At once a collection of secret blueprints for a raw musics revolution and a testament to the enduring power of great art to shock, confound, inspire and sustain. John Fahey’s final curated work for Revenant.
Revenant’s long-awaited follow-up to 1997’s much-saluted American Primitive Vol. I.
“Stunning. Buy this now.” – Esquire
“Exquisite.” – Pitchfork
“Remarkable.” – NPR’s All Things Considered
“Anyone interested in American culture should find a way to hear this record. It’s possibly the most important archival release since Harry Smith’s seminal Anthology of American Folk Music in 1952.” – Harper’s
In the early days of the recording industry, many folk performers made just a few records, or only one record, before vanishing, their life stories and basic biographical data untraceable to this day. American Primitive, Vol. 2 assembles 50 tracks from such performers on this two-disc set, most from the late '20s and early '30s (the sole cut predating 1926 is Cousins & DeMoss' "Poor Mourner," from 1897). On one level, then, this is an incredibly valuable compilation for serious collectors of early American folk and blues music -- "names too obscure even for Harry Smith" (overseer of the revered Anthology of American Folk Music collections), as the liner notes declare. That's true -- not a one of these names will be familiar outside the hardcore collector circle. Mississippi blueswoman Geeshie Wiley is about the most "famous," and that's about as much for the unavailability of hard information about her as for her music. On a more general level, however, the anthology's of great value to anyone with an interest in such material, not just serious collectors, on several accounts. The level of the performances is almost up to par with those of the more famous early blues and folk musicians. The variety, from rural blues and Appalachian folk to gospel, ragtime, and minstrel-ish novelty, is much greater than it is on most such anthologies. The mastering, courtesy of the fine folks at Revenant, is about as good as it'll get for such aged discs, and the whole lot is given Revenant's usual scrupulous yet entertaining annotation. What you'll find particularly engaging will depend upon your particular tastes, but some of the more ear-opening digs into this archive include the sharp, pinching acoustic blues guitar of Henry Spaulding's "Cairo"; Homer Quincy Smith's penetratingly funereal "Go Down Moses"; the disconsolate humming of Pigmeat Terry; and the masterful blues-folk guitar picking on Bayless Rose's instrumental "Frisco Blues." Overall, it's a testament to the variety of expression picked up on record at a time when deciding what to record, and how to perform what was recorded, was a much more spontaneous exercise than it would usually be in later eras. (Richie Unterberger, Allmusic)
trax disc 1:
1. I Want Jesus To Talk With Me Homer - Quincy Smith 2. Deal Rag - Walter Taylor 3. Motherless Child Blues - Elvie Thomas 4. Big Bed Bug (Bed Bug Blues) - Tommy Settlers & His Blues Moaner 5. I Got Your Ice Cold Nugrape - The NuGrape Twins 6. Molly Man - (Red Hot) Old Mose / Moses Mason 7. Black Dog Blues - Bayless Rose 8. Workhouse Blues - Mattie May Thomas 9. Bo-Lita - Kid Brown & His Blues Band 10. My Mama Always Talked To Me - John Hammond 11. Ballin' The Jack - The Salty Dog Four 12. Friday Moan Blues - Alfred Lewis 13. Pick Poor Robin Clean - Geeshie Wiley 14. It's Cold In China Blues - The Mississippi Moaner 15. Black Sheep Blues - Pigmeat Terry 16. Old Hen Cackle - Two Poor Boys 17. Frisco Blues - Bayless Rose 18. Hot Time Blues - William Harris 19. Take A Look At That Baby - Two Poor Boys 20. Skinny Leg Blues - Geeshie Wiley 21. Little Birdie - John Hammond 22. Little Girl In Rome - Otto Virgial 23. Dangerous Blues - Mattie May Thomas 24. Mean Low Blues - Blues Birdhead 25. Be My Kid Blues - Elizabeth Johnson
trax disc 2:
