A find for fans of Western swing and honky tonk music, Hillbilly Boogie's 20 selections from 1946-1954 mirror the carefree postwar years with a rousing blend of vocal numbers and instrumentals. The selections include everything from fiddle and pedal-steel combo swingers like Paul Howard & His Cotton Pickers' "Drinking All My Troubles Away" to big-band country numbers like Al Dexter & His Troopers' "New Broom Boogie." Even the South's unsung Eastern European musical heritage is given its due on a handful of accordion-heavy polkas, including Spade Cooley's "Yodeling Polka" and Louise Massey & the Westeners' "Squeeze Box Polka." Plenty of boogie-woogie rhythm is also on hand with Curley Williams & His Georgia Peach Pickers' "Georgia Boogie" and Andy Reynolds & His 101 Ranch Boys' "Fiddlin' Boogie." Other fine cuts are contributed by country stars Bob Wills, Lefty Frizzell, and Little Jimmy Dickens. Topped off with excellent transfers from the original lacquers, plenty of humor ("Hamburger Hop"), and fine playing throughout, Hillbilly Boogie is a must for devotees of the golden era of pre-Nashville sound country music. (Stephen Cook, Allmusic)
trax:
1. Smoke! Smoke! Smoke! (That Cigarette) - Johnny Bond & His Red River Valley Boys 2. Three Way Boogie (Instrumental) - Spade Cooley & His Orchestra 3. Take It Away, Leon - Leon McAuliffe & His Western Swing Band 4. New Broom Boogie - Al Dexter & His Troopers 5. Hamburger Hop - Johnny Hicks & His Troubadours 6. Drinking All My Troubles Away - Paul Howard & His Cotton Pickers 7. Georgia Boogie - Curley Williams & His Georgia Peach Pickers 8. Cowboy Stomp - Bob Wills & His Texas Playboys 9. Mean Mama Boogie - Johnny Bond & His Red River Valley Boys 10. Yodeling Polka - Spade Cooley & His Orchestra 11. Saturday Night Boogie - Al Dexter & His Troopers 12. Rootie Tootie - Paul Howard & His Cotton Pickers 13. Blue Guitar Stomp - Leon McAuliffe & His Western Swing Band 14. Squeeze Box Polka - Louis Massey & The Westerners 15. Beer Bottle Mama - Andy Reynolds And His 101 Ranch Boys 16. Fiddlin' Boogie - Curley Williams & His Georgia Peach Pickers 17. My Baby's Just Like Money - Lefty Frizzell 18. Get Your Kicks (From The Country Hicks) - Johnny Hicks & His Troubadours 19. Give Me A Red Hot Mama And An Ice Cold Beer - Smiley Maxedon 20. Salty Boogie - Little Jimmy Dickens
…served by Gyro1966...
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18 comments:
"Hillbilly Boogie!"
…served by Gyro1966...
gitit! no pw
http://www84.zippyshare.com/v/sP2SQs1D/file.html
Thank you Gyro. As a daily visitor to Uncle Gill's its good to see some doggone hillbilly here on TZ. And knowing that it is well tagged makes me smile all the more.
