The Spinners' 2nd Time Around (1970) was actually their debut long-player for the short-lived V.I.P. subsidiary of Motown Records. The "Second Time" referred to in the title indicates the quintet's new direction, which was considerably funkier than the group's former R&B persona. The album likewise marked the final contributions of G.C. Cameron, who himself was the latest in a line of replacements that began when George W. Dixon made way for Edgar "Chico" Edwards in 1961. However, by the time the combo had become part of the Motown roster, Edwards' spot was filled by Cameron. The Stevie Wonder-penned "It's a Shame" became The Spinners' first Top 20 hit of the decade. It paved the way for the torrent of soul-pop crossovers that would follow with the arrival of Philippe Wynne in 1972 and the band's fortuitous collaborations with Thom Bell. There are definitely sounds and shapes of things to come throughout, including the effortlessly traded lead vocals on "It's a Shame," "(She's Gonna Love Me) At Sundown," and the testifying groove during "Souly Ghost." They also demonstrate their substantial harmonies on "Together We Can Make Such Sweet Music" and their particularly poignant blends on "Bad, Bad Weather (Till You Come Home)," "Pay Them No Mind," and especially the midtempo ballad "My Lady Love," which could be mistaken for the Temptations in their mid-'60s prime. "O-o-h Child" -- which the Windy City-based Five Stairsteps took to the Top Ten in June of '70 -- is given a distinctly Motown vibe, bearing the sonic earmarking of noted Hitsville U.S.A. arranger Paul Riser. "In My Diary" is a throwback to the Spinners of old, with a nod to their carefully crafted doo wop style and suitably matched string section. A further comparison to the vintage Temptations is inevitable as The Spinners' take of "My Whole World Ended (The Moment You Left Me)" equals -- if not possibly surpasses -- David Ruffin's more familiar version, and students of the Motown sound should keep listening for Jack Ashford's propulsive percussion. 2nd Time Around closes with a medley of "Can Sing a Rainbow" and "Love Is Blue," a pairing that initially surfaced on the Dells' Love Is Blue LP, which they took into the Top 30 pop survey in June of 1969. (Lindsay Planer, Allmusic)
trax:
01 it's a shame 02 i've got to find myself a brand new baby 03 together we can make such sweet music 04 bad, bad weather (till you come home) 05 pay them no mind 06 my lady love 07 souly ghost 08 o-o-h child 09 in my diary 10 my whole world ended (the moment you left me) 11 (she's gonna love me) at sundown 12 can sing a rainbow _ love is blue ...Many Thanks To Jillem For The Share! served by Gyro1966...

12 comments:
The Spinners "2nd Time Around"
...Many Thanks To Jillem For The Share! served by Gyro1966...
gitit! no pw
http://www56.zippyshare.com/v/DPwDQSTv/file.html
Charles Mingus - The Black Saint & The Sinner Lady, Original recording reissued 1963, 1995
http://www.amazon.com/The-Black-Saint-Sinner-Lady/dp/B000003N81
This is a masterwork that should be part of any jazz collection, except perhaps of those listeners who prefer that music not challenge, inspire, and move them. -allaboutjazz.com
The Black Saint and the Sinner Lady is one of the greatest achievements in orchestration by any composer in jazz history. Charles Mingus consciously designed the six-part ballet as his magnum opus, and -- implied in his famous inclusion of liner notes by his psychologist -- it's as much an examination of his own tortured psyche as it is a conceptual piece about love and struggle. It veers between so many emotions that it defies easy encapsulation; for that matter, it can be difficult just to assimilate in the first place. Yet the work soon reveals itself as a masterpiece of rich, multi-layered texture and swirling tonal colors, manipulated with a painter's attention to detail. There are a few stylistic reference points -- Ellington, the contemporary avant-garde, several flamenco guitar breaks -- but the totality is quite unlike what came before it. Mingus relies heavily on the timbral contrasts between expressively vocal-like muted brass, a rumbling mass of low voices (including tuba and baritone sax), and achingly lyrical