Thursday, 9 May 2019

Dick Dale & His Del-Tones "Rock Out With Dick Dale - Live At Ciro's" 1965

Exciting live performances recorded on-stage at Ciro's Le Disc. Monophonic, microgroove recording. Produced by Jim Monsour and Jim Economides. - discogsYou won't see Dick Dales hits on this record, but the set is good. Songs like Eddy Cochran's "Summertime Blues," Bob Dylan's "Blowing in the Wind" and Ray Charles' "What I'd Say" appear with Dick Dales own unique playing style showing up on them. I really like this record and if you like surf music, or even the blues, you probably will too. - Stephtrax:
01 Peter Gunn 02 Money Honey 03 Angry Generation 04 Summertime Blues 05 Blowin' In The Wind 06 Don't Stop Now 07 Let's Go Trippin' ' 65 08 Bony Moronie 09 Watusi Jo 10 Money 11 What'd I Say

Lubricated Goat "Schadenfreude" 1989

Schadenfreude is an LP by Australian noise rock band Lubricated Goat, released in May 1989 by Black Eye Records.Lubricated Goat are an Australian noise rock band which originally formed in 1986 by multi-instrumentalist Stu Spasm. They achieved brief notoriety in November 1988 for appearing nude on the ABC TV program Blah Blah Blah, wearing only their instruments and shoes. Mainly influenced by the Stooges and the Birthday Party, they are credited for playing a grimy, confrontational style of rock, which preceded grunge. - wikiLubricated Goat:
Guy Maddison – bass guitar / Gene Ravet – drums / Stu Spasm – lead vocals, guitar / Charles Tolnay – guitar

trax:
01 Shut Your Mind 02 Prayer for Blood 03 Magumbo Head 04 The Hunt is Better 05 Toys 06 Melting 07 Jason The Unpopular 08 Beyond the Grave 09 Guttersnipe 10 Nerve Quake 11 Anal Injury
…served by montysmusic...

"Do The 45!" Vol. 315 (2019)

Super fun collection of soul, blues, R&B, instro, and rock 'n' roll from the original 45's. (From my record collection.)It's just me having fun with my 45's and whatever random record I pull out of the boxes. I will try to give both sides of the 45 unless one side is dull, unbearable or unplayable. I hope you enjoy. (Gyro1966)trax:
1. Pretty Soon (Modern) - Young Jessie 2. Well Baby (Modern) - Young Jessie 3. La Generation D'aujourd'hui (Citation) - Les Chanceliers 4. A La Queue Les Yvelines (Disques Vogue) - Jacques Dutronc 5. Miss Orangatang (Columbia) - Lincoln Chase 6. Walkin' Slowly (Columbia) - Lincoln Chase 7. Party Time (Kaiser) - The Ray-O-Vacs 8. Crying All Alone (Kaiser) - The Ray-O-Vacs 9. Last Chance (Sho-Biz) - Collay and the Satellites 10. Little Girl Next Door (Sho-Biz) - Collay and the Satellites 11. To Give Your Lovin' (Cadet) - The Happy Return 12. U-2 (Best) - Big Sonny and His Furys 13. Fail Safe (Best) - Big Sonny and His Furys 14. If You Need Me (Decca) - The Rolling Stones 15. Empty Heart (Decca) - The Rolling Stones 16. 2120 South Michigan Avenue (Decca) - The Rolling Stones 17. Confessin' the Blues (Decca) - The Rolling Stones 18. Around and Around (Decca) - The Rolling Stones 19. Make It Right (Jet Stream) - Bobby Stiles 20. Long Skinny John (Jet Stream) - Bobby Stiles 21. Save Me (Part One) - Julie Driscoll 22. Save Me (Part Two) - Julie Driscoll 23. Lookin' Out My Back Door (Fantasy) - Creedence Clearwater Revival 24. Long As I Can See the Light (Fantasy) - Creedence Clearwater Revival 25. Little Wheel Spin and Spin (Mediarts) - Chakra 26. Clover Hill (Mediarts) - Chakra 27. You Move Me (Cultures of Soul) - Roy Roberts 28. So Much in Love (Cultures of Soul) - Roy Roberts 29. What You Gonna Say? (Screaming Apple) - The Kaisers 30. You Don't Care (Screaming Apple) - The Kaisers
…compiled and served by Gyro1966...

…and now for something completely different! 597

We have a first entry each day that is a picture or a video, and only in that entry you can place your music links and requests (NO ALBUMS RELEASED IN 2017 AND AFTER, AND A DAILY LIMIT OF 3 DISCS)! All the rest official posts will only allow comments related to the official posts and such. That way it will keep things much more organized and tidy.
Enjoy!
RYP and Gyro1966

Wednesday, 8 May 2019

Dick Dale & His Del-Tones "Summer Surf" 1964

On his fourth album for Capitol Records, 1964's Summer Surf, Dick Dale seemed to be aiming for a glossier and more elaborate sound, and the production shows the occasional influences of Phil Spector and Brian Wilson, then the reigning titans of West Coast studiocraft…...With banks of vocal choruses on several tunes, additional percussion fancying up the arrangements, and no fear of horns and keyboards, Summer Surf was the most polished Dick Dale set to date, and on tunes like the Spanish guitar exercise "Spanish Kiss" and the Hebrew-flavored "The Star (Of David)," Dale's ambitions paid off -- although not exactly rock & roll, they are compelling and absorbing instrumentals that find the guitarist expanding his boundaries. Similarly, "Banzai Washout" marries Dale's trademark guitar attack to a big studio band, and this time the concept works like a charm. However, for every successful experiment on Summer Surf, there are some severe miscalculations, such as the groan-inducing novelty tune "Mama's Gone Surfin'," the curious gospel-influenced "Glory Wave," and Dale's wobbly trumpet-led cover of "Never on Sunday." (Just as significantly, these three songs make little if any room for Dale's guitar work.) And many of the other tracks are simply dull, hardly disastrous but not much to write home about, either. Summer Surf proved to be Dale's last studio album for Capitol, and since then he's preferred to work with independent labels where he's allowed to follow his own muse on his own terms, a lesson that seems especially valuable after listening to this album. - AllMusic Review by Mark Demingtrax:
01 Summer Surf 02 Feel So Good 03 Surfin' 04 Spanish Kiss 05 Star of David 06 Banzai Washout 07 Glory Wave 08 Surfin' Rebel 09 Never on Sunday 10 Mama's Gone Surfin' 11 Tidal Wave 12 Thunder Wave 13 Who Can He Be 14 Oh Marie

Lubricated Goat "Paddock Of Love" 1988

Paddock of Love is the second album from the Australian noise rock group led by Stu Spasm, this time enlisting Guy Maddison (King Snake Roost) on bass……The 1988 album again explores the Pere Ubu/Captain Beefheart angles of truly demented rock for the Australian punk label Black Eye. This album grabbed the attention of Minneapolis hardcore and noise rock label Amphetamine Reptile, which issued the awesome follow-up, Psychedelicatessen. Paddock of Love will appeal to fans of Helios Creed, Halo of Flies, Butthole Surfers, and the Jesus Lizard. - AllMusic Review by Skip Jansentrax:
01 In the Raw 02 Funeral on a Spit 03 All to Sane 04 Bullock 05 Broken Glass 06 Gargoyles 07 On the Gear 08 Elsewhere Else 09 He Moves in Mysterious Ways 10 Promised Land 11 Cannibals Lament 12 The Spectator
…served by montysmusic...

