Freda Payne was one of the great female soul singers of the early '70s -- her voice was powerful enough to rank highly among her contemporaries, but what set her apart was her daring material, its consistency, and the wonderful, ambitious production given her by the Invictus label. All of this is apparent on a mere single-disc collection, but for the best appreciation of the full scope of her achievements, the 41-track collection Unhooked Generation: The Complete Invictus Recordings is necessary for any serious soul collection. Though this is a lot to ingest at once, part of the reason for that is that it's dense, layered music; there's a lot going on in the lyrics and music is busy, filled with glorious details that help elevate this music ahead of much of the soul music of the time. As her biggest hits suggest, Payne pushed the subject material of soul further: "Band of Gold" dealt with a marriage falling apart because of male impotence; "Bring the Boys Home" was an anti-Vietnam protest song. This hints at what's covered on the rest of her albums for Invictus, all available here. What's remarkable is how Payne and her team of writers sound fearless throughout these recordings, pushing the boundaries of contemporary soul forward -- even if the songs don't cover new thematic ground, or are merely good generic pieces, there's something in the arrangement, production, or performance that elevates it above its peers. So, while this is a lot of music, it's worth exploring -- music this rich deserves such an exhaustive, loving presentation and any serious soul fan will be well-served by acquiring this. (Stephen Thomas Erlewine , Allmusic)
trax disc 1:
01 unhooked generation 02 the easiest way to fall 03 band of gold 04 i left some dreams back there 05 deeper and deeper 06 rock me in the cradle (of your lovin' arms) 07 love on borrowed time 08 through the memories of my mind 09 this girl is a woman now 10 the world don't owe you a thing 11 now is the time to say goodbye 12 happy heart 13 cherish what is dear to you (while it's near to you) 14 i shall not be moved 15 i'm not getting any better 16 suddenly it's yesterday 17 you brought the joy 18 he's in my life 19 you've got to love somebody (let it be me)
trax disc 2:
01 instrumental prelude 02 the road we didn't take 03 bring the boys home 04 odds and ends 05 mama's gone 06 how can i live without my love 07 just a woman 08 come back 09 you're the only bargain i've got 10 we've gotta find a way back to love 11 two wrongs don't make a right 12 rainy days and mondays 13 if you go away 14 right back where we started from 15 mood for love 16 reaching out 17 for no reason 18 the man of my dreams 19 mother misery's favourite child 20 you brought the joy 21 band of gold (alternative version) 22 deeper and deeper (single version)
...Many Thanks To Jillem For The Share! served by Gyro1966...

21 comments:
Freda Payne "Unhooked Generation"
...Many Thanks To Jillem For The Share! served by Gyro1966...
gitit! no pw
CD1
http://www12.zippyshare.com/v/CoJVPs7M/file.html
CD2
http://www12.zippyshare.com/v/N7nbr08r/file.html
@ Jillem, @ Gyro: What incredible music! Thanks! Cheers Daniel, from Spain...
BONUS 1 OF 6 @320
Bonehead Crunchers Vol.3 (UK)
'Big Boobs Boogie & 13 Other Deviant Slices Of Fuzzed-Out Proto-Punk Madness From The UK 1970-1975'. For this third volume of 'Bonehead Crunchers' we visit the UK. There are marked differences with the US insofar as here we touch upon different angles of the Bonehead spectrum, including a nod to Junkshop Glam as well as a more targeted approach to Proto Punk. Now it has been said that, compared to the US, groups in the UK were more likely to be influenced by Vaudeville and learned their licks playing the Chicken in the basket/Working Man Club circuit. I even remember reading somewhere (was it Lester Bangs?) that whilst the US had the Count V, the UK had Freddie & The Dreamers!!! Now to redress this fallacy, we bring 14 total killer tracks, including a plethora of unreleased acetates for your enjoyment. None of the tracks are pretty, but they all share a no-holds bar, no prisoners-taken approach. This allows for a certain amount of revisionism: The 70s NEVER HAPPENED! Well they did, but not how you originally thought. So c'mon jump on-board and take this rampant ride with us. Limited to 300 copies.
