Thursday, 24 October 2013

DUSTY SPRINGFIELD "See All Her Faces" 1972

The concept behind "See All Her Faces" was flawed from the start. It could have been a cogently packaged product and the genuine follow up to "Dusty Definitely" (1968) had Philips stuck to using only tracks recorded by Dusty for its own UK sessions in 1970/71. There was no dearth of completed material in the can to draw upon. Instead Philips was distracted by the ready availability of material from America and decided to blend in an assortment of Stateside-only singles sides (5) for variety. The outcome was a hotchpotch of tracks that may have been great individually but didn't quite jell in the overall context of the album. Released in November 1972 in the UK to coincide with Dusty's comeback season at London's Talk Of The Town, it was to have been Dusty's first domestic release for Philips since "Dusty Definitely" in 1968 and a crowd pleaser for her local fans. The two intervening albums - "Dusty In Memphis" (1969) and "From Dusty With Love" (1970) - were
American products licenced for UK release and didn't count with British fans who were starved of genuine local product. The timing of its release was also two years too late. By 1972, Ziggy Stardust had taken the UK by storm, so the choice of "Yesterday When I Was Young" as the lead single could only seem strangely passe, wonderfully resonant though Dusty's rendition turned out to be.
SAHF would have matched if not surpassed the high standards attained by her original 60s UK albums. The choice of material may have seemed oddly conservative for 1972 but Dusty was simply doing what she did best. As a pop stylist and interpreter, she was peerless. Her soul covers of "Crumbs Off The Table", "Girls Can't Do What Guys Do" and "Girls It Ain't Easy" bettered the originals by Glass House, Betty Wright and Honey Cone. Hard to believe but true. (Shindig)Dusty Springfield's 1972 album 'See All Her Faces' drew a lot of criticism at the time of its release; fans said it lacked cohesion, whilst various others complained that it was too much of a mish-mash. Without doubt it is a pot-pouri, but, we can hardly blame Dusty for the way in which the tracks are laid out sequentially on the final product. Once you can get used to the fact that she can be rocking one minute, crooning the next, slipping and sliding you over a range of terrains throughout the entire album, then even the title, when applied from a musical point of view, becomes highly appropriate.
"Mixed Up Girl", written by Jimmy Webb, has a superb jumbly rolling beat, the wispy fade on this reminds me of the old saying about the month of March; 'comes in like a lion, goes out like a lamb'. But, if you're expecting the lion....or lioness in this case, to slope off quietly, take cover, because she is about to pounce on you with "Crumbs Off The Table". Whatever you may think about this album having eight different producers, including Dusty, or a record deal that for various reasons did'nt come to fruition, she has proved one thousand per cent that she is still versatile, on this track Dusty rocks, rocks, rocks!
"Let Me Down Easy" with its excellent slow trumpets and piano, has a hypnotic feel to it, as does "Come For A Dream" with its combination of pipes, silky vocals and romantic lyrics (written in part by Dusty's talented close friend Norma Taneger) this leaves me spellbound...dreamlike indeed.
On "Girls Can't Do What The Guys Do" she makes easy work of what must have been a difficult lyric. Dusty seems to be the only vocalist i have ever heard who could deliver such songs as "I Start Counting"/"Nothing Is Forever" and "What Are You Doing The Rest Of Your Life?", with such smooth and tender lyrics.
Those of you who have the Rhino edition of 'Dusty In Memphis' with its bumper collection of bonus tracks, will instantly recognise the lusciously delicate "Have A Good Life Baby", as well as two others from the Memphis bonuses; "Willie And Laura Mae Jones" and "That Old Sweet Roll (Hi-De Ho)".
As well as the ethereal beginning on "Someone Who Cares" with its sudden launch into stomping drums in the chorus, we also have the catchy "Girls It Ain't Easy" and "What Good Is I Love You", not forgetting the terrifically twangy strings on "Haunted".
As if all this is not enough, we have the superb latin rhythm of the title track "See All Her Faces". One of my favourite tracks is Charles Aznavour's "Yesterday When I Was Young", an absolutely beautiful song with lyrics drenched in sorrow and regret, the way in which Dusty interprets this is utterly amazing.
On 'See All Her Faces' we are treated to seeing...and hearing, seventeen of them, and i suspect that the rather rambling track listing is deliberate, but that does not make this a bad album at all, it's sad that it is over looked because of that, but, we have to remember that Dusty didn't have much, if any, say on the final product. This is a lovely album, don't miss out, see for yourself. (Record Mirror)trax:
01 Mixed Up Girl 02 Crumbs Off The Table 03 Let Me Down Easy 04 Come For A Dream 05 Girls Can't Do What Guys Do 06 I Start Counting 07 Yesterday When I Was Young 08 Girls It Ain't Easy 09 What Good Is I Love You 10 Willie And Laura Mae Jones 11 Someone Who Cares 12 Nothing Is Forever 13 See All Her Faces 14 That Old Sweet Roll (Hi-De-Ho) 15 Haunted 16 Have A Good Life Baby 17 What Are You Doing The Rest Of Your Life
...served by Gyro1966...

19 comments:

RYP said...

DUSTY SPRINGFIELD "See All Her Faces"
...served by Gyro1966...
gitit! no pw
http://www6.zippyshare.com/v/15830148/file.html

Gyro1966 said...