…and now for something completely different! 596

We have a first entry each day that is a picture or a video, and only in that entry you can place your music links and requests (NO ALBUMS RELEASED IN 2017 AND AFTER, AND A DAILY LIMIT OF 3 DISCS)! All the rest official posts will only allow comments related to the official posts and such. That way it will keep things much more organized and tidy.
Enjoy!
RYP and Gyro1966

Tuesday, 7 May 2019

The Compulsive Gamblers "Crystal Gazing Luck Amazing" 2000

Of the grimy handful of albums released by the Compulsive Gamblers, 2000s Crystal Gazing Luck Amazing is easily the strongest and most fully realized. With a lineup led by two members of the defunct legendary Memphis punk-garage trio the Oblivians, the Compulsive Gamblers' records were met with high expectations by fans……However, the Gamblers offered a considerably lighter, more mature touch in their musicianship and singing than the fantastically feral Oblivians typically cared to muster. Jack Yarber's pill-popping dirge, "Rock & Roll Nurse" simmers and steams as the guitarist pleads for a nurse in a little white skirt to, "Call Doc Necropolis, and tell 'em what I got." For sheer (post)-adolescent angst, "Negative Jerk" comes the closest to approximating the clanging, garage-punk attack of the Oblivians. Sort of the next step on the evolutionary scale, "The Way I Feel About You," finds Greg Cartwright channeling that same gut-twisting angst into what may be one of the most furious love songs ever written. The stomping drum beat is echoed by stiff, stuttering guitar lines as the singer self-deprecatingly pours his nervous heart out, screaming "I never said the way I feel about you/I know you'd laugh and say it wasn't the truth." It's teen angst in all its glory, all grown up and old enough to drink and get rowdy. "Whole Lotta Woman" is a primal dance party anthem right out of the gate. With a swaggering drum stomp, a giddy gang of backing vocals and an animated lead turn from Cartwright that's erupts into gutter gospel by the end, the song is a hip-shaking, lusty ode. "Two Thieves" is a western-tinged ballad chronicling the story of outcasts whose paths shouldn't have crossed. "If the two of you had me/Both your mothers would've wept/Two peas in a pod," offers Cartwright on what proves to be one of the album's softest moments. A strong, well-balanced collection, several of the songs from this album have outlived the band, with Cartwright's surprisingly sweet girl group inspired rocker "Stop and Think It Over," carrying over as live staple for his post-Gamblers group the Reigning Sound. The song has also been trotted out live by the Hives. However, the surreal pinnacle of the ultra-catchy song's career came half-a-dozen years after Crystal Gazing Luck Amazing, when Cartwright and his Reigning Sound recorded a version of the song backing girl group legend Mary Weiss (the Shangri-Las) for her 2007 comeback album. - AllMusic Review by Karen E. Gravestrax:
01 The Way I Feel About You 02 Pepper Spray Boogie 03 Whole Lotta Women 04 Negative Jerk 05 Stop & Think It Over 06 I'm That Guy 07 Wait A Bit, Joe 08 Your Happiness 09 Rock & Roll Nurse 10 Two Thieves

Dick Dale also Bo Troy & His Hot Rods "Wild Hot Rod Wails" 1964

Too bad the hot rod noise is totally overpowering the music. Great if you really like engine noise. - Niceroad77It has Dick Dale big on the cover, but it is actualy an album by Bo Troy & His Hot Rods. There are only 2 (non-surf) tracks by Dick Dale: "Fairest Of Them All" and "Never Hear The End" - surfraptor

trax:
01 The Fairest of them All 02 Slippery Shillelagh 03 High Boy Hauler 04 We'll Never Hear The End Of It 05 Bash 06 Four Banger 07 Kooky Deuce 08 Haulin' Henry 09 Sling Shot Scavenger 10 Four On The Floor

Lubricated Goat "Plays The Devil's Music" 1987

1987 Amphetamine Reptile Records release of Plays the Devil's Music by Lubricated Goat. Psychedelic punk noise from the Australian band.Plays the devil's music is made up of two recording sessions: side one was recorded at no sweat studios in perth with brett ford (RIP) and pete hartley (both members of the kryptonics), and side two was recorded on 4-track cassette in adelaide with martin bland (who has resided in seattle for the last twenty years and formed the band monkeywrench with mudhoney's mark arm and steve turner, as well as reforming the band bloodloss with fellow aussie expats renestair ej and guy maddison and mudhoney's mark arm). ford's and bland's exceptional skills on the trap kit and general musical sensibilities compliment the recordings perfectly.
The result is a very distinct sounding record - both raw and sophisticated at the same time, never bordering on pretense and always FUN. even on this, their first release, spasm's guitar playing, songwriting, and personal aesthetic are fully formed and on display. this record (along with their second, paddock of love) is an absolute must-have if you are fan of aussie punk (or post-punk) and/or the black eye records lot (such as beasts of bourbon, thug, etc.). it's aussie's doing what they do best - swampy/noisy/arty/punk/garage rock with a dollup of that distinctly aussie sense of humor. i hate to make comparisons, but for the sake of the uninitiated, i would say that it most closely resembles a concoction of the butthole surfers, the birthday party, the cramps, the stooges, and maybe a little bit of link wray.
Originally released on vinyl by black eye records in the late '80s, the record (and the band) existed under the radar until amphetamine reptile records in the US licensed it for reissue in the early '90s. since then, stu spasm (the band's only mainstay) has become somewhat of a legend and is considered underground rock and roll royalty by many musicians/fans in australia, europe, and the US (where spasm has resided for the last 20 years - mostly in new york).
Because, to my knowledge, this album has never been released on CD, i suggest hunting down the black eye records vinyl pressing as (a) it sounds better, and (b) the packaging is better. i have owned both, and am not implying that the am rep pressing is bad, by any means, but...regardless, buy this album - you will not regret it. it's truly a largely overlooked gem that has stood the test of time. so much, in fact, that vinyl reissues and a compilation CD containing this album, paddock of love, and a selection of unreleased tracks is rumoured to be in the pipeline of reverberation records and memorandum records, respectively. - Furry Man of the Midwesttrax:
01 Jason the Unpopular 02 Beyond the Grave 03 Guttersnipe 04 Nerve Quake 05 Anal Injury 06 Hornraiser 07 Frotting With Ennio 08 Goats and the Men Who Ride Them 09 Can't Believe We're Really Making
…served by montysmusic...

"Do The 45!" Vol. 314 (2019)

Super fun collection of soul, blues, R&B, instro, and rock 'n' roll from the original 45's. (From my record collection.)It's just me having fun with my 45's and whatever random record I pull out of the boxes. I will try to give both sides of the 45 unless one side is dull, unbearable or unplayable. I hope you enjoy. (Gyro1966)trax:
1. This Is a Game (Il) - Nick Waterhouse 2. It #3 (Il) - Nick Waterhouse 3. Shotgun (Citation) - Pierre Perpall 4. We Got Latin Soul (Columbia) - Mongo Santamaria 5. Getting It Out of My System (Columbia) - Mongo Santamaria 6. Vista, Vista (Amy) - Lee Dorsey 7. I Can't Get Away (Amy) - Lee Dorsey 8. Dyambo (Weary Day Is Over) (Chisa) - Hugh Masekela & the Union of South Africa 9. Warm City Baby (Hip) - The Honey Jug  10. Shake Your Mini (Showtime) - The Show Stoppers 11. Shake Your Mini (Organ Solo by Ronnie Dee) (Showtime) - The Show Stoppers 12. People, Get It Together (Stax) - Eddie Floyd 13. Time Is Tight (Stax) - Booker T. & The M.G.'s 14. Tu Cours Les Idoles (Jupiter) - Gene Williams  15. Do the 45" (One-Derful!) - The Sharpees 16. Don't You Forget It (Innovative Liesure) - Nick Waterhouse 17. Don't You Forget It (Innovative Liesure) - Allah-Las 18. Peace Frog (Elektra) - The Doors 19. Waiting for the Sun (Elektra) - The Doors 20. Ramblin' Gamblin' Man (Capitol) - Bob Seger 21. Why Don't We Do It in the Road (Jewel) - Lowell Fulsom 22. My Eyes (Keep Me in Trouble) (Chess) - Muddy Waters & His Guitar  23. I Want to Be Loved (Chess) - Muddy Waters & His Guitar  24. Frieda, Frieda (Keen) - The Valiants 25. Please Wait My Love (Keen) - The Valiants 26. Barbara (Bow) - The Encores 27. Rock-A-Locka (King) - The Five Wings 28. Teardrops Are Falling (King) - The Five Wings
…compiled and served by Gyro1966...

