Thursday, 2 October 2014

JESSE THOMAS "Complete Recorded Works 1948-1958"

This 28-song compilation is a serious listening workout, in the best possible meaning of the description. Assembled here are all of the post-World War II sides by Jesse Thomas, recorded variously for Miltone Records, his own short-lived Club label, Freedom, Modern, Swing Time, Specialty, Elko, and Hollywood, across a period of ten years. This was a period in which Thomas embraced a vast range of sounds, all of them with remarkable effectiveness but without a lot of consistency. One of Thomas' virtues and problems was that he may have been too versatile for his own good -- based on the evidence of this collection, on which no two groups of recordings, even done within the same year (albeit for different labels) sound the same, he seems not to have stuck with a sound long enough to have built an audience. The Miltone sides which open this set, all done by Thomas solo on vocals and electric guitar, are a case in point -- his singing is fine, and the second Miltone side, in particular, "D. Double Due Love You," is notable not only for the vocal acrobatics in which Thomas engages, but also his guitar pyrotechnics anticipate elements of Chuck Berry's playing a decade hence, on numbers such as "Guitar Boogie" (which, itself, became the basis for the Yardbirds' "Jeff's Boogie"). But when Thomas cut sides for release on his own Club label, he was accompanied by a pianist (identity unknown); and these show him in a much more interesting role, playing off of the unknown pianist on the instrumental "Melody in C," while "You Are My Dreams" captures him stretching out better as a singer than the Miltone sides; and "I Wonder Why" and "Another Friend Like You" demonstrate Thomas developing a much more accessible edge to his singing, closer to RIB than pure country blues. And on the Freedom sides, which follow, he's working with saxmen Sam Williams and Conrad Johnson, and he's reaching for notes and effects as a singer that seemingly weren't in his repertory a year or two before. But then, on the early Modern sides -- two of which were unissued until the release of this CD -- he's working solo again. Finally, on Swing Time two years later, in 1951, he's plucking along with a small band working in dance rhythms, and he's never sounded better. But by this time, anyone who'd heard Thomas' previous records might wonder precisely what he was offering musically. And, amazingly, what he was offering by then happened to be amazingly close (for 1951) to what soon became rock & roll -- even the appropriately titled "I Am so Blue," with its rippling piano figure (player unknown), could have qualified as a pretty hot dance number for teenagers. And then there's the guitar-driven "Long Time," with its brittle, amplified guitar figure, out in front with Thomas' vocal -- which sounds as though Willie Johnson sneaked out of a Howlin' Wolf session to play here; whatever Hollywood Records hoped to attract in listenership with this or its hotter B-side, "Cool Kind Lover," was never clear, but the latter song, in particular, could have slotted right in as a Chess Records release circa 1955. Thomas' Specialty sides are among the most restrained of his early-'50s output -- "Jack of Diamonds" has a great beat, but "When You Say I Love You" is a slow, mournful blues ballad. The Elko sides from 1955 could easily have charted either R&B or pop in 1955, and his 1958 Hollywood sides could have hit, the 46-year-old Thomas effectively competing with the rock & roll sides of the era, right down to the off-kilter guitar and harmonica break and adding a few unexpected curves to the road already traveled by Chuck Berry's "Maybellene"." Except for the first two Club sides, the sound is clean, bright, and crisp on everything, even the previously unissued tracks, and the annotation is amazingly full, given how little is actually known about Thomas and his life. (Bruce Eder, Allmusic)
INFO
http://www.allmusic.com/album/complete-recorded-works-1948-1958-mw0000621326
http://www.amazon.com/gp/product/B000000JJ8/ref=dm_ws_ps_cdp?ie=UTF8&s=music

trax:
01 Same Old Stuff 02 Double Due Love You 03 Zetter Blues 04 Mountain Key Blues 05 Melody in C 06 You Are My Dreams 07 I Wonder Why 08 Another Friend Like Me 09 Guess I'll Walk Alone 10 Let's Have Some Fun 11 Gonna Write You a Letter 12 Meet Me Tonight Along the Avenue 13 Tomorrow I May Be Gone 14 Texas Blues 15 I Can't Stay Here 16 Xmas Celebration 17 Now's the Time 18 It's You I'm Thinking Of 19 It's You I'm Thinking Of [alternate take] 20 I Am so Blue 21 Long Time 22 Cool Kind Lover 23 When You Say I Love You 24 Jack of Diamonds 25 Another Fool Like Me 26 Gonna Move to California 27 Take Some and Leave Some 28 Blow My Baby Back Home
...served by Gyro1966...