Tracks:
Side 1:
1 Stud Leather - Cut Loose
2 Alan Lee Shaw - She Moans
3 Streak - The Whole Truth
4 Slowload - Big Boobs Boogie
5 Mississippi - Mr Union Railway Man
6 Barry Rolfe - Look The Business
7 Sweeny Bean - Rock N Roll Wedding
Side 2:
1 Agnes Strange - Give Yourself a Chance
2 Castle Farm - Hot Rod Queen
3 Incredible Hog - Lame
4 Unknown - Let Me
5 Streak - Cadillac Jack
6 Sleaz Band - Midnight Man
7 Clutch - Black Angel.
http://www50.zippyshare.com/v/wMUeS02r/file.html
INFO
http://www.green-brain-krautrock.de/VA-Bonehead-Crunchers-Vol-3-LP-Belter_18133.html
http://www.discogs.com/Various-Bonehead-Crunchers-Volume-3/release/4172439
BONUS 2 OF 6 @320
Bonehead Crunchers Vol.4 (Continental 1969-1975)
Streetlight Fight & 13 Slices of Fuzzed-Up Boot-Stomping Continental Low-life Heaviness 1969-1975. Limited edition 300 copies. Whereas the first two US volumes of the series focused on Hard and Heavy nuggets with sounds and attitude emanating from 60s Garage and depositing themselves at the door of Punk, the UK volume had a fair sprinkling of Junkshop Glam and Proto Punkitude. Now we cross the channel and venture into Continental Europe. There is a very solid case of having more than one European volume, but here we meld the Heavy Bonehead with some fine specimens of Crunching Sleaze and dumber than dumb Heads Down Boogie excursions. Holland is very well represented. Holland was a unique case as the blessed 45 remained the format of choice for many, fuelled by the success of Shocking Blue and the influence of Radio Veronika. So we feature some Glam infused, NY Sleaze influenced corkers along with some heavier thudding fair. At the same time, Germany was far more serious as albums, politics and Space Rock ruled the roost, however here we present some fine examples of unrepentant Bonehead that would have insulted the intelligence of the politically aware stoned eco-friendly hippie. Belgium released some killer slides of the Glam persuasion as well as some wonderful Mutoïd examples of the Bonehead persuasion. We even take a slight diversion into Switzerland for a truly killer track. So have a spin around these 4 countries, although you may chuckle at some of the clumsy lyrics, make no mistake, you are the proud owner of some the scuzziest, rockiest and coolest tracks released at the time!!
Tracklist:
Side A
1. Silence - Mothers Game
2. Mushroom - Crying For You
3. Propeller - Apache Woman
4. Corporation - Wild Time
5. Angie - Streetlight Fight
6. After Shave - War Maker
7. Mothers of Track - Motorcycle Rock
Side B
1. Blackbirds 2000 - Lets Get Together
2. Tiger - The Bomb
3. Silence - Devil Woman
4. Tykes - Lets Dance
5. Good Time Joe - Slipstream
6. Maternal Joy - Fat
7. Cindy & Bert - Der Hund Von Baskerville
http://www50.zippyshare.com/v/GtyD2aZz/file.html
INFO
http://www.green-brain-krautrock.de/01884aec3ab7d6e9d2f9d128b6f03a94,german,VA-Bonehead-Crunchers-Vol-4-LP-Belter_18782.html
BONUS 3 OF 6 @320
King Gizzard & The Lizard Wizard - Paper Mache Dream Balloon '15
From start to finish, Paper Mâché Dream Balloon proves that King Gizzard are never complacent. New and exciting sounds, while retaining their roots is the order of the day, and this has already become my favourite release from this killer Melbourne band. (The Guardian)
Described as psych-soul-surf-fuzz-garage-space rick-jazz-DIY-shamans by The Guardian, King Gizzard and the Lizard Wizard have garnered a massive underground following through years of raucous shows around the world. Paper Mâche Dream Balloon is their first record to be released on ATO Records and their first truly proper album release in the US. King Gizzard has perfectly set the stage for themselves to take over the hugely popular and ever growing psych-rock scene moving forward. (Record Runner)
http://www82.zippyshare.com/v/qlwNC2Vr/file.html
INFO
http://www.amazon.com/Paper-Balloon-Gizzard-Lizard-Wizard/dp/B015FWT74M/ref=tmm_acd_swatch_0?_encoding=UTF8&qid=&sr=
BONUS 4 OF 6 @320
WONE - The Dayton Scene (1966)
All selections chosen from a WONE Radio, Dayton Ohio, sponsored 3 day battle of the bands. Recorded at Mega-Sound Recording Studio Inc Dayton, Ohio
Rare 1966 LP on the Prism label (Prism 1966)! WONE "The Dayton Scene"
This Lp was a result of a 1966 Battle Of The Bands competition sponsored by
the Dayton, Ohio radio station WONE. The twelve "winners" of the competition each got
to record a song for the album. Eleven tracks are by white garage bands and one track
is by a black soul band.
