Psychedelic Archaeology is a series developed to unearth garage & psychedelic rock audio gems from the 60's that have never been reissued since their original release. This series is a group effort specifically designed for distribution to U-SPACES members through trade.
trax:
1. Think Of Your Love - The Raves 2. Little Boy Sad - The Tidal Waves 3. She's So Far Out She's In - The Power Plant 4. There Is No Reason - The Sound 70 5. Yellow Horses - The Magic Ring 6. Ain't Gonna Cry Anymore - Roosters 7. For You - The Fanatics 8. I'm Lovin' You - The Decades 9. Ask Yourself Why - The Sapiens 10. Run, Hide, Get Away - The Dead Or Alive 11. Blue Blue Feeling - Dr. T. & The Undertakers 12. Woman - The Fanatics 13. Why Did You Leave Me? - The Four Speeds 14. Itchin' In My Heart - The Heard 15. Ghost Guitars - Baron Daemon & The Vampires 16. So Glad Was I - The Baroque Brothers 17. Love Ain't Makin' It No More - The Sapiens 18. One Of A Kind Woman - The Dickens 19. Good Men - The Fanatics 20. They Say You Lie - The Missing Links 21. The Fugitive - The Fugitives 22. Thinking Of You - The Decades 23. When It's Over - The Avengers 24. Richard Corey - The Chicago Loop 25. Turn Out The Light - The Creatures 26. Bears - The Fastest Group Alive 27. Miguel The Organ Grinder - The Tempests
...served by Gyro1966...
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17 comments:
"Psychedelic Archaeology" Vol. 10
...served by Gyro1966...
gitit! no pw
http://www1.zippyshare.com/v/dXTzTom6/file.html
Some more bonus but more have to wait until next week:
David Munyon
Poet Wind
http://www3.zippyshare.com/v/Co628R3w/file.html
Fred Eaglesmith
Dusty
http://www29.zippyshare.com/v/CIk3BcqH/file.html
David Olney
Roses
http://www29.zippyshare.com/v/kc6IdrIW/file.html
True Blues
http://www29.zippyshare.com/v/geFfKUHP/file.html
01 - Hoochie Coochie Man - Guy Davis, Corey Harris, Alvin Youngblood Hart & Phil Wiggins
02 - Motherless Children Have A Hard Time - Alvin Youngblood Hart
03 - Everybody Got To Change Sometimes - Corey Harris
04 - Done Changed My Way Of Living - Taj Mahal
05 - Saturday Blues - Guy Davis
06 - Bring Your Fine Self Home - Shemekia Copeland
07 - Roberta - Phil Wiggins & Alvin Youngblood Hart
08 - C.C. Pill Blues - Corey Harris
09 - Prayers And Praises - Phil Wiggins
10 - Gallows Pole - Alvin Youngblood Hart
11 - That's No Way To Get Along - Guy Davis
12 - Mailbox Blues - Taj Mahal
13 - Ramblin' On My Mind - Shemekia Copeland, Corey Harris, Alvin Youngblood Hart & Phil Wiggins
BONUS 1 OF 6
THE WHO - The Who Sell Out '67 (Deluxe Edition '09) @320
The collection contains both the original stereo and mono mixes of the album. This is not a repackage of the 1995 release even though a lot of the extras that appeared there are here but in a different mix. The mono mix might be of more interest for fans since it has not been available in the U.S. since 1967. There are subtle nuances in the mix overall, the music and the commercial jingles meld more seamlessly than its stereo counterpoint in such a way that it does feel like your listening to a pirate radio station. On "Our Love Was" the solo guitar break is completely different than the stereo version.
The stereo mix is a re-mastered version of the original Kit Lambert mix from 1967 so any embellishments that John Astley did in 1995 are now gone. In addition "Rael" is also presented with its original mix as well as a re-recorded version on disc one. Apparently, the original tape was thrown in the trash and a nasty edit had to be made in the songs first line. This track was re-stored by John Astley on the "Maximum R&B" box set and on the 1995 re-issue.
