Los Peyotes is the band that revitalized 60s Garage Punk in South America. These 5 Peruvian-Argentinian boys with a double life, go out at night to do the best thing they can do: garage and caveman rock and roll. Los Peyotes was founded in 1996 and never looked back. Their music is shot with instruments vintage and valve amps that next to their aesthetic a go go, causes cocktail hallucinogenic exclusive for collectors and understood. Sound fuzz, tremolo, vibrato and farfisa organ is guaranteed. Its performance is the best, pure gratuitous savagery with a public wild accomplice and that together gives to the frame to true sixties troglodytic parties. They are voracious all-consuming of all garage music of the Sixties.
trax:
01 El Corredor Quemado 02 Action 03 El Humo Te Hace Mal 04 Vampiro 05 Scream 06 La Malvada dek Dr Ilsusion 07 El Entierro de los Gatos 08 Psicosis V 09 Back Come to Me 10 I Don't Mind 11 Serial Killer 12 Connection 13 No Puedo Hacerte Mia
...Many thanks to clash for this share! served by Gyro1966...
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17 comments:
Los Peyotes "Introducing…"
...Many thanks to clash for this share! served by Gyro1966...
gitit! no pw
http://www72.zippyshare.com/v/gKyoWiX0/file.html
Disco Demands - Soulid Soul Sensations.rar
http://www79.zippyshare.com/v/0IjkSCEh/file.html
great disco demands - pye records (DDLP5002 mono).rar
http://www68.zippyshare.com/v/EN2OLGIa/file.html
Many thanks to the Northern Madman for this LP
cheers,ELtel
To all here at TZ, a very happy 2016.
cheers,ELtel
BONUS 1 OF 9 @320
Elvis Presley - Pot Luck '62
One of the great ironies about Pot Luck with Elvis is its title, from which one could reasonably infer that it was a collection of leftovers. In fact, Pot Luck was Elvis Presley's last collection of new secular material recorded with a specific album release in mind until seven years later, and a lot less of a "pot luck" affair musically than any of the non-hits studio albums that were ever released of Elvis' material. The album is still a bit uneven, continuing the decline begun with Something for Everybody. While there are several excellent, continually underrated tracks ("Donna Get Back Home Somehow," "Night Rider," "(Such An) Easy Question" and, of course, "Suspicion"), the quality of the songs is somewhat uneven, the ballads especially tending toward the lugubrious. The original release, which charted for 18 weeks and reached number four at its peak, never registered as strongly with the public as his soundtracks of the period did, and this relative failure (the Blue Hawaii soundtrack having charted for more than a year, with months spent at number one) may have forced Presley and his manager to concentrate on film work from this point on, as a commercial necessity. The sad part of that decision was that Pot Luck was a great vehicle for Presley's voice as it was evolving -- "She's Not You" brilliantly showcased the softer, more intense singing style that had manifested itself just a few months earlier with "Can't Help Falling in Love." [The 1999 remastering benefits from superior sound and a 17-song lineup, reaching back to March 1961 for its songs, including the gorgeous "Fountain of Love" and the haunting, gospel-like "That's Someone You Never Forget," which was co-authored by Presley and is one of his best non-hit songs of this era.] (Bruce Eder, Allmusic)
A1
Kiss Me Quick
2:46
A2
Just For Old Time Sake
2:07
A3
Gonna Get Back Home Somehow
2:28
A4
(Such An) Easy Question
2:19
A5
Steppin' Out Of Line
1:51
A6
I'm Yours
2:20
B1
Something Blue
2:56
B2
Suspicion
2:35
B3
I Feel That I've Known You Forerver
1:38
B4
Night Rider
2:07
B5
Fountain Of Love
2:13
B6
That's Someone You Never Forget
2:48
CD 16 OF 50
http://www78.zippyshare.com/v/oJpEwmuY/file.html
INFO
http://www.allmusic.com/album/pot-luck-with-elvis-mw0000199484
BONUS 2 OF 9 @320
Elvis Presley - Elvis Double Features: Kid Galahad + Girls! Girls! Girls! '62
1
King Of The Whole Wide World
2
This Is Living
3
Riding The Rainbow
4
Home Is Where The Heart Is
5
I Got Lucky
6
A Whistling Tune
Girls! Girls! Girls!
7
Girls! Girls! Girls!
