
trax:01 Dracurla 02 All Them Pellets 03 Compact Disc 04 Jeff Ottoman Empire 05 She Dines the Strangest Places 06 Skull Disease 07 Paradise Plaza
Just For Your Listening Pleasure: Tune in, turn on, and drop out!
The band Los Pollos Caipiras' first EP, recorded in December 2015 at Armache Studio in Mariana, Minas Gerais. Mixing and mastering by Edward Armache. Illustration by Natália Marques "Amelinha" and graphic design by Guilherme Bianchi. All songs are Los Pollos Caipiras compositions, except "Sobradinho," by Sá and Guarabira.
...Hitchcock hails from the city of Cambridge and has made several appearances at the city's annual festival, this particular recording dating to 1992. The Asking Tree dates the appearance as circa Fri., 31 July 1992. The CD includes ten tracks, from different stages of Hitchcock's solo career, most of which do not differ substantially from the original recordings, but for the fact that they feature acoustic guitars in place of electric as a consequence of the festival's folk theme. (None could rightly be termed folk music, however.) Only "Satellite" is radically different from the original, filled out here with a full band arrangement in contrast to the minimal reading on Hitchcock's solo album Eye. Hitchcock provides sleeve notes, and the track listing below conforms to that stated on the CD cover, which is not sequenced in accordance with the disc's contents. - wiki
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Alewife:
It's just me having fun with my 45's and whatever random record I pull out of the boxes. I will try to give both sides of the 45 unless one side is dull, unbearable or unplayable. I hope you enjoy. (Gyro1966)
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...2000's The Best of the Animals is a fine selection of the group's best singles, the American Animalism and the British Animalisms (both released in 1966) represented the original group at its peak in the studio, and 1977's Before We Were So Rudely Interrupted was a reunion album that showed the group's spirit had not dimmed...to be continued... - Biography by Mark Deming
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...They were also one of the first English acts to break internationally while aligning themselves with the blues. While the Rolling Stones were steeped in that genre, it would take them years to summon the sort of menace that the Animals delivered on their second single, 1964's "House of the Rising Sun." The band moved into a more pop-oriented direction over the next two years without stripping songs like "Don't Let Me Be Misunderstood," "We Gotta Get Out of This Place," and "It's My Life" of their passion and intensity...to be continued... - Biography by Mark Deming
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...He rode his horse hard, drank harder & gambled with his own life hardest of all. The Outlaw had nothing to lose, so he went all in whenever he had to throw down his cards. He was a broken man, stitched together with leather, textured by sand & protected by gunmetal. He had been living on the fringes, but this time, The Outlaw felt like a man, riding with the wind, toward his home.
...Containing new arrangements of two songs that Nat King Cole made famous in earlier versions: I'm Lost and Lost April. The album peaked at 27 on the Billboard album chart.
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...For the full experience we recommend you to pour your loved ones and yourself one, put on your dancing shoes and freak out to the max!!
It's just me having fun with my 45's and whatever random record I pull out of the boxes. I will try to give both sides of the 45 unless one side is dull, unbearable or unplayable. I hope you enjoy. (Gyro1966)
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...He has recorded for two major American labels (A&M Records, then Warner Bros.) over the course of the 1980s and 1990s, and was the subject of a live performance/documentary film (Storefront Hitchcock) by major motion picture director Jonathan Demme in 1998. Since the turn of the millennium he has also finally received belated critical recognition in his home country. Despite this, mainstream success remains limited. He continues to tour and record prolifically and has earned strong critical reviews over a steady stream of album releases and live performances, and a dedicated "cult following"[3] for his unique body of work. - wiki
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The band's debut album. Released in 2010 by ATMC Records. Recorded at Fuera Del Tunel / Bichi Estudio. Mixed by Francisco "Bichi" Bozzi. Mastered by Jim Diamond at Ghetto Records.