26 comments:

RYP said...

JESSE THOMAS "Complete Recorded Works 1948-1958"
...served by Gyro1966...
gitit! no pw
http://www21.zippyshare.com/v/6151807/file.html

Jillem said...

A Cellarful of Motown! (320kb)

Straight from the Detroit Vaults Comes this Fantastic Collection of Some of the Most Sought after and Bootlegged Motown Rarities.

Info http://en.wikipedia.org/wiki/A_Cellarful_of_Motown!

Vol. 1-1
http://www60.zippyshare.com/v/60275591/file.html
Vol. 1-2
http://www57.zippyshare.com/v/80162238/file.html
Vol. 2-1
http://www21.zippyshare.com/v/58298511/file.html
Vol. 2-2
http://www46.zippyshare.com/v/40037235/file.html
Vol. 3-1
http://www40.zippyshare.com/v/81839651/file.html
Vol. 3-2
http://www39.zippyshare.com/v/67909069/file.html
Vol. 4-1
http://www35.zippyshare.com/v/31556469/file.html
Vol. 4-2
http://www6.zippyshare.com/v/14061936/file.html

jimmie d said...

THE ROLLING STONES - AFTERMATH (1966) UK MONO VERSION + 4 BONUS TRACKS

Prof sez:

Here's another one in the series "essential in mono but not available on cd". This is truly an essential document in a sound quality that is far better than an original UK pressing of this album could ever give you.

'Aftermath' was recorded during a period when the record industry was slowly beginning to make the transition from mono to stereo. But 3- or 4-track recording was still the norm, and as a result, the possibilities of making a balanced stereo mix were almost non-existent. The stereo versions of many pop albums from and before this era tend to sound very dated, with radical sound images like: backing track hard left, vocals center & handclaps and lead guitar on the right. 'Aftermath' in stereo is not an exception. The oh-so-important backing track consisting of drums-bass-rhythm guitar always stays on the left channel, making the vocals and whatever overdubs sound isolated. Take 'Mother's Little Helper', for example. The mono version makes you wanna rock out; it has a thick ballsy sound, and Jagger's vocal is nicely within the mix. On the stereo mix you basically hear the voice, the sitar, and then far in the back there is a band playing. The stereo version was nothing more than an afterthought. Most of the work went into the mono mixes: the sounds that were going to be heard by the kids on the radio and on their cheap phonographs.

Artwork and further info contained in download.


Courtesy of Prof Stoned



FLAC: 16bit/44.1kHz (CD Quality for CD burning)



password: profstoned



http://www.filefactory.com/file/299ex30qaf5z/RS_AM_LR.rar

or

http://filecloud.io/iduxpbz7



01 - Mother's Little Helper
02 - Stupid Girl
03 - Lady Jane
04 - Under My Thumb
05 - Doncha Bother Me
06 - Goin' Home
07 - Flight 505
08 - High And Dry
09 - Out Of Time
10 - It's Not Easy
11 - I Am Waiting
12 - Take It Or Leave It
13 - Think
14 - What To Do
All songs written by Jagger/Richards

Bonus: (from UK export of 'Flowers')
15 - Ride On Baby
16 - Sittin' On A Fence
17 - My Girl (written by Smokey Robinson/Ronald White)
18 - Out Of Time (US version)

All of these MONO mixes are not officially available on CD, so far, except Tracks 1,2,3.

Produced by Andrew Loog Oldham
Recorded & Mixed by Dave Hassenger
Recorded 3rd-8th December 1965 and 6th-9th March 1966 at RCA Studio, Hollywood, CA

SPECIAL DOWNLOAD FOR AUDIOPHILIACS



Courtesy of Prof Stoned

FLAC: 24bit/96kHz (High Resolution for DVD burning)



password: profstoned



http://filecloud.io/r26jbi5q

or

http://www.filefactory.com/file/6c9lzdgoujul/RS_AM_HR.rar

Gyro1966 said...

