Allen Toussaint is a legend who wrote and produced some of the greatest songs in New Orleans R&B history, but his career as a recording artist is hardly legendary. He didn't record all that much and what he did wax is overshadowed by his compositions and productions -- which, admittedly, is understandable given the work he did with the Meters, Lee Dorsey, Aaron Neville, Ernie K-Doe, the Band, LaBelle, Irma Thomas, and many others. But not being legendary is hardly the same thing as not having merit, and Rhino Handmade's 2003 double-disc set The Complete Warner Recordings makes a convincing case that Toussaint's three albums for Warner and Reprise are among the best hidden treasures in soul music. These three albums -- which are augmented by a very different single version of "Country John" and a full live concert originally released in part on Rhino's 1989 various-artists collection New Orleans Jazz & Heritage Festival, 1976 (although it apparently was recorded in Philadelphia in 1975), here presented in its entirety on the second disc -- represent the longest period of recording Toussaint had as a solo artist. He cut The Wild Sound of New Orleans by Tousan in 1958, at the peak of rock & roll and R&B's chart success (this material is collected on Bear Family's The Complete "Tousan" Sessions), but throughout the '60s he devoted himself to behind-the-scenes work before getting the chance to record his own albums in the early '70s, starting with Toussaint (later retitled From a Whisper to a Scream for a U.K. reissue), cut for Scepter Records in 1970. He then moved to Warner, where he recorded three albums -- 1972's Life, Love and Faith, 1975's Southern Nights, 1978's Motion -- that largely went unheard outside of New Orleans R&B and soul circles. Apart from a few import and quasi-legal budget-line reissues, these albums remained out of print for years, only surfacing as selections on the excellent 1991 CD The Allen Toussaint Collection, which expertly summarizes these records. Such is the neglect bestowed upon these three records; even in his otherwise fine liner notes for The Complete Warner Recordings, Billy Vera glosses over these albums, spending about a page on them and never going into detail. All this means is that the music needs to speak for itself, which it certainly can do. Toussaint did something very interesting with his Warner recordings. He stayed grounded in the earthy New Orleans R&B and funk that had been his bread and butter for many a year, but he spun it differently, bringing it in line with the smooth soul coming out of places like Philadelphia in the '70s, tempering it with a bit of a gloss borrowed from Los Angeles troubadours, yet retaining that distinctly Southern feel. Each album shares that sound, with each song clearly identifiable as the work of Allen Toussaint, but each has its own feel. Life, Love and Faith is the strongest and funkiest of the bunch, a Southern soul spin on West Coast singer/songwriter albums that is an excellent expansion of his signature sound. Southern Nights is Toussaint's album rock album, complete with a hazy theme and trippy instrumental interludes. Motion is his smooth commercial soul album, recorded with L.A. studio pros at Warner's insistence. The live album finds Toussaint returning to the basics of his music, which is at once earthy and sophisticated. While each of the albums apart from Life, Love and Faith might have a flaw -- Southern Nights is a bit unfocused, Motion a bit too slick, the live material can meander -- these are minor issues since there's such a wealth of wonderful music here. Toussaint has an easy, relaxed touch to his performances that enhances the sly elegance of his writing, whether it's on ballads like "With You in Mind" and the gorgeous "What Do You Want the Girl to Do?" or intricate funk like "Victims of the Darkness" and the dynamic, layered "Last Train," or such idiosyncratic spins on classic New Orleans R&B like "Brickyard Blues" and "Shoo-Ra," the latter two taken from the live set. These are just a few of the many sublime moments on The Complete Warner Recordings -- moments so good, it's hard to believe that these albums have gone underappreciated for so long. Since this set is limited to 2,500 copies and only available through www.rhinohandmade.com, this doesn't necessarily rectify the situation -- after all, that's hardly a wide distrubition (then again, as Paul Gayten quoted in Vera's liner notes, "New Orleans music is the greatest in the world, but it just doesn't sell to the mass public") -- but anybody who loves soul music and New Orleans R&B needs to own this priceless set. (Stephen Thomas Erlewine, Allmusic)
trax disc 1:
01 Victims Of The Darkness 02 Am I Expecting Too Much 03 My Baby Is The Real Thing 04 Goin' Down 05 She Once Belonged To Me 06 Out Of The City [Into Country Life] 07 Soul Sister 08 Fingers And Toes 09 I've Got To Convince Myself 10 On Your Way Down 11 Gone Too Far 12 Electricity 13 Last Train 14 Worldwide 15 Back In Baby's Arms 16 Country John 17 Basic Lady 18 Southern Nights 19 You Will Not Lose 20 What Do You Want The Girl To Do?
