Thursday, 23 April 2020

"Do The 45!" Vol. 475 (2020)

Super fun collection of soul, blues, R&B, instro, and rock 'n' roll from the original 45's. (From my record collection.)It's just me having fun with my 45's and whatever random record I pull out of the boxes. I will try to give both sides of the 45 unless one side is dull, unbearable or unplayable. I hope you enjoy. (Gyro1966)trax:
1. C'mom Everybody (Capitol) - The Staccatos 2. Let Me See (Capitol) - The Staccatos 3. My Babe (Donna) - Ron Holden with The Thunderbirds 4. Love You So (Donna) - Ron Holden with The Thunderbirds 5. Come on (Chess) - Chuck Berry 6. Go-Go-Go (Chess) - Chuck Berry 7. Women (Liberty) - Emmett Lord 8. Turn Him Down (Liberty) - Emmett Lord 9. Ginger Bread Man (Sire) - Jordan Parker Review 10. Tell Her (Sire) - Jordan Parker Review 11. Sometimes I Get Lonely (Abc-Paramount) - The Cotillions feat. Gwen Richards 12. One of These Days (Abc-Paramount) - The Cotillions feat. Gwen Richards 13. It's a Man Down There (Blue Rock) - Junior Wells 14. Girl You Lit My Fire (Blue Rock) - Junior Wells 15. Don't Ever Go Away (Arctic) - Barbara Mason 16. I'm No Good for You (Arctic) - Barbara Mason 17. Don't Let the Love Light Leave (Atlantic) - Carla Thomas 18. A Woman's Love (Atlantic) - Carla Thomas 19. Love Me (Chess) - Billy Stewart 20. Why Am I Lonely (Chess) - Billy Stewart 21. Dust Got in Daddy's Eyes (Duke) - Bobby Bland 22. Ain't No Telling (Duke) - Bobby Bland 23. Try It Baby (Tamla) - Marvin Gaye 24. You Got the Fever (Kama Sutra) - The Goodtimers 25. All My Loving (Reprise) - Jimmy Griffin 26. My Baby Made Me Cry (Reprise) - Jimmy Griffin 27. Rock-A-Boogie (Decca) - Andy Quinn 28. Back to School Again Blues (Decca) - Andy Quinn 29. Please Little Angel (Atlantic) - Doris Troy 30. One More Chance (Atlantic) - Doris Troy 31. In the Midnight Hour (Atlantic) - Wilson Pickett 32. I'm Not Tired (Atlantic) - Wilson Pickett
…compiled and served by Gyro1966...

ps.: for all late arrivals we have in the comments 3 reups of this series.

…and now for something completely different! 0929 - 2020

We have a first entry each day that is a picture or a video, and only in that entry you can place your music links and requests (NO ALBUMS RELEASED IN 2018 AND AFTER, AND A DAILY LIMIT OF 3 ALBUMS)! All the rest official posts will only allow comments related to the official posts and such. That way it will keep things much more organized and tidy. Enjoy! RYP and Gyro1966

Wednesday, 22 April 2020

Hasil Adkins "Peanut Butter Rock and Roll" 2005

Hasil Adkins albums fall into two distinct groups; since his rediscovery in the 1980s, he has recorded an avalanche of new material, some successful (The Wild Man), some not (the disastrous and chaotic Live in Chicago)…...By far the best are the ones that have been assembled from the homemade recordings Hasil cut in his West Virginia tar-paper shack home between 1956 to 1963, referred to as "Haze's Golden Decade" by true believers. This one falls into the latter category, plumbing more wild-man treasures from the plentiful Hasil Adkins private stash of well-worn tapes, acetates, and cardboard records. Starting off with a typically loose but driving version of "Blue Suede Shoes" that bears virtually no resemblance to the original version by Carl Perkins (or anybody else's for that matter), these 18 tracks are some of Hasil's rockin' best. Fans of the Haze's oddball versions of other folks' tunes will revel in the versions here of Chuck Berry's "Let It Rock" and Harry Belafonte's "Banana Boat Song." Everything else is bona fide original Hasil, with the wild and woolly "The Slop," "Chicken Twist," the rare (for Adkins) instrumental title cut, the classic "Walk and Talk with Me" (featuring a "Witch Doctor"-style hook full of nonsense syllables that only enhances his lunatic image), and the demonic mantra of "Come on Along" -- featuring two of Hasil's girlfriends yelping the title out of tune as the song repeatedly changes key -- are the certified "these you have to hear" highlights. Of the numerous Hasil Adkins albums on the market, this is one of the best. -  AllMusic Review by Cub Kodatrax:
01 Blue Suede Shoes 02 If You Wanna Be My Baby 03 Vivian Anne 04 I Wanna Kiss Kiss Kiss Your Lips 05 Peanut Butter Rock and Roll 06 The Banana Boat Song (Day-O) 07 Gimme Back My Ring 08 Come on Along 09 Roll Roll Train 10 Woke Up This Morning 11 Come on and Do the Shake with Me 12 You're Gonna Break My Heart 13 Walk and Talk with Me 14 The Slop 15 C'mon Little Jenny 16 Chicken Twist 17 Let It Rock 18 Stopwatch Baby 19 Took My Baby Out 20 Has Anybody Walked Beside Me

Wild Billy Childish & The Spartan Dreggs "Coastal Command" 2012

Through these abridged popular classics and examples from the Histories, The Spartan Dreggs elevate mere popular music-making to a level equal - and adjacent to - high art. 
Some may find the didactic of these Spartanists quite informal, others may chide them for their high sentiments, but we assure the listener that signifying proper literature with love is no simpleton's textbook. After all, recognising foolishness across the epochs is no small answer to life's obstinate mysteries......So, be inspired by the harsh melodies and right-sounding notes of Dreggredation and the imagination will flower as a dog rose, leaving the listener emboldened sufficiently to see that she is already whole and complete and in no need of action or 'doing'.
Furthermore, should the aforementioned listener accept The Spartan Dreggs' rendering of The Rage of Achilles - an epic of manifold marvel and wonder - they may perchance see how it is possible to move beyond impotence and invent a new and entirely original form from old worn robes and shards of ancient ceramic.
Likewise, though Tablets of Linear B (formerly The Siege of Thebes) may upon first encounter appear to offer nothing but 'a glove in the face of the most stalwart Spartanist', be assured the artist known as The Spartan Dreggs would never serve as supper what the hungry traveler's stomach could not with practice, learn to tolerate and eventually grow to love.trax:
01 Punk Before Chips (Jingle) 02 A Shropshire Lad 03 So Spake The Wanderer 04 Eli The Baker 05 Punk Before Chips 06 Coastal Command 07 Trascending Utter Dreggredation 08 Radio Dreggs 09 We've Written Our Song (And Done Our Duty)

Look Blue Go Purple "Compilation" 1991

Alternative pop/rock band from Dunedin, New Zealand. Active in the 1980s.Look Blue Go Purple was an alternative pop / rock band from Dunedin, New Zealand, together from 1983 to 1987, recognised as part of the Dunedin sound. Their first official show was at The Broome Valley Festival on March 5, 1983. - wikiCredits:
Bass – Kathy Bull / Drums – Lesley Paris / Guitar, Vocals – Denise Roughan, Kath Webster / Keyboards, Flute, Guitar, Vocals – Norma O'Malley

trax:
01 Safety In Crosswords 02 As Does The Sun 03 100 Times 04 Winged Rumour 05 Grace 06 Circumspect Penelope 07 Hiawatha 08 Cactus Cat 09 Vain Hopes 10 I Don't Want You Anyway 11 In Your Favour. 12 Year Of The Tiger 13 Conscious Unconscious 14 Days Of Old 15 Ralta (Bonus) 16 Last Breath (Live - Bonus) 17 A Girl Like Her (Live Bonus) 18 Eyes Are the Door (Bonus) 19 Spike (Live - Bonus)
…served by Gaius...

