trax disc 9:
1. I Fought The Law - The Crickets 2. Chicken Hearted - Roy Orbison 3. Wild Little Willie - Ronnie Hawkins & The Hawks 4. When The Saints Go Marching In - Jerry Lee Lewis 5. Rock-a-Bop-a-Lena - Billy & Don Hart 6. There´s Good Rockin´ Tonight - Ricky Nelson 7. I Can´t Find The Doorknop - Jimmy And Johnny 8. Cut Across Shorty - Eddie Cochran 9. Slippin´ And Slidin´ - Little Richard 10. Go Wild Little Sadie - Jack Scott 11. Rebound - Ray Smith 12. Lil´ Liza Jane - Fats Domino 13. Bigelow 6-200 - Brenda Lee 14. Jennie Lee - Jan & Arnie 15. Hey Little Girl - Thurston Harris 16. Beautiful Delilah - Chuck Berry 17. Bim Bam - Don & Dewey 18. One Of These Days - Ronnie Hawkins & The Hawks 19. Good Deal Lucille - Jack Scott 20. Wear My Ring Around Your Neck - Elvis Presley
trax disc 10:
1. Ready Teddy - Little Richard 2. Shirley Lee - Ricky Nelson 3. Bop-Ting-A-Ling - LaVern Baker 4. Break Up - Jerry Lee Lewis 5. Twistin´ USA - Chubby Checker 6. Dancin´ Wild - Tom & Jerry (Simon & Garfunkel) 7. Little Queenie - Chuck Berry 8. When My Dreamboat Comes Home - Fats Domino 9. Three Steps To Heaven - Eddie Cochran 10. Lucille - The Everly Brothers 11. Jambalaya - Brenda Lee 12. Geraldine - Jack Scott 13. Whatcha Gonna Do - Ronnie Hawkins & The Hawks 14. You´re My Baby - Roy Orbison 15. Full-Grown Cat - The McCoys 16. Hard Headed Woman - Elvis Presley 17. Back In The USA - Chuck Berry 18. Wild Wild Young Men - Ruth Brown 19. Vive Le Rock And Roll - Bill Haley & His Comets 20. Why Why - Bye Bye - Bob Luman
...served by Gyro1966...
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18 comments:
"JIVIN’ 50’s" cd 9 + cd 10
...served by Gyro1966...
gitit! no pw
CD9
http://www1.zippyshare.com/v/twZVR51T/file.html
CD10
http://www1.zippyshare.com/v/oMDmzqsu/file.html
I recently listened to Mambo 55, and then I had to go back and grab the other 54. Thanks!
Thanks for the jivers and everything else.
BONUS 4 OF 7
KID RAMOS - Greasy Kid Stuff '01 @320
For his fourth solo release, and third on the Evidence label, the Fabulous Thunderbirds' guitarist, Kid Ramos, once again calls in some high-profile blues friends for assistance. Instead of last album's guitarists and jump blues horns, this time Ramos sticks with harpists/vocalists to provide the momentum on a set of relatively stripped-down, greasy blues. He's also the only guitarist on the sessions, which makes this a spotlight for his picking as well as his bandleading abilities. Harmonica aces Rick Estrin (Little Charlie & the Nightcats), Paul de Lay, Lynwood Slim, Johnny Dyer, James Harman (who only plays on one of his three tracks and sings on the others), and Charlie Musselwhite, along with Rod Piazza, all contribute. The leadoff title cut, an instrumental that sounds like it was left over from his last horn-infused West Coast album, is the one exception. The sessions were cut in two days, which gives them a raw, not quite primal edge that adds to the gritty nature of the recording. Although the original intent was to perform exclusively covers, nearly all the harp-playing guests brought in their own original material. Just a handful of interpretations remain: Willie Dixon's "I Don't Care Who Knows"; an obscure Lightnin' Slim track, "Mean Ol' Lonesome Train"; an old uncredited Excello side, "Rich Man's Woman"; and Bobby Blue Bland's "Hold Me Tenderly." It sure sounds like this was one big part, as each guest plays with a relaxed gusto, whipping off harp lines with nonchalant intensity. Ramos' tough yet flexible guitar fills the holes and takes the lead just often enough so the listener knows whose album it is. Otherwise he's content to leave the majority of the spotlight to his high-profile guests, who turn in sterling performances. While few of their original tunes sound drastically different from standard blues fare, the ensemble playing and electrified atmosphere adds a palpable excitement to the tracks. The various vocals also infuse a diverse feel to the album, with Ramos' guitar and presence being the thread that holds it together. The closing "Harmonica Hangover" features Estrin and Musselwhite on what seems to be an improvised duet, with both harp men discussing the proceedings and other guests, as well as trading licks on an appropriately upbeat shuffle. It's a fitting finale to an album that works because of the loosely structured environment that Ramos provides, meshed with the remarkable talents of his talented contributors. (Allmusic)
http://www54.zippyshare.com/v/p7CPxoiO/file.html
art
http://www54.zippyshare.com/v/7l3JkuA9/file.html
INFO
http://www.allmusic.com/album/greasy-kid-stuff-mw0000015032
BONUS 5 OF 7
SONNY LANDRETH - Bound By The Blues '15 @320
Sonny may well be the best living slide guitarist. He certainly is the most distinctive, as is his playing style. (NPR)