1. Last Kind Words Blues - Geeshie Wiley 2. Poor Mourner - The Cousins & Virginia DeMoss 3. Jamestown Exhibition - Bayless Rose 4. There's A City Built Of Mansions - The NuGrape Twins 5. Cairo Blues - Henry Spaulding 6. Two White Horses In A Line - Two Poor Boys 7. Shrimp Man - (Red Hot) Old Mose / Moses Mason 8. Don't Mistreat Your Good Boyfriend - The Bubbling Over Five 9. Bull Frog Blues - William Harris 10. Purty Polly - John Hammond 11. Go Down Moses - Homer Quincy Smith 12. Over To My House - Geeshie Wiley & Elvie Thomas 13. Shaking Weed Blues - Tommy Settlers & His Blues Moaner 14. Big Mac From Macamere - Mattie May Thomas 15. Moaning The Blues - Pigmeat Terry 16. Original Blues - Bayless Rose 17. John Henry Blues [Take 3] - Two Poor Boys 18. Sobbin' Woman Blues - Elizabeth Johnson 19. Bad Notion Blues - Otto Virgial 20. Eagles On A Half - Geeshie Wiley 21. Mississippi Swamp Moan - Alfred Lewis 22. Red Cross The Disciple Of Christ Today - Moses Mason 23. Kansas City Blues - William Harris 24. As Free A Little Bird As Can Be - John Hammond 25. No Mo' Freedom - Mattie May Thomas
...served by Gyro1966...

17 comments:
"American Primitive" Vol. 2 - Pre-War Revenants
...served by Gyro1966...
gitit! no pw
CD1
http://www82.zippyshare.com/v/hcLVmo1S/file.html
CD2
http://www82.zippyshare.com/v/tnDuqoMK/file.html
BONUS 5 OF 8
THE SHIVAS - You Know What to Do '14 @320
The 2014 follow-up You Know What to Do takes a step toward more backwards-looking means of production and songwriting alike, sounding like it was plucked directly from a dusty crate of forgotten garage records from the mid-'60s. Recording this time around took place in K studios with label founder Calvin Johnson at the mixing board, and the vintage mikes and straight-to-tape sounds of the studio suit the Shivas' sound perfectly, adding an electric crackle to their already unhinged sound. More than production, this album yields some of the band's best songs and performances. The punky side of the band that shone through so much on Whiteout! has been replaced somewhat with more inventive guitar interplay. Whether it's the interlocking surf spookiness of the palate-cleansing instrumental "Do the Crocodile" or the fluttery arpeggios of the early rock-influenced "Used to Being Cool," guitarists Jared Molyneux and Rob Mannering never let the pace of the album drop below fever pitch, even when the band is running through relatively laid-back tracks like the R&B groover "And On." The bright handclaps and soul-tinged melody of standout track "You Make Me Wanna Die" see the Shivas stretching into even more melodic and catchy territory than the poppiest moments of their last album, and diversions into mellow surf balladry ("Beach Heads") and gauzy, harmony-heavy psychedelia ("Let It Happen to You") offer a wider variety of '60s-influenced sounds than the mostly amped-up garage rippers of their earlier recordings. The variant songs flow together well, and You Know What to Do comes across as a confident statement of excitement and stylistic experimentation up there with the best garage revivalists of all eras. (Fred Thomas, Allmusic)
http://www8.zippyshare.com/v/l8iIqSy5/file.html
INFO
http://www.allmusic.com/album/you-know-what-to-do-mw0002734278
BONUS 6 OF 8
JOYOUS NOISE - Joyous Noise 1971 (Korean 2012) @320
(1971 us, strong melodic folk country swamp rock, 2012 remaster)
Californian country-rockers who appear here due to the involvement of musical maestro Ron Elliott for all you Beau Brummels fans. McClure was previously in Levitt and McClure and played with Dennis Dragon on Ron Elliott's Candlestickmaker album. Their first LP was produced by John Palladino and recorded in September 1971. All the tracks were written by McClure, Wakely or Montgomery, except Question Of Direction composed by Ron Elliott and Gary Downey and a cover of Hoyt Axton's Never Been To Spain. . It should appeal to those who prize the later Beau Brummels albums but is definitely not for garage or psych heads.