trax disc 2:
01 When The Party's Over 02 Cruel Way To Go Down 03 Country John 04 Night People 05 Just A Kiss Away 06 With You In Mind 07 Lover Of Love 08 To Be With You 09 Motion 10 Viva La Money 11 Declaration Of Love 12 Happiness 13 The Optimism Blues 14 Intro _ High Life (Previously Unissued) 15 Touch Of Love (Previously Unissued) 16 Brickyard Blues (Previously Unissued) 17 What Is Success (Previously Unissued) 18 Freedom For The Stallion (Previously Unissued) 19 Last Train (Previously Unissued) 20 Shoo-Ra (Previously Unissued) 21 Allen And Gary Brown (Previously Unissued) 22 Southern Nights (Previously Unissued) 23 Allen's Closing Remarks (Previously Unissued)
...Many Thanks to clash for the Allen Toussaint share! served by Gyro1966...

22 comments:
Allen Toussaint "The Complete Warner Bros. Recordings"
...Many Thanks to clash for the Allen Toussaint share! served by Gyro1966...
gitit! no pw
CD1
http://www116.zippyshare.com/v/vZCM60Y1/file.html
CD2
http://www116.zippyshare.com/v/Y4FJDmWU/file.html
One-Album Wonders
DAVID MARKS & THE MARKSMEN
-Los Angeles 1963-65: Surf Rock & Roll R&B
-David’s project between The Beach Boys and The Moon
-Complete solo album plus unreleased outtakes and alternate versions
David Marks & The Marksmen “Ultimate Collector’s Edition, 1963-65” (2008) 320
http://www12.zippyshare.com/v/xahhDfgE/file.html
------------------------------
THE LITTLE BOY BLUES
-Chicago 1965-69: Psychedelic Blues Rock & Proto-Punk Fuzz
The Little Boy Blues “In The Woodland Of Weir” (1968) 320
http://www12.zippyshare.com/v/2pt3Dgmw/file.html
----------------------------------
FRESH BLUEBERRY PANCAKE
-Pittsburgh, Pennsylvania 1969-71: Heavy Psychedelic Blues Hard Fuzz Biker Rock
-Originally recorded as a demo with only 50 copies pressed
Fresh Blueberry Pancake “Heavy” (1970/2001) 320
http://www12.zippyshare.com/v/ILQDx297/file.html
--------------------------------
THE FOUR DREAMERS
-France 1962-64: Instrumental R&B Surf Rock & Roll
-Almost a complete discography
The Four Dreamers “Complete Sixties Instrumental” (2006) 256
http://www12.zippyshare.com/v/n5MU3X7H/file.html
--------------------------------
KNOCKER JUNGLE
-UK 1969-70: Psychedelic Folk Rock & Popsike
-With Dave Mattacks from Fairport Convention and Tony Cox from Mick Greenwood’s backing band
Knocker Jungles, Self-Titled (1970/2008 Expanded) 320
http://www12.zippyshare.com/v/DigaVoeU/file.html
----------------------------
PETER REESE & THE PAGES
-Germany 1963-64: Beat Rock & Roll R&B
Peter Reese & The Pages “Hippy Hippy Shakes” (1964) 320
http://www12.zippyshare.com/v/Mmp0IHJx/file.html
-------------------------------
GASLIGHT
-Somerset, UK 1970: Psychedelic Folk Pop & Baroque Popsike
-Originally a split double-LP with a high school band, only 99 copies made in 1970
Gaslight, Self-Titled (1970/2012) 320
http://www12.zippyshare.com/v/NZyKOZfS/file.html
-------------------------------
THE GROWING CONCERN
-Chicago?: Psych Folk Sunshine Popsike
The Growing Concern, Self-Titled (1968) 320
http://www12.zippyshare.com/v/Gmjetf8E/file.html
--------------------------------
MIKE SHANNON & THE RED CAPS
-France 1973: Rockabilly R&B Rock & Roll
-70’s rockabilly revival from ex-frontman for Les Chats Sauvages
Mike Shannon & The Red Caps “Rockin’ Man ‘60” (1973) 320
http://www12.zippyshare.com/v/5tyQkhv1/file.html
-------------------------------
THE COLLAGE
-Los Angeles 1967-68: Psychedelic Folk Rock Popsike
-Produced by Phil Spector with help from Hal Blaine, Mike Deasy & other Wrecking Crew members
The Collage, Self-Titled (1967) 320
http://www12.zippyshare.com/v/qP0VazUY/file.html
-----------------------------
ACE KEFFORD
-Birmingham, UK 1968: Psychedelic Pop Popsike
-Unreleased album from founding member of The Move
-Complete 1968 unreleased album plus A’s, B’s & unreleased from The Ace Kefford Stand and the very rare Rockstar 45
-Features Jimmy Page on “Save The Life Of My Child”
Ace Kefford “Ace The Face” (1968/2003)
http://www38.zippyshare.com/v/Feyr8OxM/file.html
Thanks Clash and Gyro for this fabulous edition
of Toussaint!! Cheers Daniel, from Spain...
