Tuesday, 23 April 2013

"BOOBS" The Junkshop Glam Discotheque

Disregard the word "discotheque" in the title of RPM's glorious Boobs: The Junkshop Glam Discotheque, the sixth installment in their wonderful Lip Smackin' 70s series. Although each of the 20 tracks here has a relentless, pounding beat, this isn't disco, this is glitter -- or, more precisely, what record collectors call junkshop glam, the forgotten glam and glitter singles from the '70s that are coveted precisely because these trashy tunes weren't intended to be remembered 30 years after their initial release. Screemer, just one of 20 unknowns on this collection, were strangely prescient when they declared on their shameless "Ballroom Blitz" ripoff "Interplanetery Twist" that "the people of the 21st century ain't never seen a rock & roller," and listening to Boobs, it's hard not to think that there's some truth there. Certainly, rock & roll in the 21st century no longer means the trashy, sleazy fun that is Boobs (the title, by the way, is an homage to a glam club of the same name from the mid-'70s) -- with an exception or two, it's well-intentioned and somber, even morose, either stagnant in its sincerity or designed for posterity and overly reverential of the past. Glitter and glam had no good intentions at all. The music was cheaply made and quickly released, blatantly aping the sounds of such stars as T. Rex, David Bowie, the Sweet, Slade, and the Bay City Rollers. It wasn't about anything but the moment, and when it did reference the past, say in how Iron Cross covered "Little Bit o' Soul" or Shelby tarted up Duane Eddy's "(Dance with The) Guitar Man," there was no respect there. So why does it still sound so intoxicatingly good after all these years? Because there's a kinetic energy to these fizzy productions -- the bands sound as if they truly believed that they could be stars, while the producers and labels behind them truly believed that they could score a quick buck by duping these young lads to wear fringes and platform shoes, and to cake their faces in makeup. These singles were written, recorded, released, and forgotten so quickly, they're freeze-dried time capsules, so the music sounds startlingly fresh, even if it's unquestionably tied to its time.
While there's a track or two that's nothing more than good-time fun, there are plenty of gems here, first among them the Rats' giddy T. Rex homage "Turtle Dove," which kicks off the party in grand style. It's quickly followed by Hector's Sweet-styled teenaged rampage "Wired Up," and from that point on it's clear that Boobs never will let the momentum sag: it's a party record and the closest it comes to a ballad is when Chunky reworks Norman Greenbaum's "Spirit in the Sky" as a spangled space rock anthem called "Albatross." Along the way are such highlights as Jimmy Jukebox's David Bowie rip "Motor Boat," complete with fey vocalizations and a reference to "Garbo's daughter"; "Jungle" by Erasmus Chorum, the only black glam band in recorded history; the irresistible stomp of Hot Rod's "Love Is Alright (Hey)," which recalls Gary Glitter in its chorus and steals from Three Dog Night's "Joy to the World" in the verse; the trippy, electric sitar-fueled "Natural Gas" by Paul Ryan (a terrific send-up of Marc Bolan at his spaciest); and Catapult's horn- and wah-wah-driven party anthem "Let Your Hair Hang Down." Reasonable critics could claim it's all trash, which it proudly is, but they're not only spoilsports, they're ignoring the fact that these songs were made at the precise moment trash was made with both skill and spirit, walking the fine line between disposable garbage and oddly resilient, eternally infectious junk. The junk of the 21st century is too cold and calculating, too slick and passionless, to be anywhere near this much fun. Put it this way: today, there wouldn't be a club called "Boobs" -- it'd be something crude and direct like, say, "Tits" -- but it was the right name for a glitter club and it's the right name for this disc. It's sexy, silly, and fun, which is exactly what this brilliant compilation is.(Allmusic)

trax:
1. Turtle Dove - The Rats 2. Wired Up - Hector 3. Interplanetary Twist - Screemer 4. Albatross - Chunky 5. Motor Boat - Jimmy Jukebox 6. (Dance With The) Guitar Man - Shelby Flint 7. Jungle - Erasmus Chorum 8. Love Is Alright (Hey) - Hot Rod 9. Black Eyed Woman - Sensation 10. Natural Gas - Paul Ryan 11. Little Bit O' Soul - Iron Cross 12. Don't Let Go - Light Fantastic 13. Let Your Hair Hang Down - Catapult 14. Good Time Fanny - Angel 15. Poor Annie - Barry Blood 16. Shout It Out - Ice Cream 17. Did You Get What You Wanted - Boston Boppers 18. Baby - Sensation 19. She's Just A Friend Of Mine - Hobnail 20. Let's Go - Rock Rebellion
...served by Gyro1966...

Monday, 22 April 2013

Little Willie John "Grits & Soul" 1955

Big thanks for this one (The Philly Sound), concentring the essential. Another vinyl rip, I bought that one on a second hand market, the seller who really had good discs (but I had not much money...), insisted so that I take it, underlining that there was the 'hit ' ' Fever ', and it made well because it remains my favourite version of this song. Enjoy!!! - Magic Kaic's MusicHe never received the accolades given to the likes of Sam Cooke, Clyde McPhatter, and James Brown, but Little Willie John ranks as one of R&B's most influential performers. His muscular high timbre and enormous technical and emotional range belied his young age (his first hit came when he was 18), but his mid-'50s work for Syd Nathan's King label would play a great part in the way soul music would sound. Everyone from Cooke, McPhatter, and Brown to Jackie Wilson, B.B. King, and Al Green has acknowledged his debt to this most overlooked of rock and soul pioneers.
His debut recording, a smoking version of Titus Turner's "All Around the World" from 1955, set the pattern for a remarkable string of hits: "Need Your Love So Bad," "Suffering with the Blues," "Fever," "Let Them Talk," and his last, "Sleep," from 1961. His version of "Fever" was copied note for note by Peggy Lee and Elvis Presley, both of whom had bigger hits with it; John's version, however, remains definitive. His second hit, "Need Your Love So Bad," contains one of the most intimate, tear-jerking vocals ever caught on tape.
John had a volatile temper, fueled by a taste for liquor and an insecurity regarding his slight height (5 feet 4 inches). He was known to pack a gun and knife; in 1964, he stabbed a man and was sent to the Washington State penitentiary, where he died of pneumonia in 1968. James Brown recorded a tribute album to John that year, and his material has been recorded by scores of artists from the Beatles to Fleetwood Mac to the Blasters. Nevertheless, Little Willie John remains a stranger to most listeners and has never received the respect his talent deserves. - AllMusic

trax:
01 All Around The World 02 Need Your Love So Bad 03 Fever 04 Do Something For Me 05 Suffering With The Blues 06 I've Been Around 07 Person To Person 08 Talk To Me, Talk To Me 09 Let's Rock While The Rockin's Good 10 Let Them Talk 11 Leave My Kitten Alone 12 Walk Slow 13 You Hurt Me 14 My Baby's in Love With Another Guy 15 Big Blue Diamonds 16 Come Back to Me
...served by Magic Kaic's Music...

