The original version of the song reached number four on the Billboard pop charts, number five on the R&B charts, and number one on the Cashbox charts.
In the dance, two lines of dancers, men on one side and women on the other, face each other, moving in place to the music. Each paired couple then steps out and does a more elabarate dance up and down between the rows of dancers.
It was first performed to "C. C. Rider" by Chuck Willis on American Bandstand. Link Wray's "Rumble" were also popular tunes for doing the Stroll.
trax Vol. 3:1. goodbye little star - Kenny Baker 2. heart appeal - Jerry Reed 3. shot down - The Sonics 4. wasting my time - Robert Gordon 5. come back baby - Kenny Owens 6. cool gator shoes - Carl Below 7. little orphan girl - The Belmonts 8. chills and fever - Ronnie Love 9. mary jane - Del Shannon 10. baby work out - Jackie Wilson 11. afraid to take a chance - Dick D'Agostain 12. five feet of lovin' - Freddy Robinson 13. the gorilla - The Ideals 14. the tugboat song - Johnny Mac 15. swamp girl - Tommy Bell 16. louie louie - Richard Berry 17. hushabye my love - Dino & The Diplomats 18. sh boom - The Chords 19. relentless - Eddie Dixon 20. spin out - Elvis Presley 21. hold me baby - The Chords 22. shu bop - Dion Dimucci 23. eyes - The Earls 24. it ain't no good - Jimmy Ellis 25. party kiss - Johnny Fallin 26. looking back - Hot Boogie Chillun 27. she's my honey - Gus Collette 28. you're wrong - Johnny Garmon & The Shadows 29. you'll be my baby - David Gates 30. honey baby - Baby Cortez 31. i'm in love again - The Upsetters 32. ain't misbehavin' - Bill Haley 33. cry myself to sleep - Del Shannon
...served by Gyro1966...
trax Vol. 4:
1. Chop Suey Rock - The Instrumentals 2. Have Love Will Travel - Hot Boogie Chillun 3. I Saw You - The Cadillacs 4. Lovely Lovely - Chubby Checker 5. The Fool - Robert Gordon 6. Teenage Dolly - Dale Hawkins 7. White Bobby Socks - Wally Lewis 8. Secret Love - Bill Reeder 9. Weekend - The Kingsmen 10. Psycho - The Sonics 11. Pink Cadillac - Larry Dowd 12. Hold On Tight - The Javalans 13. Crazy Blues - J.P. Richardson 14. Aint You Got No Lovin - Carl Mann 15. Nine Pound Hammer - Sanford Clark 16. Lets Go - The Routers 17. Big Girls Dont Cry - The Four Seasons 18. Green Onions - Booker T & MG's 19. Real Gone Lover - Smiley Lewis 20. On Revival Day - LaVern Baker 21. Flakey John - Jack Scott 22. Wake Up - The Elegants 23. Marie Marie - Larry Williams 24. Beach Blues - The King Creoles 25. Roughshod - Link Wray 26. Hungry For Love - Johnny Bond 27. Youll Never Know - Emil Ford 28. Move It Baby - Simon Scott 29. Take A Giant Step - The Profiles 30. Queen Of The Hop - Dion & The Belmonts 31. Scorched - Varetta Dillard 32. Its Only Make Believe - Ronnie McDowell 33. Teen Scene - The Hunters
...served by Gyro1966...
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22 comments:
"LUCKY STROLLERS" Vol. 3
...served by Gyro1966...
gitit! no pw
http://www28.zippyshare.com/v/AJ3PPJdx/file.html
"LUCKY STROLLERS" Vol. 4
...served by Gyro1966...
gitit! no pw
http://www28.zippyshare.com/v/y194tvYA/file.html
Thanks to the uploaders for the links to 'New Orleans Gospel', Richard Marks, Tammy Wynette, 'Punk 45' and Bobby Patterson.