8
I Don't Wanna Be Tied
9
Where Do You Come From
10
I Don't Want To
11
We'll Be Together
12
A Boy Like Me, A Girl Like You
13
Earth Boy
14
Return To Sender
15
Because Of Love
16
Thanks To The Rolling Sea
17
Song Of The Shrimp
18
The Walls Have Ears
19
We're Coming In Loaded
20
Mama
21
Plantation Rock
22
Dainty Little Moonbeams
23
Girls! Girls! Girls! (End Title Version)
CD 17 OF 50
http://www78.zippyshare.com/v/8E1W9uQM/file.htmlBONUS 3 OF 9 @320
INFO
http://www.discogs.com/Elvis-Presley-Kid-Galahad-And-Girls-Girls-Girls/release/3868287
BONUS 3 OF 9 @320
Elvis Presley - Elvis Double Features: It Happened At The World's Fair & Fun In Acapulco '63
Out of print in the U.S.! Digitally remastered installment in the Elvis Double Features series includes the complete soundtracks to a pair of Elvis' '60s fun-filled feature films. The artwork is superior to the deleted domestic titles as it features photos of the original vinyl releases on the cover. This CD contains all the songs from the movies It Happened At The World's Fair and Fun in Acapulco (both originally released in 1963) plus bonus tracks. Elvis' acting may have been a little stiff, but his vocal performances on his soundtrack recordings were always electrifying. 22 tracks including 'They Remind Me Too Much Of You', 'One Broken Heart For Sale' and 'No Room To Rhumba In A Sports Car'. Camden..
1. Beyond The Bend
2. Relax
3. Take Me To The Fair
4. They Remind Me Too Much Of You
5. One Broken Heart For Sale (Film Version)
6. I'm Falling In Love Tonight
7. Cotton Candy Land
8. World Of Our Own
9. How Would You Like To Be
10. Happy Ending
11. One Broken Heart For Sale
12. Fun In Acapulco
13. Vino, Dinero Y Amor
14. Mexico
15. Toro
16. Marguerita
17. Bullfighter Was A Lady
18. (There's) No Room To Rhumba In A Sports Car
19. I Think I'am Gonna Like It Here
20. Bossa Nova Baby
21. You Can't Say No In Acapulco
22. Guadalajara
CD 18 OF 50
http://www78.zippyshare.com/v/u83d861v/file.html
INFO
http://www.discogs.com/Elvis-Presley-Elvis-Double-Features-It-Happened-At-The-Worlds-FairFun-In-Acapulco/release/3852964
http://www.amazon.com/Happened-Worlds-Fair-Fun-Acapulco/dp/B0002W0ZRY
BONUS 4 OF 9 @320
Elvis Presley - Elvis' Golden Records (Volume 3) '61
The original Elvis' Golden Records, Vol. 3 was, like its predecessors, an unprecedented release -- no one in rock & roll up to that point, other than Elvis, had ever legitimately earned a second greatest-hits volume, much less a third. This is also the place where the legitimately softer, more mature Presley replaces the angry young Elvis represented on the first two volumes. On a sexual level, songs like "Stuck on You," "It's Now or Never," "Fame and Fortune," "I Gotta Know," and "Surrender" offer seduction rather than diverting violation. He might no longer have been a rebel, but as represented on the original ten songs of this album, he was still making the Top Five and even the top of the charts regularly with work that was legitimately fine early-'60s rock & roll and pop/rock. "His Latest Flame" or "Good Luck Charm" might not have been groundbreaking musical statements of the caliber of "Heartbreak Hotel" or "Blue Suede Shoes," but in Elvis' hands they were worth hearing over and over. The original 12 songs have been augmented by six more, including "Can't Help Falling in Love" (which should have been on this disc to begin with) and the hauntingly beautiful "Girl of My Best Friend," which was a number two hit in England (and may be the prettiest song Elvis ever cut), plus "Wild in the Country" and "Wooden Heart" (a hit in Europe) from G.I. Blues. The producers have stuck with the most tasteful and intriguing numbers from the films, within the time frame of the original release, the annotation is thorough, and the 1997 remastered sound runs circles around all prior editions. (Bruce Eder, Allmusic)
1. It's Now Or Never
2. Stuck On You
3. Fame And Fortune
4. I Gotta Know
5. Surrender
6. I Feel So Bad
7. Are You Lonesome Tonight
8. His Latest Flame
9. Little Sister
10. Good Luck Charm
11. Anything That's Part Of You
12. She Is Not You
CD 19 OF 50
http://www78.zippyshare.com/v/dDgmYOqD/file.html
INFO
http://www.allmusic.com/album/elvis-golden-records-vol-3-mw0000207882
http://www.amazon.com/Elvis-Gold-Records-Vol-3/dp/B000002X35
BONUS 5 OF 9 @320
Elvis Presley - Elvis Double Features: Kissin' Cousins '64 + Clambake + Stay Away, Joe '67
1. Kissin Cousins (Number 2)
2. Smokey Mountain Boy
3. Theres Gold In The Mountains
4. One Boy Tow Little Girls
5. Catchin On Fast
6. Tender Feeling
7. Anyone (Could Fall In Love With You)