Sunday, 21 April 2013

"The Philly Sound" Kenny Gamble, Leon Huff & The Story Of Brotherly Love (1966-1976)

The vintage music recorded at Philadelphia International Records, especially during owner/producers Kenny Gamble and Leon Huff's first decade, glue the classic soul of Memphis and Motown with the disco and hip-hop sounds to follow. "The Philly Sound," three volumes including #1 hits by Billy Paul, the O'Jays, Harold Melvin and the Blue Notes and others, celebrates gritty vocals, lush, deep-grooved orchestration, and socially proactive lyrics for what became classic R&B's final bow.
The set serves to salute not only Gamble-Huff and their considerable artist stable, but also their distinctive backup band MFSB (whose trumpet player, Rocky Bene, tried in vain to teach yours truly in high school). Also, it salutes songwriters like McFadden-Whitehead and Linda Creed, and arrangers like Bunny Sigler, Bobby Martin and Thom Bell (who himself could merit a producer's box set).
The introductions alone to these songs are 70s signposts: the strings and horns blowing smokerings to introduce Paul's "Me and Mrs. Jones," the musical sunrise on the Blue Notes' "Wake Up Everybody," the sinister bass line which begins the O'Jays earth-shaking "For The Love Of Money." The outros went on a bit too long (this music started disco, after all) but Teddy Pendergrass' personal-into-political-into-spiritual rant at the end of "Bad Luck" is one of soul's best performances (recorded in a town whose mayor, often perceived at odds with Gamble and the black community, actively supported the president who "said he was gonna give it up!")(Amazon)

trax CD 1:
1. Expressway To Your Heart - The Soul Survivors 2. Cowboys To Girls - The Intruders 3. I Can't Stop Dancing - Archie Bell & The Drells 4. Only The Strong Survive - Jerry Butler 5. One Night Affair - The O'Jays 6. (We'll Be) United - The Intruders 7. Silly, Silly Fool - Dusty Springfield 8. Don't Let The Green Grass Fool You - Wilson Pickett 9. Slow Motion, Part 1 - Johnny Williams 10. Me And Mrs. Jones - Billy Paul 11. Regina - Bunny Sigler 12. The Bells - Laura Nyro & LaBelle 13. Drowning In The Sea Of Love - Joe Simon 14. If You Don't Know Me By Now - Harold Melvin & The Blue Notes 15. 992 Arguments - The O'Jays 16. You're The Reason Why - The Ebonys 17. I Miss You - Harold Melvin & The Blue Notes 18. When The World's At Peace - The O'Jays 19. That's How Long I'll Be Loving You - Bunny Sigler 20. Back Stabbers - The O'Jays
trax CD 2:
1. Love Train - The O'Jays 2. The Love I Lost - Harold Melvin & The Blue Notes 3. Now That We Found Love - The O'Jays 4. Yesterday I Had The Blues - Harold Melvin & The Blue Notes 5. I'll Always Love My Mama - The Intruders 6. For The Love Of Money - The O'Jays 7. Bad Luck - Harold Melvin & The Blue Notes 8. Don't Call Me Brother - The O'Jays 9. Zach's Fanfare (I Hear Music) - M.F.S.B. 10. Love Is The Message - M.F.S.B. 11. Am I Black Enough For You - Billy Paul 12. Sunshine - The O'Jays 13. When Will I See You Again - The Three Degrees 14. TSOP (The Sound Of Philadelphia) - MFSB Feat. The Three Degrees
trax CD 3:
1. Livin' For The Weekend - The O'Jays 2. Wake Up Everybody - Harold Melvin & The Blue Notes 3. Enjoy Yourself - The Jacksons 4. I Could Dance All Night - Archie Bell & The Drells 5. I Love Music - The O'Jays 6. Love Epidemic - The Trammps 7. Stairway To Heaven - The O'Jays 8. Show You The Way To Go - The Jacksons 9. Do It Any Way You Wanna - People's Choice 10. My One And Only Love - M.F.S.B. 11. Rich Get Richer - The O'Jays 12. Hope That We Can Be Together Soon - Harold Melvin & The Blue Notes 13. O-o-h Child - Dee Dee Sharp 14. Love Train - Bunny Sigler
...served by Gyro1966...

Saturday, 20 April 2013

"DYNAMITE" The Best Of Glam Rock

43 blasts of glam rock from 1971-1974!trax CD 1:
1. Dance With The Devil - Cozy Powell 2. Ballroom Blitz - Sweet 3. The Tears I Cried - The Glitter Band 4. Good Time Fanny - Angel 5. 48 Crash - Suzi Quatro 6. Mama Weer All Crazee Now - Slade 7. I Love To Boogie - T.Rex 8. Good Old USA - Hello 9. Goodbye Love - Geordie 10. Dyna-Mite - Mud 11. I'm The Leader Of The Gang - Gary Glitter 12. Girl From Germany - Sparks 13. Make Me Smile (Come Up And See Me) - Cockney Rebel 14. Standing In The Road - Blackwood Sue 15. Do You Wanna Dance - Barry Blue 16. The Kid's A Punk - Slik 17. Fancy Pants - Kenny 18. Yesterday's Hero - Bay City Rollers 19. What's Your Name - Chicory Tip 20. Rock'n'Roll Lady - Showaddywaddy 21. One And One Is One - Medicine Head 22. The Man Who Sold The World - Lulu Featuring David Bowie
trax CD 2:
1. Get Down And Get With It - Slade 2. The Wild One - Suzi Quatro 3. Sing Don't Speak - Blackfoot Sue 4. Na Na Na - Cozy Powell 5. Motorbikin' - Chris Spedding 6. Don't Do That - Geordie 7. The Cat Crept In - Mud 8. Do You Wanna Touch Me - Gary Glitter 9. He's Gonna Step On You Again - John Kongos 10. Man In Black - Cozy Powell 11. Forever And Ever - Slik 12. Hey Rock'n'Roll - Showaddywaddy 13. Angel Face - The Glitter Band 14. Little Boy Blue - Angel 15. She's No Angel - Heavy Metal Kids 16. Clap Your Hands - Bonnie Stçlaire 17. Tell Him - Hello 18. Tokoloshe Man - John Kongos 19. You Could've Been A Lady - Hot Chocolate 20. Hot Lips - Kenny 21. See My Baby Jive - Wizzard
...served by Gyro1966...