…and now for something completely different! 595

We have a first entry each day that is a picture or a video, and only in that entry you can place your music links and requests (NO ALBUMS RELEASED IN 2017 AND AFTER, AND A DAILY LIMIT OF 3 DISCS)! All the rest official posts will only allow comments related to the official posts and such. That way it will keep things much more organized and tidy.
Enjoy!
RYP and Gyro1966

Monday, 6 May 2019

Deke Dickerson & The Ecco-Fonics "Live at Conan's Pub" 2001

One of the most respected guitarists on the West Coast roots rock scene, Deke Dickerson melds top-notch chops with an encyclopedic knowledge of vintage country, rockabilly, surf, blues, and garage rock styles, all informed by his trademark sense of humor. Dickerson was born in Columbia, Missouri, in the summer of 1968. Raised in a farming family, Dickerson grew up listening to classic country sounds, and once told a reporter the first two concerts he saw were by bluegrass pioneer Bill Monroe and by blues icon Willie Dixon. Dickerson began playing in bands when he was only 13, and was a seasoned veteran when in 1987 he formed the Untamed Youth. The band's hot-wired blend of surf and garage rock gained them a small but fiercely loyal cult following, but despite relocating to the West Coast, the band called it quits in 1993 after six years of struggle, just before the success of the Pulp Fiction soundtrack gave the surf scene a new lease on life...…During the latter days of the Untamed Youth, Dickerson joined forces with fellow Missouri transplant Dave Stuckey to form the Dave & Deke Combo, which specialized in rockabilly and vintage hillbilly sounds. The band soon became the toast of the Los Angeles retro scene and developed a potent following overseas, with British label No Hit Records releasing their first record in 1993 and the band touring Europe several times to enthusiastic crowds. In 1995, the band's acclaimed Hollywood Barn Dance album hit the shelves, but the combo amicably split up a year later so Dickerson and Stuckey could pursue other musical avenues. Shortly before the Dave & Deke Combo called it quits, Dickerson began moonlighting with the Go-Nuts, a garage-flavored "snak-rock" combo, in which he appeared as the masked "Donut Prince" as the band humorously celebrated the glories of junk food. In 1998, Dickerson debuted his new group, Deke Dickerson & His Ecco-Fonics (named for a brand of tape echo unit made in the 1950s). Running the musical gamut from rockabilly and hillbilly to surf, jump blues, and instrumental rock, Dickerson and his band were soon signed to Hightone Records, and released their debut album, Number One Hit Record, in the fall of 1998. Two more albums for Hightone followed, 1999's More Million Sellers and 2000's Rhythm, Rhyme & Truth, before Dickerson struck out on his own in 2003 with In 3-Dimensions!, the first release on his own Major Label label. The rarities collection Mister Entertainment appeared the same year. Dickerson also launched a second label, Ecco-Fonic Records, to release material by himself and like-minded artists, and he compiled a disc of highlights from his Hightone releases, My Name Is Deke, which was released in 2004. As well as releasing a steady stream of albums through his Ecco-Fonic label, Dickerson has recorded music for the films Election and Sideways, scored the documentary The Wild and Wonderful Whites of West Virginia, provided musical cues for Bob Dylan's Theme Time Radio Hour, and produced albums for Dig Wayne, "Blind" Rage and Violence, and Lisa & Her Kin. Dickerson also teamed up with surf/garage rock legends the Trashmen in 2014 to record the album Bringing Back the Trash; cut an EP with R&B vocalist Nikki Hill (Soul Meets Country), and provided the vocals for a set of covers of instrumental hits from Los Straitjackets. In 2015, Rockbeat released another collection of Dickerson's Hightone Records material, simply titled Greatest Hits.
In addition to his career in music, Dickerson is also a talented writer, and has penned liner notes for albums by Glen Glenn, Jenks "Tex" Carman, Jimmy Bryant, and the Raging Teens. - Artist Biography by Mark Deming

trax:
01 Hello Blues 02 Tally Ho 03 Hot Rod Queen 04 Red Headed Woman 05 Beating On The Bars 06 The Hatchet Man 07 Peroxide Blonde 08 Don't Push Me Too Far 09 I Might Not Come At All 10 I'm Gonna Live Some Before I Die 11 El Cumbanchero 12 Beat Out My Love 13 I'm Diggin' A Hole 14 Snatch It & Grab It 15 Dance Franny Dance 16 In The Ghetto 17 Nightmare Of A Woman 18 Have Blues Will Travel 19 Mexicali Rose

Dick Dale & His Del-Tones "Mr. Eliminator" 1964

In the early '60s, Capitol Records was having nearly as much success selling hot rod records to teenagers as they were with surf music, and given their good fortune in persuading the Beach Boys to cut some tunes about the joys of fast cars, it came to the surprise of no one that producer Gary Usher, the man behind the Super Stocks, was teamed up with surf guitar legend Dick Dale to cut an album…...Released in 1964, Mr. Eliminator features Dale accompanied by Usher's usual team of session pros, including Glen Campbell and Jerry Cole on guitars, Plas Johnson on sax, Bruce Johnston on keyboards, and Earl Palmer behind the drums. With a band like that, you might wonder if there was any room left for Dick Dale, and on the vocal cuts he does sound a bit like an afterthought on his own album, though Dale gives his all as he belts out "50 Miles to Go" and "My X-KE," and tries hard on the lost cause that is "The Squirrel." But when Dale gets to crank up his guitar and let loose on instrumental numbers like "Flashing Eyes," "Taco Wagon," and the title cut, Mr. Eliminator really blasts off -- these are the tunes where Dick Dale gets to be Dick Dale, and even with the greatest band in Hollywood backing him up, he steals the show with his supercharged barrage of notes. - AllMusic Review by Mark Demingtrax:
01 Mr. Eliminator 02 50 Miles To Go 03 Flashing Eyes 04 Taco Wagon 05 The Squirrel 06 The Victor 07 Blond In The 406 08 Firing Up 09 My X-KE 10 Nitro Fuel 11 Hot Rod Alley 12 Wild Ideas 13 Wild Wild Mustang

