In 1959, a woman by the name of Carmen Murphy attended a Good Friday mass in her home town of Detroit, as she did every year. Ms. Murphy, the proprietor of the city’s first salon for black women, known as House of Beauty, found herself particularly moved by the musical performances that evening. In fact, she was so inspired that she decided to convert the basement of her salon into a rehearsal space for local gospel acts. Later that year, she funded the recording of local gospel star Rev. James Cleveland, and House of Beauty Records was born. Over the years House of Beauty was owned and operated by a number of different parent companies. It was during it’s time at Scepter Records in New York (’64-’76) that the label grew both commercially and creatively. It slowly transformed from a rigidly traditional label, mostly featuring a capella quartets and choirs, to a company with eclectic tastes and broader musical horizons. Throughout the 70s the label became more accepting of secular influence on its music and slowly but surely, some of the recordings became straight up funky.In the fall of 2008 Secret Stash began working with a local business man who acquired the House of Beauty catalog some years back. Our mission was to sort through his mountain of master tapes, containing over 3,000 tracks, in search of rare, funky and soulful gems for vinyl reissue. After hundreds of hours we settled on a short list of material to press up on wax.
Gospel Funk may sound like an oxymoron to some, however, in the late 60s and throughout the 70s, many Gospel artists began moving their sound in a funkier direction. When you think about it, it’s really not that hard to imagine. Most of us know that soul music is deeply rooted in gospel. Sam Cooke, Aretha Franklin, Al Green, and even James Brown all hail from the world of gospel music. Is it really unimaginable that the gospel community would latch onto the progression of soul music that took place in the secular market?
This collection of Gospel Funk is raw, gritty, and packed full of breaks. The compositions are tastefully simple. The production is organic. And most of all, the music is undeniably funky. (Secret Stash)
INFO: http://secretstashrecords.com/releases/us/gospelfunk/
trax:
1. Joyful Sound/Amazing Grace - Christian Voice 2. Power Lord - The Victory Travelers 3. Play It By Ear - Rev. Milton Brunson 4. Trouble All Around Me - The Southland Singers 5. If You Think Your God Is Dead, Try Mine - The Swan Silvertones 6. Serve The Lord - The Southland Singers 7. New Testament - The New Testament 8. Can't Find No Other Love - The Messiahs Of Glory 9. Working People - Connie Pitts 10. Already Been In The Water - In Memory Of Stella Burke 11. New Testament Reprise (instrumental) - The New Testament
...served by Gyro1966...

14 comments:
"GOSPEL FUNK"
...served by Gyro1966...
gitit! no pw
320 kBit/s
http://www27.zippyshare.com/v/50780930/file.html
WAV
http://www.gamefront.com/files/24199904/gospel+funk+wav.zip
(Recorded from LP by Gyro1966)
BONUS 1 OF 3
THE JAM - The Gift [Deluxe Edition 2012]
CD1
http://www59.zippyshare.com/v/33190762/file.html
CD2
http://www59.zippyshare.com/v/31873919/file.html
"I was very proud of it - I thought it was another advance on what we'd done before." Paul Weller - 2012
Disc One - Original album, singles & b-sides
Disc Two - Singles, b-sides & demos
To celebrate the 30th anniversary of The Jam's final studio album and to mark the 30th anniversary of the band's startling split, Universal is proud to release a deluxe edition of THE GIFT.
Surprisingly this was the band's only No. 1 album in the UK and marked the departure from the classic Jam sound to a more soul-influenced style, ushering in Weller's ideas for the Style Council. THE GIFT includes the classic UK No. 1 single "Town Called Malice" plus other highlights "Running On The Spot" and "Carnation."
THE GIFT, released in March 1982 was The Jam's final studio album, in which Weller strove to bring as close to perfection as was humanly possible. Plenty of its songs number among The Jam's best. It is also a fascinating glimpse of its time: of musical currents that were swirling around London and beyond. THE GIFT's energy was not just focused on the state of society: it had a lot to say about where music was going, what had happened to the righteous fires lit by punk, and how to remain relevant and vital when music was taking some very wrong turns indeed. The challenge it answered was simple enough: if blaring guitars and rock poses had run out of road, what could embody the kind of passion that The Jam were all about? The answer lay in the soul music that had bled into their collective identity from the start, and a push to make it less of an influence, than a key part of who they were.
