Returning to RCA after a stint at Mercury Records, Bobby Bare teamed up with songwriter Shel Silverstein for 1973's Bobby Bare Sings Lullabys, Legends and Lies. The idea of the record is clearly laid out in the title -- this album is a collection of American tall tales and myths, all filtered through Silverstein's signature humor (sometimes silly, sometimes clever, sometimes sentimental, sometimes slyly lewd) and delivered with Bare's signature warm, friendly manner. Although Bare had recorded a song or two of Shel's before, this was the first time that he devoted a full album to his material. But more noteworthy is that this album finds the singer developing a loose, offhand way of performance that emphasizes both his character and the freewheeling eclecticism of his music. Musically, it's not far removed from his Mercury records, where his progressive country rubbed shoulders with pop, rock, and folk, but his laid-back, open-ended performances let the music breathe, while the Silverstein songs give the album cohesion and an overt, welcome sense of humor. All this helped reignite Bare's career, giving him a new signature sound that carried him through the next few years, until he left RCA for Columbia, where he just got rowdier. It was also the biggest album of his career, spending 30 weeks on the Billboard country charts (where it peaked at number five), with a number one hit in "Marie Laveau" and a number two single in "Daddy What If." Years later, it still stands as one of his very best -- maybe it didn't produce classics like "Detroit City," nor does it have as brilliant highs as some earlier and later records, but song for song, Bare was rarely this consistent or enjoyable. [In 2007, RCA/Legacy reissued Lullabies, Legends and Lies as a double-disc deluxe edition. The original album is on the first disc while the second disc is devoted to Silverstein covers Bare recorded over the '70s and early '80s, including highlights from the riotous Down N Dirty album ("Numbers" and "Tequlia Sheila"). It's an excellent supplement, making an already essential album even better.] (Stephen Thomas Erlewine, Allmusic)
trax disc 1:
01 Lullabys, Legends And Lies 02 Paul 03 Marie Laveau 04 Daddy What If 05 The Wonderful Soup Stone 06 The Winner 07 In The Hills Of Shiloh 08 She's My Ever Lovin' Machine 09 The Mermaid 10 Rest Awhile 11 Bottomless Well 12 True Story 13 Sure Hit Songwriters Pen 14 Rosalie's Good Eats Cafe
trax disc 2:
01 Sylvia's Mother 02 Singin' In The Kitchen 03 $100,000 In Pennies 04 Alimony 05 Back Home In Huntsville Again 06 Brian Hennessey 07 Too Many Nights Alone 08 This Guitar Is For Sale 09 Rough On The Living 10 Numbers 11 Tequila Sheila 12 Qualudes Again 13 Food Blues 14 The Jogger 15 Me And Jimmy Rodgers 16 Time
...served by Gyro1966...

12 comments:
Bobby Bare "Sings Lullabys, Legends and Lies"
...served by Gyro1966...
gitit! no pw
CD1
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CD2
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A real good one from Jimmie Dale Gilmore.
Jimmie Dale Gilmore- After Awhile (1991) CD
http://www41.zippyshare.com/v/tFL6F0Uz/file.html
While Jimmie Dale Gilmore's first two solo albums presented him as an enlightened honky tonk cowboy, 1991's After Awhile, his first set for Elektra, was less stylistically bound to country music, and approached Gilmore as a singer/songwriter, albeit one with a decided West Texas sensibility. The result was a considerably more subdued and personal set than Gilmore had offered in the past; Gilmore wrote all of the album's 12 songs (except for Butch Hancock's "My Mind's Got a Mind of Its Own," which fits Gilmore like a glove), and the quieter, often acoustic-based arrangements provide a more sympathetic backdrop for the more cerebral corners of his songs than the spunky old-school country frameworks of his work for Hightone (Gilmore discusses his interest in Buddhist and Hindu teachings in the liner notes, which would have seemed a bit odd on Fair and Square or Jimmie Dale Gilmore). While the bluesy wail of "Midnight Train" and the uptempo shuffle of "My Mind's Got a Mind of Its Own" proved Gilmore hadn't turned his back on the rootsier side of his musical vocabulary, the more languid tracks reflect a high and lonesome mood that's solely Gilmore's province, and "Tonight I Think I'm Gonna Go Downtown," "Treat Me Like a Saturday Night," and "Blue Moon Waltz" are simply beautiful performances of remarkable songs that could have come from no one else. After Awhile is a subtle, unforced masterpiece that captures Gilmore at the subtle peak of his abilities.
Following the brilliant Bull Durham, the film was a bit of a letdown, but the soundtrack was pretty darn good.