BONUS 1 OF 6 @320
Tommy Keene - Laugh in the Dark '15
Not that Tommy Keene has ever been one to rest on his laurels but based on 2015's Laugh in the Dark, the pop singer/songwriter was reinvigorated by the delightful busman's holiday of 2013's covers album Excitement at Your Feet. Keene certainly is trading upon the sound of his eternal inspirations here, diving into a whirlpool of candied harmonies and guitars that ring like bells, but, like always, the key to Laugh in the Dark is how it operates on two levels, delivering a sonic rush but also ten exceptionally sculpted songs. Both the production and the tunes bear the unmistakable stamp of a master craftsman, one whose work has only gotten sharper over the years. Tellingly, Keene never overextends himself on Laugh in the Dark: even when he slides into the modulated psychedelic swirl of the six-minute closer "All Gone Away," it's a purposeful expansion, an elegant conclusion to a tight 36 minutes of guitar pop rooted in the chime of the '60s but never tainted by nostalgia. This sound and sensibility remain a deep well of inspiration for Keene and the remarkable thing about Laugh in the Dark is that it demonstrates how he can still find sonically surprising, emotionally resonant variations on his themes three decades deep into his career. (Stephen Thomas Erlewine, Allmusic)
http://www79.zippyshare.com/v/64wcnfcw/file.html
INFO
http://www.allmusic.com/album/laugh-in-the-dark-mw0002871924
BONUS 2 OF 6 @320
Peter Case - Hwy 62 '15
Depending on which album you pick up, Peter Case can be a hard-edged rocker, a contemplative folkie, or a singer and songwriter with his heart in the blues, and there's a little bit of all three men on 2015's HWY 62, Case's first studio album since 2010's Wig. While HWY 62's arrangements are largely acoustic, this album is quiet like a 3 a.m. jam session, with a low decibel count but plenty of emotional intensity, and Case's vocals are all subtle fire on these sessions, passionate and with plenty to say even when he whispers. HWY 62 also finds Case with plenty on his mind about American life in the 21st century, and this album is full of tales of justice denied, from the tales of the American prison complex on "Pelican Bay" and one man's struggles against the judicial system on "All Dressed Up (For Trial)," to the stacked deck of income inequality of "Water from a Stone" and "Evicted," and Case is canny enough to sound fully committed without seeming like he's one more ranting protest singer. In his songs, Case makes his characters sound flawed but human, and he's more a vivid storyteller than someone mounting a soapbox, a guy who understands the ups and downs of human nature but has a hard time with needless cruelty even as he's trying to forgive. (His songs about love and various unusual folks he's encountered in his travels connect solidly, too.) Case and his producer Sheldon Gomberg have assembled a great band for these sessions, featuring Ben Harper on lead and slide guitar, David Carpenter on bass, and D.J. Bonebrake on the drums, and they give the music a rich, smoky feel that suits this material beautifully. And whoever persuaded Case to cover Bob Dylan's "Long Time Gone" deserves a free lunch with a large order of fries. HWY 62 finds Peter Case rockin' the blues a little bit and singing with serious heart, soul, and wisdom all the time, and nearly three decades into his solo career he remains one of our best and most compelling singer/songwriters, with this album as proof. (Mark Deming, Allmusic)
http://www89.zippyshare.com/v/A4zlShIa/file.html
INFO
http://www.allmusic.com/album/hwy-62-mw0002882636
BONUS 3 OF 6 @320
Leon Russell-Hank Wilson's Back! '73
Leon Russell knows something about country music. Born in Oklahoma, virtually all of the country and blues made their way through Tulsa along with Bob Wills & His Texas Playboys. And while Russell is known primarily as a rock & roll performer, that doesn't mean jack. The 14 songs here offer a glimpse of where Russell's heart really lies. All classic country and bluegrass tunes, Hank Wilson's Back features Russell and a few dozen of his closest friends from both L.A. and Nashville tearing up the classics. With everyone from Melba Montgomery, Billy Byrd, Johnny Gimble, Bob Moore, Weldon Myrick, and Pete Drake to Carl Radle, David Briggs, Charlie McCoy, and fellow Okie J.J. Cale, Russell in his alter ego runs through standards such as Lester Flatt's "Rollin' in My Sweet Baby's Arms," Hank Williams' "I'm So Lonesome I Could Cry" and "Jambalaya," Bill Monroe's "Uncle Pen," Hank Thompson's "Six Pack to Go," Leon Payne's "Lost Highway," George Jones' "The Window up Above," Jimmie Driftwood's "The Battle of New Orleans," and as a closer, Leadbelly's "Goodnight Irene". This is no idle affair. Russell's reads of these classic songs from the country and bluegrass canon are played with fire, verve, and reverence, and he uses every trick in the book to get at the bottom of their meaning, allowing his voice to do things it never did before or since this recording. The playing is well rehearsed and stellar, and since it is played straight, the arrangements are minimal, making Cale's production job that much easier. Hank Wilson's Back is raw, immediate, and full of the kind of drunken passion that only someone who loves the country music tradition could execute. Highly recommended. (Thom Jurek, Allmusic)
