Stoney Edwards is probably the best hardcore country singer of the '70s that never got the attention he deserved. He never had a big hit -- two songs, "She's My Rock" and "Mississippi You're on My Mind," peaked at 20 and he never got any higher than that -- and after releasing four albums in five years, he was dropped by Capitol Nashville, with his recordings remaining out of print until Razor & Tie released this 20-track retrospective in 1998. Even this reissue didn't get the attention it deserved and was discontinued less than three years after its release, once again consigning Edwards to the status of a cult item among serious country fans, when he deserves much more. Why was it so difficult for Edwards to be heard? Most answers would likely say that it was because he was a black country singer, but Charley Pride was a fixture at the top of the country charts throughout Stoney's time on Capitol (indeed, his success was a significant factor in the label's decision to sign Edwards). Surely his race was likely a factor in his lack of success, but it's also true that he simply was not singing music that was fashionable at the time. Edwards was a pure country singer, in the vein of Lefty Frizzell and Merle Haggard, and his music was firmly in the hardcore honky tonk tradition, which was not exactly burning up the charts in the early '70s. Ironically, he didn't always stick to the tried-and-true honky tonk themes of drinking, cheating, love, and loss; he certainly sang his fair share of those songs, but he often sang about the pains of poverty, growing up country, trying to find work, and thinking about leaving his family behind. It was a sharp mix of expertly chosen covers and wonderful originals that revealed Edwards was as strong and imaginative a writer as he was a singer. Also, his productions and performances subtly stretched the boundaries of his beloved honky tonk, as he injected hints of the blues to his phrasing while the music occasionally flirted with modern and traditional folk. It was a rich blend and it has weathered the test of time, standing as some of the best hardcore country cut in the '70s, regardless of its status on the charts. It's the kind of music any true country lover will treasure, so even if it is difficult to find, it's worth seeking out because it's music that gets better with each listen. Sure, it would be nice to have actual albums on CD released eventually, but Poor Folks Stick Together: The Best of Stoney Edwards is such a perfectly assembled collection -- containing all of his modest hits, terrific album tracks, and even the previously unreleased "Jimmie Rodgers Blues" -- that after listening to it, it's hard to imagine that Edwards isn't better known. Too bad it's so hard to find. (Stephen Thomas Erlewine, Allmusic)
trax:
01 A Two Dollar Toy 02 Poor Folks Stick Together 03 The Cute Little Waitress 04 Odd-Job Dollar-Bill Man 05 The Fishin' Song 06 I Bought The Shoes That Just Walked Out On Me 07 Good To Have You Home 08 Mama's Old Quilt 09 Don't Be Angry 10 You Can't Call Yourself Country 11 She's My Rock 12 I Won't Make It Through The Day 13 Hank And Lefty Raised MMy Country Soul 14 Honky Tonk Heaven 15 I Spent A Week There Last Night 16 Jimmie Rodgers Blues 17 Jeweldene Turner (The World Needs To Hear You Sing) 18 Mississippi You're On My Mind 19 Head Bootlegger Man 20 Blackbird (Hold Your Head High)
...served by Gyro1966...

27 comments:
STONEY EDWARDS "Poor Folks Stick Together"
...served by Gyro1966...
