Chuck Berry "You Never Can Tell" His Complete Chess Recordings 1960-1966

On the 1961 single "Go Go Go," a side that went nowhere on the charts, Chuck Berry sang that he was "Mixing Ahmad Jamal in my 'Johnny B. Goode'/Sneaking Erroll Garner in my 'Sweet Sixteen'/Now they tell me Stan Kenton is cutting 'Maybellene'" -- as always, Chuck is stretching the truth to fit his story. Kenton never cut "Maybellene" but Berry did sneak some jazz into his rock & roll in the '60s, along with plenty of blues, country, and some folk, all evident on You Never Can Tell: The Complete Chess Recordings 1960-1966, Hip-O Select's second volume of Chuck's Chess recordings. Of course, Berry never was stylistically pure -- he invented rock & roll by marrying hillbilly and the blues -- but on his '60s sides he had the opportunity to both stretch out and dig deep, sometimes cutting a set of blues, sometimes expanding with horns or backing vocals or cutting a Twist. The latter is pretty good evidence that some of these wanderings may have been reflections of the times, but as a whole body of work the four-disc You Never Can Tell -- which gathers all the master studio takes, adds some alternates to the mix, and unveils a previously unheard live date that presents the rarest of things: a full adult-oriented concert given by Chuck at a Detroit casino where he was backed by an uncredited group of Berry Gordy's all-stars -- feels like the work of a man who is fully aware of his strengths and abilities, able to subtly tweak them toward the times without losing his identity.

Indeed, one of the striking things about the set is how vigorous Chuck Berry seems in the first half of the '60s, a time that did not treat all '50s rock & rollers particularly well. Of course, Chuck was not immune to the downward dip in rock & roll in the early '60s: he was arrested for a Mann Act violation in 1959 and spent the first years of the '60s embroiled in a legal mess leading to a five-year jail sentence of which he served roughly a year and a half. Before he entered prison, he recorded furiously: about the first disc and a half of You Never Can Tell dates from 1960 and 1961, as Chuck was laying down as many sides as he could, just in case he went away for a long time. Some of these sessions do seem a little hurried -- there aren't many originals, particularly in 1960 -- but this did give him an opportunity to record some very good blues-heavy sessions, where he was able to indulge in his fondness for Charles Brown, Nat King Cole, and Amos Milburn. And while there weren't many originals, those that were there were quite good, especially the "Johnny B. Goode" sequel "Bye Bye Johnny" and his latest car song, "Jaguar and Thunderbird." The 1961 sessions produced an even stronger crop of originals with "I'm Talking About You," "Come On," "Go Go Go," the "Junco Partner" adaptation "The Man and the Donkey," and "Trick or Treat," the latter two appearing on the excellent fake live album Chuck Berry on Stage (the cuts here being presented without the audience overdubs).

Chess planned to launch Chuck's post-prison comeback with a genuine live album recorded at Walled Lake Casino in Detroit in October of 1963, but the record was scrapped, laying in the vaults unreleased until this set. The very reasons why the album was abandoned are why it's such thrilling listening now: the performances are rough and ragged, with Chuck lurching from mood to mood on the closing medley of "Goodnight Sweetheart Goodnight," "Johnny B. Goode," "Let It Rock," and "School Day," and he spends an inordinate amount of time telling corny old jokes from the stage. It's hardly perfect, but it's a rare glimpse into Berry's on-stage charms and a vital live document of early rock & roll that's more interesting now than it might have been at the time. In any case, Chuck didn't need the boost from the live set: he came back stronger than ever in 1964 with the hits "Promised Land," "No Particular Place to Go," "You Never Can Tell," and "Nadine," all featured on his classic LP St. Louis to Liverpool, its title an explicit reference to how his music inspired the British Invasion.