A1
–
The Travelers (8)
Beach Boy
2:24
A2
–
Juletta's Valiants
Love Me Not Tomorrow
2:58
A3
–
Jerry & The Others*
Don't Cry To Me
2:55
A4
–
The Citations (6)
Good Love
1:45
A5
–
The Warlocks (6)
You Should've Listened
2:29
A6
–
The Vondells
A Loser
2:02
B1
–
Xcellents, The*
Walk Slowly Away
2:48
B2
–
The Forvms
Bring It On Back
2:16
B3
–
The Raging Winds
Tell Me Who
2:18
B4
–
The Dawks
A Good Thing
2:29
B5
–
The Harrisons
I Know I Love You
2:04
B6
–
The Gillian Row
Gloria
2:24
http://www22.zippyshare.com/v/OPC4hjCP/file.html
INFO
http://www.discogs.com/Various-WONE-The-Dayton-Scene/release/5353501
BONUS 5 OF 6 @320
The Resonars - Crummy Desert Sound '13
"Crummy Desert Sound" is another candy coated punch in the face from a band that can do no wrong and that somehow gets better with every release.
Imagine a world where Alan Clarke of the Hollies decided he'd rather be in the Who, but left the songwriting duties to Pete Townshend with perhaps a bit of help from Ray & Dave Davies every now and then. (Active Listener)
http://www4.zippyshare.com/v/UybJw4lm/file.html
INFO
http://active-listener.blogspot.com/2012/11/the-resonars-crummy-desert-sound-review.html
BONUS 6 OF 6 @320
The Who - Meaty Beaty Big and Bouncy (1971) [1986 MCBBD-37001 Mastered by Steve Hoffman]
Meaty Beaty Big and Bouncy has the distinction of being the first in a long line of Who compilations. It also has the distinction of being the best. Part of the reason why it is so successful is that it has an actual purpose. Meaty was designed as a collection of the group's singles, many of which never appeared on albums. The Who recorded their share of great albums during the '60s, but condensing their highlights to just the singles is an electrifying experience. "The Kids Are Alright" follows "I Can't Explain," "I Can See for Miles" bleeds into "Pictures of Lily" and "My Generation," "Magic Bus" gives way to "Substitute" and "I'm a Boy" -- it's an extraordinary lineup, and each song builds on its predecessor's power. Since it was released prior to Who's Next, it contains none of the group's album rock hits, but that's for the best -- their '60s singles have a kinetic, frenzied power that the louder, harder AOR cuts simply couldn't touch. Also, there is such a distinct change in sound with Who's Next that the two eras don't quite sound right on one greatest-hits collection, as My Generation and Who's Better, Who's Best proved. By concentrating on the early years -- when The Who were fresh and Pete Townshend was developing his own songwriting identity -- Meaty Beaty Big and Bouncy is musically unified and incredibly powerful. This is what The Who sounded like when they were a great band. (Stephen Thomas Erlewine, Allmusic)
The songs are in stereo whenever there was a stereo mix available, otherwise mono.
1. I Can't Explain - mono
2. Kids Are Alright - mono
3. Happy Jack - mono
4. I Can See for Miles - stereo
5. Pictures of Lily - mono
6. My Generation - mono
7. Seeker - stereo
8. Anyway, Anyhow, Anywhere - mono
9. Pinball Wizard - stereo
10. Legal Matter - mono
11. Boris the Spider - stereo
12. Magic Bus - stereo
13. Substitute - mono
14. I'm a Boy - stereo
http://www30.zippyshare.com/v/HLuAhyJU/file.html
INFO
http://www.allmusic.com/album/meaty-beaty-big-and-bouncy-mw0000192428
Thanks Jillem and Gyro. She sounds better today than back then!
Meaty Beaty is a great album, the only thing that kept it from being a classic was that the original vinyl had terrible sound -- thin & lifeless. So if this has been remastered, it's definitely worth a listen -- thanks!
Many thanks for Freda. Nice set.
Chi-Town
Bill, thanks for the Kent comps. Gyro, thanks for Freda P.
Many thanks for Freda Payne.
cheers,ELtel
The greatest WHO collection, mastered by the greatest CD master-mind ever. What a combo. Thanks so very much, G. All good wishes,
Iggythespider
Thanks for Freda Payne!
Ryp Chris you all,
What a feast ....Freda Payne worth waiting years for....
Love your work
Tanx for Boneheads, WONE & Resonars!
I bought a copy of the MBB&B CD the first week I had a CD player. Prior to that I had bought a cassette version of it in 1972. It is a MUST!
Gyro & Jillem
Thanks for re-posting Freda (and on zippy). It seems several other people missed it as well.
I always got who was "Beaty" (Moon) and who was "Bouncy" (Townsend), but who was "Big" and who was "Meaty"?
Hi Gyro, would you have the George Jackson and/or Jimmy Hughes Kent/Ace re-issues? Would much appreciate it. Thx.
Many thanks to Jillem for the Freda Payne.
Post a Comment