Totally awesome, as always, Thank you!
BONUS 1 OF 6 @320
The Rough Guide to African Blues: Third Edition (2014)
The Source of the Blues from the Heart of the Desert. With the popularity of artists like Tinariwen and the late Ali Farka Toure, there’s been a great deal of interest in West Africa as the 'birthplace' of the Blues. If you travel to the Sahel, that hot, dry, dusty region south of the Sahara desert, you'll find strong similarities between the music of the Mande, Fulani and others and the American Delta Blues. But thats not the point of this CD. The point is to showcase some of the great names of African 'desert Blues,' and this compilation delivers. Here you'll find the Ethio-jazz orchestra of Ayalew Mesfin and the Black Lion Band, Senegalese pop star Baaba Maal (with long-time collaborator Mansour Seck), the beautiful voice of Sudan's Rasha, legendary Sahraoui igawen (griot) Mariem Hassan, and the Gnawa-inspired sound of Nuru Kane. But the real focus here is Mali, that great powerhouse of West African music. Of course, the late Ali Farka Toure is included, doing a collaboration with Corey Harris, as is his protege, Afel Bocoum. Other important Malian artists on this CD include wassoulou diva Oumou Sangare, Rokia Traore, Djelimady Tounkara, and Taureg/Wodaabe group Etran Finatawa. This is music from the heart of the desert here, and well worth buying. If you like it, there are increasingly more albums of 'desert blues' and 'Sahel pop' available in the west, including 'Festival in the Desert,' 'Putumayo Presents: Mali,' and the deluxe two-CD and booklet 'Ambiances du Sahara.' Any of these albums are great places to start your journey of 'African Desert Blues,' and who knows, maybe one day you'll even find yourself traveling to Essakane for the Festival in the Desert. (The Guardian)
CD1
http://www30.zippyshare.com/v/rCappgNj/file.html
CD2
http://www30.zippyshare.com/v/AC5SSoUy/file.html
INFO
http://www.amazon.co.uk/Rough-Guide-African-Blues-Edition/dp/B00ISIUGKK
BONUS 2 OF 6 @320
Shoe Fetish - A Tribute To Shoes '01
The modern pop underground seemingly has a bit of a love affair with the tribute album. There are a plethora of tribute records on the market with largely the same cast of characters appearing each time, and thankfully, they do tend to be consistent, if not revelatory. What sets Shoe Fetish: A Tribute to the Shoes apart from the pack, however, is that it's one of the only times where this crowd has taken on a band who is essentially one of their peers. The Shoes existed in relative obscurity through the '70s and '80s, making albums for a small but devoted cult of power pop fans, many of whom ultimately picked up guitars and started their own bands. Of the bands here, almost all are known quantities, like the Shazam and Michael Carpenter, but apart from Matthew Sweet, none are stars. Most make great, quality pop music but exist in relative obscurity, and that means that Shoe Fetish makes a lot of sense. These 22 songs actually benefit a great deal in reworked form, actually, because even a lot of the best Shoes cuts suffered from stiff, clockwork-like playing and dated production. That means many of these versions -- such as Carpenter's beefed-up, more rock-oriented "Love Is Like a Bullet" or Bobby Sutliff's jangly take on "Turnaround" -- arguably improve upon the originals. Of course, many of these bands also opt for imitation and some are so indistinguishable that they never make an impression, but on the whole, Shoe Fetish is an effective tribute to a band who many pop fans never got a chance to hear. Maybe this is their chance to start. (Allmusic)
