ANYTIME ANYPLACE ANYWHERE was recorded by Deb's uncle Bobby Carl in 1956 for Decca. Reid Paley and Tanya Donnely recorded it with us for the EP, which Pink Dust eagerly released for us in 1986. We had great sales in Greece, we know not why. - from: http://www.plan9ri.com/
traxfromwax:
...The album is a mixture of funk, jazz, soul, disco, African and Caribbean music. I went into allmusic.com and the bulk of the artists are like one hit wonders or less. For the novice like me, only Bill Cosby and Ike Turner are the only two artists that I have heard of on this album. For the die hard music fan of this type of music, then you may know more of the artists on the CD. I bought it just to try something new to listen to. Mood Mosaic, Volume 11: Feelin' Funky! gets a B+ for the music on it.
trax Vol 11:
Green on Red's tinge of psychedelia was provided by Chris Cacavas' organ. But already, the band had traded in most psychedelic references for an Americana influence, along the lines of John Fogerty spiked with Roky Erickson. Completists might find they need Gravity Talks, but better work comes on the band's next record, Gas Food Lodging. - Review by Denise Sullivan
traxfromwax:
The Lords at their zenith. The last IRS record by the band, it moves more into heavy metal figures sonically and psuedo satanist imagery lyrically. This one is most like the new 2003 incarnation of the band fronted by StevenMarque; and you can really see Stiv's influence on him on tracks like KISS OF DEATH, DO WHAT THOU WILT and SEDUCER. Like any other LORDS album, a meaningful masterpiece and certainly significant theosophically, against the backdrop of most 80's vibrant/vapid offerings. - from amazon
The Lords Of The New Church:
I’ve been a fan of the Oetsound! since I was knee high to a tulip. And for my guilders, the best purveyors of the stuff are the Krontjong Devils. - Riff Ryan, KEWB, 6-9 a.m. Oakland, Calif.
trax:
In the early 1980s college radio dominated the rock industry. A loose network of campus stations across the US was breaking guitar rock from the likes of R.E.M. and The Replacements into the charts. This style of aggressive post-punk rock suited many Australian bands of the time. The Hoodoo Gurus, Died Pretty, The Church and The Celibate Rifles all found welcome on the college circuit. The Hoodoo Gurus in particular spent some years playing US campuses.
trax:
...Some songs are from professional bands while others are from amateurs. Some of the songs are "surfy" while others are more experimental. All of them showcase each member's creativity and talents.
...J'ai du assister à l'hiver 2002 à l'un des derniers concerts des Dogs en France, quelques mois avant que Dominique Laboubée ne passe l'arme à gauche lors de la tournée US entamée par le groupe, un décès aussi soudain que malheureux et auquel le combo ne survivra pas. On les aimait bien pourtant ces toutous là, malgré le drôle d'accent anglais de leur patron. Ils avaient plus de classe que mes voisins et assuraient contre vents et marées depuis plus de 20 ans avec la foi du charbonnier des prestations exemplaires, pleines d'intensité.
...I found Green on Red through a whole bunch of similar / adjacent bands I’ve been really into lately as part of my continued interest in scratching the R.E.M. surface of 80’s college rock and digging deeper - The Dream Syndicate, Game Theory, Let’s Active. The first track of theirs that really grabbed me was “Gas Food Lodging” - there’s another enthusiastic rave for another time - but “Death and Angels” stopped me dead in my tracks upon first listen.