MINK JAGUAR "Mink Jaguar" 2005

For all the lamenting of the supposedly sad state of rock and roll in this Digital Age (especially in Sydney) there are some great bands if you dig deep enough. No-one can accuse Australian label Off the Hip of not doing their part to expose some (most?) of it, and here's another sterling example……Mink Jaguar are a three-piece with a stage presence so unimposing as to be damn near invisible. There's not a lot of flashiness or showmanship in what they do; they hide under caps half the time and don't go out of their way to court their audiences. But for stripped-back, no-bullshit rockabilly-and-roll (emphasis on the roll) they're just about as good as anything Sydney has to offer. It's hard to pigeonhole Mink Jaguar - and that's half their secret. They summon up all sorts of spirits from influences like Chuck Berry, the Sun label bands, the Cramps and any number of country rockers like Wanda Jackson. The other thing you need to know if they're all terrific players, with drummer Joel Ellis nailing the beat to a street corner where swing meets power (cock an ear to Hank Williams' "Window Shopping" or the strong-arm patterns on Buck Owens' "Rhythm or Booze" for proof). He's a powerhouse. His brother Ariel lays down the basslines that colour and fuel these tracks. Singer-guitarist Billy Quan provides the melodies and six-string strum and holds a tune in that classic journeyman style.
That these are simple tunes to hold and appreciate - it's no drawback on either score. Just under half the 15 are covers, but don't let that be a deterrent. Most are obscure enough for the Minks to assert ownership without the landlord noticing. And here's where the Cramps connection cuts in: the Minks are equally passionate about their '50s rockabilly and choose their covers well. From the visceral take on Mr Berry's chestnut "Let It Rock" to the killer chorus of "Hotter Than Mojave" (bet it would be a hit in Nashville, but I'm not sure Dement Iris sang it like this), these are songs played economically and with a rock sensibility that would melt their Mums and Dads' old vinyl collection (from where many were undoubtedly culled).
Originals like the poppy "Campsie City Line" and "Anywhere But Here" aren't as strong as the covers but don't let the team down either and that's hopefully a portent for the next album. Production is warm and live and another feather in the cap for Big Jesus Burger Studio in Sydney.
From the fake ring-wear on the cover slick to the outro of a record player arm lifting the stylus off the vinyl (nice touch) this is a great little disc. The only real criticism is the disc is too short at 31 minutes. Next time let's shoot for a double album boys, eh? This sort of timeless shit doesn't wear out its welcome easily.– The Barman, http://i94bar-dev.info/reviews/minkjaguar.htmltrax:
01 Campsie City Line 02 Let It Rock 03 Window Shopping 04 Say You Do 05 Poison In Your Heart 06 High & Dry 07 Hotter Than Mojave 08 Holy Mountian 09 Red Queen 10 Right Or Wrong 11 Find My Baby 12 Nothing Shaking 13 Rhythm & Booze 14 Whose Shoulder 15 Anywhere But Here
…originally served by Gyro1966...

Marv Johnson "You Got What It Takes" The Marv Johnson Story 1958-1961

Everybody has to start somewhere, and when Berry Gordy started a record label, one of his early signings was Marv Johnson. The single, Come to me, took off so quickly that the new label couldn't cope, so it was leased to United Artists, who signed Marv to a contract. That single reached the American top 30, and was followed by others including Move two mountains (top 20), I Love The Way You Love (top 10) and You Got What It Takes, which not only made the top 10 in the USA but also in the UK......Marv seemed all set for a long run of success but it didn't happen. United Artists eventually let him go and he finally signed for Motown, by then well established. He had two UK hits in 1969 including I'll pick a rose for my Rose, which made the top 10, but otherwise made little impact.
So these early recordings represent the best that Marv Johnson achieved, although there were other recordings for United Artists in 1963 and maybe 1964 too, before that label dropped him.
This double CD contains a gospel album, two other albums of studio recordings, the first of which mixes oldies from the Great American Songbook with some Berry recordings, plus other tracks released on singles.
Marv Johnson should have been one of Motown's big stars, but because a quirk of circumstances caused him to be signed to another label, Motown developed without him. He was unlucky not to be a big star, and it seems that he is still largely uncredited for his unwitting role in getting Motown up and running. Listen to this fantastic collection and ponder what might have been. (Peter Durwald Harris, The Guardian)trax disc 1:
01 September In The Rain 02 You Got What It Takes 03 Summertime 04 S' Wonderful 05 I Can't Get Started 06 Come To Me 07 Let Me Love You 08 Almost Like Being In Love 09 Love Is Here To Stay 10 I'm Coming Home 11 When I Fall In Love 12 Don't Leave Me 13 Baby Baby 14 This Heart Of Mine Will Surely Sing 15 I Love The Way You Love 16 River Of Tears 17 Clap Your Hands 18 Ain't Gonna Be That Way 19 When You've Lost Your Love 20 I Need You 21 Easier Said (Than Done) 22 What A Need 23 All The Love I've Got
trax disc 2:
01 My Baby-O 02 Once Upon a Time 03 Whisper 04 (You've Got to) Move Two Mountains 05 Happy Days 06 Merry Go Round 07 Tell Me That You Love Me 08 How Can We Tell Him 09 I've Got a Notion 10 Show Me 11 Oh Mary 12 Johnny One Step 13 Easier Said than Done 14 Let Every Living Creature Praise the Lord 15 Swing Low Sweet Chariot 16 How Long Has It Been Since You Prayed 17 He's Got the Whole World in His Hands 18 I Believe 19 Ride the Chariot 20 He Gave Me You 21 You Better Mind 22 When I've Done the Best I Can 23 I'm Going to Work until the Day Is Done 24 If I Can Help Somebody 25 Everytime I Feel the Spirit
…served by Gyro1966...

…and now for something completely different! 594

We have a first entry each day that is a picture or a video, and only in that entry you can place your music links and requests (NO ALBUMS RELEASED IN 2017 AND AFTER, AND A DAILY LIMIT OF 3 DISCS)! All the rest official posts will only allow comments related to the official posts and such. That way it will keep things much more organized and tidy.
Enjoy!
RYP and Gyro1966

Sunday, 5 May 2019

Art Blakey & The Jazz Messengers "Caravan" 1962

By the time that jazz icon / bandleader / percussionist Art Blakey and his Jazz Messengers began recording for Riverside in the fall of 1962, Blakey had already been the spiritual center of the group for nearly 15 years…...The unprecedented caliber of performers who had already passed through the revolving-door personnel reads like a who's who of 20th century jazz. On Caravan -- his first of several notable sides for the venerable label -- he is joined by a quintet of concurrent and future all-stars. Likewise, it could be argued that each has never again been presented in such a fresh or inspired setting as on these recordings. In order to establish with any authority just how heavy (even for purveyors of hard bop) the players in this band are, they need only to be named: Curtis Fuller (trombone), Freddie Hubbard (trumpet), Wayne Shorter (tenor sax), Cedar Walton (piano), and Reggie Workman (bass). With Blakey (drums) firmly at the helm, these Jazz Messengers deliver a scintillating synergy that doesn't sacrifice intensity for the sake of cadence. The trademark give-and-take that graces the laid-back and sophisticated pop and jazz standards "Skylark" and "In the Wee Small Hours of the Morning" likewise is responsible for the palpable energy brought to the sizeable contributions from Shorter and Hubbard -- which make up half of the album's material. The title and leadoff track liquefies Duke Ellington's original arrangement and ignites it, fueling this extended fiery interpretation. Hubbard's first solo harks back to his own recording of "Caravan," which can be heard on the Impulse release Artistry of Freddie Hubbard and was recorded earlier the same year. Coincidentally, that disc also features Curtis Fuller as well as a rare non-Sun Ra-related appearance from John Gilmore (tenor sax). Blow for blow, however, this reading has more than just an edge -- it possesses the entire blade. The melody snakes in and out of Blakey's strident flurry of syncopation. Another highlight is Shorter's interjectory solo, recalling his ability to succeed John Coltrane in Miles Davis' coterie. Among the original compositions, Shorter's upbeat "Sweet 'n' Sour" stands out as the most cohesive and ensemble-driven, although the singular group dynamic is well applied to the lively "This Is for Albert" as well. By contrast, Hubbard's "Thermo" is more angular -- taking full advantage of the musicians' aggressive chops. The 2001 20-bit remaster from Fantasy contains two bonus tracks: take four of "Sweet 'n' Sour" and take two of "Thermo." This release can be considered definitive Blakey, bop, and Jazz Messengers. - AllMusic Review by Lindsay Planer

members:
Art Blakey - drums / Curtis Fuller - trombone / Freddie Hubbard - trumpet / Wayne Shorter - tenor sax / Cedar Walton - piano / Reggie Workman - bass

trax:
01 Caravan 02 Sweet 'N' Sour 03 In The Wee Small Hours Of The Morning 04 This Is For Albert 05 Skylark 06 Thermo 07 Sweet 'N' Sour (Take 4) 08 Thermo (Take 2)

This music is dedicated to the tradition of Johnny Diego's Rock 'n' Roll Free Sunday!