"Deep & Gritty The Sound Of The City" Vol 1: New York

Deep, tough and rare NYC soul from the 60’s and early 70’s - most have never been on a compilation before!trax:
1. Lonely Man - John Thomas 2. A Dime Away From A Hotdog - Oscar Brown Jr. 3. Spread The Word - Yvonne Daniels 4. Nobody Knows - Ronnie Mitchell 5. I Cried - Gerri Granger 6. Down By The Sea - Wilson Pickett 7. Thinkin' About It - The Nobody's 8. Love (Your Pain Goes Deep) - Frank Beverly 9. Don't Let My Love Pass You By - Joe Ponds 10. Sweet Daddy - The Appointments 11. I'll Get Along Somehow - Lily Fields 12. You Just Tried To Hurt Me - Mathew Childs 13. Life - Cortez & The Entertainers 14. Come Live With Me - The Roadrunners 15. I Swear By Stars Above - Ben E. King 16. I Want To Be Free - Connie McGill & The Visions 17. Bitter With The Sweet - Don Gardner 18. Tumbling Down - Junior Lewis 19. Get Down Off The Train - Titus Turner 20. Falling In Love Again - The Exciting Changes 21. Either You Love Me Or Leave Me - Baby Washingon
…served by Gyro1966...

…and now for something completely different! 0928 - 2020

We have a first entry each day that is a picture or a video, and only in that entry you can place your music links and requests (NO ALBUMS RELEASED IN 2018 AND AFTER, AND A DAILY LIMIT OF 3 ALBUMS)! All the rest official posts will only allow comments related to the official posts and such. That way it will keep things much more organized and tidy. Enjoy! RYP and Gyro1966

Tuesday, 21 April 2020

The Royal Purple "Transcendental Medication" 2006

The third installment of the yearly release by the 60's influenced New Jersey, USA studio only combo.They say "three's a charm," and that's certainly true about *Transcendental Medication,* release number three from The Royal Purple. which most definitely charms all fans of 1960s garage, psychedelic and freakbeat.
The Royal Purple is an ongoing side project of two veterans of the East Coast's popular 1960s revivalist bands, drummer Mike Sinocchi of The Insomniacs, and multi-instrumentalist Stu Rutherford of The Creatures Of The Golden Dawn. In 2004 the talented twosome recorded some covers of 1960s favorites for fun, and the result, the six-track EP *Spearmint Experiment* had critics waving their pens in the affirmative, and listeners and friends saying "More more more!" Mike and Stu said "Okay okay okay," and eventually said many other things on the full-length collection *Instant Analysis,* from June 2005. That release kicked off a trend that The Royal Purple continues on their new album and will uphold future releases, that being the duo joined on several tracks by guest vocalists.
Such guest appearances on *Transcendental Medication* help sustain the feeling that The Royal Purple host the grooviest 1960s singing showcase in the East, and that just about every New York metro area vocalist of note wants to take part.
The tracklist of this album reads like an awesome radio show of overlooked 1960s music... or a creative mix CDR of rare tracks. Bookended between a pair of impressive Rutherford originals, those being the dancefloor-summoning rocker "Sound On Sound," and "Keith Roger's Birthday," which sounds like the a mind-altering icing adorned the birthday cake and like at least Rick Wright and his combo organ were invited to the party, are twelve deep-pick covers from the mile-high record shelves of Messers Sinocchi and Rutherford. Mike's grab on The Skeptics' "Turn It On," a song whose chorus instantly makes you wonder if Marc Bolan ever heard it, hence its similarity to "Bang a Gong (Get It On,") is another of the albums highest highs.
And then there are the guests: Most everyone who heard The Royal Purple's last album placed Bibi Farber's mastery of The Honeycombs' "Something I've Got To Tell You" in their top two faves from the set, so her return on this new set is most welcome. This time she applies her magic to the equally impressive "Turning Back The Pages," originally by The Flies (she also lends backing vocals to a few other selections.) Elsewhere, Cynthia Santiglia of New Jersey's The High School Sweethearts tries to make us happy with "I Tried To Make You Happy"...and succeeds with flying purple colors, not only with her great vocal but for also altering Os Brasas's "Eu Tentei Fazer Voce Feliz" into something those of us not fluent in Portugese can sing along to(actually the translation was done by my fiancee and Mike Sin wrote his own English lyrics around them-Bill the Ed). And former Frigg's member Jenn Tarr impressively expands on the tip of the criminally overlooked British songstress Dana Gillespie, who turned a Donovanexclusive into one of his most rocking tunes ever, and rocks it even harder.
But it's not just Ladies' Night at Club Purple. Uppers' own Bill Luther proves himself as competent a vocalist as we know him as a journalist by way of his stab at the upbeat "Come And Stay With Me," written by Jackie DeShannon, mainly associated with Marianne Faithful, though Bill takes the route of Ola And The Janglers. A former partner of Stu's in Creaturedom, Kevin Groller, says "I Want More (Lovin')" and by track's end you'll want more Groller tracks. His rendition of this Chylds song also presents the best scream of the entire disc. Skooch of The Brimstones turns on The Music Machine with a jolly good "Worry." The guitar sound impressively and faithfully captures that of Mark Landon's deep thick fuzz notes that punched up many a Music Machine record. And good ol' Michael Lynch of The Anything People presides over "She'll Love Again" by The Cascades (yes, the same Cascades of "Rhythm Of The Rain" fame, but a more rocking effort for the vocal group than their more popular material.) The musicians Who-ify the song for maximum Modness.
Besides the fine music performances, what else makes The Royal Purple an interesting and likeable combo is that the project is all for fun, simply out of appreciation for the sounds of the 1960s. No visions of world tours, world fame or even money: They don't even sell their CDs...anyone who wants one need only contact them (see contact info below) and ask for a copy. No charge.
In short, The Royal Purple is no more and no less than two guys making music simply for the fun of it, loaded with enthusiasm to share the fruits of their labor. When one considers that such were the ethics of just about all the best garage rock of the 1960s, one must conclude Stu and Mike are on a good road. Let's hope they keep traveling down it and continue to send us musical postcards.
Join the party. Get medicated. Drop a line to The Royal Purple at royalpurplesound@hotmail.com to request a free copy of *Transcendental Medication.* Also visit www.myspace.com/theroyalpurple
© Michael Lynch 2006 - 2008 [Published 13 June 2006]trax:
1. Sound on Sound 2. She'll Love Again 3. Turn It On 4. I Tried to make You happy 5. Colors 6. I Want More (Lovin') 7. Worry 8. Hurtin' Me 9. Turning back the Page 10. Sun Is So Bright 11. You Just Gotta Know 12. Declaration of Independence 13. Come and Stay With Me 14. Keith Roger's Birthday
...originally served by Gyro1966...