http://www35.zippyshare.com/v/hBlfWKMs/file.html
INFO
http://zosopat-zosopat.blogspot.com/2010/02/joyous-noise-first-usa-71.html
http://www.redtelephone66.com/2010/06/joyous-noise-joyous-noise-1971/
BONUS 7 OF 8
GRATEFUL DEAD - American Beauty (1970, MFSL) '14 @320
With 1970's Workingman's Dead, the Grateful Dead went through an overnight metamorphosis, turning abruptly from tripped-out free-form rock toward sublime acoustic folk and Americana. Taking notes on vocal harmonies from friends Crosby, Stills, Nash & Young, the Dead used the softer statements of their fourth studio album as a subtle but moving reflection on the turmoil, heaviness, and hope America's youth was facing as the idealistic '60s ended. American Beauty was recorded just a few months after its predecessor, both expanding and improving on the bluegrass, folk, and psychedelic country explorations of Workingman's Dead with some of the band's most brilliant compositions. The songs here have a noticeably more relaxed and joyous feel. Having dived headfirst into this new sound with the previous album, the bandmembers found the summit of their collaborative powers here, with lyricist Robert Hunter penning some of his most poetic work, Jerry Garcia focusing more on gliding pedal steel than his regular electric lead guitar work, and standout lead vocal performances coming from Bob Weir (on the anthem to hippie love "Sugar Magnolia"), Ron "Pigpen" McKernan (on the husky blues of "Operator"), and Phil Lesh (on the near-perfect opening tune, "Box of Rain"). This album also marked the beginning of what would become a long musical friendship between Garcia and Dave Grisman, whose mandolin playing adds depth and flavor to tracks like the outlaw country-folk of "Friend of the Devil" and the gorgeously devotional "Ripple." American Beauty eventually spawned the band's highest charting single -- "Truckin'," the greasy blues-rock tribute to nomadic counterculture -- but it also contained some of their most spiritual and open-hearted sentiments ever, their newfound love of intricate vocal arrangements finding pristine expression on the lamenting "Brokedown Palace" and the heavenly nostalgia and gratitude of "Attics of My Life." While the Dead eventually amassed a following so devoted that following the band from city to city became the center of many people’s lives, the majority of the band's magic came in the boundless heights it reached in its live sets but rarely managed to capture in the studio setting. American Beauty is a categorical exception to this, offering a look at the Dead transcending even their own exploratory heights and making some of their most powerful music by examining their most gentle and restrained impulses. It’s easily the masterwork of their studio output, and a strong contender for the best music the band ever made, even including the countless hours of live shows captured on tape in the decades that followed. (Fred Thomas, Allmusic)
http://www44.zippyshare.com/v/emQ4woMX/file.html
INFO
http://www.allmusic.com/album/american-beauty-mw0000192627
BONUS 8 OF 8
BRUCE SPRINGSTEEN - The Lost Masters Essential Collection,Vol. 2 @320
