In 1952 the song writing team Jerry Leiber and Mike Stoller had their first hit with Charlies Brown’s “Hard Times”. In 1953 they formed Spark Records for the singing group The Robins. It was all on the West Coast, but when The Robbins had a hit with “Smokey Joe’s Café” and got nationwide distribution by Atlantic, who even bought Spark Records, the song writing team moved to New York.The remains of The Robbins became The Coasters, who had several hits written by Leiber & Stoller. All was in the R&B genre. Then they moved to the new Rock and Roll wave and Elvis started to record their songs. Most well known is perhaps “Jailhouse Rock”. While connected to Atlantic Leiber & Stoller wrote songs for Ruth Brown, Big Joe Turner, Clyde McPhatter and LaVern Baker. Then they were asked to help resurrect The Drifter’s career. Later on it led to the solo career of Ben E. King the lead singer. A young Phil Spector was the producer overseen by Leiber & Stoller.
In 1962 they split with Atlantic over disagreement about their royalty. They often only got 2 cents a record for producing and writing. Jerry Leiber is cited for saying: “Why should we settle for two cents when we could have our own record company and get twenty-one cents?” So – in November 1963 - they formed a new record company with two labels: Daisy and Tiger. They got Jeff Barry and Ellie Greenwich to produce and write. Leiber & Stoller were still producing and writing for other companies.
In 1964 they started a third label: RED BIRD and hit the # 1 in April 1964 with the second release: The Dixie Cups with “Chapel of Love”. Later they even added a fourth label: Blue Cat. In April 1966 Leiber & Stoller sold RED BIRD and Blue Cat for 1$, just to get out of it. They were clever enough to hold on to the publishing rights! A total of 83 releases were made.
INFO: http://www.the-discographer.dk/vinyl/red-bird-disko.pdf
trax:
1. New York's a Lonely Town - The Tradewinds 2. The Girl from Greenwich Village - The Tradewinds 3. Summertime Girl - The Tradewinds 4. Top Down Time - The Rockaways 5. The Dum Dum Ditty - The Goodies 6. Sophisticated Boom Boom - The Goodies 7. Gee Baby Gee - The Jelly Beans 8. Another Boy Like Mine - Ellie Greenwich 9. Baby - Ellie Greenwich 10. You Don't Know - Ellie Greenwich 11. Our Love Can Still Be Saved - Jeff Barry 12. I'll Still Love You - Jeff Barry 13. Nobody But You - Steve Rossi 14. I Hear You Say (I Love You Baby) - Andy Kim 15. Falling in Love - Andy Kim 16. I Know He Loves Me - Chi Chi McCauley 17. Memory Lane Without You - Chi Chi McCauley 18. The Hideaway - The Young Generation 19. Hey Little Girl - Jimmie Cross 20. You Never Had It So Good - The Four-Evers 21. Spanish Perfume - Jimmy Rice 22. It's What's Happenin' Baby - Murray The "K" 23. My Life - Orpheus 24. Love Isn't Like That - Ral Donner 25. It Will Only Make Me Love You More - Ral Donner 26. He Will Break Your Heart - Kane & Abel 27. Talk to Me Baby - Barry Mann 28. We Gotta Get out of This Place - Barry Mann 29. Little Girl - Tiny Tim 30. April Showers - Tiny Tim 31. Dressed in Black - Shadow Morton 32. The Story of Christmas - Shadow Morton & Little Joseph
...served by Gyro1966...

12 comments:
"The Red Bird Sound" Vol. 4
...served by Gyro1966...
gitit! no pw
http://www25.zippyshare.com/v/SpnjOn15/file.html
Always loved the Red Bird and Blue Cat singles labels. Jeff Barry and Ellie Greenwich captured the trivial joys of being a teenager in classic ways. Bravo on these Red Bird collections. And thank you Gyro!!
Gyro --
Didn't we have a Red Bird Girls set last year sometime? That was a great set with studio outtakes, but these volumes expand so much more on the previous set. Thank you. I'm enjoying these very much.
BONUS 1 OF 7
Bo Kirkland & Ruth Davis - You're Gonna Get Next to Me: The Complete Claridge Recordings 1975-1978 @320
Bo Kirkland and Ruth Davis You're Gonna Get Next To Me was one of the biggest UK club hits of 1976. A pan-European chart hit, it reached #12 in the UK and became one of the most danced-to records of the year.
Bo And Ruth, the duo's sole Claridge Records album, contained not only this hit but also five other US R&B chart singles. It has been out of print for almost 35 years, but now makes its digital debut as part of this new Kent CD, which brings together all of their recordings for Claridge.
With the exception of their two UK chart records - the other being their revival of country star Freddie Hart's Easy Loving, which was their biggest US R&B chart success - none of these tracks have been reissued since Claridge closed in 1978.
As well as all their duets, You're Gonna Get Next To Me also contains one solo single apiece from Bo and Ruth, to make this a truly 'complete' package.