Various Artists-Tin Cup: Music From The Motion Picture (1996) CD
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1–Texas Tornados Little Bit Is Better Than Nada
2–Jimmie Vaughan Cool Lookin' Woman
3–Keb' Mo'* Crapped Out Again
4–Bruce Hornsby Big Stick
5–Bruce Hornsby Nobody There But Me
6–Mary Chapin Carpenter Let Me In Your Heart
7–Chris Isaak I Wonder
8–Amanda Marshall This Could Take All Night
9–Shawn Colvin Back To Salome
10–George Jones Just One More
11–Patty Loveless Where Are You Boy
12–James House Every Minute, Every Hour, Every Day
13-Joe Ely Character Flaw
14–Mickey Jones Double Bogey Blues
Two more from Los Lobos.
Los Lobos- Kiko (1992) CD
http://www41.zippyshare.com/v/SSzZ3AQT/file.html
Los Lobos had earned a reputation as one of the most intelligent and creative roots rock acts in America with the albums By the Light of the Moon and The Neighborhood, but it was with 1992's Kiko that they really demonstrated the breadth of their sonic ambitions. Produced in collaboration with Mitchell Froom, Kiko exchanged the more straightforward approach of Los Lobos' previous sessions for a uniquely textured sound, with the group's guitars thrown into sharp relief against Froom's collection of vintage tape-loop keyboards, and the arrangements are often unusually spare, most powerfully in the ghostly spaciousness of "Kiko and the Lavender Moon" and "Wake Up Delores." Even the more full-bodied cuts, such as the rollicking "That Train Don't Stop Here" and the hard-rocking "Whiskey Trail," boast a different personality than in Los Lobos' previous work, with the guitars clean but cutting like a switchblade and the drums snapping hard, and the more contemplative selections drip with a mysterious, otherworldly ambience that's matched by the impressionistic imagery of David Hidalgo and Louie Pérez's superb songs. At its best, Kiko sounds like the musical equivalent of a Luis Buñuel dream sequence, balancing beauty and menace with intelligence and a skill that's little short of dazzling; it's a brilliant, singular achievement, and the most rewarding album in the group's catalog.
http://www.allmusic.com/album/kiko-mw0000072178
Los Lobos- Colossal Head (1996) CD
http://www41.zippyshare.com/v/jaMlwvEJ/file.html
Set on proving how big a band from East L.A. could rock, they painted themselves into a cornball corner until Tchad Blake lured two of them out with his cache of found sounds. Result: Latin Playboys, impressionistic fragments coalescing into a self-sustaining aural counterreality. And although this return to their primary identity masquerades manfully as an arena-ready song collection, neither the one about rain nor the one about trains convinces me they'll ever revert. From enchanted-island salsa to Santana solo, from revolutionary disillusion to feeling happy anyway, their infinitely absorptive eclecticism feels blessed rather than bombarded. They're not dealing with it, they're digging it. And if you're as big as they are you will too.- Robert Christgau
http://www.discogs.com/Los-Lobos-Colossal-Head/release/422234
TGIF, happy Friday and I hope y'all enjoy!
BONUS 1 OF 8
THE DOUGHBOYS - Hot Beat Stew '15 @320
Incendiary fourth album from legendary New Jersey garage rockers, with 16 smokin' new tracks, in the tradition of the Stones, Yardbirds, Animals and other 60's blues rock greats!
http://www5.zippyshare.com/v/DWLrOjcP/file.html
INFO
http://www.cdbaby.com/cd/thedoughboys16
http://www.amazon.com/Hot-Beat-Stew-The-Doughboys/dp/B00V8SL34K
BONUS 2 OF 8
THE ZOMBIES - R.I.P. '14 @320
One of the best bands of the British Invasion, The Zombies had already broken up when they scored their biggest hit in America. "Time Of The Season," from their classic 1968 album Odessey & Oracle, was re-released in the States as a single and peaked at #3 in 1969. While a faux lineup of the Zombies toured America, the real members of the band were encouraged to record another album to capitalize on their posthumous success, but by that time they were really and truly done, and had moved on with their lives.
Nonetheless, keyboardist and arranger Rod Argent worked furiously to cobble together a "new" album, made up from unused demos, outtakes and artsy new stuff. He and bassist Chris White remixed some old tracks from as far back as 1964 and recorded a handful of new songs; they released a few singles and came up with a sequence for an album to be titled "RIP," though ultimately the project fell apart.