Wild Billy Childish & The Spartan Dreggs "Forensic R'n'B" 2011

Yet another musical chapter from Britain’s most prodigious artist ”For those of you still unaware Billy Childish is an accomplished musician, he is also an author, poet, photographer / film maker and painter ”he is renowned for his brutal honesty detailing the torment of his childhood; not bad for a school leaver who was certified dyslexic”...Childish has had his name attached to over 140 album and single releases ”woe betide any person who chooses to collect his entire discography, but if that’s you; make room for The Spartan Dreggs…
The Spartan Dreggs are Neil Palmer on vocals / guitar, Billy Childish on bass / vocals, his wife Nurse Julie on backing vocals / drums and Wolf Howard on drums. The Dreggs were formed from the ashes of Vermin Poets in early 2011, and took their moniker from a Poets track – the plan being to release their output on a succession of 7” singles (Damaged Goods Records) which buyers subscribed to ” once the singles were released they were all bundled together as the ”Forensic R’n’B’ album. Billy Childish likes to retain tight artistic control, as such ”Forensic R’n’B’ is essentially lo-fi which merely adds to its beauty ”love it warts and all! The title track opens proceedings with a 60’s garage inspired stomp that benefits from the warmth Nurse Julie brings on the backing vocals. Slightly more psychedelic overtones during ”The Ocean River Runs Around The Edge’ ”some sharp lyrics during ”Tower Block’ which is built around a solid bass riff. Things get more trippy during ”The Physics Of Blown Sand And Desert Dunes’ ”well they’d have to with a title like that! Such is the speed that Childish is able to release his material ”The Physics” even manages to mention the Libyan town of Benghazi; the bullets are still flying there!! For anyone with more than a passing interest in all things Childish ”then this is an essential purchase, The Dreggs are clearly a release valve for his more psychotic 60’s styled rock however this will not prepare you for ”Intertidal Marshland’ which opens with tape hiss and a lone frail vocal, before launching into a sleazy riff heavy wig out. ”Pegasus Bridge’ is as if someone dismembered a Phil Specter chart topper but then wasn’t quite able to put it back together again ”there are so many buried melodies and then there are the opportunities for huge multi voiced chouses, its as if Childish is luring us in, demanding that we declare what’s coming next then willfully defying his audience. The final two tracks ”A Dismembered Book Of Myself’, ”Are You A Wally?’, are throwbacks to Childish’s punk beginnings and even manage to name check The Nightingales ”all good songs but somewhat at odds to the rest of the album; but then that’s no doubt the point.
”Forensic R’n’B’ sees Childish further mapping out his own musical route map entirely unconcerned with what is current, what is now ”he absorbs influences and then feeds it back to you with his own punk, garage rock slant; other bands ”develop’ ”you know the sort of thing, add brass, keyboards ”Childish to his credit keeps things simple but effective, this is unpretentious, its organic – if you like your rock ‘n’ roll in the raw form then The Spartan Dreggs are worthy of your attention.trax:
01 Forensic R'n'B 02 The Ocean River Runs Around The Edge 03 Tower Block 04 And Darkness Engulfed His Eyes 05 The Physics Of Blown Sand & Desert Dunes 06 The Fighting Tameraire 07 Our Strange Power Of Speech 08 Interdital Marshland 09 The Charcoal Burners Lament 10 Pegasus Bridge 11 A Dismembered Book Of Myself 12 Scout-A-Boo 13 Are You A Wally_ (or Are You A Smooth?) 14 Paeleo Punk

The Triffids "In the Pines" 1986

"A diamond in the rough""A diamond in the rough" - This album was recorded to 8 track in 1986 in a wool shed on a sheep farm in Ravensthorpe (a small town in a remote part of south west Western Austalia) and was released between the Born Sandy Devotional (the track Born Sandy Devotional only appears on this album, however) and Calenture albums. i hope you like this album, i find it has a nice (slightly) rough edge in comparison to Born Sandy Devotional and Calenture and was closer to their live performance.
Born Sandy Devotional earned the Triffids universal critical acclaim and increased the band's indie rock fan base across Europe, especially in Britain and Scandinavia. For the next album, the group returned to its native Australia and took a back-to-basics approach, recording In the Pines on an eight-track machine in a remote sheep-shearing shed for a grand total of 1,190 dollars (340 of which were spent on booze). As one might expect with a low-budget, lo-fi venture of this kind, the band makes do with whatever is at hand and, in places, that means such instrumentation as water tank, broom, metal percussion, and even floorboards. The stripped-down, communal feel of this record beautifully captures the essence of the Triffids' folk- and country-influenced rock and underscores frontman David McComb's musical and lyrical talent for translating the isolated mental and physical landscapes of western Australia. This can be heard on the group's sparse, slightly off-kilter numbers like "Just Might Fade Away" and the eerie "Kathy Knows," both of which boast a harsh, sinewy guitar twang reminiscent of the Birthday Party. Less dark but no less evocative are the title track, with its wistful mandolin melodies, and "One Soul Less on Your Fiery List," with its melancholy pedal steel guitar and piano. Nevertheless, there's also a playful tone in keeping with the spirit of the project, as "Evil" Graham Lee leads a community singalong on a cover of Bill Anderson's drinking song, "Once a Day." Ironically, the album's most magical moment -- the haunting "Born Sandy Devotional" -- is a sketch of a song that lasts little more than a minute and that was, sadly, never fleshed out elsewhere. In a deceptively simple fashion, In the Pines documents the breadth and depth of the Triffids' music and stands as one of the group's finest achievements. - AllMusic Review by Wilson Neate
traxfromwax:
1 Suntrapper 2 In the Pines 3 Kathy Knows 4 25 to 5 5 Do You Want Me Near You? 6 Once a Day 7 Just Might Fade Away 8 Better off This Way 9 Only One Life 10 Keep Your Eyes on the Hole 11 One Soul Less on Your Fiery List 12 Born Sandy Devotional (Edit) 13 Love and Affection

"Atco Soul Diamonds"