"Rumba Doowop" Vol. 2 - 1955-1956

In jazz music, the Latin tinge is well-documented, but its influence on pop music has been given far less space; although it's not often hard to connect the dots between Cuban or Brazilian rhythms in early swing, it's far more difficult to see how those rhythms eventually filtered through the rest of popular music, especially R&B and rock & roll. The astonishingly thorough compilation Rumba DooWop, Vol. 1: 1933-1954 provides no less than 64 examples of how vocal groups (nearly all of them black) incorporated Latin rhythms into their recordings, nearly always easily and naturally. The set begins in the mid-'30s, with early vocal groups or gospel combos like the Mills Brothers, Delta Rhythm Boys, Golden Gate Quartet, and the Ravens -- groups that weren't doo wop, but certainly paved the way for all the Coastersand Platters and Robins to come. The rock & roll era is accounted for too, both here on the second disc of the set, as well as on volume two (Rumba DooWop, Vol. 2: 1955-1956), mostly with lesser-known songs and artists. (Only one song on the second disc, "Ling Ting Tong" by the Charms, is well-known.) Aside from containing dozens of great songs by talented groups, listeners shouldn't assume that many of these sides from the '50s are radical departures from standard doo wop; in fact, the fusion of Latin and American was so complete by the late '40s that scads of doo wop sides could use Latin rhythms without even sounding exotic -- which works slightly to the detriment of the compilation, at least as a concept. The best course of action is to treat it simply as a repository for great sides by a variety of doo wop groups, both popular and obscure. (Allmusic)This 2-CD set is the second of a two-volume collection looking at the influence of Latin rhythms, notably the rumba, in the doowop vocal group strand of American R&B music during the decades either side of the Second World War. Africa and Latin America together have moulded American popular music since the beginning of the twentieth century. African influences have led to the development of jazz, gospel and blues while their rhythms have been largely determined by successive waves of dance music from Cuba, Argentina, Brazil, Mexico, Puerto Rico and Jamaica. Every American musical genre from Broadway stage, Hollywood film, Tin Pan Alley pop and even country music has been affected to some degree. Dance forms and musical stylings such as habanera, bolero, tango, rumba, conga, samba, baion all have their origins in the Caribbean or in Latin America. New Orleans has been responsible more than any other city in the world for shaping the sound of twentieth century popular music. A sweeping statement that may seem, but as the birthplace of jazz, funk and arguably rock’n’roll, it really has no other contenders. At the heart of these three widely different varieties of music lies the rhythmic complexity of second line parade drumming. Its two-beat patterns combining military band and Caribbean rhythms underpin early jazz recordings much as they do those of Little Richard and James Brown. It is in this parade band beat that the first intimations of early funk drumming can be heard. This collection brings together over sixty recordings featuring vocal groups from the heyday of the booming doowop fraternity that was a key element of the R&B market in the mid- ‘50s, as popular music made its transition to rock ‘n’ roll. With carefully restored recordings and complete with a comprehensive 24-page booklet providing a detailed background narrative and discography, this is once again an absolute must for enthusiasts and collectors of classic R&B. (R&B Review)

trax CD 1:
1. Help Me - The Aladdins 2. Somebody Changed the Lock - The Empires 3. Zindy Lou - The Chimes 4. Jingle Jangle - The Penguins 5. That's the Way I Like It - The Queens 6. When You Dance - The Turbans 7. Mardi Gras Mambo - The Hawketts 8. Hot Mama - The Chanters 9. You Know I Can't Refuse - The Five Dollars 10. Do-Be-Do-Be-Wop-Wop - The Squires 11. Witchcraft - The Spiders 12. Lips Red As Wine - The Colts 13. Don't Do That - The Five Tinos 14. Day By Day - The Four Freshmen 15. Rollin' Stone - The Marigolds 16. Gumbo Mambo - The Larke Sisters 17. Grand, Nice, Swell - The Ebony Moods 18. Chop Chop Boom - The Danderliers 19. Morocco Chant - The Moroccos 20. Going Down to Tia Juana - The Don Juans 21. Rock It, Davy, Rock It - The Jaguars 22. Cha Cha Baby - The New Yorkers 5 23. Yacka Hoom Boom - The Savoys 24. Cigareetos - The Orioles 25. Laverne - The Earls 26. Ay Si Si - The Dootones 27. Mambo Baby To-Nite - The Falcons 28. Watussi Wussi Wu - The Tenderfoots 29. Cool, Mambo - The Sheppards 30. Red Hots and Chili Mac - The Moroccos 31. Man from Utopia - The Vel-Aires
trax CD 2:
1. Brazil - The Coasters 2. Goin' Goin' Gone - The Jewels 3. Patricia - The Rhythm Masters 4. Choo Choo - The Cardinals 5. Everybody's Whalin' - Huey 'Piano' Smith And His Rhythm Aces 6. Gift O' Gabbin' Woman - The Nutmegs 7. Stranded In The Jungle - The Jayhawks 8. Don't Worry About A Thing - The Sweet Teens 9. Cha Jezabel - The Notes 10. All My Love Belongs To You - The Joytones 11. A Fallen Tear - The El Dorados 12. Shimmy Shimmy Ko Ko Wop-cr2 - The El Capris 13. A-1 In My Heart - The Spiders 14. Mambo Fiesta - The Calvaes 15. Watusi - The Pharaohs 16. Gotta have you baby - The Combonettes 17. Let's Do The Razzle-Dazzle - The Rip Chords 18. I'm Yours - The Mellows 19. Last Night - The Starlighters 20. Cotton Picking Hands - The Dukes 21. Show Me The Merengue - The Hearts 22. It Was a Night Like This - The Turbans 23. So Good - The Playboys 24. Tonight - The Supremes 25. Mexico Bound - The Champions 26. Out Of The Picture - The Robins 27. Smooth, Slow & Easy - The Drivers 28. Ain't She Got Nerve - The Mellows 29. Last Ride - The Dukes 30. Down In Mexico - The Coasters 31. In Paradise - The Cookies
...served by Gyro1966...

Friday, 19 April 2013

"BUBBLE GUM MUSIC IS THE NAKED TRUTH"

When Buddah Records released Bubblegum Music Is the Naked Truth, Vol. 1 in 1969, it was a collection of the label's biggest pop hits, but at the time it was a statement of purpose -- if this music was sneered at by rock critics as empty-headed AM radio fodder, the liner notes by Neil Bogart made it clear that as long as the kids were digging it, the folks behind these songs were convinced they were doing something right (and making money hand over fist at the same time). Producers Jerry Kasenetz and Jeff Katz devised a hitmaking formula that worked remarkably well for them in 1968 and 1969 -- simple tunes with aggressive melodic hooks, nasal vocals, lyrics that combined playground rhymes with subtle (or not so subtle) sexual innuendo, and a hard stomping beat often accentuated by handclaps or additional percussion. The 1910 Fruitgum Company's "Simon Says" and "1,2,3 Red Light" and "Chewy Chewy" by the Ohio Express represented the Kasenetz-Katz formula at its apex, hit singles that were dirt simple but perfectly formulated teen pop, and though they got more ambitious with the passage of time, they were never better at working their magic formula. Bubblegum Music Is the Naked Truth, Vol. 1 is arguably the definitive document of the Kasenetz-Katz aesthetic in action; while the cuts from the Lemon Pipers are a bit arty compared to the rest of the disc, "Green Tambourine" and "Jelly Jungle (Of Orange Marmalade)" are brilliant psychedelia for people who haven't used drugs yet, and "Yummy Yummy Yummy" and "1,2,3 Red Light" are either brilliant or perverse (or a bit of both) in their erotic metaphors and irresistible prefabricated production. Bubblegum was a perfect analogy for this music -- sure it's sickly sweet and not necessarily good for you, but those who say they never took pleasure from this is probably lying, and Bubblegum Music Is the Naked Truth, Vol. 1 is as satisfying as guilty pleasures get. (Allmusic)trax:
1. Simon Says - 1910 Fruitgum Company 2. Yummy Yummy Yummy - The Ohio Express 3. Quick Joey Small (Run Joey Run) - Kasenetz-Katz Singing Orchestral Circus 4. Green Tambourine - Lemon Pipers 5. 1,2,3 Red Light - 1910 Fruitgum Company 6. Down At Lulu's - The Ohio Express 7. Shake - Shadows Of Knight 8. Chewy Chewy - The Ohio Express 9. May I Take A Giant Step (Into Your Heart) - 1910 Fruitgum Company 10. Jelly Jungle (Of Orange Marmalade) - Lemon Pipers 11. Goody Goody Gumdrops - 1910 Fruitgum Company 12. Rice Is Nice - Lemon Pipers 13. Indian Giver - 1910 Fruitgum Company 14. Sausalito (Is The Place To Go) - The Ohio Express 15. Rainbow Tree - Lemon Pipers 16. Run Run Billy Porter - Shadows Of Knight 17. Sweeter Than Sugar - The Ohio Express 18. Finders Keepers - Salt Water Taffy 19. Special Delivery - 1910 Fruitgum Company
...served by Gyro1966...