traxfromwax:
Featuring four guitars and a sound straight from those psychedelic '60s, Rhode Island's Plan 9 dealt with little except period covers on their first album, 1982's Frustration. The group added a batch of originals on Dealing With the Dead, and spent the next two albums compiling early singles (Plan 9) and documenting their live show (I've Just Killed a Man, I Don't Want to See Any Meat). Plan 9 began to add remnants of hard rock with 1985's Keep Your Cool & Read the Rules, but after switching to Enigma, the group stripped its '60s influences and began sounding like a plain old rock band. ~ John Bush, All Music Guide
traxfromwax:
The Mood Mosaic Volume 10 - Retro Active is fifty-eight minutes and thirteen seconds and was released on August 3, 2007. The music is in the style of pop, rock, and jazz. Fourteen of the eighteen songs are instrumental and only Donovan, Classic IV, Letta Mblulu do any singing. George Semper song Shortin Bread you hear a female singing la, la, la and nothing else. Only one song made the US Billboard charts; if the rest of the songs topped in other countries I could not find any information. Unlike the other Mood Mosaic series this one was somewhat of a disappointment; what it is I am unable to put in words but something was missing from this album. The Mood Mosaic Volume 10 - Retro Active gets a B+. - Michael Patrick Boyd
trax:
...all served by Rob Kopp...
...From 1957 on, he had several comebacks with such musicians as Bobby Jaspar, René Thomas, and Gerry Mulligan with whom he had already recorded. In spite of having his teeth knocked out, Baker recovered and continued to record frequently, especially in live settings, for many different labels, including small groups and fronting large ensembles. From the 1980s until he died, he did a lot of his recordings in Europe. - discogs
trax disc 1:
This ballad-oriented solo outing from former Green on Red guitarist Chuck Prophet offers up spare swamp rock, setting the singer's dusky voice against a backdrop of slide, steel and finger-picked electric guitars. Opting for mood as much as content, the material is simple and homespun, adding touches of the blues and zydeco for an authentic backwoods feel. - AllMusic Review by Jason Ankeny
trax:
trax:
It's a one-hour concert from the legendary Marquee Club in merry olde London. It's a great performance from the original Lords lineup and a must have for any fan of the band. Stiv looks utterly wasted but turns in a great performance, the gum was a nice touch. The rest of the band seems focused and into it. The Lords wrote some really good songs and most of them are here. Stiv sure was an entertaining front man... - from amazon
The Lords Of The New Church:
J'ai du assister à l'hiver 2002 à l'un des derniers concerts des Dogs en France, quelques mois avant que Dominique Laboubée ne passe l'arme à gauche lors de la tournée US entamée par le groupe, un décès aussi soudain que malheureux et auquel le combo ne survivra pas. On les aimait bien pourtant ces toutous là, malgré le drôle d'accent anglais de leur patron. Ils avaient plus de classe que mes voisins et assuraient contre vents et marées depuis plus de 20 ans avec la foi du charbonnier des prestations exemplaires, pleines d'intensité.
...Some songs are from professional bands while others are from amateurs. Some of the songs are "surfy" while others are more experimental. All of them showcase each member's creativity and talents.
Deb found a VOX Super Continental organ at a yard sale. Evan Williams, currently Medicine Ball co-creator and guitar generator, needed a place to live, had a car and a Gibson SG, left handed that he covered with illustrations that were really good, came in one night. We jammed on Dirty Water by the Standells for an hour. He realized the common denominator in our demos, silly love songs as they were, Gotta Move, Frustration, I Can Only Give You Everything, cool music so…we became the "4 guitar 9 member psychedelic experience" started to practice more…oh and I almost forgot about Mikey RIPAMAN who got a Burns guitar for the occasion, had played with us in Newport early on and looked like Eddie of Flo &, and was simply a funny funny man. The idea became apparent to us that we should be Plan 9, to honor the absurdity of the then little known sci-fi debacle, to which we felt akin, P-9 from Outer Space, the one they will certainly remember Ed Wood for.