BONUS:

DUSTY SPRINGFIELD - Cameo (1973)


http://www27.zippyshare.com/v/76612084/file.html

More than just a very excellent recording from Dusty Springfield, Cameo is one of the finest efforts from the team of Steve Barri, Dennis Lambert, and Brian Potter. Springfield reinvents Van Morrison's "Tupelo Honey," including a verse not among the enclosed lyrics nor heard on Morrison's familiar FM radio hit. What you can hear is a carefulness, not from the singer, but from the production team who worked in different degrees with the 1972 and 1975 Grass Roots. There is nothing disposable here, nothing of the throwaway nature found on portions of those Grass Roots discs. "Learn to Say Goodbye" is a masterpiece of tortured soul. Thankfully, it was included in the ABC movie of the week Say Goodbye, Maggie Cole and got some additional exposure, but for the label that brought "Joy to the World" by Three Dog Night to the multi-platinum level, ABC's failure to break this potential hit is glaring. Hugo Montenegro -- the man responsible for 1968's "The Good, the Bad and the Ugly" theme -- co-wrote this, and it is superb. While Helen Reddy was filling the airwaves with "Delta Dawn" and "Leave Me Alone (Ruby Red Dress)," it was prime time for Dusty's "Learn to Say Goodbye" or the brilliant opening track "Who Gets Your Love" to rescue radio listeners. That Lambert and Potter piece is outdone by their "Breakin' Up a Happy Home" which follows. This is pure Philly sound, and with the help of Hal Blaine, Michael Omartian, and the everpresent Vanetta Fields and Clydie King, it is simply amazing that this album didn't get more attention. When Dusty Springfield takes on "Easy Evil" by frivolous songwriter Alan O'Day -- the man who wrote "Rock & Roll Heaven" and sang "Undercover Angel" -- you understand she can do no wrong here. The production and the performance is top notch. "Mama's Little Girl" sounds like it inspired Gamble & Huff's Elton John hit "Mama Can't Buy You Love," which came six years after this, the brilliance of Gamble and Huff clearly influencing Steve Barri and company. The choice of material is wonderful; David Gates' "The Other Side of Life" shows how a song of his can blossom outside of the confines of his hit group, Bread. All 12 titles are sublime pop, some of the best Lambert and Potter you'll find anywhere. What a hook they wrote for this artist with "Comin' and Goin'," and what heart! It moves and grooves like one of those album tracks you wish was beat into your head on a daily basis by Top 40 radio. Ashford & Simpson can be very proud of "I Just Wanna Be There"; Springfield just claims the tune as her own, with horns and backing vocals creating the wave for her magical voice to ride. Audiences can get caught up in the hit records of an artist, and often they fail to seek out the material they never got familiar with. Universal's Hip-O label has re-released Cameo under the new title Beautiful Soul with additional tracks. It hopefully will get people to hear Dusty Springfield take Willie Hutchison's "Who Could Be Loving You Other Than Me" to another realm. Just a wonderful, wonderful record. (Allmusic)

Gyro1966 said...

BONUS 2:

DUSTY SPRINGFIELD - Complete A and B Sides 1963-1970

CD1

http://www11.zippyshare.com/v/31823456/file.html

CD2

http://www65.zippyshare.com/v/39400756/file.html

It's practically a cliché to say that Dusty Springfield was the greatest white soul singer to ever come out of the U.K., but like most clichés, it's a commonplace wisdom that's based in an obvious fact. While most blue-eyed soul belters sounded as if they were determined to worry a song into submission though brute force and melismatic torture, Springfield's gift was a superb instrument and the wisdom to do its work with a careful balance of emotional force and instinctive restraint (perhaps the product of her fondness for jazz and smart pop as well as rock and R&B). Springfield was also a gifted songwriter who was a shrewd judge of material, and she knew how to match her voice to either Phil Spector-esque bombast or a more subtle and elegant production, and anyone looking for a perspective on just how sure Springfield's instincts in the studio were should give a listen to this set. Complete A and B Sides 1963-1970 is just what its title says it is -- every U.K. single Dusty released during this eight-year stretch is included (except for a stray Yuletide release), with all the A-sides on disc one and the flip sides on disc two (except for the B-side to "Morning Please Don't Come," which was a solo track from her brother Tom Springfield and subsequently left by the wayside). The consistent quality of these recordings is truly a wonder -- there are no throwaway B-sides, no major artistic missteps, and every tune appears to been crafted as if Springfield and her studio helpers were convinced it could be a hit (and in a wiser alternate universe, perhaps they all were). While American fans will notice that a number of Springfield's biggest U.S. hits are missing (remarkably, "I Only Want to Be with You," "Wishin' and Hopin'," and "All Cried Out" were never released as singles in Great Britain), as a document of Dusty performing at the top of her game during her golden era, this set is all but flawless, assembled with care and boasting superb audio, and anyone who loves her music will find much to revel in. Bob Stanley of Saint Etienne contributes a fine and informative essay on Dusty Springfield in the 1960s to the liner notes. (Mark Deming, Allmusic)

Jillem said...

Thanks Soul Brother Gyro1966!

rocka61 said...

TANX

rocka61 said...

TANX

Chi-Town said...

Thanks for all the Dusty CD's!!

Christine said...

Wow, thank you!!!!

Anonymous said...

Ryp & Gyro

Thanks for some very nice uploads
the last times I found here.!!!
Greetings

Ron.

Anonymous said...

*** MERCI ***

DD

Anonymous said...

Thanks for all , but especially Dusty

Timmy said...

Thank you so much for the album & THE BONUSES too!
I just realized, after a couple of years, your motivation for adding unannounced bonuses on a lot of these posts here... so folks will get a surprise for adding comments, an incentive for scrolling down to the bottom. Ingenious.

The Jackal said...

Dear Ryp and gyro

That completes the Dusty story so well for me

What a write up and thanks always

Anonymous said...

Didn't know this one existed. Thanks!

Dan Leo said...

Dusty rocks.

Doug said...

Luv Dusty!

lemonflag said...

Thanks

Anonymous said...

Hard to live without those songs!
True!
The Dream Is Over.

edison61 said...

Wow! Amazing Dusty post....