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...These songs were supposed to be the beginning of the second full length record, but after so many years of them existing solely as a foursome, it only seems right that they remain that way. Blazing through the same vein that the first record ended in, PT was gaining speed and getting heavy, while always bleeding surf sex rock. The Tsunami never lost steam. - Ben
...The Combo featured Alan Price on keyboards and vocals, Hilton Valentine on guitar, Bryan "Chas" Chandler on bass, and John Steel on drums. Eric Burdon, who had sung in the Kansas City Five, had left Newcastle for London when Price quit the Five in favor of the Kontours, but when he came back home, he joined Price's new Combo as lead vocalist. The group's powerful style soon earned them an audience, and they adopted a new name, the Animals. (Depending on who tells the story, the name came either from their ferocious on-stage attitude or a tip of the hat to a good friend nicknamed "Animal.") In the fall of 1963, the newly branded Animals headed to a small recording studio and cut a four-song EP of Rhythm & Blues standards that faithfully documented their live sound. A copy of the disc made its way to Giorgio Gomelsky, who was managing a like-minded R&B outfit called the Yardbirds, and he encouraged the band to relocate to London and pursue a larger audience. The Animals became a regular attraction at Gomelsky's London venue The Crawdaddy Club, and they were spotted by successful producer and manager Mickie Most. Most signed the Animals, and engineered a deal for them with EMI's Columbia Records imprint (not to be confused with the American label of the name name). Columbia brought out their first Animals' single, "Baby Let Me Take You Home," which fared well in the U.K., rising to number 21 on the singles' charts. MGM Records signed the band for the American market, and their second single, an ominous reworking of the folk ballad "The House of the Rising Sun," became their international breakthrough, going all the way to number one in England, the United States, and Canada, and reaching the Top Ten in Germany, Australia, and Sweden in 1964. MGM released an album titled The Animals in the U.S. in August 1964, and Columbia followed suit in the U.K. a month later, though the two albums only shared seven tracks, with differing British and American releases becoming common in the group's discography. The Animals also made their big screen debut that year in the movie Get Yourself a College Girl, a lightweight comedy that also included appearances by the Dave Clark Five, the Standells, and Stan Getz & Astrud Gilberto. In early 1965, MGM put out a second American LP, The Animals on Tour; despite the title, it wasn't a live recording, but a collection of single sides and British album tracks....to be continued...
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...I ran into a guy the other day who was rounding up some cattle. He said, "I used to be a surfer when I was a kid, but when I grew up I became a cowboy." "That's funny", I said. "When I was a kid, I was a cowboy, but when I grew up I became a surfer." - Bruce Brown. Surfer, filmmaker (quote from foreword of Stoked: a history of surf culture)
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...The song "Trilobite" alone is reason enough to get this. There is also an unlisted instrumental bonus track at the end of side 2... - luciferbob
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It's just me having fun with my 45's and whatever random record I pull out of the boxes. I will try to give both sides of the 45 unless one side is dull, unbearable or unplayable. I hope you enjoy. (Gyro1966)
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...This is an (apparently) non-commercial or at least OoP release from Hyacinth Records with an, I think, exhaustive list of The Animal’s live recordings for the Beeb from 1964-67, plus a couple other live tracks from the same period. Quality’s great, ryp (hehe) is at 320, tags/artwork is all fixed. I couldn’t find out much re Hyacinth, am guessing they’re a bootleg label like Swingin’ Pig. They do have an Eric Burdon/Animals BBC cuts release out as well and a couple CDR comps like ‘Magic Spectacles’. Anyone out there know more? Enjoy" - ksnTracklist (unless otherwise noted, track was recorded ‘Live At The Beeb’ and is commercially unavailable. (says the back cover)
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...This is an (apparently) non-commercial or at least OoP release from Hyacinth Records with an, I think, exhaustive list of The Animal’s live recordings for the Beeb from 1964-67, plus a couple other live tracks from the same period. Quality’s great, ryp (hehe) is at 320, tags/artwork is all fixed. I couldn’t find out much re Hyacinth, am guessing they’re a bootleg label like Swingin’ Pig. They do have an Eric Burdon/Animals BBC cuts release out as well and a couple CDR comps like ‘Magic Spectacles’. Anyone out there know more? Enjoy" - ksnTracklist (unless otherwise noted, track was recorded ‘Live At The Beeb’ and is commercially unavailable. (says the back cover)
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