Dick Dale & His Del-Tones "King of the Surf Guitar" 1963

Dick Dale was becoming one of the biggest rock & roll acts in California's history in 1962 when he was signed to Capitol Records, who reissued his album Surfer's Choice (which had already moved close to 90,000 copies on Dale's own Deltone label) and put him into the studio to cut some fresh material for his new sponsors…...Overall, King of the Surf Guitar was probably Dale's best album for Capitol, but it also suggested a fundamental misunderstanding of Dale and his music by the label. King of the Surf Guitar begins with the title tune, in which female vocal group the Blossoms (featuring Darlene Love) urge us to "Listen! Listen to the King!" as Dale reels off trademark riffs, as if anyone who bought the record would be likely to do otherwise, and the curious opener pointed to the album's flaw. Capitol seemingly wanted an album that would have something for everyone, so along with Dale's ripsaw surf guitar vehicles it includes folk tunes ("Greenback Dollar"), rock & roll oldies ("Kansas City"), country standards ("You Are My Sunshine"), lovelorn ballads ("If I Never Get to Heaven"), and plenty of vocal numbers, though Dale goes out of his way to inject his forceful personality into every tune and his singing, while not as impressive as his guitar work, was nothing to complain about. Still, this album truly shines on tunes when Dale gets to play guitar at full force, and "Hava Nagila," "(Ghost) Riders in the Sky," and "Mexico" are as fiery as anything he would cut for the label. If King of the Surf Guitar isn't a Dick Dale album for purists, at the very least it leaves no doubt that he came by the title accolade honestly. - AllMusic Review by Mark Demingtrax:
01 King of the Surf Guitar 02 Lonesome Road 03 Kansas City 04 Dick Dale Stomp 05 What'd I Say 06 Greenback Dollar 07 Hava Nagila 08 You Are My Sunshine 09 Mexico 10 Break Time 11 (Ghost) Riders in the Sky 12 If I Never Get to Heaven 13 Lobo [#] 14 Cotton Picking [#]

"Do The 45!" Vol. 313 (2019)

Super fun collection of soul, blues, R&B, instro, and rock 'n' roll from the original 45's. (From my record collection.)It's just me having fun with my 45's and whatever random record I pull out of the boxes. I will try to give both sides of the 45 unless one side is dull, unbearable or unplayable. I hope you enjoy. (Gyro1966)trax:
1. I Need Somebody (Checker) - Little Milton 2. So Mean to Me (Checker) - Little Milton 3. My Love (Atlantic) - Tex & The Chex 4. I Do Love You (Atlantic) - Tex & The Chex 5. Gimme Shelter (Ode) - Merry Clayton 6. Good Girls (Ode) - Merry Clayton 7. Hurricane (Epic) - Shuggie Otis 8. Jennie Lee (Epic) - Shuggie Otis 9. In Love (Swan) - Tony Galla 10. Change Your Ways (Rca Victor) - Willie Kendrick 11. Baby, You Got It (Ronn) - Toussaint McCall 12. I Stand Accused (Ronn) - Toussaint McCall 13. I Just Want to Make Love to You (Interphon) - The Soul Agents 14. Mean Woman Blues (Interphon) - The Soul Agents 15. Moanin' (Atco) - Ada Lee 16. Let the Good Times Roll (Mgm) - Bill Medley 17. Brown Eyed Woman (Mgm) - Bill Medley 18. You Gotta Have Love (In Your Heart) (Expo) - Bobby Jone's 19. Talkin' 'Bout Jone's (Expo) - Bobby Jone's 20. Sticks and Stones (Abc-Paramount) - Ray Charles & His Orchestra 21. Worried Life Blues (Abc-Paramount) - Ray Charles & His Orchestra 22. Yesterday's Folks (Buddah) - The Mustard Family 23. African Sunshine (Buddah) - The Mustard Family 24. Love Me Two Times (Elektra) - The Doors 25. Moonlight Drive (Elektra) - The Doors 26. I Love to Boogie (Emi) - T.Rex 27. Baby Boomerang (Emi) - T.Rex
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Saturday, 4 May 2019

Befour Three O'Clock (The Salvation Army) "Happen Happened" 1982

This is both a definitive historical collection and a great piece of early-'80s post-new wave punk-pop!In March 1981, South Bay, CA, teenager Michael Quercio formed the Salvation Army, a punky, psych-influenced garage band that took most of its stylistic and musical cues from Lenny Kaye's Nuggets anthology. Before the year was out, the Salvation Army had a single out on the Minutemen's New Alliance label, a new guitarist (Greggory Louis Gutierrez), and a batch of new songs to demo. After this demo was played on Rodney Bingenheimer's massively influential Rodney on the ROQ radio show, Lisa Fancher signed the Salvation Army to her Frontier Records and released the trio's self-titled debut in May 1982. The philanthropic organization took umbrage and the Salvation Army politely changed their name to the meaningless but suitably psychedelic the Three O'Clock, replaced drummer Troy Howell with ex-Quick drummer Danny Benair, added keyboardist Michael Mariano, and transformed themselves into the leading lights of the paisley underground, a phrase invented by Quercio that's dogged him ever since. Fancher reissued the Salvation Army album under the clever name Befour Three O'Clock after the group misguidedly left Frontier for IRS, and in 1992, collected the full album, that pivotal five-song demo, and all four songs recorded during the sessions for the New Alliance single for a comprehensive collection of every Salvation Army studio recording. As such, Happen Happened (named for the trippy A-side of that single, which appears in two versions) is a priceless document of the early days of the L.A. psych-pop revival scene. Fans of the Three O'Clock's much glossier music might be surprised by the punky speed and noisy guitars, but the simple two- and three-chord songs are bracing and surprisingly melodic, and flashes of Quercio's skewed lyrical bent are already visible in songs like "While We Were in Your Room Talking to Your Wall." Six songs are repeated, though there are only notable differences in a couple of cases and invariably the album versions are superior to the demos. Regardless, this is both a definitive historical collection and a great piece of early-'80s post-new wave punk-pop. - Review by Stewart MasonBefour Three O'Clock:
Michael Quercio (vocals, keyboards, bass); Gregg Gutierrez (vocals, guitar, keyboards); John Blazing (guitar); Troy Howell (drums, kalimba). Producers: Salvation Army, HB Lovecraft. Recorded in 1981 and 1982

tracks:
1 Happen Happened 2 For Hours 3 Fight Songs 4 Mind Garden 5 She Turns to Flowers 6 Grimly Forming 7 The Seventeen Forever 8 Going Home 9 Cellophane Nirvana 10 She Turns to Flowers 11 Upside Dow 12 The Seventeen Forever 13 Mind Gardens 14 Grimly Forming 15 While We Were in Your Room Talking to Your Wall 16 Minuet 17 Happen Happened 18 I Am Your Guru 19 Going Home

