trax:
1. Goin' Back To New Orleans (savoy) - Jesse & Buzzy 2. Pack Fair And Square (Peacock) - Big Walter 3. Saturday Night (Corvet) - Big Will Stephens 4. Satellite Fever-Asiatic Flu (Duke) - Paul Perryman 5. I'm A Lover Not A Fighter (Excello) - Lazy Lester 6. Number 9 Train (Fury) - Tarheel Slim 7. Rainin' In My Heart (Excello) - Slim Harpo 8. Foxy Dan (Astro) - Jeff Daniels 9. Boppin' Guitar (Image) - Ray Melton 10. Swamp Girl (Zil) - Tommy Bell 11. Love Me (Vin) - Danny Ray 12. Hootchey Cootchey (Linco) - Curtis Long 13. The Prom - The Runarounds 14. Latch On To Your Baby (Meteor) - Jimmy Lamberth 15. Take A Ride (Jin) - Red Smiley & The Vel-Tones 16. That's The Way I Feel (Crystal) - Jimmy Pritchett 17. Long Gone Night Train (Snag) - Gene Norman 18. Roll Over Beethoven (Spar) - Bobby Russell & The Beagles 19. She Said Yeah (J-M-O) - Little Alton & The Velvatones 20. Long Tall Sally (Poe) - The Mod VI 21. My Way Of Thinking (Sun) - Randy & The Radiants 22. Seven Little Numbers (Arbet) - The Rapids 23. Time And Place (Our Bag) - The Oxfords 24. Go Ahead And Go (Panther) - The Bojax 25. Just Cry (Woodrich) - The Shadels, Inc. 26. Baby Get Lost (Zundak) - The Barracudas 27. It's Not The Same (Poe) - The Mod VI 28. I Don't Need You (La Louisianne) - The Rogues 29. Take A Look At Yourself (Romat) - The Sound System 30. Savage Lost (Heads-Up) - The Kollection
...compiled & served by Gyro1966...
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25 comments:
"LONG GONE NIGHT TRAIN"
...compiled & served by Gyro1966...
gitit! no pw
http://www1.zippyshare.com/v/95632892/file.html
covers in HighRes & for i-pod:
http://www3.zippyshare.com/v/15518094/file.html
BONUS:
LOVE - Forever Changes (1st Pressing Mono LP)
http://www15.zippyshare.com/v/39166270/file.html
Love's Forever Changes made only a minor dent on the charts when it was first released in 1967, but years later it became recognized as one of the finest and most haunting albums to come out of the Summer of Love, which doubtless has as much to do with the disc's themes and tone as the music, beautiful as it is. Sharp electric guitars dominated most of Love's first two albums, and they make occasional appearances here on tunes like "A House Is Not a Motel" and "Live and Let Live," but most of Forever Changes is built around interwoven acoustic guitar textures and subtle orchestrations, with strings and horns both reinforcing and punctuating the melodies. The punky edge of Love's early work gave way to a more gentle, contemplative, and organic sound on Forever Changes, but while Arthur Lee and Bryan MacLean wrote some of their most enduring songs for the album, the lovely melodies and inspired arrangements can't disguise an air of malaise that permeates the sessions. A certain amount of this reflects the angst of a group undergoing some severe internal strife, but Forever Changes is also an album that heralds the last days of a golden age and anticipates the growing ugliness that would dominate the counterculture in 1968 and 1969; images of violence and war haunt "A House Is Not a Motel," the street scenes of "Maybe the People Would Be the Times or Between Clark and Hillsdale" reflects a jaded mindset that flower power could not ease, the twin specters of race and international strife rise to the surface of "The Red Telephone," romance becomes cynicism in "Bummer in the Summer," the promise of the psychedelic experience decays into hard drug abuse in "Live and Let Live," and even gentle numbers like "Andmoreagain" and "Old Man" sound elegiac, as if the ghosts of Chicago and Altamont were visible over the horizon as Love looked back to brief moments of warmth. Forever Changes is inarguably Love's masterpiece and an album of enduring beauty, but it's also one of the few major works of its era that saw the dark clouds looming on the cultural horizon, and the result was music that was as prescient as it was compelling.
Thanks for both of these greats, guys. Wonderful collection and legendary record. All good wishes,
Iggy
Nappyrags here....again thank you for a truly delightful surprise...these series of 45 releases are awesome, much less a mono Forever Changes as a bonus? Mas Y Mas wicked and mucho grass to you!
Thanks for the NIGHT TRAIN ;O)
Thank You !
THANKS for all these great comps!
Seams of gold bursting open. One of those days.
Many thanks gentlemen.
Big Walter and Love in the same thread. Who said God is dead?
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|THANKS! “”|””\__
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Thanks everyone, glad to hear you are enjoying the music here!
Thanks again to RYP for his excellent art work, and all around great work with this blog!
Thanks again for the AMAZING Night Train comp! Just love, love, love the first track by Jesse & Buzzy! Nice, nice, nice!!
Forever Changes has been a favorite of mine since release 1967, nice to see its greatness acknowledged. Who did the arrangements and what session players were on it? Anybody know?
You must have a hell of a music library. Always hear something new on your comps. Thanks! hotrodmike
Another excellent set of 45's. thx Mr. Gyro
Thank You.
Jesse and Buzzy track was outstanding
Thanks
Thanks again & again
TZ never fails to satisfy. TNX.
BTW, White&Uptight, nice hair! My man Wayne, pre-CC Riders, I believe.
Mixin' it up a bit on the comp works great; thanks so much for these collections.
And "Forever Changes" in a mono, vinyl rip? Well, allright!!
Hey Anonymous!
Thanks for the compliment on my hair! Gotta admit I done stole it from here:
http://funky16corners.wordpress.com/2007/09/10/funky16corners-radio-v34-honky-style/
Gyro, thanks for all these garage greats!
I have to tell you about the one you hand in your hands and missed...
When Beatlemania was running strong, small unknown labels had smaller and even less-known artists cover the hits on 45s (never an album), with either another cover by another artist or something from the A-side artist.
Spar Records did this, and released his not-bad cover of "Roll Over Beethoven," then a hit for The Beatles, and backed it with his own song, "Right Or Wrong," which is as early-1960s garage as it gets.
If you ever do a Volume 2, think about using this song. I've been looking for a decent copy for years.
And yes, this is the same Bobby Russell who wrote some really great stuff, like "The Night The Lights Went Out In Georgia," his critique of Southern justice (and a big hit for his then-wife Vicki Lawrence), and really sappy stuff, like Bobby Goldsboro's big hit, "Honey."
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