"Rumba Doowop" Vol. 1 - 1933-1954

In jazz music, the Latin tinge is well-documented, but its influence on pop music has been given far less space; although it's not often hard to connect the dots between Cuban or Brazilian rhythms in early swing, it's far more difficult to see how those rhythms eventually filtered through the rest of popular music, especially R&B and rock & roll. The astonishingly thorough compilation Rumba DooWop, Vol. 1: 1933-1954 provides no less than 64 examples of how vocal groups (nearly all of them black) incorporated Latin rhythms into their recordings, nearly always easily and naturally. The set begins in the mid-'30s, with early vocal groups or gospel combos like the Mills Brothers, Delta Rhythm Boys, Golden Gate Quartet, and the Ravens -- groups that weren't doo wop, but certainly paved the way for all the Coastersand Platters and Robins to come. The rock & roll era is accounted for too, both here on the second disc of the set, as well as on volume two (Rumba DooWop, Vol. 2: 1955-1956), mostly with lesser-known songs and artists. (Only one song on the second disc, "Ling Ting Tong" by the Charms, is well-known.) Aside from containing dozens of great songs by talented groups, listeners shouldn't assume that many of these sides from the '50s are radical departures from standard doo wop; in fact, the fusion of Latin and American was so complete by the late '40s that scads of doo wop sides could use Latin rhythms without even sounding exotic -- which works slightly to the detriment of the compilation, at least as a concept. The best course of action is to treat it simply as a repository for great sides by a variety of doo wop groups, both popular and obscure. (Allmusic)This 2-CD set is the first of a two-volume collection looking at the influence of latin rhythms, and notably the rumba, in the doowop vocal group strand of American R&B music during the decades either side of the Second World War. Africa and Latin America together have moulded American popular music since the beginning of the twentieth century. African influences have led to the development of jazz, gospel and blues while their rhythms have been largely determined by successive waves of dance music from Cuba, Argentina, Brazil, Mexico, Puerto Rico and Jamaica. Every American musical genre from Broadway stage, Hollywood film, Tin Pan Alley pop and even country music has been affected to some degree. Dance forms and musical stylings such as habanera, bolero, tango, rumba, conga, samba, baion all have their origins in the Caribbean or in Latin America. New Orleans has been responsible more than any other city in the world for shaping the sound of twentieth century popular music. A sweeping statement that may seem, but as the birthplace of jazz, funk and arguably rock’n’roll, it really has no other contenders. At the heart of these three widely different varieties of music lies the rhythmic complexity of second line parade drumming. Its two-beat patterns combining military band and Caribbean rhythms underpin early jazz recordings much as they do those of Little Richard and James Brown. It is in this parade band beat that the first intimations of early funk drumming can be heard. This collection brings together over sixty recordings featuring vocal groups from every facet of American popular music, including of course the ubiquitous gospel quartets and the barber shop styled groups of the 30s, through to the groups that were at the heart of the booming R&B market in the early ‘50s, who would provide part of the transition to rock ‘n’ roll. With carefully restored recordings and complete with a comprehensive 24-page booklet providing a detailed background narrative and discography, this is once again an absolute must for enthusiasts and collectors of classic R&B. (R&B Review)

trax CD 1:
1. I Got Rhythm - The Five Spirits Of Rhythm 2. Tiger Rag - The Mills Brothers 3. Jesus Is A Rock In A Weary Land - The Charioteers 4. La Cucaracha - The Delta Rhythm Boys 5. Packing Up - Getting Ready To Go - The Golden Gate Jubilee Quartet 6. St Louis Blues - The Jubalaires 7. Brother Bill - The Five Blind Boys Of Montana 8. Choo Choo - The Four Vagabonds 9. Shadrack - The Golden Gate Jubilee Quartet 10. Casey Jones - The Jubalaires 11. Dry Bones - The Missionary Quintet 12. Jesus Met The Woman At The Well - The Pilgrim Travelers 13. Swing Down Chariot - The Jubalaires 14. Ol' Man River - The Ravens 15. Wanda - The Heartbreakers 16. Roll Roll Pretty Baby - The Swallows 17. Besame Mucho - The Ray-O-Vacs 18. Don't You Know I Love You? - The Clovers 19. I'm So High - The Five Keys 20. My Baby's Gone - The Ray-O-Vacs 21. Be Bop Wino - The Lamplighters 22. Let Me Come Back - The Checkerse 23. I Didn't Want To Do It - The Spiders 24. Softly And Tenderly - The Prisonaires 25. Good Lovin' - The Clovers 26. Calypso Song - The Ravens 27. Geechie Goomie - The Mello-Tones 28. Whop - The Squires 29. Baby Doll - The Four Dukes 30. Bicycle Tillie - The Swallows 31. Chee Koo Baby - The Dukes
trax CD 2:
1. It's Too Late Now - The Hawks 2. Be Bop Baby - The Peacheroos 3. Real Gone Mama - The Moonglows 4. I've Got My Eyes On You - The Clovers 5. Such A Night - The Drifters 6. Mambo Shevitz - The Crows 7. All Night Mambo - The Cookies 8. Shake It Up Mambo - The Platters 9. Natural Natural Ditty - The Jewels 10. Irene - The Holidays 11. Sweet Lulu - The Love Notes 12. Boppin' With The Mambo - The Sultans 13. White Cliffs Of Dover - The Pelicans 14. Drunk, Drunk, Drunk - The Kidds 15. Down In Mexico - The Pelicans 16. I Want You To Be My Baby - The Royals 17. Five Minutes Longer - The Lamplighters 18. Mambo Sh-Mambo - The Charms 19. Bye Bye - The Dreamers 20. Ain't Gonna Do It - The Spiders 21. Trying To Get To You - The Eagles 22. Give It Up - The Hawks 23. All I Do Is Rock - The Robins 24. Sweet Sue - The Starlighters 25. Watts - The Chanters 26. Ling Ting Tong - The Charms 27. I Wanna Love - The Crowns 28. You Made Me Cry - The Platters 29. White Christmas - The Drifters 30. Hey Senorita - The Penguins 31. Tempting - The Moonglows 32. Ko Ko Mo - The Flamingos
...served by Gyro1966...