Dick Dale & His Del-Tones "Checkered Flag" 1963

Cars were second only to surfing as a teenage obsession in California in the early '60s, and after establishing himself as the King of Surf Guitar, Dick Dale set out to conquer new worlds by turning his attention to hot rods on his 1963 album Checkered Flag…...Like most of Dale's albums for Capitol, Checkered Flag is divided between the meat-and-potatoes instrumentals that were Dale's stock-in-trade and vocal numbers that usually featured elaborate production and the work of outside songwriters. Dale was producer on the sessions for Checkered Flag, and he sounds like he's having more fun than usual on vocal numbers like "Hot Rod Racer," "Grudge Run," and the backhanded tribute to the Volkswagen Beetle, "It Will Grow on You" (and he manages to keep a straight face when he tells listeners about the "Big Black Cad" -- "Believe it or not, it's easy on gas!"). Of course, what most Dick Dale fans are looking for are tunes where the great man goes wild on guitar, and Checkered Flag certainly has its share, including the slow and slinky "Ho-Dad Machine," the frantic "The Wedge," and the supercharged closer, "Night Rider," and Dale had some great players backing him up for these sessions, including Hal Blaine and Earl Palmer on drums and Steve Douglas and Plas Johnson on sax. While Checkered Flag devotes a bit too much of its playing time to novelty-oriented vocal numbers, it packs enough punch to be one of Dale's better albums with Capitol. - AllMusic Review by Mark Demingtrax:
01 Scavenger 02 Surf Buggy 03 Hot Rod Racer 04 Mag Wheels 05 Big Black Cad 06 Ho-Dad Machine 07 Grudge Run 08 Motion 09 426 -- Super Stock 10 Wedge 11 It Will Grow on You 12 Night Rider

J.B. Lenoir "I Wanna Play A Little While" The Complete Singles Collection 1950-1956 - CD2

I've been listening to the blues for many years and I've never come across another singer like J.B. Lenoir (the initials don't stand for anything) ever. His high, clear voice was at odds with all the other blues singers of the era. This great set (about 2+ hours in length) collects his J.O.B., Chess/Checker, and Parrot sides along with a couple of U.K. Decca tracks, and two on the Shad label. His best known singles "Korea Blues", "Mama Talk To Your Daughter" (with it's famous unchanging repetitious guitar solo), "Eisenhower Blues" (both versions because the initial recording was supposedly pulled off the market), and a few others are all here. I rated this five "stars" because I still remember John Mayall singing about Lenoir way back in the '60s, and when I checked him out I heard what Mayall and other English blues performers were talking about. But to each his own regarding Lenoir......Besides his singles there's 22 unreleased tracks from the 1950's that are equally good--they aren't here just for filler--no way. Lenoir was a very fine lyricist and an adequate guitarist in a simple, rhythmic way. But his backing bands were always filled with fine players like Sunnyland Slim on piano, Leroy Foster-guitar, J.T. Brown-tenor sax (hear his album from the '50s), Willie Dixon-bass, and on the two Shad label tunes, Junior Wells on harmonica. He used small combos on these tracks that almost always included piano and a horn or two and drums. Also included are two Decca tracks with Lenoir solo on vocals and guitar (one track is 26 seconds long) for a nice change of pace. There's two tunes under Johnny Shines' name from '53 on the Constellation LP, "Livin' In The Whitehouse", and "Please Don't" with Sunnyland Slim-piano, J.T. Brown-sax, Lenoir-guitar, and bass and drums. Plus there's three tracks under Sunnyland Slim's name also from '53 with a combo similar to the Shines' tracks. Except for the vocals these tracks are similar sounding to the Lenoir tracks.
Lenoir was influenced by Lightnin' Hopkins, Memphis Minnie, Big Bill Broonzy, and Arthur Crudup early on, and their influences can occasionally be heard on some of these tunes. He settled in Chicago and began playing the clubs throughout the city, and he also toured England where British blues artists like John Mayall championed his music and even recorded a song in homage to Lenoir. Bands like Fleetwood Mac assimilated Lenoir's sound into their own music (listen to the horns on Lenoir's "Mama Your Daughter's Going To Miss Me", and the piano and horn arrangement on "What Have I Done") and you'll hear very similar arrangements on some early Mac tunes.
Sadly Lenoir died at 38 in 1967, just before the blues boom really hit both England and the U.S.. He was always better known in England than America (except in the Chicago region) which is a real shame. His music should've been much more well known. Hopefully this great set will alert blues fans to a long neglected artist who deserved widespread notoriety. The remastered sound is very decent--relatively clean yet with some of the period feel to the sound. The booklet lists recording information and personnel for all the tracks where known. Plus there's a short essay on Lenoir and some of the singles included. All in all this is one of the better reissues the Jasmine label has released. Lenoir was a fine composer, singer and performer. His voice set him apart from all other blues singers of the era. If you haven't heard him his recordings are well worth your time and effort to do so. (Stuart Jefferson, Shindig)trax disc 2:
01 Five Years (Checker 874) 02 Daddy Talk to Your Son (Checker 901) 03 She Don't Know (Checker 901) 04 Back Door (Shad 5012) 05 Lou Ella (Shad 5012) 06 Oh Baby (Vee Jay 352) 07 Do What I Say (Vee Jay 352) 08 Move To Kansas City (Decca UK LP LK 4644) 09 I Been Down So Long (Decca UK LP LK 4644) 10 I Have Married 11 Slow Down Woman (Constellation LP CS 6) 12 Livin' in the Whitehouse (Constellation LP CS 6) (Johnny Shines Vocal_Guitar) 13 Please Don't (Constellation LP CS 6) (Johnny Shines Vocal_Guitar) 14 When I Was Young (Constellation LP CS 6) (Sunnyland Slim Vocal_Piano) 15 Bassology (Constellation LP CS 6) (Sunnyland Slim Vocal_Piano) 16 Worried About My Baby (Constellation LP CS 6) (Sunnyland Slim Vocal_Piano) 17 We've Both Got To Realise (We Can't Go On This Way) 18 Give Me One More Shot 19 Sitting Down Thinking 20 I'm Gonna Die Someday 21 Natural Man 22 Don't Dog Your Woman 23 Low Down Dirty Shame 24 Everybody Wants To Know (Laid Off Blues) 25 J.B.'s Rock 26 If You Love Me 27 When I'm Drinking 28 I Don't Know 29 Good Looking Woman 30 Voodoo Boogie
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Friday, 3 May 2019

The Salamanders "Livestock In The Living Room" 1992

Pre-Hi-Risers, good hit rate......The Salamanders developed a sizable local following and even had the opportunity to play with some members of James Brown's great '60s band. They released a debut full-length, Livestock in the Living Room, in 1992 on After Hours before ultimately dissolving in 1997 when a couple of members quit and Townson went off to tour Europe with soul singer John Ellison. Earl (playing the spoons!) and Bradley teamed up in the more-hillbilly-than-rock duo the Rosey Beats over the next year or so, and they released the six-song cassette-only EP Life Is Rosey on Rocket Racket Records, a label that Earl had originally started in 1989 to release the first Squires of the Subterrain cassette, Shell Beach. In 1998 Townson returned and the trio reformed as rootsy rock & roll trio the Hi-Risers (an album, Panic!, was later released on Rocket Racket)… ~ Stanton Swiharttrax:
01 Miss Vera Lee 02 Grade Point Average Disease 03 Wild Romance 04 Shutterbug 05 Full Down The Shade 06 My House Is Your House 07 Shell Beach 08 Todd Made Us Late 09 The Silver Saddle Motel 10 They Won't Let Me Into The Country 11 I Can't Picture Myself 12 Coyote Rock 13 Ten More Lonely Nights 14 Who Had To Go And Call The Law