upper woodwinds, highlighted by altoist Charlie Mariano. Within that framework, Mingus plays shifting rhythms, moaning dissonances, and multiple lines off one another in the most complex, interlaced fashion he'd ever attempted. Mingus was sometimes pigeonholed as a firebrand, but the personal exorcism of Black Saint deserves the reputation -- one needn't be able to follow the story line to hear the suffering, mourning, frustration, and caged fury pouring out of the music. The 11-piece group rehearsed the original score during a Village Vanguard engagement, where Mingus allowed the players to mold the music further; in the studio, however, his exacting perfectionism made The Black Saint and the Sinner Lady the first jazz album to rely on overdubbing technology. The result is one of the high-water marks for avant-garde jazz in the '60s and arguably Mingus' most brilliant moment. -Allmusic
Flac
http://www.file-upload.net/download-11065103/CM-TBSTSL.rar.html
Boogaloo Pow Wow: Dancefloor Rendez-Vous in Nuyorica
http://www.discogs.com/Various-Boogaloo-Pow-Wow-Dancefloor-Rendez-Vous-In-Young-Nuyorica/release/5091504
You have to hand it to the label, they keep coming up with fabulous records, and this is no exception. Back in the 1960s, along with standard Latin music, the young guns were fired up by all manner of styles in New York, and that was reflected in the new "boogaloo" sound they were making. It was soul music, to all intents and purposes, but with a heavy Latin mood, making it ultra-rhythmic, and ready to jam at the drop of a dime. So you have something familiar as "Cool Jerk" heavily recast as a descarga by Kako, while the great Willie Rosario shows his chops on a pair of cuts. Plenty of big names joined the action -- Machito, Ray Barretto, Willie Bobo -- and there's no doubt that this style influenced the course of Latin music, while keeping the dancefloors packed. What's truly remarkable is that few of these cuts have been remastered and reissued before, since they're so explosive; like a slice of the '60s that bursts out of the New York blocks. Add in superb liner notes from Juan Flores, and it's an unbeatable package.
Cue-rip flac/scans
http://www.file-upload.net/download-11064060/BPP.rar.html
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Reggae And Dub XL 69
Guns Of Navarone - The Best Of The Skatalites
http://www.discogs.com/Skatalites-Guns-Of-Navarone-The-Best-Of-The-Skatalites/release/1425535
The Skatalites & Friends - Hog In a Cocoa
http://www.discogs.com/Various-Skatalites-And-Friends-Hog-In-A-Cocoa/release/1338872
The Skatalites & Friends - Musical Communion
http://www.discogs.com/The-Skatalites-Musical-Communion/release/7508782
Ska Boo-Da-Ba - Ska Down Jamaica Way Volume One
http://www.discogs.com/Skatalites-Ska-Boo-Da-Ba-Ska-Down-Jamaica-Way-Volume-One/release/1221244
The Best Of Tommy McCook And The Skatalites
http://www.discogs.com/Tommy-McCook-The-Best-Of-Tommy-McCook-And-The-Skatalites/release/3536805
The Skatalites And Friends - Phoenix City
http://www.discogs.com/Various-The-Skatalites-Friends-Phoenix-City/release/1594943
The Skatalites Meet King Tubby - The Legendary Skatalites In Dub
http://www.discogs.com/SkatalitesMeet-King-Tubby-The-Legendary-Skatalites-In-Dub/release/1322377
Nero AAC/Vbr
http://www.file-upload.net/download-11063990/ReggaeAndDubXL69.rar.html
@ Jillem: Thanks for Mingus, and in flac too! A nice upgrade for me,
a great album. Cheers Daniel, from Spain...
Thanks for the Spinners.
cheers,ELtel
Ditto on thanks for The Spinners.
Thanks for the Spinners RYP and Jillem!
Loving all the Latin - thanks to all who contribute here.
Jacky7toes
Thank you Jillem for the ska!
Gyro, Jillem, RYP, many thank for sharing all things, The Spinners...appreciated.
hey jillem man!
mingus is fucking dope guys!
this shows up that shit hip hop for what it is !
CRAP!
this blog is street cred y,all!!!!
still got mine dudes!!!!!!!!!!!!!!!!!!!!!!!!
so educate and enjoy!!!!!!!
Big tanx to Jillem for the massive doses of Reggae (unbelievable!) and the Boogaloo Pow Wow. I don't know any of the songs on it, but I've generally found that anything with Boogaloo in the title is good!
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