traxfromwax:
...Of course, plenty of film and television themes are present: "Ironside" by Quincy Jones mixes the composer's trademark orchestral jazz with some whooping synthesizer sounds and Rudy Ray Moore & Soul Rebellion Orchestra's "Mayor's Get Away" is a gritty slice of ghetto funk driven by cymbal-heavy drum work and percolating clavinet riffs. There are also some covers of film themes by easy listening groups: the London Royal Orchestra turns in an instrumental rendition of "The Man With the Golden Gun" that bolsters its jazzy, brass-heavy attack with some snarling fuzz guitar and John Schroeder turns in a particularly fierce rendition of "Blowin' Your Mind" (originally from Shaft's Big Score) that mixes orchestral funk with explosive brass arrangements and tight wah-wah guitar riffs. There are also some soul tunes that aren't soundtrack cuts but fit in just fine thanks to their funky style: "Broasted or Fried" by Saint Vincent Latinaires is a gritty instrumental that layers swinging horns over a huge, echoed percussive backdrop and General Crook's "What Time It Is" is a snarling funk rock track with social commentary lyrics in the vein of the Temptations' message-oriented hits. Mood Mosaic, Vol. 9: The Sound Bullett is a solid collection of funky and jazzy mood music. (Allmusic)
trax:
The Hoodoo Gurus continued to be a popular live act through the 1980's and '90's. Dave Faulkner became a production partner in Trafalgar Records and made some interesting records with a variety of artists. Faulkner also branched out into film scores.
trax:
…Aided by Stephanie Finch on vocals and accordion and Chris Isaak band member Roly Salley on bass, these city folk make authentic back-porch blues and folk fused with rock. - AllMusic Review by Denise Sullivan
...The band released two albums on RCA in 1969 and played at the Newport and Monterey Jazz Festivals and the Isle of Wight Festival, though they had turned down Woodstock. In late 1970, RCA released Lighthouse's third album, Peacing It All Together, then dropped the band, who then signed to GRT. 1971 brought One Fine Morning and Thoughts of Movin' On, and in 1972, the group released Lighthouse Live! and Sunny Days. The band lost members, beginning in 1973 when Paul Hoffert left, followed by Bob McBride and Skip Prokop in 1974; the group eventually disbanded in 1976. - by John Bush
traxfromwax:
It's just me having fun with my 45's and whatever random record I pull out of the boxes. I will try to give both sides of the 45 unless one side is dull, unbearable or unplayable. I hope you enjoy. (Gyro1966)
trax:
The songs on this album hooked me fast. Lords of the New Church has quite a bit of songwriting talent. Dave Tregunna plays some of the catchiest and most simple and original lines in songs like Johnny Too Bad and Dance With Me. Stiv Bator's voice has plenty of attitude and his lyrics are really cool in a trashy way. If you like the Damned you'll recognize their former guitarist Brian James who plays really cool guitar figures against the bass lines. They top it off with some sick 50's esque horn lines too! Overall this is a great rock and roll record. I would highly recommend this to any fans of the Damned and anyone who wants to hear how great and refreshingly simple a rock record can be!
The Lords Of The New Church:
This 2nd album from the Tarantinos NYC features 6 originals, as well as 2 tracks from Tarantino's Django Unchained, and 2 from Pulp Fiction. Also featured, a collection of soundtrack favorites from 60s and 70s surf, soul, spy and spaghetti western films! - bandcamp
Tarantinos:
Le groupe se nomme ainsi en référence aux nombreux titres de chansons qu'il aimait comportant le mot « dog ». Tout en reprenant des titres des Flamin’ Groovies, Kinks, du Velvet Underground, il commence vite à écrire ses propres compositions personnelles en anglais. Les premiers concerts ont lieu au casino de Saint-Valery-en-Caux, et divers lieux de la côte normande. En 1974, les Dogs passent au Golf Drouot à Paris, où leur participation est relativement mouvementée. À cette occasion, Philippe Manœuvre écrit avec enthousiasme le premier article élogieux dans le magazine musical Rock & Folk no 95 sur ce fameux concert. D'autres concerts ont lieu en première partie de Little Bob Story, alors autre illustre représentant de la scène rock haute-normande.
trax:
...Some songs are from professional bands while others are from amateurs. Some of the songs are "surfy" while others are more experimental. All of them showcase each member's creativity and talents.
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