ATCO Records was founded in 1955 as a division of Atlantic Records. It was intended as a home for acts that did not fit the format of Atlantic, which at the time was only releasing blues, jazz, and R&B/soul. The Atco name is simply an abbreviation of Atlantic Corporation.trax:
1. I'm Going Crazy - The Tibbs Brothers 2. Wait and See - Baby Lloyd 3. Daddy Rollin' Stone - Jimmy Ricks 4. I Been Trying - Little Ray 5. You're Not Worth the Tears - Fred Lowery with Big Bo & The Arrows 6. Bring It Home to Daddy - Fred Parris  7. Here Come the Tears - Darrell Banks 8. Until I Find You - Don Hollinger 9. They Don't Know - Percy Wiggins 10. We Got a Thing Going On - Ben E. King & Dee Dee Sharp 11. Let Me Down Easy - Alvin Robinson 12. Sure As Sin - Jeanie Greene 13. Thank God for You - Les Cooper 14. Yes My Goodness - Al Perkins 15. Cheatin' Woman - Eldridge Holmes 16. Cheer Up (Daddy's Coming Home) - Rudy Mockabee 17. Thanks for Nothing - Na Allen 18. Get Yourself Another Fool - Arthur Conley 19. Temptation's 'Bout to Get Me - Ed Robinson 20. I Can't Say No - Peggy Scott & Jo Jo Benson 21. Nobody's Gonna Get Your Mama - Peggy Scott 22. How Much More Can She Stand (And Still Stand by Me) - J.P. Robinson 23. Everything I Own - Oscar Toney Jr. 24. Help Me Find My Groove - Dee Dee Sharp
…served by Gyro1966...

…and now for something completely different! 0927 - 2020

We have a first entry each day that is a picture or a video, and only in that entry you can place your music links and requests (NO ALBUMS RELEASED IN 2018 AND AFTER, AND A DAILY LIMIT OF 3 ALBUMS)! All the rest official posts will only allow comments related to the official posts and such. That way it will keep things much more organized and tidy. Enjoy! RYP and Gyro1966

Monday, 20 April 2020

Adam Schmitt "World So Bright" 1991

Fantastic power pop that slipped through the cracks.Adam Schmitt, upon the release of his debut album World So Bright, was considered an absolute pop "wunderkind" in the tradition of Emitt Rhodes and Todd Rundgren - composing, performing, and producing nearly all of his material on his first album. Released on a major label in 1991, World So Bright was an absolute stunner in a year chock full of fantastic discs - in my opinion, it beats out albums like Nirvana's Nevermind and My Bloody Valentine's Loveless for pure songcraft and sheer enjoyment. While not as revolutionary as those two albums, Adam Schmitt's debut was so good, so packed with great melodies, catchy guitar solos, and thoughtful lyrics, that it is absolutely heartbreaking that it didn't become a huge hit. "Can't Get You On My Mind" was the single, a fantastic piece of Cheap Trick/Rick Springfield anthemic pop with a bit of Tommy Keene thrown in for good measure, but it could have been pretty much any song on this CD - there is only one dud on the whole album (the title track), which still packs a decent chorus. File this record along Tommy Keene's Songs From The Film and Shoes' Present Tense as fantastic pop records on major labels that should have been huge - but as it is, it remains a great slice of charming and brilliant obscure pop.
Best Tracks:
"Dead End" - The opening track sets the stage perfectly and showcases a great Adam vocal over a jangly verse/power chord chorus combination.
"Can't Get You On My Mind" - Should be right up there with "Surrender", "Jessie's Girl", and "No Matter What" as power pop classics.
"Lost" - Shows how well Adam can change styles - and this absolutely gorgeous song shows he's not out for pathetic indie cred like a lot of those snarky power-popsters, he's just out to create great music.
"My Killer" - Great rocking riff and a perfect chorus - I always envision this song being played live to thousands of screaming fans.
"Elizabeth Einstein" - Perfect lyrics highlight this tale of a girl who has no time for love because it "clutters up her mind". Beautiful acoustic playing keeps the whole thing afloat.
"Scarlet Street" - I know I've named half the album here but this tune had to be thrown in for its great chorus. This CD is so consistent every song is a winner but I always have to hit repeat on this tune.(Trouser Press)
Glorious power pop, with layers of clean guitars and soaring harmonies, catchy tunes and smart + witty lyrics. Owes a lot to Rick Springfield, The Records, Badfinger, The Raspberries and a bunch of other classic power pop bands, but this entire album can stand with any of those bands' best material. I even disagree with the other 5-star guy, who says that the title track is the only clunker -- I'd say the entire CD is a winner. Certainly "Scarlett Street," with its glorious singalong chorus, and the way "River Black" kicks into a hard charging climax, are standouts among standouts, but that should in no way slight any of the other memorable tracks on this unfairly obscure album. (Yellow Pills)trax:
01 Dead End 02 World So Bright 03 Can't Get You On My Mind 04 River Black 05 Lost 06 Garden Of Love 07 My Killer 08 Remembered Sun 09 Everything Turned Blue 10 Elizabeth Einstein 11 Scarlet Street 12 At Season's End
…originally served by Gyro1966...

Wild Billy Childish & The Musicians Of The British Empire "Thatcher's Children" 2008 + "Mama Rolling Stone" 2011 - 7"/45rpm

Billy Childish (born Steven John Hamper, 1 December 1959) is an English painter, author, poet, photographer, film maker, singer and guitarist. Since the late 1970s, Childish has been prolific in creating music, writing and visual art. He has led and played in bands including the Pop Rivets, Thee Milkshakes, Thee Headcoats, and the Musicians of the British Empire, primarily working in the genres of garage rock, punk and surf...…He is a consistent advocate for amateurism and free emotional expression. Childish co-founded the Stuckism art movement with Charles Thomson in 1999, which he left in 2001. Since then a new evaluation of Childish's standing in the art world has been under way, culminating with the publication of a critical study of Childish's working practice by the artist and writer Neal Brown, with an introduction by Peter Doig, which describes Childish as "one of the most outstanding, and often misunderstood, figures on the British art scene". He is a visiting lecturer at Rochester Independent College. In July 2014 Childish was awarded an honorary Doctor of Arts Degree from the University of Kent.
He is known for his explicit and prolific work – he has detailed his love life and childhood sexual abuse, notably in his early poetry and the novels My Fault (1996), Notebooks of a Naked Youth (1997), Sex Crimes of the Futcher (2004) – The Idiocy of Idears (2007), and in several of his songs, notably in the instrumental "Paedophile" (1992) (featuring a photograph of the man who sexually abused him on the front cover) and "Every Bit of Me" (1993). From 1981 until 1985 Childish had a relationship with artist Tracey Emin...trax:
01 Thatcher's Children 02 Loray Head 03 Again And Again 04 Little Miss Contrary 05 An Image Of You 06 Rosie Jones 07 Coffee Date 08 He's Making A Tape 09 Dole Drums (The Wolf Howard Theme) 10 I'm Depressed 11 I Fill All Of Your Dreams 12 Back Amongst The Medway Losers