BONUS 1 OF 7 @320
Sharon Jones & The Dap-Kings - 100 Days, 100 Nights (2007)
Sharon Jones, the big-voiced lead singer of the Dap-Kings -- a band that recently began making its name known outside those enthusiasts of the Daptone label and the reaches of the soul community thanks to appearances with Amy Winehouse and work for Mark Ronson, including a version of Dylan's "Most Likely You Go Your Way (And I'll Go Mine)" -- is no music-world neophyte. 100 Days, 100 Nights is just her third full-length with the Dap-Kings, but Jones has been singing on and off since the 1970s, without much of a break until she began working with her current label. Meaning, she's certainly paid her dues, and she has enough life experience behind her voice to make the words she sings sound that much truer. Because soul music -- and this isn't neo-soul, or contemporary R&B, but straight-up Stax and Motown brassy soul -- is so much more than the actual lyrics themselves; it's about the inflection and emotion that the vocalist is able to exude, and Jones proves herself to be master of that, moving from coy to romantic to defiant easily and believably. The album is much smoother, even gentler, than her previous releases, and though the Dap-Kings still power their way through the ten songs with bright horn licks, inspired drumming, and staccato guitar lines, there's a deeper, bluesier edge to the record, heard in "Let Them Knock" or the slower "Humble Me." "Don't let me forget who I am," Jones croons in the latter, her voice rising to a sweet falsetto at the end of the phrase. It's a very clean record, not over-produced but well produced, with a lot of great pop moments tucked in between the brassier, funkier bits. The title track relies on a sultry organ and a minor vamp to make its point, while "Something's Changed" uses strings and punctuated sax and bass as the singer drops a bit of her lungs out, bringing a kind of immediacy to her words, as if the actuality of the situation around her hasn't quite set in enough for her to wail about it, as if she's just realizing it and listeners are right there to hear about it. But that's the magic and power of Sharon Jones & the Dap-Kings: their ability to convey passion and pain, regret and celebration, found in the arrangements and the tail ends of notes, in the rhythms and phrasing, and it is exactly that which makes 100 Days, 100 Nights such an excellent release. (Allmusic)
100 Days, 100 Nights
3:45
Nobody's Baby
2:27
Tell Me
2:46
Be Easy
3:03
When The Other Foot Drops, Uncle
3:15
Let Them Knock
4:29
Something's Changed
2:56
Humble Me
4:05
Keep On Looking
2:49
Answer Me
4:08
http://www43.zippyshare.com/v/TyCd2jnc/file.html
MORE SHARON JONES:
Sharon Jones & The Dap-Kings - It's a Holiday Soul Party '15
http://www46.zippyshare.com/v/X9AGVTjJ/file.html
Sharon Jones & The Dap-Kings - Soul Time! (2011)
http://www15.zippyshare.com/v/8635983/file.html
Sharon Jones and the Dap-Kings - Give the People What They Want (2014).
http://www58.zippyshare.com/v/9516292/file.html
Sharon Jones & The Dap-Kings - I Learned The Hard Way (2010).
http://www27.zippyshare.com/v/4526926/file.html
Sharon Jones & The Dap-Kings - Dap-Dippin' With... Sharon Jones And The Dap-Kings (2002).zip
http://www45.zippyshare.com/v/12088769/file.html
Sharon Jones & The Dap-Kings - Naturally (2005)
http://www45.zippyshare.com/v/87894368/file.html
INFO
https://www.amazon.com/Days-Nights-Sharon-Jones-Kings/dp/B000UO75AY
BONUS 2 OF 7 @320
A Shot Of Rhythm & Blues
I love albums like this which contain a wonderful mix of blues, R&B, rock and roll and soul from the 1950s and the early 1960s, and at this price this is a real bargain. There are some all-time classics here including "Leave My Kitten Alone" by Little Willie John, "Watch Your Step" by Bobby Parker and Benny Spellman's "Fortune Teller" to name but three but there are many more fantastic performances here from great artists like Bo Diddley, James Brown, Little Walter and Hank Ballard & The Midnight's. Many of these songs I've known since the 60s, either from the original versions or from covers by British bands but there are other songs here that were new to me, such as "Trick Bag" by Earl King and "It's Your Voodoo Working" by Charles Sheffield. This is a great compilation that has been very thoughtfully put together so that every track fits perfectly. (The Guardian)
CD1
1 Arthur Alexander A Shot Of Rhythm And Blues
2 Eugene Church Pretty Girls Everywhere