Disc 1: (71:40)
1. Prove It All Night (3:32) - w/ different lyrics
2. Factory (2:13) - w/ different lyrics
3. Sherry Darling (4:06)
4. Independence Day (6:26) - original version
5. Drive All Night #1 (8:29) - original version
6. The Promise (5:28)
7. Candy's Boy #1 (5:25)
8. Racing In The Street #1 (6:16) - alternate version w/ harp
9. One Way Street (5:51)
10. I Wanna Marry You #1 (3:36) - alternate take w/ new vocal
11. Walking On The Avenue #2 (3:43)
12. Baby Come Back (2:05)
13. Living On The Edge Of The World #3 (4:21)
14. Jole Blon #1 (4:46)
15. Restless Nights #8 (5:15)
Notes:
* Tracks 1-10 "Darkness On The Edge Of Town" studio sessions
* Tracks 1-2 Atlantic Studios or The Record Plant, New York City, NY August 1977
* Track 3 Atlantic Studios, New York City, NY June-August 1977
* Track 4 The Record Plant, New York City, NY September 1977
* Tracks 5, 7 & 9 Atlantic Studios, New York City, NY June 1977
* Tracks 6 & 8 Atlantic Studios, New York City, NY August 1977
* Track 10 "The River" studio sessions, The Power Station, New York City, NY 07/20/79
* Tracks 11-12 Solo acoustic demos, Los Angeles, CA early 1979
* Tracks 13-15 Studio rehearsals w/ The E Street Band, Telegraph Hill Studio, Holmdel, NJ
* Track 13 11/15/79
* Tracks 14-15 01/11/80
Disc 2: (74:28)
1. Wreck On The Highway (3:32) - country version
2. Slow Fade #3 (3:18) - aka "Fade Away"
3. Jackson Cage #2 (2:58) - different music & lyrics
4. Stockton Boys #2 (1:26)
5. Stockton Girls (1:45)
6. You Can Look (But You Better Not Touch) #2 (2:46) - reggae version
7. You Gotta Be Kind (2:01)
8. Fade To Black #1 (4:14)
9. Born In The U.S.A. (3:04)
10. Child Bride (5:26)
11. Working On The Highway (3:15)
12. Glory Days (5:27)
13. My Love Will Not Let You Down (4:23)
14. Frankie (7:39)
15. Delivery Man #1 (2:19)
16. Little Girl #1 (1:25) - double track vocals
17. Sugarland #3 (2:28) - country version
18. The Klansman (2:57)
19. Betty Jean (2:21)
20. Seven Tears (1:59)
21. Jackson Cage (1:49)
22. Stolen Car (3:26)
23. James Lincoln Dear (4:17)
Notes:
* Tracks 1-3 Studio rehearsals w/ The E Street Band, Telegraph Hill Studio, Holmdel, NJ
* Track 1 01/11/80
* Tracks 2-3 02/05/80
* Tracks 4-8 Solo studio demos, Holmdel, NJ
* Tracks 4-7 January 1980
* Track 8 07/08/81
* Tracks 9-10 Solo acoustic demos for "Nebraska", Colts Neck, NJ December 1981-January 1982
* Track 11-14 "Born In The U.S.A." studio sessions, The Hit Factory, New York City, NY
* Tracks 11 & 14 May 1982
* Tracks 12-13 January-May 1983
* Tracks 15-20 Solo studio demos for "Born in the U.S.A.", Hollywood Hills Garage Studio, Los Angeles, CA
* Track 15 January-May 1983
* Tracks 16-17 & 19 August 1982-April 1983
* Tracks 18 & 20 01/04/83
* Tracks 21-22 Bruce sings new lyrics over the music of "Restless Nights" from a tape of band rehearsals, early 1980
* Track 23 Solo acoustic demo for "Nebraska", Holmdel, NJ 1981-82
* Track 21-23 are exclusive to this release and are not included on any other THE LOST MASTERS titles
A new discovery, love the Shivas, thanks Gyro1966!
The Springsteen looks wonderful, can someone help with link location. By the way these Springsteen's are fantastic, Thank You So Much!!