1. Too Late - DM3
2. Karen - Matthew Sweet
3. The Tube - Astropuppees
4. Turnaround - Bobby Sutliff
5. She Satisfies - Doug Powell
6. Cruel You - Sparkle* Jets U.K.
7. Found A Girl - Cloud Eleven
8. I Can't Go Wrong - The Lolas
9. Your Very Eyes - Jeffrey Foskett
10. Curiosity - The Spongetones
11. Hangin' Around With You - The Shazam
12. Love Is Like A Bullet - Michael Carpenter
13. I Miss You - Al Chan
14. Your Imagination - The Masticators
15. I Don't Know Why - Shane Faubert
16. Tomorrow Night - Big Hello
17. Only In My Sleep - Don Dixon/Marti Jones
18. If All I Had Was You - Walter Clevenger & The Dairy Kings
19. Okay - LMNOP
20. When Push Comes To Shove - Matt Bruno
21. The Things You Do - Chewy Marble
22. Never Had It Better - The Tearaways
http://www23.zippyshare.com/v/522miaCI/file.html
INFO
http://www.amazon.com/Shoe-Fetish-Tribute-VARIOUS-ARTISTS/dp/B000056K1C
BONUS 3 OF 6 @320
Richard Harris - A Tramp Shining '68
The artist's first collaboration with composer/producer Jimmy Webb is a great record, even 35 years later, encompassing pop, rock, elements of classical music, and even pop-soul in a body of brilliant, bittersweet romantic songs by Webb, all presented in a consistently affecting and powerful vocal performance by Harris. Harris treaded onto Frank Sinatra territory here, and he did it with a voice not remotely as good or well trained as his, yet he pulled it off by sheer bravado and his ability as an actor, coupled with his vocal talents -- his performance was manly and vulnerable enough to make women swoon, but powerful and manly enough to allow their husbands and boyfriends to feel okay listening to a man's man like Harris singing on such matters. The production and arrangements by Webb were some of the lushest ever heard on a pop album of the period, with a 35-piece orchestra whose presence was more influenced by the Sgt. Pepper's Lonely Hearts Club Band album than it was by any of Nelson Riddle's work with Sinatra. Strangely enough, "MacArthur Park" -- the massive hit off the album -- isn't all that representative of the rest of the record, which relies much more on strings than brass and horns, and has a somewhat lower-key feel but also a great deal more subtlety. One can also hear the influence of Webb's then-recent work with the Fifth Dimension in the presence of the muted female chorus on "In the Final Hours" and, much more so, on "If You Must Leave My Life" (perhaps the best song on the album, and the most complex, with heavy rhythm guitar, a great beat, and lush orchestrations), which almost sounds like a lost Fifth Dimension cut. None of the support musicians are credited, though it's a safe bet that Larry Knechtel, Hal Blaine, and Joe Osborn are among those present. (Bruce Eder, Allmusic)
http://www57.zippyshare.com/v/cQO58n5B/file.html
INFO
http://www.allmusic.com/album/a-tramp-shining-mw0000094499
BONUS 4 OF 6 @320
Mojo Presents… The Black Keys and Friends '14
Cool collection of bands that have worked with or influenced The Black Keys.
1
–
The Black Keys
Fever
Written-By – B. Burton*, D. Auerbach*, P. Carney*
2
–
Dr. John
Revolution
Written-By – Brian Olive, Dan Auerbach, Dr. John, Leon Michels, Max Weissenfeldt, Nick Movshon
3
–
Hanni El Khatib
Head In The Dirt
Written-By – Dan Auerbach, Hanni El Khatib, Patrick Keeler
4
–
Bombino*
Azamane Tiliade
Written-By – Omara 'Bombino' Moctar*
5
–
Black Lips*
Do The Vibrate
Written-By – Black Lips*
6
–
Stephen Dale Petit
Holla
Featuring – Hubert Sumlin, Mick Taylor, Patrick Carney
Written-By – Stephen Dale Petit
7
–
The Sheepdogs
Feeling Good
Written-By – Ewan Currie, Pat Carney*
8
–
Pete Molinari
So Long Gone
Written-By – Pete Molinari
9
–
Junior Kimbrough
Everywhere I Go
Written-By – Junior Kimbrough
10
–
Bo Diddley
Who Do You Love?