Dick Dale + The Irridescents "The Silver Sounds Of The Surf" 1963

This is actually The Irridescents Lp with two vocal trax by Dick Dale. The Irridescents can be heard on "Diggin' Out" and "Get A Board!" surf compilations. - Reneroxtrax:
1. Surf Rider - The Irridescents 2. Hava Nagila - The Irridescents 3. Banzai Pipeline - The Irridescents 4. A Night With Daddy G - The Irridescents & Dick Dale 5. Soul Surfer - The Irridescents 6. Fairest Of Them All - Dick Dale 7. Hot Pastrami - The Irridescents & Dick Dale 8. Saraceno Stomp - The Irridescents 9. La Bamba - The Irridescents & Dick Dale 10. King Of The Surf Guitar - The Irridescents 11. The Skag - The Irridescents & Dick Dale 12. Never Hear The End - Dick Dale

The Atlantics with Johnny Rebb on vocals "The Legendary JRA/RAMROD Sessions" 1993

"Is this the same Australian Atlantics who recorded 'Come On'?" The answer by Smithy in Sidney: "YES, THIS IS THE SAME ATLANTICS THAT RECORDED THE MIGHTY "COME ON". THEIR 66/67 STUFF ON THE RAMROD AND SUNSHINE LABELS IS AWESOME GARAGE, WHEN THEY GOT THEMSELVES A VOCALIST. THEIR 63/64 INSTRO STUFF IS V. GOOD SURF, AND "BOMBORA" IS ABSOLUTELY AS GOOD AS ANYTHING THAT CAME OUT OF THE US SURF INSTRO SCENE. IT'S AWESOME. THERE ARE 2 EXCELLENT COMPS ON CANETOAD RECORDS THAT DOCUMENT THESE 2 PHASES OF THE BAND. AND THEY ARE STILL MAKING ALBUMS!"Peter Hood: " ... CBS must have realised (or thought anyway) that we'd run our course with them. They couldn't see the thousands of dollars rolling in anymore and also, we wanted to start spending more time in the studio and this they didn't think was worthwhile. Therefore we had to break loose. We thought we still had a good sound and we wanted to develop it further. We were also getting into more vocals and so we asked CBS to let us go and they agreed."
From this point on, The Atlantics' output mainly consisted of vocal Singles. The group's first post-CBS single "That's Old Fashioned / Gotta Lotta Love" was released on Johnny O'Keefe's Leedon label in February 1966.
Later that year they signed with Ivan Dayman's Sunshine label and over the next year Sunshine issued three gritty rock Singles "It's a Hard Life" / "Why Do You Treat Me Like You Do?" (July 1966), a cover of Screamin' Jay Hawkins' classic "I Put a Spell on You" / "By the Glow of a Candle" (January 1967) and the renowned "Come On" / "You Tell Me Why" (March 1967), all of which are now considered classics of Aussie '60s rock, and are often classified in the 'garage-punk' genre, a somewhat innacurate label originally coined to cover the music of American "garage" bands of the 60s. Raven Records included "Come On" on their original LP version of their acclained 60s 'garage-punk' compilation Ugly Things in 1980, and Sydney band Wet Taxis (led by the legendary Louis Tillet) recorded their own version, released as a single in 1984.
The final phase of The Atlantics' career is not well documented at present. After parting ways with Sunshine - a move probably brought about by the label's sudden collapse in 1967 - The Atlantics formed their own independent label Ramrod, and they released five vocal Singles and one instrumental - "Waiting Here for Someone" / "That Lovin' Feeling" (Sept. 1967), "Sunshine and Roses" / "When I Look Into My Life" (Dec. 1967), "A Girl Like You" / "Baby Blue" (Apr. 1968), "What is Love" / "I'll Never Let You Go" (Sep. 1968) and the cult favourite "Light Shades of Dark (Part 1)" / "Light Shades of Dark (Part 2)" (Sep. 1969). For their October 1967 instrumental release "Take A Trip" / "Flowers" the band worked under the pseudonym Gift Of Love.
As noted above, concurrent with their own releases, The Atlantics also backed singer Johnny Rebb on a string of singles released under his name, including four on CBS during 1964, three on the HMV label during 1965, and a further two Singles on Ramrod in 1968.trax:
01 - Whirlpool 02 - The Girl Can't Help It 03 - Pretty Thing 04 - You Can't Judge A Book By It's Cover 05 - Why Do You Treat Me Like You Do 06 - It's A Hard Life 07 - I Put A Spell On You 08 - By The Glow Of A Candle 09 - Tell Me Why 10 - Come On 11 - Waiting Here For Someone 12 - That Loving Feeling 13 - Take A Trip 14 - Flowers 15 - When I Look Into My Life 16 - A Girl Like You 17 - Baby Blue 18 - I'll Never Let You Go 19 - I Just Can't Help Believing 20 - Light Shades Of Dark (Pt 1)

J.B. Lenoir "I Wanna Play A Little While" The Complete Singles Collection 1950-1956 - CD1

One thing is certain about the idiosyncratic J. B. Lenoir, he was a true original. No one ever sounded quite like him and despite comparisons by some writers to Arthur Crudup his high pitched vocals were pretty much unique......Although J. B. Lenoir only had one hit in the US with 'Mama Talk to Your Daughter' his influence over the British blues scene was immense. In fact John Mayall was a huge fan and he helped to get his 45s released in the UK.
Rocking R&B and topical social commentary all thrown in the mix. This is Chicago blues with a twist. Let's call it Chicago blues J.B. Lenoir style.trax disc 1:
01 Korea Blues [& His Bayou Boys] 02 My Baby Told Me [& His Bayou Boys] 03 Carrie Lee [& His Bayou Boys] 04 Deep In Debt Blues [& His Bayou Boys] 05 Let's Roll [& His Combo] 06 People Are Meddling (In Our Affairs) [& His Combo] 07 The Mountain [& His Combo] 08 How Much More [& His Combo] 09 How Can I Leave [& His Combo] 10 The Mojo [& His Combo] 11 I'll Die Tryin' [& His Combo] 12 I Want My Baby [& His Combo] 13 I Waana Play A Little While [& His Combo] 14 Louise [& His Combo] 15 I'm In Korea 16 Eisenhower Blues 17 Tax Paying Blues 18 Mama Talk To Your Daughter 19 Man Watch Your Woman 20 Mama Your Daughter's Going To Miss Me 21 What Have I Done 22 Fine Girls 23 I Lost My Baby 24 Let Me Die With The One I Love 25 If I Give My Love To You 26 Don't Touch My Head 27 I've Been Down For So Long 28 Mama What About Your Daughter
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Thursday, 2 May 2019

