"There is nothing but blues authenticity here." - New York Times
"Startlingly innovative and interesting music ...priceless cultural history." - Boston Globe
A collection of classic recordings (from the 1920s) featuring the brilliant performances of great early women blues singers. This volume profiles the more sophisticated uptown approach, while Volume 1 features more rural styles. These tracks feature great period small jazz combos behind the vocals, frequently taking exciting instrumental breaks between verses. Many legendary blues performers are represented here including Ma Rainey, Sara Martin, Sippie Wallace, and countless more on 23 different selections. (Yazoo)Approximately 68 min. Remastered sound. This is the second volume of female singers from Yazoo Records from the 1920's,and is equal to the first. These tracks cover a more big-city sound of blues singing. The first volume had a rural feel to it. This album has a more sophisticated sound,both in the style of singing and the arrangements. The backing on these tracks is fleshed out with horns from small jazz combos and have an overall feel of almost a Louis Armstrong style. Singers relatively known like Victoria Spivey,Sippie Wallace,and Ma Rainey make a showing here. But others,like the fine Clara Smith and Bertha Hill also make an appearrance. The subject matter has not changed all that much from the first volume. Matters of the heart,money,and down and out times are all here. Taken together,these two volumes make up an important area of blues singing that doesn't receive a lot of attention. As I said about the first volume,if you don't own this,your blues library is incomplete. After listening to both of these fine volumes,you will agree. (Stuart Jefferson)
trax:
1. Dirty T. B. Blues - Victoria Spivey 2. Strugglin' Woman's Blues - Clara Wallace 3. Everybody Does It Now - Martha Copeland 4. Pay Roll Blues - Lucille Bogan 5. Forget Me Not Blues - Sara Martin 6. Section Hand Blues - Sippie Wallace 7. Good Chib Blues - Edith Johnson 8. Traveling Blues - Ma Rainey 9. Do Dirty Blues - Bertha "Chippie" Hill 10. I Helped You, Sick Man, When You Were Down and Out - Katherine Baker 11. He's Never Gonna Throw Me Down - Sara Martin 12. Blood Hound Blues - Victoria Spivey 13. Dead Drunk Blues - Margaret Johnson 14. Parlor Social De Luxe - Sippie Wallace 15. Bye Bye Baby - Hattie Burleson 16. Winter Blues - Madlyn Davis 17. My Own Man Blues - Ivy Smith 18. Jim Napy - Hattie Burleson 19. How Long - Alberta Brown 20. Trouble in Mind - Bertha "Chippie" Hill 21. Walking Blues - Ma Rainey 22. Mistreating Man Blues - Sara Martin 23. Trouble Everywhere I Roam - Sippie Wallace
...served by Gyro1966...

17 comments:
"I Can't Be Satisfied" Early American Women Blues Singers - Town & Country, Vol. 2
...served by Gyro1966...
gitit! no pw
http://www60.zippyshare.com/v/eD3ZrmFT/file.html
Thank you
Snapper
Volume 1 : Country
01 - Ruby Glaze - Lonesome Day Blues
02 - Hattie Hart - Papa's Got Your Bath Water On
03 - Hattie Hudson - Black Hand Blues
04 - Lottie Kimbrough - Goin' Away Blues
05 - Bertha Lee - Mind Reader Blues
06 - Memphis Minnie - Outdoor Blues
07 - Bertha Henderson - That Lonesome Rave
08 - Mae Glover - I Ain't Givin' Nobody None
09 - Rosie Mae Moore - School Girl Blues
10 - Lillian Miller - Dead Drunk Blues
11 - Lizzie Washington - My Low Down Brown
12 - Irene Scruggs - My Back To The Wall
13 - Geeshie Wiley - Eagles On A Half
14 - Bessie Tucker - Penitentiary
15 - Lottie Kimbrough - Rolling Log Blues
16 - Jennie Clayton - State Of Tennessee Blues
17 - Mae Glover - Shake It Daddy
18 - Pearl Dickson - Twelve Pound Daddy
19 - Irene Scruggs - The Voice Of The Blues
20 - Elizabeth Johnson - Be My Kid Blues
21 - Geeshie Wiley - Pick Poor Robin Clean
22 - Bertha Lee - Yellow Bee
23 - Mattie Delaney - Down The Big Road Blues
VA - I Can't Be Satisfied - Early American Women Blues Singers, Vol. 1 Country.zip
http://www76.zippyshare.com/v/huY98Hnp/file.html
Thanks a lot Uncle Gil, a quick answer for the request! One can count on you!