"Mama Rolling Stone" 2011 - 7"/45rpm...Thirty years after Childish's first musical releases with Thee Milkshakes and Thee Mighty Caesars, a crop of lo-fi, surf rock and punk groups with psychedelic subtexts has surfaced referencing the aesthetic established by Childish in both their band names and in various aspects of their sonic aesthetic: Thee Oh Sees, Thee Open Sex, Thee Tsunamis, Thee Dang Dangs and many others. - wiki

trax:
01 Mama Rolling Stone 02 Little Latin Lupe-Lu

The Cakekitchen "The Devil And The Deep Blue Sea" 1996

Recorded by the same duo lineup from Stompin' and again with Galbraith putting in a guest appearance on violin on the closing noise-then-peace instrumental "Escape From Fire Island," Devil can be understandably seen as almost the second half of a double album -- all tracks from both appear to have been recorded during the same series of sessions over the course of two years…...Here, though, the Cakekitchen create probably their best overall effort yet, heralded in large part by the opening track "Old Grey Coast," over 11 minutes in length and covering both the straightforward rock and the avant-garde impulses of the band in equal measure, with a scraggly opening, a solid chugging midsection, and a majestic, lovely closing coda -- one of Jefferies' finest moments no matter which bands he's been in. "Bald Old Bear," originally a single preceding the album's release, follows up that with another mix of electric power and relaxed projection that's often been a Cakekitchen element, interspersed with breaks of gentle guitar chiming. Jefferies again pulls no punches lyrically, even while he almost serenely sings through his trademark reverb semi-fog; "Baby I Luv You" has "You're so bloody shallow" serving as a chorus, while "Prophet of the Underground" rips into the titular figure -- whoever it may be -- with a vengeance, matched nicely by a very strong, droney riff. "Make a God of Money" is another definite career highlight -- one of Jefferies' most spare, skeletal songs; dark acoustic guitar picking and subliminal bass support a vicious (but again, very softly sung) lyric about the impact of love and monetary, before revving up into a snarling thrash at the close. Fellow musical maverick Hamish Kilgour helps on "Ballad of Oxford Circus" and "Take It Easy With Me," providing both a soothing and aggressive closing song-with-lyric performance. Devil definitely makes its case with skill and style. - AllMusic Review by Ned Raggetttrax:
01 Old Grey Coast 02 Bald Old Bear 03 Prophet Of The Underground 04 I Know You Know 05 You Make A God Of Money 06 Baby I Luv You 07 Ballad Of Oxford Circus 08 Everything Turned Orange 09 Take It Easy With Me 10 Escape To Fire Island
…served by Gaius...

"Do The 45!" Vol. 474 (2020)

Super fun collection of soul, blues, R&B, instro, and rock 'n' roll from the original 45's. (From my record collection.)It's just me having fun with my 45's and whatever random record I pull out of the boxes. I will try to give both sides of the 45 unless one side is dull, unbearable or unplayable. I hope you enjoy. (Gyro1966)trax:
1. I Got Loaded (La Louisiane) - Little Bob 2. Nobody but You (La Louisiane) - Little Bob 3. Come Summer (Herald) - Jay Dee Bryant 4. I Could Have Cried (Herald) - Jay Dee Bryant 5. Miss You So (Excello) - Little Florene 6. I'd Be the Last to Know (Excello) - Little Florene 7. Change My Way of Livin' (La Louisiane) - Raful Neal 8. Getting Late in the Evening (La Louisiane) - Raful Neal 9. Boss with the Hot Sauce (Derry) - Davis & Jones and the Fenders 10. Love Is Real (Derry) - Davis & Jones and the Fenders 11. One More Time (T N T) - The Traits 12. Don't Be Blue (T N T) - The Traits 13. Baby, Baby Don't Cry (Tamla) - Smokey Robinson & The Miracles 14. Your Mother's Only Daughter (Tamla) - Smokey Robinson & The Miracles 15. Good Good Lovin' (Paula) - Tom and The Cats 16. I Saw Her Again (Dunhill) - The Mamas & the Papas 17. Even If I Could (Dunhill) - The Mamas & the Papas 18. Good Lovin' (Red Bird) - The New York Sounds 19. Drag Street (Red Bird) - The New York Sounds 20. You Got the Love (White Whale) - Professor Morrison's Lollipop 21. Beachcomber (Cameo) - The Semi-Colons? 22. Set Aside (Cameo) - The Semi-Colons? 23. Summertime Blues (Paula) - Tom and The Cats 24. Walkin' Man (Paula) - Tom and The Cats 25. Eeny Meeny (Smash) - The Front End 26. You (Smash) - The Front End 27. Indian Giver (Buddah) - 1910 Fruitgum Company 28. Jingle Jump (Raynard) - Danny Peil & The Tigers 29. Flip Side (Raynard) - The Tigers 30. That Ain't Where It's at (M-G-M) - Eric Burdon & The Animals 31. Help Me Girl (M-G-M) - Eric Burdon & The Animals 32. Purple Haze (Laurie) - Dion
…compiled and served by Gyro1966...

ps.: for all late arrivals we have in the comments 3 reups of this series.

…and now for something completely different! 0926 - 2020

We have a first entry each day that is a picture or a video, and only in that entry you can place your music links and requests (NO ALBUMS RELEASED IN 2018 AND AFTER, AND A DAILY LIMIT OF 3 ALBUMS)! All the rest official posts will only allow comments related to the official posts and such. That way it will keep things much more organized and tidy. Enjoy! RYP and Gyro1966

Sunday, 19 April 2020

Herbie Mann "Evolution Of Mann" - Anthology 1994 - CD 2

This two-disc anthology doesn't cover Mann's bop or swing origins, instead concentrating on Mann's evolution from the 1960s to the 1990s. The first disc has more interest for jazz fans; it includes the influential "Memphis Underground" and "Coming Home Baby," showing his early flirtations with Latin and African music, as well as live workouts and Southern sessions. The second disc documents Mann's move into straight pop and light instrumentals, although near its conclusion he's returned to the groove-oriented Afro-Latin music of his earlier days. While there are questionable inclusions, especially the inferior live version of "Hold On I'm Comin'" rather than the definitive rendition from Memphis Underground, this set offers a good overview of a controversial but consistent musician. (Ron Wynn, Allmusic)All right kids, if you want an overview of how a wide range of different styles can swing on the flute, look no further. Herbie Mann is by far the most swingin', get down and groove flutist to come down the pike. Speaking of pikes, listen to the third cut of disk one. It features vibraphonist Dave Pike. You can hear his moans as he solos. The tune was written by the bassist, Ben Tucker. He begins with a bass line that immediately sets one's toes a tappin'. This is one of Herbie's signature tunes, the other being "Memphis Underground" which is featured later on. The next tune "One Note Samba" is from what, in my opinion, is one of Herbie's best recordings, "Herbie Mann & Joao Gilberto with Antonio Carlos Jobim." However, the accompanying book gives credit to the recording "Do The Bossa Nova With Herbie Mann." I'm sure this is correct and the tune appears on both albums. Herbie is not given nearly enough credit for his contribution of bringing over this great music from Brasil. "Blues Walk" is a fun, quick-paced jazz romp. It's followed by "Gymnopedie" which Herbie recorded with the famous Bill Evans trio. Disk Two begins with one of Herbie's most beautiful tunes "Yesterday's Kisses." He is heard playing the longer, wider in diameter thus, warmer sounding alto flute. If you ever need to calm down or just want to listen to a gorgeous piece of music, put this on. "Push Push" is the title cut from another of Herbie's best recordings. It features the soulfull Richard Tee on piano and what would turn out to be Duane Allman's last recordings. "Hold I'm Comin'" is the only live cut. It was recorded at the 1972 New York Jazz Festival. During this period Herbie called his group "The Family of Mann." The band consisted of sax/flutist David "Fathead" Newman, and Pat Rebillot on keyboards (also featured on the "Reggae" album). The late abstract rock guitaritst Sonny Sharrock is along as well. "Mellow Yellow" gets a fun interpretation here by Herbie and world famous French violinist Stephane Grapelli. "Draw Your Breaks" by Jimmy Cliff is from Herbie's "Surprises featuring Cissy Houston" album. All in all this is a great double CD. The depth of variety ensures that there will be something for just about everybody. I hope you'll get this and enjoy the music of Herbie Mann. (Crawdaddy)