Dick Dale & His Del-Tones "Surfer's Choice" 1962

Very few early rock & roll albums were true groundbreakers, but this is one: not only did it single-handedly establish the surf music genre (and Dick Dale's hegemony over it), but also sold the entire concept to mass America, where surfing in landlocked regions was only a state of mind…...Largely recorded at the Rendezvous Ballroom in Balboa Beach -- Dale's ruling home turf, where one can clearly hear the kids screaming in anticipation at the start of "Surf Beat" -- this lays out the vocal highlights from Dick's set list ("Peppermint Man," "Lovey Dovey," "Night Owl," "Fanny Mae," and "Sloop John B.," sounding very odd here with overdubbed strings) up against the instrumentals that truly forged the style. "Miserlou Twist" -- a different version than the original Del-Tone single -- and the original, pre-reverb single version of "Let's Go Trippin'" appear to be the only studio tracks aboard. But the live takes on "Surfing Drums" (later retitled "Tribal Thunder" on one of Dale's comeback albums), "Take It Off," "Shake 'n' Stomp," and the lowdown stomp of "Death of a Gremmie" just as clearly delineate the wild, reverbed excitement of the new style in its native habitat. Without a doubt, surf guitar's finest hour, the genre's equivalent to Charlie Parker's Dial recordings. - AllMusic Review by Cub Kodatrax:
01 Surf Beat 02 Sloop John B 03 Take It Off 04 Night Owl 05 Fanny Mare 06 Misirlou Twist 07 Peppermint Man 08 Surfing Drums 09 Shake 'n Stomp 10 Lovey Dovey 11 Death Of A Gremme 12 Let's Go Trippin' 13 Del-Tone Rock 14 Jungle Fever 15 Misirlou 16 Eight Till Midnight 17 Lovin'On My Brain 18 A Run For Life

"Do The 45!" Vol. 312 (2019)

Super fun collection of soul, blues, R&B, instro, and rock 'n' roll from the original 45's. (From my record collection.)It's just me having fun with my 45's and whatever random record I pull out of the boxes. I will try to give both sides of the 45 unless one side is dull, unbearable or unplayable. I hope you enjoy. (Gyro1966)trax:
1. Sock It to 'Em J.B. (Imperial) - Sandy Nelson 2. The Charge (Imperial) - Sandy Nelson 3. Shotgun Boogaloo (Disques Vogue) - Pete Terrace 4. Do the Boogaloo (Disques Vogue) - Pete Terrace 5. Don't Boom Boom (Fretone) - Lillian Hale 6. Love (Paula) - The Bad Boys 7. Black Olives (Paula) - The Bad Boys 8. Je Dis Ce Que Je Pense Et Je Vis Comme Je Veux  (Disques Vogue) - Antoine 9. C'est Toi (Teledisc) - Les Bel Canto 10. Batman (Apex) - Les Hou-Lops 11. Everything Alright (Apex) - Les Hou-Lops 12. Don't Lose Your Mind (Rca Victor) - The Galaxies IV 13. Picadilly Circus (Rca Victor) - The Galaxies IV 14. New Orleans (Atlantic) - Wilson Pickett  15. Soul Dance Iii - Wilson Pickett 16. I Just Don't Know (Excello) - Lightnin' Slim 17. Somebody Knockin' (Excello) - Lightnin' Slim 18. I Ain't Bo Diddley (San) - Mickey Gilley 19. I'm to Blame (San) - Mickey Gilley 20. Now That We're Together (Cherokee) - Gene Allison 21. I Understand (Cherokee) - Gene Allison 22. Soulshake (Sss International) - Peggy Scott & Jo Jo Benson 23. Indian Rope Man (Verve) - Richie Havens 24. Just Above My Hobby Horse's Head (Verve) - Richie Havens 25. Service with a Smile (Challenge) - The Kuff-Linx feat. John Jennings 26. Eyeballin' (Challenge) - The Kuff-Linx feat. John Jennings 27. Women and Cadillacs (Apollo) - The Nite Riders 28. Doctor Velvet (Apollo) - The Nite Riders 29. Purple Haze (Cream) - Johnny Jones & The King Casuals 30. Horsing Around (Cream) - Johnny Jones & The King Casuals
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Wednesday, 1 May 2019

The Cruel Sea "Three Legged Dog" 1995

The Cruel Sea is probably the most happening band in Australia at the momment. the album has a unique "hard edge" sound. the album needs at least two listenings to really appreciate the bands great sound. well worth a look. - amazonYou would like THIS!!! Maybe the best Aussie Band ever(except Beasts of Boubon and ACDC) -This Record had no bad minute, compact and perfect, extraordinary guitar work, great Singer(The one and only Tex Perkins), and a Rhythm section which is at home with every style.
One of my Best records. - badlivetrax:
01 This Is Just What It Is 02 Just A Man 03 Anybody But You 04 Too Fast For Me 05 Teach Me 06 Hard Candy 07 Too Late To Turn Back 08 Baby Meet 09 Save Me 10 Gimme back My Thing 11 Better Get A Lawyer 12 Brain Wash 13 Three Legged Dog 14 The Lot 15 Strange Thing

Bo Street Runners "Never Say Goodbye" The Complete Recordings 1964-1966

Why it's taken so long for the Bo Street Runners (BSR) to have their music reissued is a mystery. This legendary mid-60's Mod era band played some pretty tough R&B/Mod style music, even winning the first televised "Ready, Steady, Go!" contest for new bands. This edition (43+minutes) has the band's singles and their rare EP originally issued on the Oak Records label from 1964-1966. The remastered sound is very good. The booklet has an informative essay on the band (including a 'where are they now' section), along with period photos and other ephemera. Tracks 1-4 comprise their rare EP, plus all the band's singles are here including both versions of "Bo Street Runner" (original single and the "Ready Steady Win" version), plus Mick Fleetwood's first recording experience on the single "Baby Never Say Goodbye/Get Out Of My Way", two tracks featuring vocalist Mike Patto (tracks 13-14) with BSR as his backing band, and finally, two tracks (16-17) taken from rare radio sessions......The BSR were similar to other bands of that period like The Artwoods, The Action, and other R&B style bands that were so popular. Besides R&B/blues, BSR played more contemporary covers and singles, most all of them still having their tough, no-nonsense sound. The band had a number of personnel changes but no matter who was in the band their sound never really changed that much except for a few singles that edged into a smoother type of sound. But a single was issued ("Tell Me What You're Gonna Do/And I Do Just What I Want") using studio musicians that altered the the band's sound greatly. Players like Tim Hinckley, Mike Patto, and Mick Fleetwood were in the band at various times, but BSR always tried to keep some of that edgy R&B sound on many of their singles. But for something outside of the R&B mold try "So Very Woman", with it's flute work setting it apart from the band's usual fare. The band always had a solid rhythm section with some good solos from the sax, guitar, or keyboards on various singles. The vocals were pretty similar to other bands of the period when bands were emulating blues/R&B performers. But on songs like "Love" they actually had a lighter, more pop style sound that was a refreshing change--even if the lyrics were typically boy-girl-l love you stuff. What an innocent age.
But for fans of '60s Mod/R&B/blues bands this is well worth adding to your shelf of mid/late 60's English bands. Check out the two versions of "Bo Street Runner" to hear how the band's sound changed compared to Willie Dixon's "I Want To Be Loved", which is a tough harmonica/organ-driven workout. And then listen to the radio version of "Baby Never Say Goodbye" for a slice of period Mod/pop/R&B. If bands like The Artwoods, The Action, The Sorrows, and others from that era are your cup of tea, the BSR should be next to them on your music shelf. (Stuart Jefferson, Shindigtrax:
01 Love to You 02 Lonely Avenue 03 Bo Street Runner (Oak EP Version) 04 Shame, Shame, Shame 05 Bo Street Runner (Single Version) 06 Tell Me 07 Tell Me What You're Gonna Do 08 And I Do Just What I Want 09 Baby Never Say Goodbye 10 Get out of My Way 11 Drive My Car 12 So Very Woman 13 Can't Stop Talkin' About My Baby 14 Love 15 Bo Street Runner (Ready Steady Win Version) 16 I Want to Be Loved (Radio Version) 17 Baby Never Say Goodbye (Radio Version)
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