gitit! no pw
http://www15.zippyshare.com/v/HSzugvta/file.html
SPACEMEN 3 - THE PERFECT PRESCRIPTION
Taang! Records 1987 (1996 Reissue w/ Additional Tracks)
http://www55.zippyshare.com/v/7qYwH6pA/file.html
Info: http://en.wikipedia.org/wiki/Spacemen_3
Drawing together some earlier material and a slew of new songs, Spacemen 3 tied everything together on the brilliant Perfect Prescription, the clear point of departure from tribute to psych inspirations and finding its own unique voice. Planned as a concept album, Perfect Prescription works where so many other similar efforts failed due to the strength of the individual songs, as well as the smart focus of the concept in question -- a vision of a drug trip from inception to its blasted conclusion, highs and lows fully intact. The bookending of the album makes that much clear -- "Take Me to the Other Side" is a brash, exultant charge into the joys of the experience, a sharp, tight performance. "Call the Doctor," meanwhile, is a pretty-but-wounded conclusion, husky singing and a drowsy mood detailing the final collapse. The many highlights in between beginning and end are so striking that the album is practically a best-of in all but name. Sonic's eventual work with Spectrum and E.A.R. gets clearly signaled via the majestic reprise of the Transparent Radiation single, here introduced by the swirling flange of an edited "Ecstasy Symphony," also originally from that release. Sonic's breathless delivery of the Red Krayola classic, combined with the elegant arrangement, is a marvel to hear. "Walkin' With Jesus," meanwhile, is practically the birth of Spiritualized, the much different earlier takes now become a reflective combination of acoustic guitar, two-note keyboard lines, and Pierce's yearning, aching desire. The intentionally nasty flip to that is the storming charge of "Things'll Never Be the Same," a call to arms (or injecting something into them) that's as disturbing as it is energetic, the compressed, violent rage of feedback and rhythmic charge a gripping listen. Guest performers from the Jazz Butcher family tree, including Alex Green on sax, help expand the record's sonic range even further. Further reissues include a rotating series of bonus tracks from contemporary singles. -- Allmusic
In my musical world I can jump from Rodgers and Hammerstein to Joni Mitchell to Spacemen 3 without batting an eye. Years ago I bought an album by Spirtitualized and their web site had links to other groups associated with them. Turns out Spirtitualized and the band Spectrum and also Spacemen 3 were all interconnected, sharing members and changing band names as the spirit moved them.
This record is not typical TWILIGHTZONE! fare. It's not Rhythm and Blues. It's not Soul. Not Doo Wop. It's not even Rock & Roll but I think there may be a few people, like myself, who may like this stuff. From me today you're not getting The Monkees. You're getting Spacemen 3. Love it or leave it. -- JohnnyDiego
Jason Pierce - Guitar, Organ, Organ [Farfisa], Vocals
Pete Kember - Guitar, Organ, Vocals, Effects [Tremolo]
Sterling Roswell - Percussion
Alex Green - Saxophone
Mick Manning - Trumpet
Owen John - Violin
1. Take Me To The Other Side
2. Walkin' With Jesus
3. Ode To Street Hassle
4. Ecstasy Symphony
5. Transparent Radiation (Flashback)
6. Feel So Good
7. Things 'll Never Be The Same
8. Come Down Easy
9. Call The Doctor
10. Soul 1
11. That's Just Fine
12. Starship
13. Ecstasy
More of the country #1s
first it seems I left out 2 songs
they are here
http://www22.zippyshare.com/v/42OXTIjg/file.html
add Don Gibson to the 1972 set &^ Freddy Fender to 1975
report of a bad link, works fine, try it again
1986 part 1
http://www78.zippyshare.com/v/KKkyXvQi/file.html
1986 part 2
http://www78.zippyshare.com/v/KKkyXvQi/file.html
1987 part 1
http://www64.zippyshare.com/v/IRhw2AmR/file.html
1987 part 2
http://www64.zippyshare.com/v/NmLJYpIR/file.html
1988 part 1
http://www11.zippyshare.com/v/jjza4qrZ/file.html
1988 part 2
http://www11.zippyshare.com/v/vNyihVXE/file.html
1989 part 1
http://www11.zippyshare.com/v/ZWXzlNwX/file.html
1989 part 2
http://www11.zippyshare.com/v/y3gMzeOV/file.html
1990
http://www12.zippyshare.com/v/yCMurnR6/file.html
1991
http://www12.zippyshare.com/v/L1jyUxry/file.html
1992
http://www12.zippyshare.com/v/m18QTsV5/file.html
1993
http://www12.zippyshare.com/v/6tUGagv5/file.html
1994
http://www10.zippyshare.com/v/wVIjh1n9/file.html
BONUS 1 0F 6
SUNNY LAND SLIM - Classics: The Chronological Sunnyland Slim 1949-1951 @320