Thursday, 18 April 2013

Loveland "Order To Love"

WHOLE LOTTA LOVE...Lana is a musician, singer & songwriter from Berlin. Together with Lenny Svilar on guitar they formed their first band Cox Orange in 1995. With Lyricist Marcin Zastrozny they wrote songs in the style of the music from the 60s. (Most of them you can hear on "Order To Love" by LOVELAND). In 2001 she moved to California. Soon after her arrival she was asked to play with the Bonniwell Music Machine, her longtime favorite group from the 60's. One year later she was asked by Rudi Protrudi to join The Fuzztones. Since 2005 she has been touring with them through Europe. She has recorded with the Fuzztones two albums (Horny As Hell/2008 and Preaching To The Perverted/2011) and played organ on several other sideprojects. In 2009 she has also performed with The Fuzztones for german TV show ROCKPALAST. In 2010 she recorded her new album ORDER TO LOVE with Lenny Svilar on guitar, Rudi Protrudi on bass, and Alex Tenas on drums. It was released on GROOVIE RECORDS, February 2011. Butterfly Records has released Loveland's first single "Black Glove" March 2010. In 2011, a spring tour in Spain followed, later that year tours in Germany, Italy, and the UK. - from: http://www.lanaloveland.com/trax:
01 Black Glove 02 Missing Illusions 03 Theater Of Dreams 04 Nervous People 05 Paranoia 06 Missing Link 07 Waiting 08 Silence Everywhere 09 Bandit 10 Constant Furs

Wednesday, 17 April 2013

Columbia Country Classics Vol. 5 - "New Tradition"

The final volume in the set contains music from today, both established artists and up-and-coming ones, like Larry Gatlin, Asleep at The Wheel, Willie Nelson, Sweethearts of the Rodeo, the O'Kanes, and more. (Allmusic)The final installment in this excellent series takes country music (on Columbia Records, at least) through the 60s, 70s and 80s and what a long, strange trip it's been. Label stalwart Johnny Cash kicks off the proceedings with "Daddy Sang Bass," one of his personal classics. But then, look: it's Bob Dylan, the Byrds and later, Poco -- rock and roll acts doing country! And what fine country it is; "Hickory Wind" is the absolute finest from the Byrds' Gram Parsons era and "Pickin' Up the Pieces" is a good early selection from Poco.
The rest is really a set of highs and lows, with the peaks including Merle Haggard's "Big City" and George Jones' "He Stopped Loving Her Today," classics in any idiom, and gems from Rodney Crowell, Moe Bandy and Willie Nelson. (Amazon)

trax:
1. Daddy Sang Bass - Johnny Cash 2. I'll Be Your Baby Tonight - Bob Dylan 3. Hickory Wind - The Byrds 4. When I Stop Dreaming - Jim & Jesse 5. Pickin' Up The Pieces - Poco 6. Can't You Hear Me Calling - Herb Pedersen 7. Uncle Pen - Ricky Skaggs 8. Blue Eyes Crying In The Rain - Willie Nelson 9. Miss The Mississippi And You - Crystal Gayle 10. Faded Love - Willie Nelson 11. Big City - Merle Haggard 12. Choo Choo Ch'Boogie - Asleep At The Wheel 13. Houston (Means I'm One Day Closer To You) - Larry Gatlin & The Gatlin Brothers 14. El Paso City - Marty Robbins 15. The Ride - David Allan Coe 16. Hank Williams, You Wrote My Life - Moe Bandy 17. There's A Song On The Jukebox - David Wills 18. He Stopped Loving Her Today - George Jones 19. Life Turned Her That Way - Ricky Van Shelton 20. Oh Darlin' - The O'Kanes 21. I Couldn't Leave You If I Tried - Rodney Crowell 22. So Sad (To Watch Good Love Go Bad) - Sweethearts Of The Rodeo 23. Seven Year Ache - Rosanne Cash
...served by Gyro1966...

Tuesday, 16 April 2013

Columbia Country Classics Vol. 4 - "The Nashville Sound"

The Nashville Sound picks things up in the mid-'50s, and chronicles the rise of country-pop (aka the Nashville sound). In 1955 Marty Robbins made number one on the country charts with a mixture of pristine honky tonk and smooth vocals in "Singing the Blues." This and many of the early tracks on this collection were produced by Columbia's own Nashville sound architect Don Law, who would bring honky tonk to its logical and streamlined extreme; Ray Price still sounds polished even without strings ("Night Life") and Hawkshaw Hawkins jumps into the fray with an appealing choral and country mixture ("I Can't Seem to Say Goodbye"). Law would reach his peak with Billy Walker's seamless, easy listening rendition of the Willie Nelson perennial "Funny How Time Slips Away." Producer Billy Sherrill took the reigns in 1965, and pushed the Nashville sound to its peak, with up-in-the-mix strings and choir, plenty of echo and reverb, and rhythm sections that sounded unobtrusively compact. Sherrill found quick success with David Houston's "Almost Persuaded," Tammy Wynette's career-defining hit "Stand By Your Man," and later with luxuriously arranged hits for George Jones. Charlie Rich's hugely successful crossover hits "Behind Close Doors" and "The Most Beautiful Girl in the World," though, would be Sherrill's watermark and come to represent the apex of the Nashville sound. Along with Rich's hits, Lynn Anderson's "I Never Promised You a Rose Garden," Barbara Mandrell's "The Midnight Oil," and Tanya Tucker's "Would You Lay With Me (In a Field of Stone)" would set the stage for country's transformation into the ultra-polished music it became during the '80s and '90s. (Allmusic)

trax:
1. I Still Miss Someone - Johnny Cash 2. Singing The Blues - Marty Robbins 3. Charlie's Shoes - Billy Walker 4. Devil Woman - Marty Robbins 5. Ring Of Fire - Johnny Cash 6. Jackson - Johnny Cash & June Carter 7. A Wound Time Can't Erase - Stonewall Jackson 8. I Can't Seem To Say Goodbye - Hawkshaw Hawkins 9. I Think I Know - Marion Worth 10. Funny How Time Slips Away - Billy Walker 11. Night Life - Ray Price 12. Almost Persuaded - David Houston 13. My Elusive Dreams - David Houston & Tammy Wynette 14. Stand By Your Man - Tammy Wynette 15. Bring Him Safely Home To Me - Sandy Posey 16. I Take It On Home - Charlie Rich 17. Take Me - George Jones & Tammy Wynette 18. Behind Closed Doors - Charlie Rich 19. The Most Beautiful Girl - Charlie Rich 20. She's All I Got - Johnny Paycheck 21. A Picture Of Me (Without You) - George Jones 22. The Midnight Oil - Barbara Mandrell 23. The Grand Tour - George Jones 24. I Never Promised You A Rose Garden - Lynn Anderson 25. For The Good Times - Ray Price 26. Would You Lay With Me (In A Field Of Stone) - Tanya Tucker
...served by Gyro1966...