3 Clyde McPhatter Stop
4 Eddie Bo Every Dog Has Its Day
5 Ike & Tina Turner A Fool In Love
6 Etta James Next Door To The Blues
7 Little Willie John Leave My Kitten Alone
8 Jimmy McCracklin The Walk
9 Lula Reed Your Love Keeps A-Working On Me
10 Bo Diddley I Can Tell
11 Nappy Brown Don't Be Angry
12 Smokey Robinson & The Miracles Money (That's What I Want)
13 Charles Sheffield It's Your Voodoo Working
14 Rosco Gordon Just A Little Bit
15 Bobby Parker Watch Your Step
16 Ruth Brown I Burned Your Letter
17 Bobby King Thanks Mr Postman
18 Betty James I'm A Little Mixed Up
19 Howlin' Wolf I've Been Abused
20 Baby Washington Your Mama Knows What's Right
21 The Del Vikings Confession Of Love
22 Lavern Baker Humpty Dumpty Heart
23 Benny Spellman Fortune Teller
24 Earl King Trick Bag
25 Buddy Guy The Treasure Untold
CD2
1 Johnny 'Guitar' Watson Broke And Lonely
2 Etta James Seven Day Fool
3 Albert King This Morning
4 Bo Diddley You Can't Judge A Book By Its Cover
5 Royal J. Abbit Send Me Somebody
6 James Brown Night Train
7 Lavern Baker Love Me Right
8 Eugene Church I Ain't Goin' For That
9 Nappy Brown Little By Little
10 Baby Washington Hush Heart
11 Richard Berry Have Love, Will Travel
12 Marv Johnson Come To Me
13 Clyde McPhatter Tomorrow Is A-Comin'
14 Ruth Brown Somebody Touched Me
15 Little Walter My Babe
16 Aaron Neville Humdinger
17 Thurston Harris Over And Over
18 The Midnighters Work With Me Annie
19 Ben E. King A Help Each Other Romance
20 Little Willie John Let Nobody Love You
21 El Pauling Come On Let's Have A Good Time
22 Bill Doggett Hold It
23 Irma Thomas Don't Mess With My Man
24 Freddie King You Can't Hide
25 Bobby Parker Steal Yourt Heart Away
CD1
http://www36.zippyshare.com/v/xO7OcY87/file.html
CD2
http://www36.zippyshare.com/v/qcgmSmHr/file.html*
INFO
https://www.amazon.co.uk/Shot-Rhythm-Blues-Various-Artists/dp/B00DNOVOV4
BONUS 3 OF 7 @320
The Hokum Boys - You Can't Get Enough Of That Stuff (Yazoo L-1051)
All titles on this disc are classics. Great vocal banter in "Only the blues". "Twa Twa Twa". If you'v never hear it you need to. "Ain't goin that way" is another great vocal interplay. The piano and guitar are stellar. Tampa is really hot on "Sellin that Stuff" Two versions of "I was afraid of that" are some of my favorite guitar playing tunes. A Must Have! The reproduction of R Crumb's artwork alone is worth the purchase. I Can't Get Enough of THIS Stuff! (Record Runner)
There were many aggregations of black musicians in Chicago during the 1920s and 1930s who used the name the Hokum Boys or, in some cases, the Famous Hokum Boys. Although some of the later versions included prewar blues stars like Big Bill Broonzy, Casey Bill Weldon, and Washboard Sam, the sides compiled on You Can't Get Enough of That Stuff were all recorded by earlier incarnations of the group for the Paramount label (and possibly Okeh) in 1929. The various lineups included a revolving door of personnel including: pianists Alex Hill, Jimmy Blythe, and Leroy Carr; guitarists Alex Robinson, Dan Roberts, Bob Alexander, Scrapper Blackwell, Tampa Red, and Blind Blake; and Bob Robinson on banjo and clarinet. (Blues World)
A1
You Can't Get Enough Of That Stuff
A2
Gambler's Blues
A3
Put Your Mind On It
A4
Went To His Head
A5
We Don't Sell It Here No More
A6
I Was Afraid Of That Part 1
A7
Let Me Have It
B1
Hokum Blues
B2
Pat-A-Foot Blues
B3
Only The Blues
B4
Selling That Stuff
B5
Ain't Goin' That Way
B6
It's All Gone Now
B7
I Was Afraid Of That Part 2
http://www32.zippyshare.com/v/ua9ttWRW/file.html
INFO
https://www.amazon.com/You-Cant-Enough-That-Stuff/dp/B006NNM90C
BONUS 4 OF 7 @320 (PT. 1)
Van Morrison - Moondance (1970, 2013 Expanded Edition)
This long-awaited remastered version of Van Morrison's best-selling album comes in a variety of formats. The expanded edition includes the album and a second disc that contains a compiler's "best-of" selection of unreleased session material with alternates and outtakes. There are 11 cuts here; eight are versions of album tracks. While none replace -- or are in any way superior to -- the ones Morrison eventually chose, they do make for fantastic listening. Check the nearly unhinged celebratory vocal in "Caravan," underscored by a more pronounced electric guitar and looser, freer horns; this is Morrison and his band in full groove mode. "Into the Mystic," by contrast, is so open it feels closer in spirit to the music on the Astral Weeks sessions. The fat bassline in "Glad Tidings" is on stun, but it contrasts beautifully with the piano offering bright, gorgeous, modal jazz chords and a gospelized horn section à la Stax. The title track is a solid jazz arrangement that sharply resembles readings that have been in his live set since the 1990s. The final two selections here are of particular interest. "I Shall Sing" is a previously unissued song. On the deluxe version of this set there are no less than 13 takes as well as a mono mix done after the album was delivered. It makes the case that Morrison desperately wanted to include it on Moondance. It's an excellent song, but it didn't belong in the delicate balance that was the final album. Its omission shows Morrison's keen, developed sense of discernment even at this early stage. The final cut is a very electric, early version of "I've Been Working." It clocks in at over ten minutes and showcases the band playing that massively funky vamp as a jump-off to improvisation -- Morrison gets into some wonderful in-the-moment lyric creation. Though it's an absolutely smoking way to finish this disc, it's also obvious why he didn't include it; it was unfinished. When contrasted with the version that appeared on His Band and the Street Choir, it underscores how definitively he knew what he wanted for Moondance. Also included in the package is a liner booklet with essays by Alan Light, engineer Elliot Scheiner, and the original notes by Janet Planet. While casual Morrison fans may appreciate the album's much improved sound quality and spring for the single disc, and the hardcore will no doubt snag the massive five-disc hardbound deluxe version, the middle-way expanded edition is arguably the best choice for most music fans. (Thom Jurek, Allmusic)
In the fall of 1969, Van Morrison entered the studio to record Moondance,the album that would soon become his commercial breakthrough and one of the most beloved recordings of all time. Fans will soon have the rare opportunity to experience this classic album like never before with the newly remastered and expanded version featuring 50 unreleased tracks including studio outtakes of favorites, plus multiple takes and a final mix of the unheard track "I Shall Sing." Three different physical versions of Moondance are available. Digital versions are also available.
The Expanded Edition includes a newly remastered version of the original album 11 previously unreleased tracks (highlights from the Deluxe Edition).
One of the most significant revelations is "I Shall Sing," a Morrison original that was completed but left off the album. There are multiple takes of the song (spread across six tracks), plus a final mix of the finished song. While no one has heard Morrison's version, Art Garfunkel had a Top 40 hit with the song, which appeared on his 1973 solo debut. (Record Runner)
BONUS 4 OF 7 @320 (PT. 2)
Van Morrison - Moondance (1970, 2013 Expanded Edition)
Original Album
1-1
And It Stoned Me
4:30
1-2
Moondance
4:35
1-3
Crazy Love
Backing Vocals – Emily Houston, Jackie Verdell, Judy Clay
2:34
1-4
Caravan
4:57
1-5
Into The Mystic
3:25
1-6
Come Running
2:30
1-7
These Dreams Of You
3:50
1-8
Brand New Day
Backing Vocals – Emily Houston, Jackie Verdell, Judy Clay
5:09
1-9
Everyone
3:31
1-10
Glad Tidings
3:13
Sessions, Alternates & Outtakes (All Previously Unissued)
2-1
Caravan (Take 4) (Recorded November 18, 1969)
2-2
Nobody Knows You When You're Down And Out (Recorded September 5, 1969)
2-3
Into The Mystic (Take 11) (Recorded November 18, 1969)
2-4
Brand New Day (Take 3) (Recorded November 24, 1969)
2-5
Glad Tidings (Alt. Version) (Recorded November 11, 1969)
2-6
Come Running (Take 2) (Recorded December 11, 1969)
2-7
Crazy Love (Mono Mix) (Recorded November 26, 1969)
2-8
These Dreams Of You (Alt. Version) (Recorded November 24, 1969)
2-9
Moondance (Take 22) (Recorded November 8, 1969)
2-10
I Shall Sing (Take 7) (Recorded November 11, 1969)
2-11
I've Been Working (Early Version, Take 5) (Recorded September 5, 1969)
CD1
http://www7.zippyshare.com/v/yqhJHUIy/file.html
CD2
http://www44.zippyshare.com/v/57klxpLp/file.html
INFO
http://www.allmusic.com/album/release/moondance-expanded-edition-mr0003993877
https://www.amazon.com/Moondance-Expanded-2CD-Van-Morrison/dp/B00DZJ82TY
BONUS 5 0F 7 @320
Boz Scaggs - Boz Scaggs [1969, 2013 Audio Fidelity SACD AFZ 168]
"Not only a great debut, but also an enduring blue-eyed soul masterpiece-one of Rolling Stone's 500 Greatest Albums of All Time."