Mississippi native Albert Luandrew came to Chicago in 1942, and with a little help from Tampa Red began entertaining the public using the name Sunnyland Slim. This second volume in the Classics Sunnyland Slim chronology documents his steady if spotty recording career from April 1949 to early December 1951. During this time Sunnyland made records for Mercury, Apollo, J.O.B., Regal, and his own Sunny label. Working up the piano, singing and at times screaming in a voice only slightly lower than that of J.B. Lenoir, Sunnyland invariably chose the toughest available players to back him up. The first six tracks date from 1949 and feature saxophonist Alex Atkins, bassist "Big" Crawford, and guitarist Robert Jr. Lockwood. "Back to Korea Blues" and "It's All Over Now" scale the group down to a trio with Snooky Pryor blowing harmonica and Leroy Foster strumming the guitar. "Back to Korea" of course brings to mind J.B. Lenoir's songs that dealt with the subject of General MacArthur's war and how it affected the Afro-American community. The music recorded on February 1, 1951, was charged with the returning presence of Robert Jr. Lockwood and two vocals by drummer Alfred Wallace, billed as "the Fat Man." Sunnyland sang a slow and purposeful "Down Home Child," and for the flip side this excellent group cooked up a definitive walking boogie, the "Sunnyland Special." Over the next few sessions they continued to conjure blues of substantial depth and breadth, tenor saxophonist Oliver Alcorn mingling well with the leader's vocals and Lockwood's guitar. "When I Was Young," given a seething Chicago rhumba/boogie treatment, could make a dead man get up and dance. (Allmusic)
http://www11.zippyshare.com/v/Ijf7eGwC/file.html
INFO
http://www.allmusic.com/album/1949-1951-mw0000229730
BONUS 2 OF 6
SKIP BATTIN - Skip '72 @320
(with Kim Fowley)
A true Hollywood cowboy, Skip Battin writes songs in a country-rock style that frequently concern themselves with the silver screen, a tendency that turned up during his tenure in the Byrds on songs like "Citizen Kane" and that is apparent here on his debut solo album on songs like "Valentino." Battin's songwriting partner is the notorious Kim Fowley, and the backup band includes former Byrds Clarence White and Roger McGuinn, not to mention Spanky McFarlane of Spanky & Our Gang. (Allmusic)
This is the cult favorite, long, long out-of-print (30 years!) solo debut from Skip Battin, bassist for the later Byrds. The album is full of catchy melodies, wry lyrics, and an endearing charm that have been virtually unrecognized outside of a small group of Battin afficionados. I have always felt Skip was unfairly maligned during his time with the Byrds. Critics charged that his music - "novelty tunes" is the usual derisive label - was simply out of place on a Byrds album. How ironic that the "progressive" and allegedly open-minded music observers of that era wanted to pigeonhole the Byrds (long known for ingenuity and risk-taking) into a formulaic predictability.
This album features the contributions of Skip's legendary songwriting partner Kim Fowley and two of Skip's former Byrd mates: Roger McGuinn and the late, great, and sadly missed Clarence White, as well as Spanky MacFarlane from Spanky and Our Gang. The songs were a breath of fresh air when they came out in the early 70's and have held up very well indeed over the ensuing decades. St. Louis Browns - which received some FM airplay - is a fond (but wistful) remembrance of a beloved baseball team of youth. In The Ballad of Dick Clark, Skip (a member of 50's duo Skip and Flip) pays homage to many of his old confederates. In a bit of musical legerdemain Captain Video - a song about Roger McGuinn - features the guitarwork of the aforementioned leader of the Byrds, who apparently never knew the tune was about him. Undercover Man is a witty piece about the dangers of government surveillance. Valentino is an upbeat toe-tapper that lauds the legendary actor. Central Park is about an urban oasis that wasn't much of an oasis when Skip wrote the tune. These brief descriptions give some idea of the breadth of material on this very enjoyable record, and there are a number of others every bit as original. (Crawdaddy)
