Tuesday, 27 August 2013

THE SPANIC BOYS "Sunshine" 2006

Milwaukee father-and-son guitarslingers Ian and Tom Spanic, who ve performed together now for 20 years, always bring a sense of cross-generational joy to their too-rare releases. Where past discs often sounded like Buddy Holly-era roots-rock, here, the Spanics snap off Fender lines that owe equally to The Beatles Revolver and Buck Owens The Carnegie Hall Concert, coming off like some lost 60s garage band with the chops to match its enthusiasm. --USA Today - Brian MansfieldTom and Ian Spanic, a father-son duo whose rich harmonic blend is as sweet as the Everly Brothers crying in the rain, could pull off a roots-rocking tune here such as "Honey" or "I Hear You Talking" without even breaking a sweat. And they've certainly mastered the fine art of coaxing the twang out of an unsuspecting Strat. But Sunshine also finds the family stretching out beyond the roots-rock border. Take the title cut, a hazy psychadelic rocker that almost comes off as a sequel to the Beatles "Rain," complete with convincingly Ringo-esque drum fills and a backward guitar solo. "Secret" takes that psychadelic flashback in an even trippier direction, adding Tex-Mex organ, vocals that feel like they come with a lava lamp, and a solo suggesting what Roger McGuinn might've played if he'd recorded this one on the morning after "Eight Miles High." On "Didn't Love You Anyway" they rock like a '60s garage band covering Larry Williams, with a solo as trashy as anything this side of those earliest Kinks hits. Then there's the Beatlesque ache of "When The Night Has Come," fueled by the strum of acoustic guitars. Wherever these guys take the sound, though, in the end, it still sounds like a Spanic Boys record, each track boasting some truly heroic guitar work, from the stately southern rock-meets-Memphis-soul vibe of "What Will You Do?" to the headier psychadelic trip they take on "Secret" and the title cut. --No Depression Magazine - Ed Masley
Celebrating their 20th anniversary as a band, the Spanic Boys have brought forth album number eight, now on their own label. The father-son Spanics - Tom and Ian, respectively - tasted some pre-Americana era glory in the early '90s, and their dual-Stratocaster sound is as sparkling as ever, with the dozen originals running the gamut from the sassy Freddy-King-meets-Buck-Owens "Honey" to the Revolver-era psychadelia of the title track. They can also pen a hopping genre workout like "Bigger Fool Than Me" without it having a whiff of museum air to it. Throughout the entire set, Ian and Tom's voices interlock with the same precision and sympathetic timbres as numerous singing brother duos from the last half century. Spanic Boys are not only Milwaukee's finest; they're also one of the most honestly rocking bands in the land. --Harp Magazine - David Greenberger

trax:
01 Honey 02 What Will You Do 03 Secret 04 I Hear You Talking 05 Sunshine 06 Bigger Fool Than Me 07 Hold Me 08 Broken Wheel 09 All the World 10 Didn't Love You Anyway 11 When the Night Has Come 12 You Don't Worry Me
...served by Gyro1966...

8 comments:

RYP said...

THE SPANIC BOYS "Sunshine"
...served by Gyro1966...
gitit! no pw
http://www6.zippyshare.com/v/70156775/file.html

Anonymous said...

Yowza!!! Didn't know about this Spanics release! THANKY THANKY!!
C in California

Gyro1966 said...

BONUS:


THE SADIES -Stories Often Told (2002)

http://www49.zippyshare.com/v/24013892/file.html

With each album, the Sadies keep pushing a little more at the boundaries of their sound. This time there are two tracks that nudge gently at the barriers -- "Mile Over Mecca," which brings in horns over the whammy-bar guitar for a slightly chaotic but satisfying instrumental, and "Of Our Land," a time-warp trip through '60s psychedelia that starts out like "As Tears Go By" before transmuting into "Incense and Peppermints" on some serious drugs (and heavy phasing). It's to the band's credit that neither of the pieces seems out of place, or simply there for novelty effect. But Canada's alt-country kings have become masters of casting their net wide. There are still the surfing instrumentals like "Lay Down Your Arms" and "A No. 1," where the influence of their Toronto colleagues, Shadowy Men on a Shadowy Planet, is quite apparent. And then there are the songs, going from the urgent yet atmospheric "Oak Ridges," with its faint echoes of Nick Cave, to "Such a Little Word," with its nod to the Byrds' "You Ain't Going Nowhere," and the cover of Blue Rodeo's "Palace of Gold", here retitled "Stories Often Told." For all that they summon up traces of other artists, however, the Sadies are more than the sum of that. They inject their own style, and stir it all together for a sound that's become indisputably theirs over the years. The raw production suits them, and in Stories Often Told they might just have made their most successful -- and complete -- record to date. (Allmusic)

Christine said...

Thank you, kind sirs! :)

iggy said...

Thanks so much, guys. Great stuff.

Yggi

MD-56 said...

Thanks for The Sadies!

rocdoc said...

they used to come through the incredible fitzgeralds in berwyn IL, tho i never made it to a show of theirs - always great press.
sorry i missed them esp after hearing a couple of these releases.

thanks for opening my eyes and ears!
wonderful musical taste on this site!

ANON said...

Great double post...thanks!