Discounting Elvis, who existed in his own category by that point, and the Everly Brothers, who continued to have hits, Chuck Berry was the only rock & roller who rubbed shoulders with his progeny, due both to his clear influence on the Beatles and the Rolling Stones and also his vigorous writing. Berry's mid-'60s work rivals his late-'50s work, perhaps not in terms of innovation but in sheer lyrical and musical might; this is plainly apparent in the aforementioned quartet of hits, each one as crisp and clever as "Brown Eyed Handsome Man" and "Johnny B. Goode," but he had plenty of unheralded gems during this stretch, including the dynamite "Dear Dad" (a song so compact and blazing that plenty of punks cut it about a decade later), "It Wasn't Me" (a song he revisited in the '70s), "My Mustang Ford," "It's My Own Business," and "Ramona Say Yes." Add to that Chuck's instrumental jam LP with Bo Diddley -- an album consisting of two tracks that ran well over ten minutes, a length nearly unheard of on a rock & roll record in 1964 -- and some additional blues, and Berry's '60s sessions amount to a truly remarkable run that deepens and adds new dimensions to what was already one of the greatest legacies of 20th century American music. (Stephen Thomas Erlewine, Allmusic)

trax disc 1:

01 Drifting Blues 02 I Got To Find My Baby 03 I Got To Find My Baby (stereo) 04 Don't You Lie To Me 05 Worried Life Blues 06 Our Little Rendezvous 07 Bye Bye Johnny 08 Bye Bye Johnny (stereo) 09 Run Around 10 Run Around (stereo) 11 Jaguar And Thunderbird 12 Diploma For Two 13 Little Star 14 The Way It Was Before 15 Away From You 16 Down The Road Apiece 17 Down The Road Apiece (stereo) 18 Confessin' The Blues 19 Sweet Sixteen 20 Thirteen Question Method 21 Stop And Listen 22 I Still Got The Blues 23 I'm Just A Lucky So And So 24 Mad Lad 25 Surfin' Steel (Cryin' Steel) 26 Route 66 (take 10) 27 Route 66 (take 11) 28 I'm Talking About You 29 Rip It Up 30 Come On 31 Come On (stereo) 32 Adulteen 33 The Man And The Donkey

trax disc 2:

01 Go Go Go (alt.) 02 Go Go Go 03 Trick Or Treat 04 Brown Eyed Handsome Man (instr.) 05 Brown Eyed Handsome Man 06 Brown Eyed Handsome Man (stereo) 07 All Aboard 08 Guitar Boogie (live) 09 Let It Rock (live) 10 Almost Grown (live) 11 Chuck Berry dialog (live) 12 Johhny B. Goode (live) 13 Introduction _  Instrumental (live) 14 Sweet Little Sixteen (live) 15 Wee Wee Hours (live) 16 Chuck Berry dialog (live) 17 Maybellene (live) 18 Goodnight Sweetheart _ Johnny B. Goode _ Let It Rock _ School Day (live) 19 Nadine (Is It You_) 20 You Never Can Tell 21 The Little Girl From Central 22 (The) Things I Used To Do 23 I'm In The Danger Zone

trax disc 3:

01 Fraulein 02 Lonely All The Time (Crazy Arms) 03 O Rangutang 04 Big Ben (Blues) 05 Promised Land 06 Brenda Lee 07 No Particular Place To Go 08 You Two 09 Liverpool Drive 10 Chuck's Beat 11 Bo's Beat 12 Little Marie 13 Go Bobby Soxer 14 Lonely School Days 15 His Daughter Caroline 16 Dear Dad 17 Want To Be Your Driver 18 Spending Christmas 19 The Song Of My Love 20 Butterscotch 21 After It's Over 22 Why Should We End This Way

trax disc 4:

01 You Came A Long Way From St. Louis 02 She Once Was Mine 03 Jamaica Farewell 04 My Little Love Light 05 I Got A Booking 06 St. Louis Blues 07 Shake, Rattle & Roll (take 23) 08 Wee Wee Hours (instr.) 09 Honey Hush (take 3) 10 Run Joe 11 It's My Own Business 12 One For My Baby (And One More For The Road) 13 Every Day We Rock And Roll 14 My Mustang Ford (instr.) 15 My Mustang Ford 16 My Mustang Ford (stereo) 17 Merrily We Rock And Roll 18 Vaya Con Dios 19 Wee Hour Blues 20 It Wasn't Me 21 It Wasn't Me (stereo) 22 Ain't That Just Like A Woman 23 Right Off Rampart Street 24 Welcome Back Pretty Baby 25 Sad Day, Long Night (instr.) 26 Ramona Say Yes 27 Ramona Say Yes (alt. mix) 28 Viva Viva Rock 'n' Roll 29 His Daughter Caroline (fast vers.) 30 Lonely School Days (fast vers.)

…served by Gyro1966...