Thursday, 1 January 2015

Jewel Spotlights The Blues, Vol. 1

Jewel Records was founded by Stan Lewis in 1963, and the company became something of a life raft for artists whose contracts with older companies had ended -- thus, Willie Dixon, Frank Frost, Lightnin' Hopkins, Lowell Fulson, Big Joe Turner, and other internationally known names brushed up against more localized talent such as the Carter Brothers and a mysterious figure named Big Mac. This disc is the first in a series of releases highlighting Lewis' blues recordings, which tended toward extrovert electric blues. All of the artists are in good form, if not the top of their game, including Fulson who sings with a graceful soulfulness, while Turner provides the kind of lean, big-band-based R&B on which he built his reputation, slimmed down slightly for '60s sensibilities. The strangest track here is "Rough Dried Woman" parts one and two, featuring Hubert Sumlin on guitar and Big Mac on vocals. Mac, whoever he was, obviously thought he was Howlin' Wolf, even though his voice lacked the depth and power of Wolf's pipes. He tries hard, however, and Sumlin pitches in with a flashy, crunchy performance behind him (and is featured throughout the instrumental second half in one of his best recorded performances). Also, be warned that Kenny Wayne Shepherd, then 16 years old, redubbed the guitar part on Willie Dixon's "Sex Appeal" -- that kid knows his blues, even if his playing is a little flashier than would've been the case circa 1960-whatever, and Dixon gives one of his more charismatic vocal performances. The sound needs no apologies, nor does the series, which is first-rate and starts off really well with this disc. (Bruce Eder, Allmusic)

trax:
1. Southern Country Boy - Carter Brothers 2. My Back Scratcher - Frank Frost 3. Dust My Broom - Elmore James 4. Back Door Friend - Lightnin' Hopkins 5. Standing On The Treshold - Little Joe Blue 6. Put It All In There - George Wild Child Butler 7. Sleeper - Lowell Fulson 8. Night Time Is The Right Time - Big Joe Turner 9. Rough Dried Woman Pt. 1 - Mac Big With Hubert Sumlin 10. Rough Dried Woman Pt. 2 (Instrumental) - Hubert Sumlin 11. Sex Appeal - Willie Dixon 12. The Mojo - J.B. Lenior
...served by Gyro1966...

15 comments:

RYP said...

Jewel Spotlights The Blues, Vol. 1
...served by Gyro1966...
gitit! no pw
http://www44.zippyshare.com/v/14901132/file.html

Anonymous said...

Happy New Year and a big Thank You for all the most enjoyable music!

Jake.

jimmie d said...

THE DAVE BRUBECK QUARTET - Time Changes (1964)
US MONO

Essential in mono but not officially available on cd.

Part 4 of 5 in a collection bringing together, for the first time in mono, all five of the classic Dave Brubeck Quartet albums devoted to exploring unusual time signatures and rhythmic combinations: Time Out (1959), Time Further Out (1961), Countdown: Time In Outer Space (1962), Time Changes (1964), and Time In (1965).

Needle-drop taken from album in near-mint condition.
Transferred and painstakingly restored by Q.

1 - Iberia (2:59)
2 - Unisphere (5:41)
3 - Shim Wha (4:03)
4 - World's Fair (2:45)
5 - Cable Car (3:00)
6 - Elementals (16:40)
BONUS TRACK
7 - Theme From Elementals (Columbia single 4-42920) (3:06)

Random internet review:

The first four tracks of Time Changes constitute some of the best music in the box set, and exhibit a new, tougher style that Brubeck developed in the late '60s and early '70s. “Iberia”, a propulsive waltz, features an astonishing piano solo that moves from scrabbling free runs not too far off Cecil Taylor into a 4-against-3 saloon chorus before coming back to the melody. As on a good deal of the Quartet's later, harder-edged material, Desmond, a lyrical player at heart, lays out. He returns to lovely effect with a great solo in “Unisphere”, a jaunty theme in 10/4 with some trademark piano/sax counterpoint improvisation. “Shim Wha”, a rare Joe Morello composition, is a funky 3/4 tune on which Desmond appears only to state the melody, clearing the stage for an amazing Brubeck solo in which Dave's left hand rocks in offbeat accents between two dissonant chords like a stuck phonograph needle, while his right breaks off vaguely Oriental shards of melodic glass. This solo, in which Dave plays the piano like the percussion instrument it actually is, is followed by a drum solo that conversely is almost melodic in its flow. But even better is the understandably brief “World's Fair”, in a tricky 13/4 that nevertheless manages to conjure up a 1920s stop-time feel under Desmond's deliciously bluesy solo. For the Quartet's unique ability to meld the avant-garde with the down-home and make it all instantly enjoyable, there is no better example. Unfortunately, the album falters after this blazing start. “Cable Car” is a feeble rewrite of “The Trolley Song”, complete with overly-literal cymbal bells tolling. And while “Elementals” a piece for jazz combo and orchestra that filled up the entire side two of the original record, is intermittently interesting and features some lovely Desmond, even repeated listens suggest it is more a messy hodgepodge of baroque brass, Stravinsky-esque winds, and Neal Hefti big band charts than any new 'third stream' form of music. The bonus track, a brief quartet version of the “Elementals” theme is, however, beautiful and ironically (or maybe expectedly?) says more in three minutes than the orchestral version does in seventeen.

FLAC: 16bit/44.1kHz (CD Quality)


no password

http://www.filefactory.com/file/2x3p6gulqo19/DBQTC_1644.zip

Gyro1966 said...