8. Barefoot Ballad
9. Once Is Enough
10. Kissin Cousins
11. Clambake
12. Who Needs Money
13. A House That Has Everything
14. Confidence
15. Hey Hey Hey
16. You Dont Know Me (Original Film Version) (Prev Unreleased)
17. The Girl I Never Loved
18. How Can You Lose What You Never Had
19. Clambake (Reprise) (Previously Unreleased)
20. Stay Away Joe
21. Dominic (Previously Unreleased)
22. All I Needed Was The Rain
23. Goin Home
24. Stay Away
CD 20 OF 50
http://www26.zippyshare.com/v/6lqck6t2/file.html
INFO
http://www.amazon.com/Kissin-Cousins-Clambake-Stay-Away/dp/B000008JK8
BONUS 6 OF 9 @320
Return Of The Grievous Angel: A Tribute to Gram Parsons '99
Although he's not as well known outside music circles as Jimi Hendrix or Kurt Cobain, the early death of Gram Parsons was arguably just as great a loss. Parsons' country-rock hybrid became a touchstone for artists from the Rolling Stones to Elvis Costello to the '90s "alternative country" giants Uncle Tupelo and the Jayhawks. In addition to his importance as a songwriter, Parsons gave Emmylou Harris her big break. Now, Harris and co-executive producer Paul Kremen have handpicked an all-star list of artists, including Costello as well as Tupelo and Jayhawks descendants Wilco and the Rolling Creekdippers, for Return of the Grievous Angel: A Tribute to Gram Parsons. The songs, culled from Parsons' early days with the Byrds through his posthumously released solo album, Grievous Angel, are uniformly excellent, or better. The best covers, like Lucinda Williams and David Crosby's "Return of the Grievous Angel" and the Rolling Creekdippers' "In My Hour of Darkness," feature the soaring, intertwined harmonies Parsons and Harris turned into magic on the originals. Harris herself joins the Pretenders ("She"), Beck ("Sin City"), and Sheryl Crow ("Juanita") for songs Parsons did before he began recording with her. The resulting duets evoke why the original Grievous Angel, featuring Harris, was so stunning. (Mark Morgenstein, Allmusic)
The gentle hand of Emmylou Harris guides this tribute to ill-fated country-rock avatar Gram Parsons, which goes a long way toward explaining why this star-studded salute avoids the pitfalls that befall many such projects. Harris got her start harmonizing with the patron saint of alt country, contributing mightily to Parsons's two early 1970s solo albums and reviving selections from his small, but indispensable, oeuvre throughout her career. She has a vested interest in finding a true connection between her former benefactor and this cast of Parsons partisans. Here she bands together a flock of followers who range from obvious offspring (Wilco, Gillian Welch, Whiskeytown) to not-so-evident disciples (Beck, the Pretenders, Sheryl Crow). Parsons's partner in the Flying Burrito Brothers, Chris Hillman, teams with Steve Earle on "High Fashion Queen," and David Crosby (like Parsons and Hillman, an ex-Byrd) joins Lucinda Williams on "Return of the Grievous Angel." Harris harmonizes with Beck on "Sin City" and shares the mic with Crow on "Juanita," one of the collection's highlights. Ultimately, Harris has assembled a homage that would've pleased her old mentor. --Steven Stolder
1. She (Pretenders & Emmylou Harris)
2. Ooh Las Vegas (Cowboy Junkies)
3. Sin City (Beck & Emmylou Harris)
4. $1,000 Wedding (Evan Dando & Julianna Hatfield)
5. Hot Burrito #1 (The Mavericks)
6. High Fashion Queen (Chris Hillman & Steve Earle)
7. Juanita (Sheryl Crow & Emmylou Harris)
8. Sleepless Nights (Elvis Costello)
9. Return Of The Grievous Angel (Lucinda Williams & David Crosby)
10. One Hundred Years From Now (Wilco)
11. A Song For You (Whiskeytown)
12. Hickory Wind (Gillian Welch)
13. In My Hour Of Darkness (The Rolling Creekdippers)
http://www9.zippyshare.com/v/fQGvwQKO/file.html
INFO
http://www.allmusic.com/album/return-of-the-grievous-angel-a-tribute-to-gram-parsons-mw0000238824
http://www.amazon.com/Return-Of-The-Grievous-Angel/dp/B00000JMXD
BONUS 7 OF 9 @320
Big Star - Third/Sister Lovers '75