http://www30.zippyshare.com/v/xnGO5TYM/file.html
INFO
http://www.allmusic.com/album/hank-wilsons-back!-mw0000207368
BONUS 4 OF 6 @320
Lead Belly - King of the 12-String Guitar (1935)
Although Huddie Ledbetter had recorded for the Library of Congress while still in jail in 1933, King of the 12-String Guitar contains some of the music from his earliest commercial recording date, only five months after getting out of prison for the second (and final) time. The majority of the material (other than the first four numbers) consists of alternate takes and previously unissued performances, although some of the numbers were formerly out on LPs by Folkways or Biograph. The music (ranging from blues to folk music) is highly recommended both to veteran collectors (who otherwise probably do not have most of these cuts) and to those just discovering the legendary and unique musician. Forty-six at the time, Leadbelly's powerful voice and his work on 12-string guitar are consistently memorable. (Scott Yanow, Allmusic)
http://www64.zippyshare.com/v/vzShE8co/file.html
ART
http://www64.zippyshare.com/v/S49QIt05/file.html
INFO
http://www.allmusic.com/album/king-of-the-12-string-guitar-mw0000675579
BONUS 5 OF 6 @320
Punk 45: Burn Rubber City, Burn! Akron, Ohio - Punk And The Decline Of The Mid-West 1975-80 (2015)
n the '70s, Ohio in general and Cleveland in particular were often used as a pop culture punch line, with comics making fun of the land of the burning river as the industrial Midwest began the long, slow decline that would reach critical mass a few decades down the line. However, unknown to many at the time, Ohio was home to one of the most fruitful underground rock scenes in the United States, and while the story of Cleveland's impressive proto-punk era (centered around Rocket from the Tombs and their many allies and offshoots) has been well documented over the passage of time, the less celebrated Akron area had nearly as many worthy bands. Burn Rubber City, Burn! Akron, Ohio: Punk and the Decline of the Mid-West 1975-80 is an installment in Soul Jazz Records' Punk 45 series, collecting rare sides from the explosion of indie singles that emerged with the rise of punk and new wave, and it offers ample evidence of how many great, off-kilter groups flourished in the Rubber City in the second half of the '70s. Nearly all of the bands on Burn Rubber City, Burn! were clearly new wave rather than punk (with the notable exception of the Rubber City Rebels), and this was a community where the musicians were not afraid to be arty; thankfully, their art was generally unpretentious, and what's refreshing about Burn Rubber City, Burn! is that most of these bands weren't looking for a riot of their own, but an opportunity to let their freak flags fly in a way that had nothing to do with post-hippie rock culture, and there's a freedom and eclecticism in these 18 sides that most compilations of new music from this era lack. In short, if you're looking for raw energy and downstroked guitar, Burn Rubber City, Burn! is not your cup of poison, but the deadpan dance grooves of the Waitresses' first recordings, the crude but intelligent electronic constructs of Devo's primitive sides, the playful angularities of the vaguely Zappa-esque Tin Huey and the Bizarros, the blues-shot explorations of 15-60-75 (The Numbers Band), the smart kid's pop of Jane Aire & the Belvederes, and the bitter collegiate polyrhythms of Chi-Pig make it clear Akron's bohemians had plenty to keep them busy on weekends; this disc summarizes a fascinating time and place in the growth of alternative rock, and though not everything here is brilliant, all of it is fascinating, and this is an unexpectedly rewarding issue in the Punk 45 series. (Mark Deming, Allmusic)
http://www9.zippyshare.com/v/oO94qPRB/file.html
INFO
http://www.allmusic.com/album/punk-45-burn-rubber-city-burn!-akron-ohio-punk-and-the-decline-of-the-mid-west-1975-80-mw0002805666
BONUS 6 OF 6 @320
Buddy Emmons - Steel Guitar Jazz '63