Another bonus is more of the PAMS jingles that were intended for the rest of the album in-between the extra tracks. There are also early mixes of other tracks as well as a few hidden ones so this pretty much surpasses the 1995 edition especially if you were not a fan of the work John Astley did in cleaning up the recording.
This has to be one of The Who's best albums pre-Tommy and probably the last when they actually used a lot of those great vocal harmonies. Finally, a great re-issue of a great album. Oh, as a bonus there is a small re-print of the original poster that originally came with the album. (Crawdaddy)
CD1
http://www4.zippyshare.com/v/aINk0605/file.html
CD2
http://www4.zippyshare.com/v/eAFe64Bj/file.html
SCANS
http://www4.zippyshare.com/v/Q7IaqKtc/file.html
INFO
http://www.amazon.com/The-Who-Sell-Deluxe-Edition/dp/B001QBC4AG
BONUS 2 OF 6
BARNA HOWARD - Quite a Feelin' '15 @320
These are mature, timeless songs, with strains of Kris Kristofferson, Townes Van Zandt and John Prine, that could've been hauled out of any of the past six decades. --The Guardian
Stepping into Barna Howard‘s world is akin to travelling back in time to the days when John Hartford was writing hit pop songs and Bob Dylan was mellowing his mind thinking of Nashville skylines. There’s an unabashed late sixties/early seventies patina throughout his second album, Quite a Feelin‘ which in addition to the above also recalls John Prine, Kris Kristofferson and a host of other denim clad troubadours who straddled the worlds of folk and country back then. The music is laid back, acoustic guitars, mandolin, Dobro, banjo and occasional pedal steel predominate over a sturdy but unobtrusive bass line. Howard’s voice is excellent, a slight honeyed twang that marks his Missouri origins, it pours smoothly over the songs giving the album a nice warm ring. To cap it allthe songs are, for the most part, miniature gems, melodically surefooted with lyrics that capture small town and country life with a gimlet eye.
There are several songs here that can stand tall next to those of Prine or Kristofferson’s prime years. “Rooster Still Crows” is a litany of sorrowful vignettes, a suicide note that still hurts, a heart attack victim and a widow’s decline, delivered with a melancholic beauty while “Hands Like Gloves” is a bruised portrait of a victim of domestic violence hiding behind a door with her pills and alcohol. “Notches On a Frame” is an excellent meditation on the fleetingness of childhood and nostalgia for youthful days also features in “Then and There,” a wistful series of recollections of growing up ranging from the kid running around backyards to the teenager’s first kiss. “Indiana Rose,” which opens the album, is another tale stuffed with memories as the singer recalls happier times with the aid of a song from a jukebox.
The music here is Nashville pop as on Gentle On My Mind, breezy and rippling, joyous and infectious. Finally, the title song is a fine mix of Hartford like melody and earlier sixties songwriters. It’s more sinewy than the other songs and the guitar breaks are reminiscent of those provided by Bruce Langhorne for Dylan. Overall Howard easily overcomes his undoubted indebtedness to his forebears as his songs all shine with their own lustre. Quite A Feelin’ has the feel of a classic album which deserves to be heard far and wide.. (Record Runner)
http://www34.zippyshare.com/v/4FQjiag3/file.html
INFO
http://www.thelineofbestfit.com/new-music/album-stream/stream-barna-howard-quite-a-feelin
http://www.amazon.com/Quite-A-Feelin-Barna-Howard/dp/B00WAGLEH0
BONUS 3 OF 6
ANITA O’DAY with Gene Krupa - Let Me Off Uptown: The Best Of Anita O'Day (1941) ’99 @320
If Gene Krupa's band needed a signature tune during Anita O'Day's tenure with the group, it was "Kick It!," track 11 of this collection, which includes her exhortation to "keep the rhythm moving." The 18 songs on this CD come primarily from O'Day's first stint with the band, when she was frequently paired with singer-trumpeter Roy Eldridge in one of the great ensembles of the last great years of the big band era. This collection starts with the name-dropping "Opus One" from her second stint with Krupa in 1945, which showed no slackening of her ability to twist a song with the best players. The earlier numbers, pairing her with Eldridge, are even better. In particular, "Thanks for the Boogie Ride" was the basis for a hot little