The last time Sonny Landreth released a stripped-down blues trio date recorded in a studio was 2003's The Road We're On in 2003, and his previous album to this was 2012's maximal Elemental Journey, which ranged over blues, jazz, zydeco, and reggae and had ambitious arrangements that included everything from steel drums to strings and winds. Bound by the Blues features his longstanding group (bassist David Ranson and drummer Brian Brignac) and was recorded at his Comoland Studio in Lafayette, Louisiana. It was co-produced by Landreth and Tony Daigle, and includes originals and standards, vocal tunes and instrumental workouts. A raucous version of Robert Johnson's "Walking Blues" opens it with blazing slide guitar. Courtesy of Daigle, it has an enormous (but natural-sounding) drum mix and offers a killer bridge. Landreth reprises Johnson's "Dust My Broom" later and recombines Elmore James' version with hard-strutting Chicago bravado and a Hendrixian flourish. Speaking of James, his "It Hurts Me Too" is also here; it has a roiling, midtempo churn with Landreth's guitar playing extended by his soulful vocals. The title track is an original, with the guitarist on an acoustic National Steel with his electric, bumping, almost funky bassline and martial snare shuffle adding balance and illustrating the Como style. On "The High Side," he offers an excellent modern take on the country-blues. The instrumental "Firebird Blues" is dedicated to the memory of Johnny Winter. Landreth evokes the late guitarist's slow, wrangling, Delta-cum-Texas style in scorching form. But there's a surprise in the bassline which is mixed like a tuba at a New Orleans funeral march. Landreth's version of Skip James' "Cherry Ball Blues," with its strident pace and distorted, wrangling solo, offers an entirely new interpretation. On Big Bill Broonzy's "Key to the Highway," Landreth simultaneously pays tribute to Buddy Guy and Jimmy Reed. "Simcoe Street" is another original instrumental, this time a choogling boogie made for the roadhouse dancefloor. Bound by the Blues is certainly a welcome return for the guitarist and his trio doing what they do best, and well worth the wait. Here, Landreth reaffirms his commitment to the blues as a free-spirited and still vibrant creative form. (Tom Jurek, Allmusic)
http://www67.zippyshare.com/v/Lt6zKsD1/file.html
INFO
http://www.allmusic.com/album/bound-by-the-blues-mw0002842205
http://www.amazon.com/Bound-The-Blues-Sonny-Landreth/dp/B00W2UYPHU
BONUS 6 OF 7
LUKE JONES -The Complete Recordings 1946-1949 (Blue Moon BMCD 6012) @320
22 tracks from 1946-49 by Los Angeles alto sax player Jones with various bands including vocals by Red Mack, George Vann and Clarence Williams
1. Going Down Slow 2. I´M Feeling Low Down 3. What You Bet 4. Four Or Five Times 5. Graveyard Blues 6. Worryin Anyhow Blues 7. Jump The Boogie 8. Schufflin Boogie 9. I Love You Love Me Too 10. Ditch Diggin Daddy 11. She´s My Baby 12. Midnight Blues 13. Boogiology 14. Disc Jockey Blues 15. Me Love 16. Say Hello To Miss Brown 17. Why Do I Get Those Blues 18. Take The U Car 19. Rompin The Boogie 20. Worried Life Blues 21. Jump Me Some Boogie 22. Mama Oh Mama
http://www95.zippyshare.com/v/3pBw8502/file.html
info
http://www.amazon.co.uk/Complete-Recordings-1946-1949-Luke-Jones/dp/B000024XBQ
http://www.bluebeatmusic.com/product_info.php?products_id=7956
BONUS 7 OF 7
J. ASLING - Roots & Friends: The Stockholm Sessions (Feat. Sven Zetterberg) '15 @320
Bluesy vocalist and guitar man J. Åsling from the steamy south of Sweden unleashes a groove-infested collection of rootsy blues originals with his brand new knock-out band. All cuts were recorded in two days in Stockholm with very little rehearsal and post-production, resulting in the spontaneous feel of these hard-swinging "Stockholm Sessions", a crazy mix of blues, swamp and soul. Spectacular!
http://www72.zippyshare.com/v/CHrLuoo6/file.html
INFO
http://www.cdbaby.com/cd/jaslingrootsfriends
Gyro,thank you for sharing,""JIVIN’50’s" 1-10,...great compilation.
Thanx For The Jivin' Set,Nice Compilation
Cheers
Tel
Many thanks for the "JIVIN’50’s" 1-10 set. Good stuff.
I am amazed at the wealth of music here. The 320kbps format is great.
Thanks Gyro
Thanks
Thank you Gyro for the Luke Jones post. The Dr Sausage & his Porkchops tracks are also very cool, and what a name for a band!
Ralph11
Me again Gyro. On the Luke Jones post, I went on net to identify the Dr Sausage cuts and found out that they were cuts 23 to 26, which were not included in the file. Is there a possibility of getting these.
Ralph11
Tanx again. Luke Jones loox interesting to me!
Thank You for the "Jivin' 50's" series, and for all the rest as well.
You have put a lot of hard work in this place and it's appreciated.
Thanks, much appreciated for the jivin'50' (1-10), Jimmy
Many thanks for Albums 1-10 in this brilliant set of Jivin' tracks! And many thanks for all the hard work you put into this great site!
:) :) :) :)
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