thank you very much
BONUS 8 OF 8
BRUCE SPRINGSTEEN - The Lost Masters Essential Collection,Vol. 2 @320
Disc 1: (71:40)
http://www71.zippyshare.com/v/Cq9AxhiP/file.html
1. Prove It All Night (3:32) - w/ different lyrics
2. Factory (2:13) - w/ different lyrics
3. Sherry Darling (4:06)
4. Independence Day (6:26) - original version
5. Drive All Night #1 (8:29) - original version
6. The Promise (5:28)
7. Candy's Boy #1 (5:25)
8. Racing In The Street #1 (6:16) - alternate version w/ harp
9. One Way Street (5:51)
10. I Wanna Marry You #1 (3:36) - alternate take w/ new vocal
11. Walking On The Avenue #2 (3:43)
12. Baby Come Back (2:05)
13. Living On The Edge Of The World #3 (4:21)
14. Jole Blon #1 (4:46)
15. Restless Nights #8 (5:15)
Notes:
* Tracks 1-10 "Darkness On The Edge Of Town" studio sessions
* Tracks 1-2 Atlantic Studios or The Record Plant, New York City, NY August 1977
* Track 3 Atlantic Studios, New York City, NY June-August 1977
* Track 4 The Record Plant, New York City, NY September 1977
* Tracks 5, 7 & 9 Atlantic Studios, New York City, NY June 1977
* Tracks 6 & 8 Atlantic Studios, New York City, NY August 1977
* Track 10 "The River" studio sessions, The Power Station, New York City, NY 07/20/79
* Tracks 11-12 Solo acoustic demos, Los Angeles, CA early 1979
* Tracks 13-15 Studio rehearsals w/ The E Street Band, Telegraph Hill Studio, Holmdel, NJ
* Track 13 11/15/79
* Tracks 14-15 01/11/80
Disc 2: (74:28)
http://www71.zippyshare.com/v/a6aqaUnC/file.html
1. Wreck On The Highway (3:32) - country version
2. Slow Fade #3 (3:18) - aka "Fade Away"
3. Jackson Cage #2 (2:58) - different music & lyrics
4. Stockton Boys #2 (1:26)
5. Stockton Girls (1:45)
6. You Can Look (But You Better Not Touch) #2 (2:46) - reggae version
7. You Gotta Be Kind (2:01)
8. Fade To Black #1 (4:14)
9. Born In The U.S.A. (3:04)
10. Child Bride (5:26)
11. Working On The Highway (3:15)
12. Glory Days (5:27)
13. My Love Will Not Let You Down (4:23)
14. Frankie (7:39)
15. Delivery Man #1 (2:19)
16. Little Girl #1 (1:25) - double track vocals
17. Sugarland #3 (2:28) - country version
18. The Klansman (2:57)
19. Betty Jean (2:21)
20. Seven Tears (1:59)
21. Jackson Cage (1:49)
22. Stolen Car (3:26)
23. James Lincoln Dear (4:17)
Notes:
* Tracks 1-3 Studio rehearsals w/ The E Street Band, Telegraph Hill Studio, Holmdel, NJ
* Track 1 01/11/80
* Tracks 2-3 02/05/80
* Tracks 4-8 Solo studio demos, Holmdel, NJ
* Tracks 4-7 January 1980
* Track 8 07/08/81
* Tracks 9-10 Solo acoustic demos for "Nebraska", Colts Neck, NJ December 1981-January 1982
* Track 11-14 "Born In The U.S.A." studio sessions, The Hit Factory, New York City, NY
* Tracks 11 & 14 May 1982
* Tracks 12-13 January-May 1983
* Tracks 15-20 Solo studio demos for "Born in the U.S.A.", Hollywood Hills Garage Studio, Los Angeles, CA
* Track 15 January-May 1983
* Tracks 16-17 & 19 August 1982-April 1983
* Tracks 18 & 20 01/04/83
* Tracks 21-22 Bruce sings new lyrics over the music of "Restless Nights" from a tape of band rehearsals, early 1980
* Track 23 Solo acoustic demo for "Nebraska", Holmdel, NJ 1981-82
* Track 21-23 are exclusive to this release and are not included on any other THE LOST MASTERS titles
RYP - I like to see that you enjoy a new band, thanks for the feedback on The Shivas!
Gyro,thank you for American Beauty.
heylee
Hi Guys. Thanks so much for the Bruce and blues.
Iggy
Thanks
Dates for "American Primitive" Vol. 2 - Pre-War Revenants are here:
http://revenantrecords.com/musics/products/american-primitive-vol-ii/
Jillem - Am writing here as I have no other contact for you….with a question. Could you please send a note to countreeshard@gmail.com ? Best regards, Count Reeshard
Thanks for making it possible to hear the amazing music from Revenants II. These songs don't just inspire wonder, they may be wonder itself...
Great post all around! And thanks for the Revenant set; my Disc2 somehow got cracked....
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