BONUS 1 OF 6

The James Cotton Blues Band '67 (Verve/Folkways) @320

Upbeat, soul-influenced mid-'60s work by Cotton's initial solo aggregation.

The incredible James Cotton, active since his teens with first a radio show in West Memphis in 1952 and soon followed by a recording session with Sam Phillips at Sun Studios, where he delivered 2 singles in 1953 and 1954, released his official first full length album on Verve in 1967. This amazing set by the legend of mouth harp blues is now available again on Lilith and will startle even the hardest blues listener for the unbelievable power it sparks from its grooves. First chapter of a future trilogy on Lilith! (Bill Dahl)

A1 Good Time Charlie 2:46
A2 Turn On Your Lovelight 2:31
A3 Something On Your Mind 3:52
A4 Don't Start Me Talkin' 2:40
A5 Jelly, Jelly 5:42
A6 Off The Wall 2:40
B1 Feelin' Good 3:14
B2 Sweet Sixteen 5:35
B3 Knock On Wood 2:56
B4 Oh Why 2:15
B5 Blues In My Sleep 5:20

http://www4.zippyshare.com/v/53764498/file.html

INFO
http://www.allmusic.com/album/the-james-cotton-blues-band-mw0000475171

Gyro1966 said...

BONUS 2 OF 6

Irma Thomas - Wish Someone Would Care '64 @320

t's because of powerful platters such as this that vocalist Irma Thomas would rightfully garner the crown as the undisputed Queen of New Orleans' thriving R&B scene. She established her reputation as a no-nonsense soul sister with the attitude-driven "You Can Have My Husband (But Don't Mess with My Man)," "A Good Man," and the regional hit "Look Up" prior to landing at the Crescent City powerhouse Minit Records. It was there she joined forces with the musical wunderkind Allen Toussaint who provided Thomas her next batch of notable sides, specifically "It's Raining" and "Ruler of My Heart" (aka "Pain in My Heart"). She was also among those to make the transition to the significantly larger Imperial Records after they purchased Minit in 1963. Wish Someone Would Care (1964) was the first of two long-players that Thomas released during her brief (1964 -- 1966) run on the Imperial roster. The album opens with the yearning torch balladry of the title track "Wish Someone Would Care" featuring Thomas supported by the inimitable H.B. Barnum, who tempers her remarkably versatile voice in the first of several sensitive arrangements. "I Need Your Love So Bad" is reflective of the guttural and bluesy style commonly associated with the likes of Otis Redding and James Brown. Here, Thomas definitely gives the boys a run for their money. The melody of "Without Love (There Is Nothing)" bears a striking resemblance to the "Tennessee Waltz" during the languid verses. The chorus, however, finds Thomas calling on her gospel roots to really "sell" the performance to great aplomb. Her update of Percy Mayfield's "Please Send Me Someone to Love" is a stone classic and easily takes on Odetta and Esther Phillips' respective versions with plenty of power to spare. "Time Is on My Side" -- initially relegated to a 45 rpm B-side -- found its way across the Atlantic ocean where it would take on a life of its own once the Rolling Stones covered it less than a year later. Similarly, Thomas' reading of the Jackie DeShannon co-penned "Break-A-Way" became a runaway smash throughout the bayou. And though it seemed to attract little attention elsewhere in the States, it has been remade to great effect by Tracey Ullman. Both the LP and single for Wish Someone Would Care crossed over onto the pop charts, simultaneously giving Thomas her only Top 40 single and Top 100 Album entry. (Allmusic)

A1 Wish Someone Would Care 2:20
A2 I Need Your Love So Bad 3:10
A3 Without Love (There Is Nothing) 2:57
A4 Please Send Me Someone To Love 2:28
A5 Another Woman's Man 3:03
A6 Sufferin' With The Blues 2:18
B1 Time Is On My Side 2:53
B2 While The City Sleeps 2:25
B3 Straight From The Heart 2:26
B4 I've Been There 2:39
B5 I Need You So 2:21
B6 Break-A-Way 2:30

http://www32.zippyshare.com/v/47988713/file.html

INFO
http://www.discogs.com/Irma-Thomas-Wish-Someone-Would-Care/release/3013307

http://www.allmusic.com/album/wish-someone-would-care-mw0000839750

Gyro1966 said...

BONUS 3 OF 6

Clay & Scott - Standing On The Highway ’61 (Ttestament) @320

Powerful blues mixed with gospel.

http://www7.zippyshare.com/v/98626223/file.html

info:
http://www.allmusic.com/album/standing-on-the-highway-mw0000598308

Anonymous said...

Thanks for all the great blues you've had lately (and everything else too!).

Anonymous said...

Thank you....I'm very well aware of Jimmy W and Irma Thomas, but Clay & Scott are new to me...

Happy New Year........

Snapper

lemonflag said...

Thanks

Anonymous said...

Thanks for the Irma Thomas I wish.
Tel.

Anonymous said...

Thank you for all of the wonderful music in 2014--visiting this site, and seeing all of your hard work, and learning about new music, is always a highlight of my day. Happy New Year!

--ralphdibny

Anonymous said...

Thanks guys. Clay & Scott will be new to me too, looking forward to it!

Mose

Anonymous said...

Thanks for the jewel stuff - looking forward to clay and scott as well. All the very best to everyone for the new year.

Doug

Anonymous said...

Thanks for all this blues
LittleJack

Anonymous said...

Some great blues again..thanks you, man for some incredible discoveries..good work!!

Stuffy