trax:
01 Yesterday's Kisses 02 Push Push 03 Hold On, I'm Comin' 04 In Memory of Elizabeth Reed 05 Mellow Yellow 06 Hi-Jack 07 Common Place 08 Draw Your Breaks 09 Cricket Dance 10 Birdwalk 11 Aria 12 Dona Palmeira 13 Amazing Grace
…originally served by Gyro1966...

This music is dedicated to the tradition of Johnny Diego's Rock 'n' Roll Free Sunday!

Wild Billy Childish & The Musicians Of The British Empire "Punk Rock At The British Legion Hall" 2007

Billy Childish (born Steven John Hamper, 1 December 1959) is an English painter, author, poet, photographer, film maker, singer and guitarist. Since the late 1970s, Childish has been prolific in creating music, writing and visual art. He has led and played in bands including the Pop Rivets, Thee Milkshakes, Thee Headcoats, and the Musicians of the British Empire, primarily working in the genres of garage rock, punk and surf...…He is a consistent advocate for amateurism and free emotional expression. Childish co-founded the Stuckism art movement with Charles Thomson in 1999, which he left in 2001. Since then a new evaluation of Childish's standing in the art world has been under way, culminating with the publication of a critical study of Childish's working practice by the artist and writer Neal Brown, with an introduction by Peter Doig, which describes Childish as "one of the most outstanding, and often misunderstood, figures on the British art scene". He is a visiting lecturer at Rochester Independent College. In July 2014 Childish was awarded an honorary Doctor of Arts Degree from the University of Kent.
He is known for his explicit and prolific work – he has detailed his love life and childhood sexual abuse, notably in his early poetry and the novels My Fault (1996), Notebooks of a Naked Youth (1997), Sex Crimes of the Futcher (2004) – The Idiocy of Idears (2007), and in several of his songs, notably in the instrumental "Paedophile" (1992) (featuring a photograph of the man who sexually abused him on the front cover) and "Every Bit of Me" (1993). From 1981 until 1985 Childish had a relationship with artist Tracey Emin.
Thirty years after Childish's first musical releases with Thee Milkshakes and Thee Mighty Caesars, a crop of lo-fi, surf rock and punk groups with psychedelic subtexts has surfaced referencing the aesthetic established by Childish in both their band names and in various aspects of their sonic aesthetic: Thee Oh Sees, Thee Open Sex, Thee Tsunamis, Thee Dang Dangs and many others. - wikitrax:
01 Joe Strummers Grave 02 Birthday Boy 03 Dandelion Clock 04 Date With Doug 05 Bugger The Buffs 06 You're So Unbelievably Generous 07 Walking Off The Map 08 Snack Crack 09 Combover Mod 10 We 4 Beatles Of Liverpool Are 11 Bottomless Pit 12 Unfold Me 13 Few Smart Men 14 Punk Rock At The British Legion Hall

The Triffids "Born Sandy Devotional" 1986

"Born Sandy has possibly the best opening moment of any record I've heard as Dave's vocal comes straight in on the first lines of The Seabirds."The cover photo shows the West Australian township of Mandurah in 1961.
This album was the first true masterpiece of an album from one of Australia's finest bands ever, and maybe the most criminally underrated bands ever. The Triffids were a folky alt. rock band mostly resembling perhaps their fellow countrymen Nick Cave & The Bad Seeds and The Go-Betweens, who never really achieved any true commercial success, despite rave reviews.
Born Sandy Devotional, their 2nd full-length studio album sees them perfect their melancholy but beautiful Aussie sound and imagery right from the album cover down to the actual music and lyrics, written by vocalist/guitarist David McComb (who sadly passed away in 1999, at the age of 36). This is also the first album to feature the marvellous steel guitarist 'Evil' Graham Lee, whose playing certainly adds that extra "something" that was missing from their earlier releases. Songs like "The Seabirds", "Lonely Stretch", "Wide Open Road" and "Tender is The Night (The Long Fidelity)" (featuring the lovely vocals from keyboardist Jill Birt), are some of the most dramatic pieces of musical and lyrical genius I've ever heard, and although they are certainly not HAPPY songs, are more uplifting than depressing.
This was also the album that landed The Triffids with a major label deal with Island ("Wide Open Road" was a minor hit after all), where they continued with two more albums (Calenture being even better that Born Sandy Devotional, and the Stephen Street produced The Black Swan being a fine testament.), before disbanding in 1989.The Triffids:
David McComb: voc, guitar, keyb / "Evil" Graham Lee: pedal and lap steel, guitar / Martyn Casey: bass / Jill Birt: voc, keyb / Robert McComb: violin, guitar, voc / Alsy MacDonald: drums, voc / guests - Adam Peters: cello, keyb / Lesley Wynne: viola / Chris Abrahams: piano, vibraphone / Fay Brown & Sally Collins: backing voc

traxfromwax:
1. Seabirds 2. Estuary Bed 3. Chicken Killer 4. Tarrilup Bridge 5. Lonely Stretch 6. Wide Open Road 7. Life of Crime 8. Personal Things 9. Stolen Property 10. Tender Is the Night (The Long Fidelity)

"Deep Soul and R&B For Another Rainy Day"

20 more rare rain-related R&B and soul tracks.trax:
1. Rain Is Such a Lonesome Sound - Jimmy Witherspoon 2. Little Rain - Jimmy Reed 3. Let It Rain - Bud Harper 4. Another Rainy Day - The Jive Five 5. It's a Cold Cold Rainy Day - The Twi-Lighters 6. Your Sweet Love (Rained All Over Me) - Baby Ray 7. Rainy In My Heart - B.B. King 8. Stormy Monday Blues - Junior Wells 9. Rain Rain Rain - Tennyson Stephens 10. Cloudy Days - J.J. Barnes 11. Soon As the Weather Breaks - Bobby "Blue" Bland 12. Crying in the Rain - The Sweet Inspirations 13. These Ain't Raindrops - Percy Sledge 14. It's Raining - Booney Taylor 15. Big Bad Rain - 5 Degrees Fahrenheit 16. It's Gonna Rain - The Coastline Band 17. Oh, How It Rained - Eddie Floyd 18. Sometimes It's Got to Rain - Jackie Moore 19. Rain - Gwen Owens 20. Rain in Your Life (Sunshine) - Tommy Ellison & the Five Singing Stars
…served by Gyro1966...