I Can't Be Satisfied - Early American Women Blues Singers, Vol. 1
And I was giving it the Spotify treatment (premium), shucks my favourite uncle beat me to it.
Thanks Uncle Gil
And lets give a big THANKS to everybody that posts here...THANKS EVERYBODY
BONUS 1 OF 8
REV. GARY DAVIS - Demons & Angels: The Ultimate Collection 1958-1966 @320
This three-disc "ultimate collection" is an impressive compilation of recordings made featuring Rev. Gary Davis during a period spanning 1956 to 1966. An obvious labor of love, Demons and Angels was compiled and produced by one of Rev. Davis' former students -- Stefan Grossman who paid Davis five dollars a lesson "regardless whether it would last an hour or several days." Going beyond gathering various performances, this set examines Rev. Davis' unique fingerpickin' acoustic guitar style from several distinctive points of view. Unfortunately the liner notes booklet sheds no light into the nature, exact recording dates, or venues of these performances. Presenting Davis in such varied settings allows enthusiast and student alike the unique perspective of hearing one of America's premier folk musicians in a most intimate situation. Disc one features songs recorded at Columbia University in 1958 and 1959 by student John Gibson. Judging from the occasional verbal instruction, as well as the lack of an audible audience, it is surmised that Davis is participating in some degree of formal instruction. Disc two includes home recordings, presumably documented by Grossman during his one-on-one mentoring sessions between 1964 and 1966. Disc three rounds off Demons and Angles with various live performances from 1962-1966. The impact that Rev. Gary Davis had on musicians such as folk icon Dave Van Ronk and guitarist Jorma Kaukonen is obvious. The profound influence affected not only their choice of material, but more insidiously performance and delivery styles as well. Nowhere is this more evident than the live readings of "Let Us Get Together," "Lord, Search My Heart," and "Cocaine Blues." Rev. Davis' liquefied fretwork foreshadows Kaukonen's stunning virtuosity, while his sly, talking-blues delivery seems tailor made for Van Ronk's decidedly Greenwich Village approach. (Lindsay Planer, Allmusic)
CD1
http://www36.zippyshare.com/v/RCHxHG8m/file.html
CD2
http://www36.zippyshare.com/v/gM2tNCLK/file.html
CD3
http://www36.zippyshare.com/v/olwo5L1m/file.html
INFO
http://www.allmusic.com/album/demons-and-angels-the-ultimate-collection-mw0000115729
http://www.amazon.com/Demons-Angels-Rev-Gary-Davis/dp/B000059LEM
BONUS 2 OF 8
THE TOM ROBINSON BAND - Anthology 1977-1979 @VBR
Sometimes reduced to a footnote in the history of rock -- Tom Robinson was openly out, singing "Glad to Be Gay" when many rockers remained in the closet -- the Tom Robinson Band was a dynamite rock & roll group, straddling the line between pub rock and punk at the end of the '70s. Their sound was full-blooded and muscular at a time when many rock & roll groups opted for jagged, reckless attacks, but Robinson took more risks politically than almost all of his punk peers, mercilessly pursuing Thatcher and taking a strong stance for gay rights. That is the context for the music collected on 2013's triple-disc anthology, which contains TRB's two studio albums -- 1978's Power in the Darkness and 1979's TRB 2 -- singles, John Peel Sessions and BBC Sessions…the whole shebang, really; everything the group recorded during their prime. Opening with the single "2-4-6-8 Motorway" before sliding into a series of live sessions, the big roar of the Tom Robinson Band is immediately apparent, so by the time the professional punch of Power in the Darkness arrives, it's clear that things have been tidied up but have retained their power. Todd Rundgren wound up polishing the band even more on TRB 2, appealingly enough, but all the live material that follows functions as a nice corrective, illustrating that TRB may have gotten more assured but hadn't lost their bite. And, when all three discs are taken together, it adds up to a convincing argument that Tom Robinson Band were one of the more underrated groups of their time: they had the songs, they had the politics, they had the flair; they just existed between two worlds, which is perhaps why they sound more appealing now than they did back then. (Stephen Thomas Erlewine, Allmusic)