Written-By – Ellas McDaniel
11
–
Valerie June
Wanna Be On Your Mind
Written-By – Dan Auerbach, Kevin Augunas, Valerie June
12
–
Jessica Lea Mayfield
Our Hearts Are Wrong
Written-By – Jessica Lea Mayfield
13
–
Tennis (6)
It All Feels The Same
Written-By – Alaina Moore*, Patrick Riley*
14
–
R.L. Burnside
Skinny Woman
Arranged By – R.L. Burnside
Written-By – Traditional
15
–
The Black Keys
Gold On The Ceiling (Live In Studio)
Written-By – B. Burton*, D. Auerbach*, P. Carney*
http://www30.zippyshare.com/v/SSv22XpK/file.html
INFO
http://www.discogs.com/Various-The-Black-Keys-And-Friends/release/5675672
BONUS 5 OF 6 @320
Bonnie Bramlett - It's Time '74 Lady's Choice '76
Raven Records has an uncanny knack for reissuing the right lost rock, country, and R&B titles. This pairing of Bonnie Bramlett's second and third solo outings after she and Delaney divorced is a case in point. Originally issued on Capricorn, both of these recordings -- dating from 1974 and 1976, respectively -- were produced by the great Johnny Sandlin of Allman Brothers fame. There is no attempt to reach the pop charts with these; they are both solid rock and R&B outings with a cast of musicians that would make anybody's head spin. On It's Time, Gregg Allman, Butch Trucks, Jaimoe, and Chuck Leavell from the Allmans all lend a hand, as do Eddie Hinton, Clydie King, Randall Bramblett, and a cast of two-dozen others. On Lady's Choice, Dickey Betts and Barry Beckett join the fold as well. Bramlett's voice is in fine form through this two-fer, doing singular interpretations of songs such as Hinton's "Cover Me" and "Where You Come From," as well as a funky version of the Jackie Wilson signature soul nugget "Higher & Higher" (before Rita Coolidge's revival read of it), Ivory Joe Hunter's "Since I Met You Baby," and Gregg and Janice Allman's "Oncoming Traffic." Her performance is right-from-the-heart gritty Southern soul. On the latter set, her reads of soul classics such as David Porter and Isaac Hayes' "Hold On, I'm Comin'," Sam Cooke's "You Send Me," Gamble & Huff's "Never Gonna Give You Up," Jimmy Reed's "Ain't That Loving You Baby," and Ashford & Simpson's "Let's Go Get Stoned" are more than just inspired, they are revelatory. There are a few surprises here as well, such as the proto-soul version of Gloria Jones' "If I Were Your Woman." In addition, the reads of the early Motown hit "You Really Got a Hold On Me" and Hank Ballard's "Let's Go, Let's Go, Let's Go," as fine as they are, are merely setups for an absolutely riveting and radical reinterpretation of Bob Dylan's "Forever Young." These two albums are presented in deluxe remastered sound with great liner notes for a fair price. (Tham Jurek, Allmusic)
http://www81.zippyshare.com/v/fDQ77fEe/file.html
INFO
http://www.allmusic.com/album/its-time-ladys-choice-mw0000327059
BONUS 6 OF 6 @320
Hank Snow - Most Requested Of All Time (Bear Family BCD 17351)
The concept behind Bear Family's 2014 collection is simple. They partnered with the Hank Snow Home Town Museum in Liverpool, Nova Scotia to present a compilation of 18 of the most popular -- aka "the most requested," the songs mentioned most by visitors to the museum -- Snow songs, adding a previously unreleased Rainbow Ranch Recording of an instrumental, "Am I Losing You," as collector bait. There are indeed many, many hits here -- "I'm Movin' On" and "I've Been Everywhere," of course, plus a host of other songs ranging from "(Now and Then There's) A Fool Such as I" to 1974's "Hello Love," his last number one -- but the catch is, with the exception of "Yellow Roses" and "Down the Trail of Achin' Hearts," all of this was recorded between 1960-1974, which means if a Snow single hit the charts prior to this era, it's a re-recording. This is bound to frustrate some listeners but others may be pleased, because these '60s vintage sides are richer, warmer, and smoother than the hard-lined boogie and country from the '40s and '50s (and Snow does a nice job with such '70s standards as "Snowbird," too). And that's where the association with the museum comes into play: this isn't a historical compilation so much as it is a celebration of an icon, and it works quite well in that regard. (Stephen Thomas Erlewine, Allmusic)