…and now for something completely different! 0925 - 2020

We have a first entry each day that is a picture or a video, and only in that entry you can place your music links and requests (NO ALBUMS RELEASED IN 2018 AND AFTER, AND A DAILY LIMIT OF 3 ALBUMS)! All the rest official posts will only allow comments related to the official posts and such. That way it will keep things much more organized and tidy. Enjoy! RYP and Gyro1966

Saturday, 18 April 2020

Myra Holder "Four Mile Road" 1989

Way back when this album was new they played some tracks on WEGL and I had to buy the CD. It has been one of my favorite all-time CDs to listen to over the years. I love Ms. Holder's voice - she easily stands with my other favorites of Suzanne Vega, Sarah McLachlan, a Aimee Mann. My absolute favorite track here is "Blue Moon" - I always imagined the day I could have a child to sing this to and now I do. Thank you, Ms. Holder, for this gift of an album. - Eric RichardsI agree that this is a pretty great album. I have no idea why Myra never released another one. She played around a little after this came out (Maxwell's, CBGB, a few others). I kinda lost track after that. She wrote some really beautiful, whistful pop songs--"Rosa" is a good example--and I always liked her voice a lot. She had that same sort of sort of unaffected, guileless thing going that you hear from Georgia Hubley of Yo La Tengo. There's a purity there that's sadly lacking in a lot of pop music these days. - Bob Dobolinamembers:
Bass – Dennis Ambrose (tracks: 1, 4, 7, 8, 11), Sue Garner (tracks: 2, 9, 10) / Drums – Peter Moser / Guitar – Dave Schramm (tracks: 1, 7, 11) / Guitar, Vocals – Myra Holder / Keyboards – Chris Stamey / Mandolin, Guitar, Backing Vocals – Tom Quinn

trax:
01 Rosa 02 Pretty Blue 03 Jellybean 04 Billy 05 NC 06 John Calvin 07 Four Mile Road 08 3000 Nights 09 It's Over 10 Martha Helen Wood 11 Never Never 12 Blue Moon
…seved by Bronsonfan, jeff and WhatTS...

Wild Billy Childish & CTMF "In The Devil's Focus" (6Music Sessions for Marc Riley and Gideon Coe) 2017

Billy Childish (born Steven John Hamper, 1 December 1959) is an English painter, author, poet, photographer, film maker, singer and guitarist. Since the late 1970s, Childish has been prolific in creating music, writing and visual art. He has led and played in bands including the Pop Rivets, Thee Milkshakes, Thee Headcoats, and the Musicians of the British Empire, primarily working in the genres of garage rock, punk and surf...…He is a consistent advocate for amateurism and free emotional expression. Childish co-founded the Stuckism art movement with Charles Thomson in 1999, which he left in 2001. Since then a new evaluation of Childish's standing in the art world has been under way, culminating with the publication of a critical study of Childish's working practice by the artist and writer Neal Brown, with an introduction by Peter Doig, which describes Childish as "one of the most outstanding, and often misunderstood, figures on the British art scene". He is a visiting lecturer at Rochester Independent College. In July 2014 Childish was awarded an honorary Doctor of Arts Degree from the University of Kent.
He is known for his explicit and prolific work – he has detailed his love life and childhood sexual abuse, notably in his early poetry and the novels My Fault (1996), Notebooks of a Naked Youth (1997), Sex Crimes of the Futcher (2004) – The Idiocy of Idears (2007), and in several of his songs, notably in the instrumental "Paedophile" (1992) (featuring a photograph of the man who sexually abused him on the front cover) and "Every Bit of Me" (1993). From 1981 until 1985 Childish had a relationship with artist Tracey Emin.
Thirty years after Childish's first musical releases with Thee Milkshakes and Thee Mighty Caesars, a crop of lo-fi, surf rock and punk groups with psychedelic subtexts has surfaced referencing the aesthetic established by Childish in both their band names and in various aspects of their sonic aesthetic: Thee Oh Sees, Thee Open Sex, Thee Tsunamis, Thee Dang Dangs and many others. - wikitrax:
01 Marc's Jingle 02 You Gotta Lose 03 In The Devil's Focus 04 Empty 05 Billy B. Childish 06 Gideon's Jingle 07 I've Done Something Rotten 08 Medway Trogglamania 09 Rusty Hook 10 You Destabilise Me

The Cakekitchen "Stompin' Thru' The Boneyard" 1994

Now essentially a duo, with Jean-Yves Douet handling the drums and Jefferies handling just about everything else, on their fourth album the Cakekitchen cook up another fine set of the post-punk / indie rock with which they made their name: rock mixed with experimental diversions that's just slightly off kilter…...They make no radical reinventions at this point -- even eternal guest performer Galbraith and his violin surfaces again on the part-noise, part-sweet strum "The Mad Clarinet" -- but Jefferies' songs still have fire. "Tell Me Why You Lie" starts things off very promisingly. Brash and just thrashy enough, his very low-key vocals sneak around the three-chord fuzz well. "Even as We Sleep" raises the bar a bit higher by tackling the most recent of rock clichés -- the soft/loud/soft approach -- with more snaky delicacy than most. The quiet parts have a sharp tension and the noisier places maintain more of a wash than a roar, turning into a feedback, waltz-time swing in the song's midsection before concluding as it started. Production throughout is a (likely intentional) mix of the crisp and the boxy. Recording credits are named as cities rather than studios, so it's likely that Jefferies recorded things as he went; as ever he has a wonderful talent for arranging what he and his cohorts come up with. "Bad Bodied Girl" stands out here; while a more straightforward song, the layering of acoustic and electric guitars flows excellently. Jefferies as a performer again more than meets the criterion for interesting, whether considering the raging riff and shades of queasy feedback that carry "Mr. Adrian's Lost in His Last Panic Attack" or the piano/guitar combination that concludes the lengthy "Hole in My Shoe." In sum, another fine album from a remarkably consistent band. - AllMusic Review by Ned Raggetttrax:
01 Tell Me Why You Lie 02 Even as We Sleep 03 Bad Bodied Girl 04 Hole in My Shoe 05 Mr. Adrian's Lost in His Last 06 The Mad Clarinet 07 This Questionnaire 08 Harriett Row 09 Another Sad Story
…served by Gaius...

"Deep Soul and R&B For A Rainy Day"

20 rare rain-related R&B and soul tracks.trax:
1. Stormin' and Rainin' Blues - Sam Baker 2. Don't Let It Rain - Roy Brown 3. Rainin' in the Ghetto - The Sensational Starlights 4. Raining in My Life - Walter Wolfman Washington 5. Into Each Life Some Rain Must Fall - Zilla & Jay 6. Ain't Love Good When It Rains - Ray Quarles 7. Rain - The Jive Five 8. Your Sweet Love (Rained Over Me) - Otis Williams 9. It Rained 40 Days & Nights - Little Jimmy Scott 10. Rain Go Away - Melvin Moore 11. The Rain - The Persuasions 12. You Can't Pour Water on Me (And Tell Me It's Raining) - Jimmy "Preacher" Ellis 13. When It Rains It Pours - Billy Emerson 14. It Keeps on Raining - Gwen Mccrae 15. No Wind No Rain - The Independents 16. I Just Wanna Come in Outta the Rain - Bennie Conn 17. Crying in the Rain - Major Lance 18. Another Rainy Day - Marian Love 19. Let's Take a Rain Check - Oscar Perry 20. I Wish It Would Rain - Johnny Adams
…served by Gyro1966...