CD1
http://www88.zippyshare.com/v/5pumqnaD/file.html
CD2
http://www88.zippyshare.com/v/mXPJG5cP/file.html
CD3
http://www88.zippyshare.com/v/v9mHwLYb/file.html
INFO
http://www.allmusic.com/album/anthology-1977-1979-mw0002543731
BONUS 3 OF 8
BERT JANSCH - Bert Jansch '65 (Remaster) (2015)
Recorded with a portable tape player on a borrowed guitar in the kitchen of his London flat, the impact of Bert Jansch's debut has been somewhat blunted by time, but it was a vastly influential work. His masterful acoustic picking, which blended elements of traditional British folk, blues, and jazz, inspired not just other folk players, but rockers who frequently used acoustic guitars. Specifically, Jimmy Page and Neil Young have gone on record as noting their heavy debts to Jansch's early material. He was also a talented songwriter, and all but one of the 15 tracks on his debut was an original composition (the set closes with his version of the instrumental "Angi," originally performed by fellow British folk guitarist Davy Graham, and popularized by Paul Simon). The artist sounds quite close to early Donovan with his Scottish inflections, though he is darker and less pop-oriented; indeed, Donovan recorded a couple of early Jansch tunes, and wrote a couple of songs directly inspired by the artist ("Bert's Blues" and "House of Jansch"). Jansch reflects a rambling, beatnik sort of lifestyle with his compositions on this album, which includes one of his most famous tunes, the somber "Needle of Death" (about the heroin-induced death of one of his friends). (Richie Unterberger, Allmusic)
http://www53.zippyshare.com/v/JgWovqGy/file.html
INFO
http://www.allmusic.com/album/bert-jansch-mw0000014864
BONUS 4 OF 8
JOHN RENBOURN - Another Monday '67 (2002 Remaster) @320
Pentangle, Bert Jansch. John Renbourn, Donovan, Fairport Convention and Richard Thompson....All were a huge part of my music appreciation during my college days, (1968-72). It seems however that in the ensuing years I strayed from my obsession with the English folk scene and took refuge in jazz, blues and country. It's been more than thirty years since I got back into the scene and it was this beautiful old classic by John Renbourn that recently caught my ear. No, this is not one of the albums I listened to during my hazy-crazy days at Windham College in Vermont. All the more reason why I was attracted to it. No one has ever raised doubt as to the virtuoso finger-song guitar style of John Renbourn, and his voice although quiet and understated blends beautifully with his picking. Highlights....Well I love "Nobodys Fault But Mine", "I Know My Babe" and "Lost Lover Blues" but truth be told, there's not a bad cut among the twelve marvelous tracks. Another Monday seamlessly combines Mr. Renbourn's English folk roots with his deep appreciation for American Blues making it the perfect companion piece to the lovely Faro Annie Lp.
If you're not familiar with John Renbourn, either as a solo artist or with Pantangle, then this is a great place to start. Then again, if like me you've been a fan in the past but would like to get back into the music, I'd suggest you pick up on "Another Monday". I'm sure it will take you right into the weekend, when you'll soon be looking for your next selection into the English folk scene. (Record Runner)
http://www77.zippyshare.com/v/HkhmzS01/file.html
INFO
http://www.amazon.com/Another-Monday-John-Renbourn/dp/B000062R65
Thanks to RYP and Uncle Gil and thanks for featuring the work of Jansch and Renbourn.
My sister has always told me that female blues singers may have hard luck with their men but they have the guts to live their lives. They are all so authentic, as these two volumes attest. Thanks to Gyro and to my favorite Uncle.
Thanks
Thanks Uncle Gil for the high quality 320 bit rate rip of Women Blues Singers on Yazoo:
I Can't Be Satisfied - Early American Women Blues Singers, Vol. 1 Country.zip
http://www76.zippyshare.com/v/huY98Hnp/file.html
The ladies...an incredible archive...thanks to all!
Thanks Ryp
Great artists great songs
Regards
Rhod
Thanks Gil for volume one of the blues women.
Regards
Rhod
Gyro1966...thanks for the Jansch!
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