Over the years all these tracks have surfaced in a variety of reissues, most notably on the fab Zombie Heaven box set, which includes all the songs, though scattered among other material. It's pretty cool to hear "RIP" more or less as Argent and White intended it to be released -- some of the songs are silly, pretentious psychedelia, several are irresistibly groovy pop tunes, and all of them are charming, vintage Zombies and a delight for fans. This is one of those records where I get stuck on one song and wind up playing it over and over, in this case it's the bombastic big beat of the Bacharach-styled "If It Don't Work Out," though other tracks have a similar charm. I'm a huge Zombies fan and have been for years, and I'm happy to report that this disc is a delight. You may have heard a lot of this music already, but this is a great playlist, and holds together pretty well considering it's a lost album that never was... Highly recommended! (DJ Joe Sixpack, Slipcue Music Guide)
http://www47.zippyshare.com/v/S5dBHXjK/file.html
INFO
http://www.amazon.com/r-i-p-The-Zombies/dp/B00IV5F2KO
BONUS 3 OF 8
BOB DYLAN - Influence, Vol. 2: I Was Young When I left Home ’14 @320
The Influence series pairs songs made famous, or at least recognized cover versions, by a renowned artist with their often lesser-known originals. Influence, Vol. 2: I Was Young When I Left Home takes a probing look at Bob Dylan's choices of cover material, much of which made up his early repertoire. The massive set reaches 50 tracks, with the first volume consisting of Dylan's takes on early folk-blues and ramblin' country tunes, while volume two houses the original versions by the likes of artists such as Hank Williams, Roy Acuff, Woody Guthrie, Ramblin' Jack Elliott, Blind Lemon Jefferson, and many others. (Allmusic)
101-Bob Dylan-Youre No Good
102-Bob Dylan-Fixin To Die
103-Bob Dylan-House Of The Risin Sun
104-Bob Dylan-Talkin New York
105-Bob Dylan-Song To Woody
106-Bob Dylan-Baby Let Me Follow You Down
107-Bob Dylan-Man Of Constant Sorrow
108-Bob Dylan-In My Time Of Dyin
109-Bob Dylan-Pretty Peggy-O
110-Bob Dylan-See That My Grave Is Kept Clean
111-Bob Dylan-Gospel Plow
112-Bob Dylan-Highway 51
113-Bob Dylan-Freight Train Blues
114-Bob Dylan-Candy Man
115-Bob Dylan-Stealin Stealin
116-Bob Dylan-Its Hard To Be Blind
117-Bob Dylan-Omie Wise
118-Bob Dylan-In The Evening
119-Bob Dylan-Sally Gal
120-Bob Dylan-Long John
121-Bob Dylan-Cocaine
122-Bob Dylan-Vd City
123-Bob Dylan-Ramblin Round
124-Bob Dylan-Black Cross
201-Jesse Fuller-Youre No Good
202-Bukkha White-Fixin To Die Blues
203-The Almanac Singers-House Of The Risin Sun
204-Clarence Ashley-The House Carpenter
205-Woody Guthrie-1913 Massacre
206-Blind Boy Fuller-Mama Let Me Lay It On You
207-The Stanley Brothers-Man Of Constant Sorrow
208-Josh White-In My Time Of Dyin
209-Hank Williams-(I Heard That) Lonesome Whistle
210-Blind Lemon Jefferson-See That My Grave Is Kept Clean
211-Will Shade-Stealin Stealin
212-Tommy Mcclennan-New Highway 51
213-Roy Acuff-Freight Train Blues
214-The Bently Boys-Down On Pennys Farm
215-Frank Hutchison-Worried Blues
216-Henry Thomas-Honey Wont You Allow Me
217-Jimmie Rodgers-Mule Skinner Blues
218-Paul Clayton-Whos Gonna Buy You Ribbons
219-Doc Watson-Handsome Molly
220-Blind Willie Mctell-Motherless Children
221-Big Joe Williams-Baby Please Dont Go
222-Woody Guthrie-Car Song
223-Dave Van Ronk-He Was A Friend Of Mine
224-Ramblin Jack Elliott-Cocaine Blues
225-Woody Guthrie-Pastures Of Plenty
226-The Shelton Brothers-Deel Elem Blues
CD1
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CD2
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INFO
http://www.amazon.co.uk/Influence-Vol-Dylan-Young-When/dp/B00KEDJUJU
BONUS 4 OF 8
THE THREE SOULS - Dangerous Dan Express '64 @320
Great little bit of lost Chicago grooviness. Not only is this a fantastic record by a tight group led by the legendary reedman Sonny Cox, but the cover and title bear reference to the Dan Ryan Expressway, which ripped through the south side like a scar in the early 60's. The cover's got the band crouching by the side of the road, with cars whizzing by to illustrate the "dangerous" side of the title. The music is excellent tight organ/alto/guitar jazz, as was being played in the best lounges of the city at the time. A few great originals, and some excellent jazz standards. (Blue label Cadet pressing.) © 1996-2015, Dusty Groove, Inc.
http://www4.zippyshare.com/v/QbaoZocW/file.html
INFO
https://www.dustygroove.com/item/8819
@ clash, Outstanding with all the Los Lobos, Thank You
I can never have enough Bob Dylan! As always (if not usual), THANKS!
Thanks
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