The cult classic 1972 solo album from Clyde "Skip" Battin, who went from scoring hits as early as 1959 as part of the duo Skip & Flip to being a member of the Byrds, New Riders of the Purple Sage and the Flying Burrito Brothers! He also became a chief collaborator with Kim Fowley (who contributes copious quotes to the notes we’ve included here), so he definitely ranks as one of the key, behind-the-scenes contributors to the whole L.A. country-rock scene. Speaking of Fowley, his fingerprints are all over this album as a lyricist and quasi-producer, and Byrds Roger McGuinn and Clarence White play on it, too. But Battin’s love of old-time rock ‘n’ roll and Tom Lehrer-esque satire are what make this record really unusual; throw some Byrds-like country-rock into the recipe and you’ve got one strange, intoxicating concoction. Includes Undercover Man; Ballad of Dick Clark; Captain Video; Central Park; Four Legs Are Better Than Two; Valentino; Human Being Blues; St. Louis Browns; My Secret Life, and Cobras. A Collectors’ Choice Music exclusive! (Shindig)
http://www56.zippyshare.com/v/hSQUQeuV/file.html
INFO
http://www.amazon.com/Skip-Battin/dp/B0000AQVEH
BONUS 3 OF 6
SELDOM SCENE - Long Time... Seldom Scene '14 @320
For more than four decades, profoundly influential bluegrass band The Seldom Scene has shared its undeniable talent, progressive repertoire, and creative spirit both in the studio and on stage. Long Time... Seldom Scene features fresh interpretations of 16 oft-requested tunes and is the band’s first studio album since the GRAMMY-nominated album Scenechronized in 2007. It’s a family reunion in all the best ways, featuring the current – and longest-running – lineup, joined by founding members Tom Gray and John Starling and guests Chris Eldridge, Emmylou Harris, and Rickie Simpkins. 54 minutes, 36 page booklet.
The music is – as expected – great, but when you add the packaging that S/F is known for, it makes this album a must for longtime SS fans as well as a fine introduction for those not familiar with the group. I mentioned the 36-page booklet earlier and this is filled with a history of the band, interviews with, and updated bios, of original and current members plus detailed track info and short essays on each track.
http://www46.zippyshare.com/v/7gkIfO80/file.html
INFO
http://www.folkways.si.edu/long-time-seldom-scene/american-folk-bluegrass/music/album/smithsonian
BONUS 4 OF 6
THE EASYBEATS - The Singles As & Bs
Australian quintet the Easybeats (all of the group's members were actually from Europe and met while living in Sydney) had a knack for writing memorable, melodic songs with a bright, British Invasion-like sound, climaxing in the Shel Talmy-produced "Friday on My Mind," which was an international hit in 1967. In all, the Easybeats released seven studio albums, all of which were reissued on CD by Germany's Repertoire Records in the 1990s, and the label has repackaged the material in various ways since, including as this two-disc, 40-track set that combines the group's various singles (both A- and B-sides) with other odds and ends. (Steve Leggett, Allmusic)
http://www56.zippyshare.com/v/qS3CEBBT/file.html
INFO
http://www.amazon.com/Singles-As-Bs-Easybeats/dp/B0007SMELS
BONUS 5 OF 6
DEL SHANNON - The Further Adventures Of Charles Westover '68
This lesser-known cult favorite is not only one of the most musically ambitious outings of Del Shannon's career, but also one of his most all-around consistent albums. The Further Adventures of Charles Westover finds Shannon embracing psychedelia in a personalized way: Instead of imitating the whimsy of Sgt. Pepper's Lonely Hearts Club Band, or the creepy freak-outs of Their Satanic Majesties Request, he uses the cinematic quality of psychedelic pop to provide a vivid backdrop for his songwriting. For instance, "Silver Birch" uses a swirling mass of horns and densely layered backing vocals to add a haunting quality to its tale of an abandoned bride, and "Color Flashing Hair" uses vertiginous string motifs and churning horns to re-create the feelings of obsessive love described in the lyrics. Shannon's work on this album also differs from usual psychedelic fare because it mixes some earthier textures into its sonic brew: "Be My Friend" enhances its lusty plea for feminine companionship with wailing harmonica and gospel-tinged female backing vocals, and "River Cool" laces its swinging beat with some deliciously soulful organ licks. The overall effect is stunning, managing to fit the tag of psychedelic pop but still retaining the haunting, emotional kind of songwriting that distinguished Del Shannon's music. (Allmusic)
http://www33.zippyshare.com/v/2uts0zFD/file.html
INFO
http://www.allmusic.com/album/the-further-adventures-of-charles-westover-mw0000468155
http://www.amazon.com/Further-Adventures-Charles-Westover-Shannon/dp/B00000DB3I
BONUS 6 OF 6
PAUL McCARTNEY - RAM (1971) @320
[limited mono reissue]
vinyl rip
All tracks MONO.