…and now for something completely different! 0924 - 2020

We have a first entry each day that is a picture or a video, and only in that entry you can place your music links and requests (NO ALBUMS RELEASED IN 2018 AND AFTER, AND A DAILY LIMIT OF 3 ALBUMS)! All the rest official posts will only allow comments related to the official posts and such. That way it will keep things much more organized and tidy. Enjoy! RYP and Gyro1966

Friday, 17 April 2020

Jack Rabbit Slim "Rockin' With... - Vol 1&2" 2016

Hey there daddy-o. Looks like the clock stopped sometime in early 1957 for the dreadfully named Jack Rabbit Slim, which I assume is the kind of thing you get in Private Shops the length and breadth of the country. For Jack Rabbit Slim are a rockabilly band. - By Mr. HBeing somewhat of a newcomer to the rockabilly scene, I found my eyes pricking up when I came across Jack Rabbit Slim. I am still trying to get my head around the quiffs, cars and guitars that go with the rockabilly lifestyle. I am eager to hear more and to really get a feel for this whole scene which up until recently was something which I knew very little about.
Jack Rabbit Slim are one of the UK’s pioneers of this scene and are much loved up and down the country, which is one thing that really draws me to this scene, its sense of community and belonging to something different.
Jack Rabbit Slim have a real 1950’s rock and roll sound to them and have much more of an old style sound than some of the more punk orientated bands that are also sometimes linked in with the rockabilly genre. That is the ‘pyscho-billy’ side of things for those not in the know. Constantly nodding to country music - think up beat Johnny Cash, alongside the likes of Buddy Holly and Elvis Presley - Jack Rabbit manage to blend all these things together and yet to sound like something completely new. They sound far more self aware and less ‘rockstar’ brat than Presley, but more worldly wise and tough than the youthfulness you get with Buddy Holly’s music.
Singer / songwriter / guitarist Bob Butfoy’s personality really shines through in his lyrics. They are heartfelt, honest and straight to the point as is also his delivery. Not trying to imitate anyone or more to the point to take on some sort of Americanised accent, he has his own style, as do his band. It is this quality to the band’s music and their whole feel that leads them to be so well thought of on the thriving UK Rockabilly scene. I couldn’t tell you if this would make you go out and dive head first into this subculture, as I’m writing from a mildly biased point of view. Swell! - Reviewed By: Adrian Hugginstrax:
01 Next Time 02 Run What You Brung 03 XXX 04 The Devil Made You 05 Blood Sweat 'n' Fears 06 Gotham 07 Boneyard Stomp 08 Zombie Doll 09 Good Time 10 Colour Me Lucky 11 Don't Tell Me That You Love Me 12 Cleopatra

Wild Billy Childish & CTMF "Brand New Cage" 2017

It is fascinating how lively and impetuously Wild Billy does his thing further and stubbornly zaps out an album every year. The 2017 round does not disappoint either, pushing punk rock riffs through Chatham...In addition to ten also textually irresistible 10x Childish originals provide two more songs written and sung by bass player Nurse Julie. Negotiated topics are the own youth in the 70s in Chatham, the real revolution of the punk, spirituality, lost loved ones and how Brian Jones got cold at the Stones ("What about Brian"). The cover shows a photo of 18-year-old Billy, which was taken in a King´s Cross photo machine in September 1978. Billy remembers very clearly: "I used to cut tribal markings on my cheeks with a razor blade every few weeks. At the time I was very interested in African tribal scars and I knew that they had ashes in their scars so I took my cigarette ash and rubbed it in my wound. A very painful ritual. In the photo I’m also wearing the most dangerous thing you could wear then, a punk rock teddy boy combination I wore a leopard skin vest and a bootlace tie, but my hair was flat and without pomade. We went to Bo Diddley concerts in the 70s and dressed a bit like Teds, so I was on some Teddy Boys death lists. " - Damaged goodstrax:
01 Brand New Cage 02 You Destabilise Me 03 Under Blue Montana Skies 04 It's All Gone Wrong 05 What About Brian 06 In The Devil's Focus 07 Are You Better Than Me? 08 In a Parallel World 09 The Punk Was in Me (And It Had Come Out) 10 Something's Missing Inside 11 I've Got a Conflicted Mind 12 Bullet Proof
ripped from CD in glorious monoloudarama!

The Triffids "Stand Up" 1981 - 7"/45rpm + "Reverie" 1981 - EP + "Bad Timing and other Stories" 1983 - EP + The Triffids "Fields of Glass" 1985 - EP

Australian folk-pop band the Triffids was formed in Perth in 1980 by singer/songwriter David McComb, his guitarist/violinist brother Robert, and drummer Alsy MacDonald…...Although chiefly influenced by the Velvet Underground, McComb's songs also drew heavily on the stark desolation of his rural upbringing, incorporating elements of country and blues to paint haunting portraits of isolation and longing...trax:
01 Stand Up 02 Farmers Never Visit Nightclubs
…served by Gaius...

"Reverie" 1981 - EP...Various members passed through the lineup during the Triffids' early years, although the core trio remained intact throughout. Shortly after the additions of Martyn Casey and keyboardist Jill Birt, the band recorded their 1983 debut, Treeless Plain, for the Hot label, followed a year later by the EP Raining Pleasure…trax:
01 Reverie 02 Place in the Sun 03 Joan of Arc 04 This Boy 05 Reverie (Alternative Version) 06 Place in the Sun (Live at Melbourne University) 07 This Boy (Live to Air on 3PBS)
…served by Gaius...

"Bad Timing and other Stories" 1983 - EPHeralding the arrival of steel guitarist Evil Graham Lee, 1986's Born Sandy Devotional was the Triffids' creative breakthrough, and after recording the low-budget follow-up, In the Pines, in a wool-shearing shed in the Australian outback, the group signed to major label Island to issue their 1987 masterpiece Calenture, their first recording with guitarist Adam Peters...trax:
01 Bad Timing 02 Left To Rot 03 Being Driven 04 Snake Pit 05 Bad Timing (Alternative Version)
…served by Gaius...

The Triffids "Fields of Glass" 1985 - EP...Unfortunately, commercial expectations for 1989's Stephen Street-produced The Black Swan weren't met, and the Triffids disbanded soon after, with the live Stockholm appearing posthumously the following year. David McComb went on to work with the Blackeyed Susans before mounting a solo career with 1994's Love of Will. Three days after a car accident, McComb died of unknown causes on February 2, 1999. - Artist Biography by Jason Ankenytrax:
01 Bright Lights, Big City 02 Monkey on My Back 03 Field of Glass
…served by Gaius...