Buddy Emmons wasn't the first musician to be featured playing a pedal steel guitar in a jazz setting, but it is unlikely that anyone else recorded an entire date playing one prior to this 1963 session. Although both he and the instrument are indelibly associated with country music, Emmons makes it work for several reasons. He's surrounded by some top players, including Bobby Scott, Jerome Richardson, Art Davis, and Charlie Persip; he also interacts with the band rather than overdoing the special effects available to him, especially the horn-like sounds obtained from his use of the slide. Emmons also chose an intriguing mix of material. Obvious highlights are the loping treatment of "Where or When," featuring Richardson's delicious soprano sax trading off with the leader, and Emmons' hot playing of "(Back Home Again In) Indiana." Equally rewarding are the jazz classics: Ray Brown's soulful "Gravy Waltz," an intricate romp through Sonny Rollins' "Oleo," and Horace Silver's toe-tapping "The Preacher." This was pretty much a one-time affair for Emmons, who returned to country music, though he did record some additional jazz with guitarist Lenny Breau during the 1970s. Although the instrument never really caught on in jazz, this highly recommended album, which was finally reissued on CD in 2003, is well worth checking out. (Allmusic)
http://www78.zippyshare.com/v/6C7XcAym/file.html
INFO
http://www.allmusic.com/album/steel-guitar-jazz-mw0000593706
In case these were missed the first time around:
Joe South – A Look Inside (1972) vinyl @320
http://www.discogs.com/Joe-South-A-Look-Inside/release/7632710
Joe South – So The Seeds Are Growing (1971) Vinyl @320
http://www.discogs.com/Joe-South-So-The-Seeds-Are-Growing/release/2045460
Joe South And The Believers – Backfield In Motion/I'll come Back To You 7" 45 (1966) Vinyl @320
http://www.discogs.com/Joe-South-And-The-Believers-Backfield-In-Motion/release/2804027
All in one zip file
http://www36.zippyshare.com/v/ae8eDDIu/file.html
Joe South – Joe South (1971) Vinyl @320
http://www.discogs.com/Joe-South-Joe-South/release/2049281
Joe South – Midnight Rainbows (1975) Vinyl @320
http://www.discogs.com/Joe-South-Midnight-Rainbows/release/2049309
Both in one zip file
http://www15.zippyshare.com/v/q1YK2HQH/file.html
Sir Douglas Quintet - Soul Jam (2000) CD @320
http://www.allmusic.com/album/soul-jam-mw0000606652
http://www17.zippyshare.com/v/wmMiMSG2/file.html
R.B. Greaves – R.B. Greaves (1969) Vinyl @320
http://www.discogs.com/RB-Greaves-RB-Greaves/release/1376525
http://www71.zippyshare.com/v/haNHrv3A/file.html
Texas Tornados – Texas Tornados (1990) CD @320
http://www.discogs.com/Texas-Tornados-Texas-Tornados/release/3163658
http://www71.zippyshare.com/v/82nQnueF/file.html
Not to be a stick-in-the-mud, but didn't Steve Allen write "Gravy Waltz"?
Many thanks Gyro for the Keene & Case.
LP 006 - On The Soul Side
http://www18.zippyshare.com/v/x1YMTqcQ/file.html
thank you so much
from a man without name
griitinss from south portugal
grass per tutti
and dont interrupt the sorrow
publish or perish is the name of a north-american maths and/or science books editorial (they publish in the 80's and 90's of the twenty century, i dont knoe if today they follow doing).
i leave comments..
but nobody publish this comments.
should i perish? or should i not?
One of HD's crashed. Although I have backups, it may take some time to get the Small Faces as requested yesterday. I have backups, but ....
Meanwhile, these were already uploaded:
Steve Wynn (The Baseball Project)
The Baseball Project 3rd
http://www76.zippyshare.com/v/FYPOgzku/file.html
The Baseball Project Volume 1
http://www76.zippyshare.com/v/qPl0krXb/file.html
The Baseball Project Volume 2
http://www76.zippyshare.com/v/f3QoLXXj/file.html
Teenage Fanclub
Everything Flows (Single)
http://www76.zippyshare.com/v/4g58WOWs/file.html
Four Thousand Seven Hundred And Sixty Six Seconds
http://www76.zippyshare.com/v/WNUhx1EY/file.html
Free Again (Single)
http://www76.zippyshare.com/v/9SGLFDDW/file.html
Pingw
Thanks for posting this Ace album but I must point out that 96 kpbs is a very low rate and not really good for music files. Works fine for spoken records but is a bit too low for music. If you ripped this yourself, check your settings.
Thanks for the feedback, lemonflag. I did not rip the LP 006 files myself. Would you prefer if I did not upload mp3 files with a bit rate of 96 kBps or less? What do other T/Zers think?
Pingw - my opinion is that 96 stereo is no longer acceptable for music. Please adjust your settings and try to at least offer 192 at this point, with 320 as the ideal - unless you are very ambitious and prefer Flac files. Otherwise, in my opinion 96 is not worth it, I delete anything that low.
Pingw and anyone else here - just follow along to what we do here for shares and keep your shares in a similar way. Don't try to reinvent a new way of doing something - this is about keeping things uniform with files - tag music properly like we do, use 192 or above if you can help it. That way your files are useful.
Tanx for more Punk 45:'s These are very cool comps. Does anyone know if vol. 2 was ever posted here and the date if it was?
Tanx again.
Thanks for the Tommy Keene and Peter Case. Two artists who don't get their due respect.
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