"Boz Scaggs" could be a candidate for the greatest overlooked, unjustly forgotten album of the classic rock era. It wasn't overlooked in its own day, when FM radio was "free form" and could play 10 minute-long tracks, the amazing "Loan Me a Dime," a delicately soulful blues wail that evolves into a monstrous Duane Allman guitar workout, was a late-night staple. But the whole album is as good as that climactic moment. "I'll Be Long Gone" is an emotional inspiration. There are many other highlights...the emotional directness of "Look What I Got" and "Sweet Release" is heavenly soul.
"Boz Scaggs" is the second album by Boz Scaggs...it was released in 1969. The players on the album include a set of studio musicians, known for their down-and-dirty backing work for Aretha Franklin and Wilson Pickett, among many other Southern soul legends. The Muscle Shoals rhythm section, occasionally augmented by guitarist Duane Allman, gives this music genuine grit,not necessarily a straight-up blue-eyed soul record, even if the opening "I'm Easy" and "I'll Be Long Gone" are as deeply soulful as anything cut at Muscle Shoals.
This album is so complete, so rich, Scaggs obviously loves the whole wide expanse of soul, blues and R & B. The album is sequenced beautifully...it is almost flawless.The record was co-produced by Jann Wenner, founder of Rolling Stone magazine.
1. I'm Easy 2. I'll Be Long Gone 3. Another Day (Another Letter) 4. Now You're Gone 5. Finding Her 6. Look What I Got 7. Waiting For A Train 8. Loan Me A Dime 9. Sweet Release
http://www67.zippyshare.com/v/LR6I8T3n/file.html
INFO
https://audiofidelity.net/product/boz-scaggs-boz-scaggs
BONUS 6 OF 7 @320
The International Swingers - The International Swingers (2015)
The International Swingers is a rock group based in Los Angeles. Formed in late 2011, the band is composed of Clem Burke (drums), Glen Matlock (bass/vocals), James Stevenson (lead guitar/vocals) and Gary Twinn (lead vocals/guitar).
Each member first came to the public's attention as a member of another band (Clem Burke in Blondie, Glen Matlock in the Sex Pistols, James Stevenson in Chelsea, Generation X and Gene Loves Jezebel, Gary Twinn in Supernaut and Twenty Flight Rockers)
Stellar cast of punk rock royalty with classy powerpop album. Good times ahoy. I’ve said it before, but James Stevenson has never made a duff record. Chelsea, a band I truly detest, were at their best when Stevenson was at Gene October’s side and all of their good material was made with Stevenson in the band. His recent solo album “The Shape Of Things To Come” showed that he’s not merely the sideman de jour that he’s portrayed as. He’s been in Gen X, Kim Wilde’s band, The Cult, Matlock’s Philistines, The Alarm and pretty much every decent punk record ever. Slight exaggeration but youknowwhaddamean….
The International Swingers is a project that has Stevenson collaborating with Clem Burke of Blondie (and The Smart Squad- see my earlier review), Glen Matlock out of The Pistols and Gary Twinn, formerly of the great but unheralded Twenty Flight Rockers and more recently Speedtwinn.
“Supergroups” are, in reality, rarely that- people tend to go along out of curiosity or to see the encores of the songs from the more famous parent band. To be fair, The International Swingers are not averse to a version of GSTQ or “Dancing With Myself”, but hell, why not. (Louder Than War - Joe Whyte).