Monday, 15 April 2013

Columbia Country Classics Vol. 3 - "Americana"

Part of Columbia's excellent Country Classics survey series, this 25-track roundup of Americana-themed material takes in the vast landscape by way of geography, history, and patriotism. Ranging from early honky tonk-era sides to '80s roots, Columbia Country Classics, Vol. 3: Americana spotlights hits by Marty Robbins ("El Paso"), Johnny Horton ("North to Alaska"), Lefty Frizzell ("Saginaw, Michigan"), and the Charlie Daniels Band ("The Devil Went Down to Georgia"). Bookended by the picaresque likes of "The Ballad of Davey Crockett" (Fess Parker) and "Highwayman," the mix packs it in with more U.S. gold from Hawkshaw Hawkins, Johnny Cash, and Stonewall Jackson, among others. A rousing bit of old-timey fun. (Allmusic)

trax:
1. The Ballad Of Davy Crockett - Fess Parker 2. Don't Take Your Guns To Town - Johnny Cash 3. Big Iron - Marty Robbins 4. The Ballad Of Paladin - Johnny Western 5. El Paso - Marty Robbins 6. Cross The Brazos At Waco - Billy Walker 7. Long Black Veil - Lefty Frizzell 8. Life To Go - Stonewall Jackson 9. Big Bad John - Jimmy Dean 10. Tennessee Flat Top Box - Johnny Cash 11. Wolverton Mountain - Claude King 12. Saginaw Michigan - Lefty Frizzell 13. North To Alaska - Johnny Horton 14. Twenty Miles From Shore - Hawkshaw Hawkins 15. The Battle Of New Orleans - Johnny Horton 16. Soldier's Joy - Hawkshaw Hawkins 17. Waterloo - Stonewall Jackson 18. The Ballad Of Jed Clampett - Lester Flatt, Earl Scruggs & The Foggy Mountain Boys 19. May The Bird Of Paradise Fly Up Your Nose - "Little" Jimmy Dickens 20. Flowers On The Wall - The Statler Brothers 21. If You Can't Bite, Don't Growl - Tommy Collins 22. A Boy Named Sue - Johnny Cash 23. The Devil Went Down To Georgia - The Charlie Daniels Band 24. Pancho And Lefty - Willie Nelson & Merle Haggard 25. Highwayman - Johnny Cash, Kris Kristofferson, Waylon Jennings & Willie Nelson
...served by Gyro1966...

Sunday, 14 April 2013

PHIL ALVIN "County Fair 2000" (1994)

Phil Alvin's second solo date, County Fair 2000 continues his thorough exploration of Americana with references to tap dancing ("Low Down Rhythm"), Ellingtonia ("The Terror"), Delta blues ("That Thing"), New Orleans brass bands ("Danny Boy's Mourning Sunset"), rockabilly/country ("County Fair 2000"), automobiles ("Wreck Your V-8 Ford"), and the Jimmy Reed-styled "Oh, Doctor." Alvin has the good taste to employ an impressive list of guests including the Dirty Dozen Brass Band, Billy Boy Arnold, Cesar Rosas from Los Lobos, James Intveld, and members of the Blasters (without brother Dave Alvin.) County Fair 2000 leaves no doubt that Phil Alvin is a premier musicologist, preserving and staying true to what he loves. (Allmusic)

trax:
1. County Fair - The Blasters 2. Wreck Your V-8 Ford - Phil Alvin & Billy Boy Arnold 3. The Blue Line - The Blasters 4. That Thing - Phil Alvin 5. Turnin' Blues Into Gold - Phil Alvin w/James Intveld & The Dirty Dozen Brass Band 6. Starlight - Phil Alvin 7. Keep In Touch - The Blasters w/Jerome Bowman 8. What's The Reason I'm Not Pleasin' You - Phil Alvin w/Mary Franklin & The Faultline Syncopators 9. She Loves So Good - Phil Alvin 10. Callin' Corrine - Phil Alvin 11. The Terror - The Faultline Syncopators 12. Oh, Doctor - The Gauda La Habrians 13. Mr. Satellite Man - The Blasters w/Top Jimmy & Mary Franklin 14. Low Down Rhythm - Phil Alvin w/Fayard Nicholas, Eddie Baytos & The Faultline Syncopators 15. Old Rugged Cross / Ankh - Phil Alvin & The Dirty Dozen Brass Band 16. Didn't He Ramble - The Dirty Dozen Brass Band
...served by Gyro1966...

Columbia Country Classics Vol. 2 - "Honky Tonk Heroes"

As part of Columbia's excellent Country Classics series, Honky Tonk Heroes spotlights country music's transition from the bluegrass-heavy golden age of Roy Acuff and Bill Monroe to the honky tonk style that featured the more urbane, shuffle-beat sound forged by Lefty Frizzell and Ray Price in the '40s and '50s. A shift in lyric matter occurred too, as depression-era tales of rural strife were supplanted by woeful stories of tavern life. While Floyd Tillman's overwrought vocals and cloying violin passages on "This Cold War With You" are planted in the past, Little Jimmy Dickens' mixture of country bumpkin singing and hard-driving, guitar-heavy accompaniment on "A Sleepin' at the Foot of the Bed" rides the line between the golden and honky tonk age. The transition is made complete on Lefty Frizzell's classic "If You've Got the Money, I've Got the Time," with its swinging 4/4 beat and tale of bar hopping. Ray Price would take the honky tonk sound to full flower, compliments of his famous shuffle-beat sound on huge hits like "Crazy" and "Heartaches by the Number." Johnny Horton would even add a little rockabilly flavor to the mix with "Honky Tonk Man." With even more great songs by Charlie Walker, Marty Robbins, and Stonewall Jackson, Honky Tonk Heroes is the perfect introduction to the honky tonk sound and a must for any country music collection. (Allmusic)

trax:
1. Brain Cloudy Blues - Bob Wills & His Texas Playboys 2. Slippin' Around - Floyd Tillman 3. This Cold War With You - Floyd Tillman 4. (Remember Me) I'm The One Who Loves You - Stuart Hamblen 5. I Love You So Much It Hurts - Floyd Tillman 6. Room Full Of Roses - Mickey Gilley 7. I Overlooked An Orchid (While Searching For A Rose) - Carl Smith 8. Country Boy - "Little" Jimmy Dickens 9. Take An Old Cold 'Tater (And Wait) - "Little" Jimmy Dickens 10. Let Old Mother Nature Have Her Way - Carl Smith 11. A-Sleepin' At The Foot Of The Bed - "Little" Jimmy Dickens 12. If You've Got The Money, I've Got The Time - Lefty Frizzell 13. I Love You A Thousand Ways - Lefty Frizzell 14. I Couldn't Keep From Crying - Marty Robbins 15. Always Late (With Your Kisses) - Lefty Frizzell 16. Hey Joe! - Carl Smith 17. Honky Tonk Man - Johnny Horton 18. Crazy Arms - Ray Price 19. Knee Deep In The Blues - Marty Robbins 20. Invitation To The Blues - Ray Price 21. Pick Me Up On Your Way Down - Charlie Walker 22. Heartaches By The Number - Ray Price 23. Why I'm Walkin' - Stonewall Jackson 24. Who Will Buy The Wine - Charlie Walker 25. Honky Tonkitis - Carl Butler 26. Heart Over Mind - Ray Price 27. Don't Let Me Cross Over - Carl Butler
...served by Gyro1966...