A shambling wreck of an album, Big Star's Third/Sister Lovers ranks among the most harrowing experiences in pop music; impassioned, erratic, and stark, it's the slow, sinking sound of a band falling apart. Recorded with their label, Stax, poised on the verge of bankruptcy, the album finds Alex Chilton at the end of his rope, sabotaging his own music long before it can ever reach the wrecking crew of poor distribution, indifferent marketing, and disinterested pop radio. His songs are haphazardly brilliant, a head-on collision between inspiration and frustration, and the album is a kind of self-fulfilling prophecy, each song smacking of utter defeat and desperation. The result is either one of the most vividly emotional experiences in pop music or a completely wasted opportunity. While the truth probably lies somewhere in between, there's no denying Third's magnetic pull -- it's like an undertow. Originally appearing under the name 3rd on PVC Records in 1978, Rykodisc's 1992 release is the initially definitive edition of this unfinished masterpiece, its 19 tracks most closely approximating the original planned running order while restoring the music's intended impact. In addition to unearthing a blistering cover of the Kinks' "Till the End of the Day" and a haunting rendition of Nat King Cole's "Nature Boy," it also appends the disturbing "Dream Lover," which distills the album's messiest themes into less than four minutes of psychic torment. (Jason Ankeny, Allmusic)
http://www73.zippyshare.com/v/JwtsOxQa/file.html
INFO
http://www.amazon.com/Third-Sister-Lovers-BIG-STAR/dp/B0000009OB
BONUS 8 OF 9 @320
Tommy Hooker - It Should Be Easier Now...but It Ain't '15
Tommy Hooker exemplifies everything that is good and real about traditional Texas Honky Tonk music.
http://www62.zippyshare.com/v/0AePnqGN/file.html
INFO
https://www.cdbaby.com/cd/tommyhooker22
http://www.tommyhooker.com/music.html
BONUS 9 OF 9 @320
The New Basement Tapes - Lost On The River (2014 Deluxe Edition) '14
When a clutch of unfinished lyrics written during Bob Dylan's 1967 sojourn at Big Pink in Woodstock, New York was discovered in 2013, there were really only two choices left for his publisher: either they could be collected as text or set to music. Once the decision to turn these words into songs was made, there was really only one logical choice to direct the project: T-Bone Burnett, the master of impressionistic Americana. He had played with Dylan during the Rolling Thunder Revue of 1975 and 1976 -- a tour that happened to occur in the wake of the first official release of The Basement Tapes -- but more importantly, his 2002 work on the Grammy-winning O Brother Where Art Thou? soundtrack established him as deft modernizer of classic American folk and country, skills that were needed for an album that wound up called Lost on the River. Burnett decided to assemble a loose-knit band of Americana superstars to write the music and play as a band. That's how Burnett's old pal Elvis Costello, Jim James of My Morning Jacket, Taylor Goldsmith of Dawes, Marcus Mumford of Mumford & Sons, and Rhiannon Giddens of the Carolina Chocolate Drops became a band called the New Basement Tapes (the name seems more of a formality than an actual moniker), and if Burnett's intent was to approximate the communal spirit Dylan had with the Band at Big Pink, the execution was much different. The New Basement Tapes recorded Lost on the River in a real studio fully aware there was an audience awaiting their output, an attitude that's the polar opposite of the ramshackle joshing around of the original Basement Tapes. Thankfully, nobody involved with Lost on the River contrives to replicate either the sound or feel of the 1967 sessions, even if the artists consciously pick up the strands of country, folk, and soul dangling on the originals. Wisely, the songwriters steer their given lyrics toward their own wheelhouses, which means this contains a little of the woolliness of a collective but Burnett sands off the rough edges, tying this all together. Certainly, some musicians make their presence known more than others -- there's a slow, soulful ease to James' four contributions that stand in nice contrast to Costello's canny bluster ("Married to My Hack" would've fit onto any EC album featuring Marc Ribot) -- but the best work might come from Goldsmith, who strikes a delicate, beguiling balance between his own idiosyncrasies and the Americana currents that flow out of The Basement Tapes. Then again, the whole project is rather impressive: Burnett and the New Basement Tapes remain faithful to the spirit of The Basement Tapes yet take enough liberties to achieve their own identity, which is a difficult trick to achieve. (Stephen Thomas Erlewine, Allmusic)
http://www83.zippyshare.com/v/9Ys2UeVD/file.html
INFO
http://www.allmusic.com/album/lost-on-the-river-mw0002740857
Thanks ElTel for the Disco Demands. Happy New Year!
Who's this Elvis bloke then?
front the Attractions back at Stiff, I think
Thanks, RYP, Eltel and Gyro.
I too am anonymous.
Tanx for Los Peyotes!
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