want To Be A Cowboy's Sweetheart - Patsy Montana & The Prairie Ramblers 6. Pistol Packin' Mama - Al Dexter & His Troopers 7. Back In The Saddle Again - Gene Autry 8. New San Antonio Rose - Bob Wills & His Texas Playboys 9. Time Changes Everything - Bob Wills & His Texas Playboys 10. It Makes No Difference Now - Gene Autry 11. Take Me Back To Tulsa - Bob Wills & His Texas Playboys 12. Don't Let That Man Get You Down - Texas Ruby 13. Shame On You - Spade Cooley 14. Born To Lose - Ted Daffan's Texans 15. When My Blue Moon Turns To Gold Again - Wiley Walker & Gene Sullivan 16. Wreck On The Highway - Roy Acuff & His Smoky Mountain Boys 17. When God Comes And Gathers His Jewels [Album Version] - Molly O'Day & The Cumberland Mountain Folks 18. The Tramp On The Street - Molly O'Day & The Cumberland Mountain Folks 19. I Saw The Light - Roy Acuff & His Smoky Mountain Boys 20. Are You Walking And A-Talking For The Lord [78rpm Version] - Wilma Lee & Stoney Cooper 21. Molly And Tenbrooks (The Race Horse Song) [Album Version] - Bill Monroe & His Blue Grass Boys 22. Poor Ellen Smith - Molly O'Day & The Cumberland Mountain Folks 23. Wabash Cannon Ball [Album Version] - Roy Acuff & His Smoky Mountain Boys 24. Blue Eyes Crying In The Rain - Roy Acuff 25. Blue Moon Of Kentucky - Bill Monroe & His Bluegrass Boys 26. The Fields Have Turned Brown - The Stanley Brothers 27. Don't Get Above Your Raisin' - Lester Flatt
...served by Gyro1966...