Saturday, 13 April 2013

THE SHANGRI-LAS "Myrmidons of Melodrama" Definitive Collection

Until the release of this import, there had never been a truly satisfactory Shangri-Las anthology; in fact, the group had been subject to worse piecemeal mangling than almost any other significant act of the 1960s. This 33-track production finally sets the record straight, including all of the significant A-sides, B-sides, and album tracks they recorded for Red Bird between 1964 and 1966, as well as an earlier single for a different label, and four radio commercials. Includes every one of their hits, but anyone who likes those will be enchanted by quite a few of their more obscure numbers here: "Dressed in Black," "Paradise," "It's Easier to Cry," "Never Again," and "Heaven Knows" are all first-class (if sometimes mordant). Not everything is up to that level, but enough is to make a case for them as one of the very best girl groups, and the good sound and thorough liner notes are significant bonuses. It may be more extensive and expensive than some fans wish, but don't settle for the numerous skimpy/rip-off domestic compilations, all of which manage to leave off some key tunes; this is the definitive document. (Allmusic)Mini soap operas set to music. That's how co-producer Jeff Barry describes the songs of the Shangri-Las and it's a good description. Certainly, their music was different from anything else around at the time and nobody else has been able to emulate them since.
Only two of their singles made the UK charts although one of them did so on three completely separate occasions. They did better in America, where they had eleven hits, three of which made the top ten. But unlike some of their contemporaries, their B-sides and album tracks are also fascinating with very few covers (although the impressive He cried is a cover of She cried by Jay and the Americans). George Morton, Jeff Barry and Ellie Greenwich between them wrote many of their songs including all the famous hits.
Their most famous song, Leader of the pack, made it to number one in America. It stalled just outside the top ten in Britain, possibly hampered by the success of another motorcycle death song (Terry by Twinkle), which made the UK top five just before Leader of the pack was released in Britain. Re-released in 1972, the song made the UK top three. In 1976, it again made the UK top ten.
The only other Shangri-Las track to make the UK charts is Remember walking in the sand, which was a UK top twenty hit. It made the top five in America but the liner notes give a wonderful description of a seven-minute demo version featuring (maybe) a young Billy Joel on piano. Sadly, that demo version is not included on the compilation.
Of their other American hits, I can never go home anymore made the top ten, Give him a great big kiss made the top twenty, Give us your blessings made the top thirty and Long live our love made the top forty. Four minor hits (Maybe, Right now and not later, He cried, Past present and future) complete their American chart statistics, although they bubbled under with Sweet sounds of summer (not included here) after they switched record labels following the demise of Red Bird, the label on which all their classic recordings were released.
Notable B-sides include Paradise (written by Nilsson for the Ronettes), Train from Kansas City, Heaven only knows, Sophisticated boom boom and Dressed in black. Among their best album tracks are What's a girl supposed to do (also recorded by Lesley Gore), Never again and Sophisticated boom boom.
All those tracks and plenty of others can be found on this magnificent compilation, which even includes some commercials and public notices that you might think would be best avoided. Not so - even these are great performed by the Shangri-Las. (Amazon)trax:
01 Remember (Walkin' In The Sand) 02 It's Easier To Cry 03 Leader Of The Pack 04 What Is Love 05 Give Him A Great Big Kiss 06 Maybe 07 Out In The Streets 08 The Boy 09 Give Us Your Blessings 10 Heaven Only Knows 11 Right Now And Not Later 12 The Train From Kansas City 13 Never Again 14 I'm Blue 15 What's A Girl Supposed To Do 16 The Dum Dum Ditty 17 You Cheated, You Lied 18 I Can Never Go Home Anymore 19 Bull Dog 20 Long Live Our Love 21 Sophisticated Boom Boom 22 He Cried 23 Dressed In Black 24 Past, Present And Future 25 Paradise 26 Love You More Than Yesterday 27 Wishing Well 28 Hate To Say I Told You So 29 Give Him A Great Big Kiss (alt take) 30 Radio Spot #1 How Pretty Can You Get? 31 Radio Spot #2 Revlon Endorsement 32 Radio Spot #3 Good Taste Tip 33 Radio Spot #4 Dating Courtesy Tip
...served by Gyro1966...

Columbia Country Classics Vol. 1 - "The Golden Age"

This five-volume set contains 128 of the greatest country music recordings in Columbia's vaults, which span the genre from its beginnings. Each volume (available separately or as a set) contains major country artists. This first volume contains 27 landmark recordings by the artists that made them famous, such as the late Roy Acuff's "Wabash Cannonball" and The Carter Family's "Will the Circle Be Unbroken" -- 16 artists in all. (Allmusic)

trax:
1. Can The Circle Be Unbroken - The Carter Family 2. Great Speckled Bird [78rpm Version] - Roy Acuff & His Crazy Tennesseans 3. After The Sunrise [Album Version] - The Chuck Wagon Gang 4. You Are My Sunshine - Gene Autry 5. I Want To Be A Cowboy's Sweetheart - Patsy Montana & The Prairie Ramblers 6. Pistol Packin' Mama - Al Dexter & His Troopers 7. Back In The Saddle Again - Gene Autry 8. New San Antonio Rose - Bob Wills & His Texas Playboys 9. Time Changes Everything - Bob Wills & His Texas Playboys 10. It Makes No Difference Now - Gene Autry 11. Take Me Back To Tulsa - Bob Wills & His Texas Playboys 12. Don't Let That Man Get You Down - Texas Ruby 13. Shame On You - Spade Cooley 14. Born To Lose - Ted Daffan's Texans 15. When My Blue Moon Turns To Gold Again - Wiley Walker & Gene Sullivan 16. Wreck On The Highway - Roy Acuff & His Smoky Mountain Boys 17. When God Comes And Gathers His Jewels [Album Version] - Molly O'Day & The Cumberland Mountain Folks 18. The Tramp On The Street - Molly O'Day & The Cumberland Mountain Folks 19. I Saw The Light - Roy Acuff & His Smoky Mountain Boys 20. Are You Walking And A-Talking For The Lord [78rpm Version] - Wilma Lee & Stoney Cooper 21. Molly And Tenbrooks (The Race Horse Song) [Album Version] - Bill Monroe & His Blue Grass Boys 22. Poor Ellen Smith - Molly O'Day & The Cumberland Mountain Folks 23. Wabash Cannon Ball [Album Version] - Roy Acuff & His Smoky Mountain Boys 24. Blue Eyes Crying In The Rain - Roy Acuff 25. Blue Moon Of Kentucky - Bill Monroe & His Bluegrass Boys 26. The Fields Have Turned Brown - The Stanley Brothers 27. Don't Get Above Your Raisin' - Lester Flatt
...served by Gyro1966...