1
FBI
2
Gun Control
3
Fool`s Holiday
4
Sweet, Sweet Love
5
Honey`s Room
6
Live Wire
7
Black Leather Jacket
8
You Turned My Head
9
On Something
10
Out Of Control
11
Running Man
12
Whatever Works Now
http://www7.zippyshare.com/v/VTjzrFZI/file.html
(Thanks to ratboy69 for this album)
INFO
http://louderthanwar.com/the-international-swingers-the-international-swingers-album-review-all-the-cats/
https://www.discogs.com/The-International-Swingers-The-International-Swingers/release/7867961
BONUS 7 OF 7 @320
The Man Of Somebody's Dreams; A Tribute To The Songs Of Chris Gaffney (2009)
Chris Gaffney was once described as "a quintessential Southern California bar musician," and while he was also a great deal more than that -- a superb songwriter and a recording artist who made fine records on his own, as a sideman and as part of the combo the Hacienda Brothers -- the mix of country, R&B and norteño influences that defined his music was a clear reflection of the working class California environment where he grew up. Gaffney was highly regarded by his fellow songwriters and musicians, even though he never enjoyed the commercial or critical breakthrough that would open him up to the larger audience he deserved before liver cancer took his life in 2008 at the age of 57, and his friend and frequent collaborator Dave Alvin has produced a moving and well-crafted tribute to the man and his music, The Man of Somebody's Dreams: A Tribute to the Songs of Chris Gaffney. The 18 songs here capture the flinty honesty and hard-won compassion that was a major part of Gaffney's best work, and Alvin proves to be a fine casting agent, fitting each song to the artist with unerring skill. Calexico find a weathered beauty in the liquor-soaked lovers of "Frank's Tavern," Los Lobos bring a gentle sadness to the long-gone romance of "The Man of Somebody's Dreams," Robbie Fulks delivers a solid honky tonk swing on "King of the Blues" (and Peter Case does the same for "Six Nights a Week"), Alejandro Escovedo brings the tragic pathos of "1968" to vivid life, John Doe captures the titular emotions of "Quiet Desperation" with a perfect touch, and legendary songwriter Dan Penn knows just how to handle the work of another great tunesmith on "I'm So Proud." The late Freddy Fender's aching and evocative rendition of "The Gardens" from the Texas Tornados' 4 Aces is a welcome addition to this set, and while Boz Scaggs hardly seems like someone you'd expect to see in this company, he brings a slinky and sensuous R&B groove to "Midnight Dream" that shows Gaffney was more than just another guy on the L.A. roots music scene. Closing with one of Gaffney's final recordings -- an unreleased tune called "Guitars of My Dead Friends" -- the effect of The Man of Somebody's Dreams sometimes feels like a wake as much as a celebration, but this music honors a man who deserved a better hand than he was dealt, and one listen to these songs will prove that's a fact to anyone with ears. (Mark Deming, Allmusic)
1
–
Joe Ely
Lift Your Leg
2
–
Boz Scaggs
Midnight Dream
3
–
Los Lobos
Man Of Somebody's Dreams
4
–
Dave Alvin
Artesia
5
–
Peter Case
Six Nights A Week
6
–
Tom Russell
If Daddy Don't Sing Danny Boy
7
–
Calexico
Frank's Tavern
8
–
James McMurtry
Fight (Tonight's The Night)
9
–
Freddy Fender (2)
The Gardens
10
–
James Lauderdale
Glass House
11
–
The Iguanas
Get Off My Back Lucy
12
–
Alejandro Escovedo
1968
13
–
Robbie Fulks
King Of The Blues
14
–
John Doe (2)
Quiet Desperation
15
–
Dave Gonzales*
Tired Of Being Me
16
–
Big Sandy & Los Straitjackets
Silent Partner
17
–
Dan Penn
I'm So Proud
18
–
Chris Gaffney
The Guitars Of My Dead Friends
http://www26.zippyshare.com/v/uRDn8Ykj/file.html
INFO
http://www.allmusic.com/album/the-man-of-somebodys-dreams-a-tribute-to-the-songs-of-chris-gaffney-mw0000807729
Thanks Gyro1966 for the "Tribute to the Songs of Chris Gaffney"! - wonderful mix!
Gyro 1966:
The Chris Gaffney looks most interesting!
R.I.P. Miss Sharon Jones. Thank you Gyro1966 for the share.
Thanks Gyro for Chris Gaffney the hillbilly boogie and particurally for Sharon Jones.
ps hope that 2016 will end as soon as possibile ( maybe without other artist to mourn)
RIP Chris Gaffney ,I Miss the Haciendas...Thanks for this RYP
RIP Sharon Jones Thanks GYRO
Gyro, thank you for A Shot Of Rhythm & Blues. Excellent comp!
Thanks Gyro1966 for A Shot Of Rhythm & Blues.
Thanks, Gyro, for Moondance, a longtime favorite.
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