Looking back, some of The Jam's associates have speculated about what lay behind Weller's frantic drive to put everything he could into THE GIFT: increasingly of the belief that the group should break-up, Weller was simply trying ensure that their last album should be their best.
Since the breakup of The Jam, Paul Weller's career has thrived and evolved. From his days fronting The Style Council to this year s critically acclaimed new solo album SONIK KICKS, the reissue of THE GIFT can almost be viewed as the jumping off point for Weller s long and illustrious career.
INFO
http://www.amazon.com/The-Gift-Jam/dp/B0098WZDVC
BONUS 2 OF 3
FIVE MAN ELECTRIC BAND - Half Past Midnight: The Staccatos And Beyond 1966-1969
http://www78.zippyshare.com/v/13777703/file.html
Ottawa's the Five Man Electrical Band were an unwittingly fine example of how rock & roll began to shapeshift during the mid- to late '60s. The Five Men Electrical Band began life as the Staccatos in 1963, and by the time the Staccatos cut their first singles for Capitol Records' Canadian branch in 1966, they'd become a fine pop band with a talent for folk-rock in the manner of the Byrds and the Hollies. But when the Staccatos began recording their second album for Capitol in Hollywood, CA in 1969, psychedelia had made more than a few fine pop bands sound obsolete, so the guys began dipping their toes into more Baroque and lysergic waters. Taking their new name from a tune written by leader Les Emmerson, the Five Man Electrical Band's "debut" album is a charming relic of the era when seemingly every band that knew how to string two hooks together were trying to create their own Sgt. Pepper's, and Now Sounds/Cherry Red have reissued the album on CD along with a handful of Staccatos single sides as Half Past Midnight: The Staccatos and Beyond. If the results are a far cry from what the Fab Four wrought, it's well-crafted studio pop with a faint but pleasing psychedelic edge and just the right dash of attitude here and there. the Five Man Electrical Band's two greatest strengths in their early days were Emmerson's knack for songwriting and the group's talent for harmonies, and both are on frequent display on the original self-titled album; "The Last Time I Saw Memphis" is a prescient bit of country rock, "Maple Lane" suggests a Canadian fusion of Paul McCartney's "Penny Lane" and Ray Davies' "Waterloo Sunset," and "Black Sheep of the Family" shows flashes of the more aggressive sound that would become their hallmark in the 1970s. Emmerson produced the album, and he gives his band a sound that's polished and ambitious without sounding too slick, and the group sings beautifully on every track. The early Staccatos' singles are not quite as glossy, but they make it clear that this was already a very good group; "Let's Run Away" and "Face to Face (With Love)" are superb folk-rock obscurities, and "Half Past Midnight" (with was re-recorded for the Five Man Electrical Band album) was a massive hit in Canada that deserved to do just as well in the United States. If you're looking for "Signs" or "Absolutely Right" or other tunes like them, this collection is not the Five Man Electrical Band disc you want, but anyone wanting to hear their earlier, poppier music will be delighted with this release. (Mark Deming, Allmusic)
2008 release. Having issued two LPs as The Staccatos, Ottawa, Canada's Five Man Electrical Band launched onto the scene in 1968 with this criminally underrated, psychedelically tinged Pop gem. Reminiscent of The Beatles, The Beach Boys, Buffalo Springfield and other like-minded bands, Five Man Electrical Band developed into one of Canada's best-known groups, and their Capitol 45 of 'Half Past Midnight' sold over 25,000 copies in Canada alone! This first-ever CD issue of their long-out-of-print Capitol LP is supplemented by rare Staccatos 45s, none of which have ever been issued on CD. The 16-page colour booklet also includes rare, unpublished photos and comprehensive liner notes that feature the participation of original band members. 20 tracks. Now Sounds.