This numbered limited-edition 180 gm LP vinyl release contains the remastered mono album, previously issued to AM Radio stations only; this has never before been commercially released.
(Thanks again to Jimmie Dee for original share)
A-Side
01. Too Many People
02. Legs
03. Ram On
04. Dear Boy
05. Uncle Albert / Admiral Halsey
06. Smile Away
B-Side
07. Heart Of The Country
08. Monkberry Moon Delight
09. Eat At Home
10. Long Haired Lady
11. Ram On
12. The Back Seat Of My Car
Total running time: 43:16
http://www12.zippyshare.com/v/4rvyqG61/file.html
Big thanks for the Stoney collection, RYP.
Great offerings, G, from Stoney to Del, but my own favorite of these is Seldom Scene. So glad to see them still on the scene many years after the loss of the legendary John Duffy. All good wishes,
Iggy
Thanks
Grinch, thanks for the extra 2 songs.
Thanks for the country #1s. It appears that the the 1986 part 1 link is actually the same as 1986 pt2.
Thanks for the Skip Battin, Gyro!
Country has identical links
1986 part 1
http://www78.zippyshare.com/v/KKkyXvQi/file.html
1986 part 2
http://www78.zippyshare.com/v/KKkyXvQi/file.html
Yours.
Thank You for Easybeats As & Bs (2CD)!
Sorry, but link only for CD1...
Any chance give CD2 too?
Best wishes!
The Easybeats As & Bs
Cd2
http://www56.zippyshare.com/v/zBU7nOj8/file.html
i got skip's & kim's followup, TOPANGA CANYON!
Tomorrow can post it
i awhile ago did over at willards, some may have seen
I have to say, regarding all these recent mono posts from you guys.......they are BLOWING MY MIND. I wouldn't even know where to begin. "Sounds Of Silence" is a good start! Whew! Just want to thank you for this "Ram"...but also all of the last few months, all the amazing mono posts (not to mention all the rest of the posts!).
I don't know if I may have missed it.....but after I heard all the Simon and Garfunkel mono albums, it made me want to hear "If You Could Only Believe Your Eyes and Ears" in mono! Don't ask me why! Haven't listened to that in years, but every time I do, the stereo is so jarring!
Anyways, there it is, a sincere thanks and expression of gratitude (and yeah, a request, but, whatever, whatever you guys post is worth the download and much appreciated and cherished!
PS: And I can't believe above me is a Del Shannon album that looks mighty intriguing, ditto the Skip Battin album....and this Stoney Edwards!!!! What the....!!!!
Thank you Johnny Diego for the Spacemen...I bought all their releases way back then,recently I listened to the "Live At The New Morning, Geneva" which came out last year and I still love them very much. I also love it when you write:"I can jump from Rodgers and Hammerstein to Joni Mitchell to Spacemen 3 without batting an eye" Thats what makes twilight zone so interesting for me. Now I ask myself-why not listen to Stoney Edwards? I`m not into country at all-except for some occasional Maddox Brothers-but the information about Stoney is tempting.Sometimes it`s just too much pork for just one fork-but I love it. Greetings from Germany
Thanks for the Stoney Edwards. Another artist that really deserved better.
Ralph11
It appears that the the 1986 part 1 link is actually the same as 1986 pt2.
Thnx For All That great Stuff
Gerojer
Yes I was a big Spaceman 3 fan at the time.
I to am anonymous.
The Stony Edwards comp should be a treat for anyone who loves vocalists coming out of the Frizzel/Hsggard/Jones tradition. Wonderful voice, superb songs and dead-on accompaniments. Thanks for introducing me to yet another brilliant and unheralded performer!
Thanks Theoldgrinch for this big collection of country hits and thanks for all your work trying to make it perfect.
LittleJack
Thanks Johnny Diego I've never heard Spacemen 3 but I'll hear this album next week-end.
Thanks Gyro for Skip Battin and for The Easybeats, but thanks specialy for The Seldom Scene : I've search it several months and I'm very happy to find it today.
LittleJack
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