19 songs with over 55 minutes playing time. Every Hank Snow fan has his favorite song. Some are Snow's well-known hits, while others are more obscure cuts from favorite albums. In honor of the 100th anniversary of Hank Snow's birth on May 9, 1914, BEAR FAMILY is proud to release this collection of the most requested Hank Snow songs, based on inquires received by the Hank Snow Home Town Museum in Liverpool, Nova Scotia, Canada. The collection includes many of Snow's biggest hits from his amazing seven decade career like I'm Movin' On, I've Been Everywhere and (Now And Then There's) A Fool Such As I, as well as lesser known fan favorites like Black Diamond and A Daisy A Day. Also included are Canada-centric classics My Nova Scotia Home and Squid Jiggin' Ground, along with Snow's unique versions of songs that were big hits for other artists like Green, Green Grass Of Home and Snowbird. The disc includes 18 classic Hank Snow favorites along with extensive liner notes detailing the story behind each track. A fitting tribute to the 'Singing Ranger' with the previously unissued Am I Losing You, who is still loved by his fans around the world. (The Guardian)
1. Green Green Grass Of Home
2. Squid Jiggin' Ground
3. These Hands
4. I'm Movin' On
5. Black Diamond
6. I've Been Everywhere
7. My Nova Scotia Home
8. Just A Faded Petal From A Beautiful Bouquet
9. The Last Ride
10. (Now And Then There's) A Fool Such As I
11. A Daisy A Day
12. My Mother
13. Down The Trail Of Achin' Hearts (& Anita Carter)
14. Hello Love
15. Little Buddy
16. Nobody's Child
17. Snowbird
18. Yellow Roses
19. Am I Losing You (instrumental - previously unissued Bonus Track)
http://www37.zippyshare.com/v/oPDQx9bf/file.html
INFO
http://www.allmusic.com/album/hank-snows-most-requested-of-all-time-mw0002638837
http://www.amazon.com/Hank-Snows-Most-Requested-Time/dp/B00I87XARC
Ray Charles, Rolling Stones and many others made I'm Movin' On a classic. God Bless Hank Snow.
Thanks so much Gyro for the African blues. If similar African
music were possible, it would be heaven for me ;-)
Cheers Daniel, from Spain...
A REQUEST: Could anyone post:
Ella Fitzgerald Louis Armstrong - "Ella And Louis" (1956)
, the forerunner of "Ella & Louis Again"? (if possible at 320).
Thanks for your attention, whether possible or not.
P.S.: It's funny that E&L was the idea of Ella when she saw
Louis's sagging career at that moment, and also ailing health.
It was a smash album, and the rest is history; actually it
made possible for the younger generations to discover Louis's
incredible singing (nothwithstanding the great Ella).
Cheers Daniel, from Spain...
Thanks to LoFi Larry for One-Album Wonders.
A REQUEST: Could anyone post:
Brown Eyed Soul: The Sound of East L.A. [Box]
http://www.allmusic.com/album/brown-eyed-soul-the-sound-of-east-la-box-mw0000047940
Thanx RYP & Gyro66 for all New Orleans Today !
Thanks everybody here too for all that wealth.
Thanks for Allen Toussaint.
cheers,ELtel
Many thanks for the Shoes tribute & Hank Snow. And big thanks to LoFi for another batch of one-album wonders.
ho la lo fi larry, i always look forward with gleeful anticipation to see what one-album wonders you'll introduce to us. the abundance is bountiful. Lovin' it! A million thanks!
Thanks RYP
The Alan Toussaint is a great share.
Regards
Rhod
Tanx for more 1-A-W's!
Thanks for the David Marks, Growing Concern and Hank Snow!
Love it!
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