The Rolling Stones - Aftermath + 4 (1966) [24-96 Mono Remaster - Prof. Stoned 2010] @320

http://www54.zippyshare.com/v/62848129/file.html

Here is the easy 320 version of this excellent Mono Remaster for those that want to play it in their iPod. Thanks again Jimmie Dee for this essential version.

This 320 version was converted from this 4600 kbps!!! version:

SPECIAL DOWNLOAD FOR AUDIOPHILIACS



Courtesy of Prof Stoned

FLAC: 24bit/96kHz (High Resolution for DVD burning)



iggy said...

Thanks to Jillem and Gyro for the kind offerings of Motown and Stones music (I'm still a "320" guy, thanks to my old ears and basic systems). Best to you all,

Iggy

jimmie d said...

Look for the second installment of "the Stones essential in mono but not available on cd" tomorrow.

In the meantime, enjoy "Aftermath".

Anonymous said...

Jimmie Dee,

Thank you for your magnificent and time-consuming work on "Aftermath" - it's such a joy to listen to this! The stereo cd has always been a thorn in my side!

Gyro,

I'm very grateful for the thoughtful zippy link, as well as the amazing, daily shares you provide.

All the best,
Marie

JohnnyDiego said...

Thanks, Jimmie Dee. When I was a teenager my father gave me a cast-off Hi-Fi system that he had made. It had only one speaker and since all the records I bought were in mono anyway, it didn't matter to me. All the albums I had were in mono and when I got the CD's to replace the records I was very disappointed. It is impossible to listen to any of these through headphones. Every thing you said about the stereo versions is true.
My Uncle was in on the beginnings of the Swing era and he once told me that he couldn't listen to the LP versions of the songs because they "just didn't sound right." Today I know exactly what he meant.
And thank you, Gyro, for the easy "no conversion to MP3" link.

jimmie d said...

Nice story, Johnny D. Thanks for sharing.

lemonflag said...

Motown and the Stones, can it get any better?

Thanks

Holly said...

Thank you Jimmie Dee & Gyro! Both of your effors are most appreciated.

jimmie d said...

To lemonflag:

Motown and the Stones…

…plus the Stones playing Motown (My Girl)!

Anonymous said...

Thanks thanks thanks.
Very often I say it's christmas everyday on this blog, but today... it's heaven!
LittleJack

Siggy said...

many tanx! for Aftermath. What a journey the Prof undertook to find the copy he has shared with us.

Anonymous said...

2Prof Stoned
EXCELLENT

mono @ best !!!!!!!

MERCI
RV

Anonymous said...

2Prof Stoned
EXCELLENT

mono @ best !!!!!!!

MERCI
RV

Anonymous said...

great stuff!!!
thanks to all!!
pvc

Anonymous said...

Jimmie Dee,
I'm leaving this comment here, in case you don't go back to previous posts. I've started listening to the Leonard Cohen offering too! It's such a different experience in Mono - so much more intimate, as befits this particular album.

Thank you so much!

Marie

Anonymous said...

Thanks for the Cellar full of Motown,does anyone know where to find the back cover pics.
cheers,Tel

Magic Kaic's Music said...

Big thanks to everyone !!!

jimmie d said...

Marie - I agree. The MONO Leonard Cohen is a completely different listening experience than the stereo version. It really gets into your head.

Mark said...

Thank You Professor for the mono Aftermath. It as been over 40 years since I've heard the mono version. The stereo version truly leaves a lot to be desired.

Cheers

Anonymous said...

Thanks Jimmie. Looking forward to compare and contrast!

DEE DEE said...

Thanks you dear professor for these MONO versions of such great records. It's a Gas! Gas! Gas!

rontokyo said...

Let me second [third?] that. The MONO Leonard Cohen & Aftermath are BRILLIANT. Many thanks!

Anonymous said...

Many thanks gents, all great stuff!

Mose