INFO
http://www.allmusic.com/album/half-past-midnight-the-staccatos-and-beyond-mw0000795966
http://www.amazon.com/Half-Past-Midnight-Staccatos-Beyond/dp/B001CC7FZS
BONUS 3 OF 3
THE BEST OF DEL-VAL RECORDS: Philly Soul 1965-1975
http://www34.zippyshare.com/v/92212230/file.html
The Best of DEL VAL RECORDS Philly Soul 1965 - 1975
In 1965, producer Joe Stevenson formed Del Val & Pentagon Records and released some of the finest soul music to come out of his West Philadelphia recording facility Imperial Sound Studio on W. 60th St.
Most of the singles that were released have become highly sought after by soul fans in England where they have been popular in soul clubs since the 70's. This CD contains 26 tracks which have never appeared before on CD in the USA. Most of the material has been transfered from the original two track mono masters and unreleased acetates. Includes deluxe 12 page color booklet with rare photos, history and discograpghy of the label.
1. Gene Woodbury - Ever Again 2. Gene Woodbury - That's Not Half Bad 3. Gene Woodbury - I'll Be Glad 4. Gene Woodbury - It's Only You 5. Casinos - Everybody Can't Be Pretty 6. Casinos - If I Told You 7. Dynamic Three - You Said Yea 8. Dynamic Three - The Grit 9. Dynamic Three - I Have Tried 10. Vince Apollo - One Love 11. Vince Apollo - I Can't Turn My Back On You 12. Vince Apollo - I Bear Witness
13. Del Valians - I Bear Witness 14. Dynamic Siblings - Can't Turn My Back On You 15. Del Valians - I Can't Turn My Back On You 16. Bernie Williams - Ever Again 17. Bernie Williams - Next To You 18. Bernie Williams - Baby I Want To Thank You 19. ESP's - Why Should I 20 . ESP''s - We're Gonna Make It 21. Joe Adams - You May Not Be A Miss America 22. Joe Adams - That's Not Half Bad 23. Del Valiians - Half Bad 24. Joe Adams - Calling Your Name 25. Joe Adams - Chances Go round 26. Joe Adams - No One Else Can Love Me
INFO
http://www.amazon.com/The-Best-Of-Del-Val-Records/dp/B000R00KIK
http://www.allmusic.com/album/the-best-of-del-val-records-vol-1-mw0001133410
Thanks for GOSPEL FUNK WAV!
One can not say there's too little soul music available on the net nowadays ;-)
NEIL YOUNG - Live At The Cellar Door 1970 (2013)
info
http://www.amazon.com/Live-At-The-Cellar-Door/dp/B00G34XP3Q
RY COODER - The Ry Cooder Anthology: The UFO Has Landed
CD1
http://www36.zippyshare.com/v/22939186/file.html
CD2
http://www36.zippyshare.com/v/55238845/file.html
Neil Young - Cellar Door '70 LINK
://www75.zippyshare.com/v/9510305/file.html
Sorry, I am rushing today here at work.
Neil Young - Cellar Door '70
http://www75.zippyshare.com/v/9510305/file.html
Thanks
Thank You.
Much as I am a fan of the Jam and of this site I find the gushing review of the incoherent, inconsistent and disjointed 'Gift' album something I must disagree with.
Whilst certain tracks such as 'Carnation' are sublime others such as 'Circus' and the 'Planners Dream Goes Wrong' are amongst the worst the Jam ever published.
The Gift if anything demonstrates once and for all (where Sound Affects had hinted) not that Weller wanted to go out on a high but that Weller the songwriter had outgrown (and to a certain extent lost interest)in the Jam and that his journey with the band had come to an end. To me it is by far the worst album the Jam made and presaged Weller journey into self indulgence with the Style Council which thankfully ended with the same bands demise.
Carnation is my all-time favorite Jam track!
Thanks for Five Man Electrical Band!
Thank you SO much for Gospel Funk - great rip!
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