soundie (which Columbia ought to find a way to re-release) featuring the two of them. "Barrelhouse Bessie From Basin Street" also features a duet between the two as well as Krupa in a featured spot that isn't played fast for a change. O'Day could also sound just plain sultry, as on her rendition of "Georgia on My Mind" from her earliest session with Krupa. This CD slots in perfectly as the complement to Columbia's earlier Drum Boogie CD, which covers the Krupa band's work during 1940 and early 1941. Let Me Off Uptown picks up where Drum Boogie leaves off, basically distilling the best cuts from Columbia's earlier Krupa double LP, processing them with a good amount of care to provide a level of fidelity that is a genuine pleasure to hear. (Bruce Eder, Allmusic)
This is big band jazz/swing with vocals, and most of the selections were recorded in 1941, half-a-year before Pearl Harbor changed the destinies of all the players, all the audiences. These are O'Day's first recordings, and her star power is evident from her first verses. She started 61 years ago, and still sings occasionally in Los Angeles. Amazing. Gene Krupa was a good bandleader in addition to being a wild drummer. His orchestra has some great players, especially Roy Eldrige on trumpet. If you could only afford one CD in your collection to represent the pre-war big band sound, this would not be a bad choice. I only knew of four of the 18 songs in advance, but frankly, all of them are good listening. I am not a dancer, but this CD makes me want to dance; I am not a singer, but it makes me wish I could; I don't play an instrument, but this CD reminds me to regret it. Whether you approach big band music as a serious fan, or with a campy attitude, you cannot help but have fun when you give Anita, Gene, Roy and their cohorts 53 minutes to serenade you. (Record Runner)
http://www4.zippyshare.com/v/uay2Uimw/file.html
INFO
http://www.allmusic.com/album/let-me-off-uptown-the-best-of-anita-oday-mw0000241234
http://www.amazon.com/Let-Me-Off-Uptown-Anita/dp/B0013AT3M2
Thanks to Psyclist for True Blues!
Gyro,thank for,The Who and Anita O'Day....as always thank you for your work and ear.
For the Psychedelic Archaeology series, many thanks.
Thank you very much for the Psychedelic Archaeology sets...really enjoying them with plenty of goodies.....very much obliged...cheers.
Gyro, I have to thank you again for Psychedelic Archaeology. That appeals to the nostalgic aging hippie in me in a big way. All year long you have been treating us to a 60s encyclopedia of Rock'n'Roll. From Teenage Shutdown to Fading Yellow to The Light Show, to Psychedelic Archaeology, with stops along the way for Desperate Rock'n'Roll and all those label comps. And I'm leaving out a bunch but I've got them all.
My son plays keyboard in a band but it's difficult to get him to even listen to this music let alone appreciate it. Because I loved my father's music so much I always figured he should love mine. But time and music continue onward and that's called progress, isn't it?
Thank you Gyro for all The Who Deluxe Editions,
Psychedelic Archaeology and all the beactiful series
you and other contributors share with the rest of us
Johnny Diego I agree with you all the way, time and music
just keep to continue and we are (still) part of it.
Manos
Psych in most all forms [but not the long freakout fuzzy jammy type] is my preferred genre so I can't thank you enough for these offerings. I was on a borrowed unit for many of the present series and have limitetd space on my ancient XP here! Can any recommend most fave #s :)
I did get 4 and found that v. strong.
+ Thanks for the SELL OUT which is my favest WHO album
PS to JD: Better sik the Brain Police on that kid! what's his prob.? -hopefuly not under the influence of false drugs, aha
Thanks
JD I agree with you, my son is a Metallica fan. Where did I go wrong?
This is so great! I wish the Psychedelic Archeology series could go on forever. Anything more from U-Space coming?
Tanx again!
to lemonflag - hopefully when he gets older he will outgrow Metallica, my son did, neither of my sons prefer my faves but I can tolerate what they listen to at least, uusally electronic for one & folk rock, i.e. mumford & sons, dropkick murphys, gaslight anthems for the other.
Thank you for sharing all these goodies!!!!!
Cheers from hot as hell Athens Greece!!!
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