The sweet soul harmony of Bo and Ruth make this the perfect package for all fans of quality 70s soul music.
http://www48.zippyshare.com/v/wZ0azotk/file.html
INFO
http://www.amazon.com/Youre-Gonna-Get-Next-Recordings/dp/B00O98F7KM
BONUS 2 OF 7
Bob Dylan - Bob Dylan (1962, MFSL 2015) @320
Bob Dylan's first album is a lot like the debut albums by the Beatles and the Rolling Stones -- a sterling effort, outclassing most, if not all, of what came before it in the genre, but similarly eclipsed by the artist's own subsequent efforts. The difference was that not very many people heard Bob Dylan on its original release (originals on the early-'60s Columbia label are choice collectibles) because it was recorded with a much smaller audience and musical arena in mind. At the time of Bob Dylan's release, the folk revival was rolling, and interpretation was considered more important than original composition by most of that audience. A significant portion of the record is possessed by the style and spirit of Woody Guthrie, whose influence as a singer and guitarist hovers over "Man of Constant Sorrow" and "Pretty Peggy-O," as well as the two originals here, the savagely witty "Talkin' New York" and the poignant "Song to Woody"; and it's also hard to believe that he wasn't aware of Jimmie Rodgers and Roy Acuff when he cut "Freight Train Blues." But on other songs, one can also hear the influences of Bukka White, Blind Lemon Jefferson, Blind Willie Johnson, and Furry Lewis, in the playing and singing, and this is where Dylan departed significantly from most of his contemporaries. Other white folksingers of the era, including his older contemporaries Eric Von Schmidt and Dave Van Ronk, had incorporated blues in their work, but Dylan's presentation was more in your face, resembling in some respects (albeit in a more self-conscious way) the work of John Hammond, Jr., the son of the man who signed Dylan to Columbia Records and produced this album, who was just starting out in his own career at the time this record was made. There's a punk-like aggressiveness to the singing and playing here. His raspy-voiced delivery and guitar style were modeled largely on Guthrie's classic '40s and early-'50s recordings, but the assertiveness of the bluesmen he admires also comes out, making this one of the most powerful records to come out of the folk revival of which it was a part. Within a year of its release, Dylan, initially in tandem with young folk/protest singers like Peter, Paul & Mary and Phil Ochs, would alter the boundaries of that revival beyond recognition, but this album marked the pinnacle of that earlier phase, before it was overshadowed by this artist's more ambitious subsequent work. In that regard, the two original songs here serve as the bridge between Dylan's stylistic roots, as delineated on this album, and the more powerful and daringly original work that followed. One myth surrounding this album should also be dispelled here -- his version of "House of the Rising Sun" here is worthwhile, but the version that was the inspiration for the Animals' recording was the one by Josh White. (Bruce Eder, Allmusic)
http://www48.zippyshare.com/v/zqIOnyI9/file.html
INFO
http://www.allmusic.com/album/bob-dylan-mw0000205218
BONUS 3 OF 7
Best Of Unart Records @320
A collection of 30 tracks recorded for the New York based Unart label in the late 50s. A mix of R&B, doo-wop, pop and blues. It includes three tracks by the superb Falcons including their classic hit You're So Fine, it includes the obscure Ritchie Valens tribute song A Letter To Donna by The Kittens and a couple of hot blues tracks from Wendell Smith and Bobby Long. It also features The Five Delights, Delicates, Del Knights, Bobbi & The Beaus, The Acorns, Embers, etc. (Roots & Rhythm)
trax:
1. Okey Dokey Mama - The Five Delights 2. Hearts Desire - The Avalons 3. You're So Fine - The Falcons 4. A Letter To Donna - The Kittens 5. Ronnie Is My Lover - The Delicates 6. Angel - The Acorns 7. Calling (For The One I Love) - Bobby Long & Group 8. Compensation - The Del Knights 9. Crying In The Chapel - Mary Swan & Group 10. Country Shack - The Falcons 11. Losing Game - Bobbi & The Beaus 12. Ring A Ding - Delicates 13. Your Name And Mine - The Acorns 14. Everything - The Del Knights 15. Goddess Of Angels - The Falcons 16. Melvin - Bobbi & The Beaus 17. It's All Over Now - The Kittens 18. You're Mine - The Falcons 19. Ebb Tide - The Avalons 20. Black And White Thunderbird - The Delicates 21. Loveable You - Willis Sanders & The Embers 22. Nashville Tennessee - Wendell Smith & Group 23. There'll Be No Goodbye - The Five Delights 24. I'm Gonna Stick To You - The Acorns 25. Did You Ever Dream Lucky - Bobby Long & Group 26. Dancin' - Mary Swan & Group 27. Honey Bun - Willis Sanders & The Embers 28. Meusurry - The Delicates 29. Walkie Talkie - Jackie Clark 30. Please Come Back - The Acorns
http://www40.zippyshare.com/v/KXIf82Gw/file.html
INFO
http://twilightzone-rideyourpony.blogspot.com/2011/12/best-of-unart-records.html
Thanks RYP, I`ve always liked Red Bird (AdLibs,etc) so I`m lovin` these posts!
Gyro,thank you for sharing,Unart Records and all things Bob Dylan.
thanks for the "Red Bird" Gyro.
cheers,ELtel
Thanks
Thanks Thanks Thanks.
Tanx for Bo & Ruth also the Unart!
Post a Comment