Friday, 12 April 2013

MERLE HAGGARD "The Lonesome Fugitive" The Merle Haggard Anthology (1963-1977)

Razor & Tie's 1995 collection The Lonesome Fugitive: The Merle Haggard Anthology (1963-1977) is the gold-standard among Hag collections, containing 40 songs from his classic years at Capitol Records (plus a couple of early singles originally released on Tally, later acquired by Capitol). While there are two box sets -- Capitol's essential Down Every Road and Bear Family's excellent complete recordings, Untamed Hawk -- this is the only hits collection to be both comprehensive and concise, containing all the big hits and major songs on one compulsively listenable collection. It's not just that this has all the hits, since it does, it's that the collection chronologically follows his charting singles from 1963's "Sing a Sad Song" to 1977's "A Working Man Can't Get Nowhere Today," skipping only a couple of mid-'70s hits toward the end, adding the timeless "Today I Started Loving You Again" on the first disc, thereby offering a streamlined summary of his period of greatest creativity and commercial success. While Haggard certainly has many terrific, even classic, songs from the 15 years covered here that didn't make the cut, the hits -- and every song outside of "Today I Started Loving You Again" charted, including a staggering 22 country number ones -- illustrate his growth as both a songwriter and musician and constitute one of the greatest bodies of work in American popular music. It's possible to dig deeper -- and most serious listeners owe it to themselves to dig deeper, acquiring either or both of the aforementioned boxes, along with proper albums -- but this not only serves as an ideal introduction, it's a perfect summary of Haggard's work and a necessary cornerstone of any country collection. (by Stephen Thomas Erlewine, Allmusic)

trax CD 1:
01 Sing A Sad Song 02 Sam Hill 03 Just Between The Two Of Us 04 (My Friends Are Gonna Be) Strangers 05 I'm Gonna Break Every Heart I Can 06 Swinging Doors 07 The Bottle Let Me Down 08 The Fugitive 09 Someone Told My Story 10 I Threw Away The Rose 11 Branded Man 12 Sing Me Back Home 13 The Legend Of Bonnie And Clyde 14 Today I Started Loving You Again 15 Mama Tried 16 I Take A Lot Of Pride In What I Am 17 Hungry Eyes 18 Workin' Man Blues 19 Okie From Muskogee 20 The Fightin' Side Of Me
trax CD 2:
01 Street Singer 02 Jesus, Take A Hold 03 I Can't Be Myself 04 Sidewalks Of Chicago 05 Soldier's Last Letter 06 Someday We'll Look Back 07 Daddy Frank (The Guitar Man) 08 Carolyn 09 Grandma Harp 10 It's Not Love (But It's Not Bad) 11 I Wonder If They Ever Think Of Me 12 Everybody's Had The Blues 13 If We Make It Through December 14 Things Aren't Funny Anymore 15 Old Man From The Mountain 16 Kentucky Gambler 17 It's All In The Movies 18 The Roots Of My Raising 19 Cherokee Maiden 20 A Working Man Can't Get Nowhere Today
...served by Gyro1966...

Thursday, 11 April 2013

TERRY REID "Super Lungs" The Complete Studio Recordings (1966-1969)

Most of the contents of Super Lungs: The Complete Studio Recordings -- most especially the albums Bang, Bang You're Terry Reid and Terry Reid -- will be familiar to the singer's fans, and may dissuade people from picking up this double-CD set. That would be a shame, however, in view of the other material that is here -- starting with his work with Peter Jay & the Jaywalkers, which opens disc one and dates from well before his solo debut, Reid reveals himself as an extraordinarily (jaw-droppingly good, in fact) soul singer, with range, power, charisma, and taste, even on those early sides, and the package is extended into genuinely uncharted territory with a half-dozen newly discovered, newly mixed outtakes from Bang, Bang You're Terry Reid, and two tracks from Reid's first recording session in 1966, "Funny How Time Slips Away" (which is almost worth the price of the double-CD set by itself) and "I'll Take Good Care of You." The sound quality is spot-on perfect, state of the art, the annotation by Peter Doggett is entertaining and informative, and the whole package is some of the best British-spawned soul and R&B that one can find. (Bruce Eder)trax CD 1:
01 It's Gonna Be Morning 02 I'll Take Good Care Of You (Second Version) 03 Funny How Time Slips Away (Second Version) 04 Just Walk In My Shoes 05 The Hand Don't Fit The Glove 06 This Time 07 Better By Far 08 Fire's Alive 09 Bang Bang (My Baby Shot Me Down) 10 Tinker Taylor 11 Erica 12 Without Expression 13 Sweater 14 Something's Gotten Hold Of My Heart 15 Season Of The Witch 16 Writing On The Wall / Summertime Blues 17 When I Get Home 18 Loving Time 19 Without Expression (2003 Mix)
trax CD 2:
01 Superlungs My Supergirl 02 Silver White Light 03 July 04 Marking Time 05 Stay With Me Baby 06 Highway 61 Revisited / Friends / Highway 61 Revisited 07 May Fly 08 Speak Now Or Forever Hold Your Peace 09 Rich Kid Blues 10 Highway 61 Revisited (2003 Remix) 11 Funny How Time Slips Away (First 'Demo' Version) 12 I'll Take Good Care Of You (First 'Demo' Version) 13 Ain't That Peculiar 14 I've Got News For You 15 Summer Sequence 16 Zodiac Blues 17 Penny 18 Rich Old Lady
...served by Gyro1966...

Wednesday, 10 April 2013

"OKEH DOO-WOP GROUPS" - Vol. 3

Great collection of 50's R&B from this legendary Chicago label.
Read about this label here:
http://www.djhistory.com/features/okeh-recordstrax:
1. Ring A Ling - The Troys 2. I Found A Love - The Hi-Lites 3. Baby, You're My Only Love - Billy Stewart & The Marquees 4. Carol - The Schoolboys 5. Gas Happy Mama - The Royals 6. I'll Never Let You On - Little Joe & The Thrillers 7. The Whiffenpoof Song - The Ravens 8. Pretend Your Still Mine - The Sheppards 9. October Twilight - Chris Powell & The Five Blue Flames 10. When I Grow To Old To Dream - The Sandmen 11. Your Fool Again - The Sugar Tones 12. Loving On My Mind - The Shufflers 13. People Say - The Flints 14. Billy's Love - Billy Stewart & The Marquees 15. Calypso Blues - The Ravens 16. Dreams Of You - The Royals 17. Give Me Your Love - The Buddies 18. I've Been Treated Wrong Too Long - Chuck Willis & The Royals 19. Give Me All Your Love - Little Joe & The Thrillers 20. If You Love Me - The Royals 21. Wishing - The Sugar Tones 22. There Ain't Nothin' Wrong With That - The Shufflers 23. Won't You Say Yes - Duke Stevens & Group 24. Charlypso - The Litterbugs 25. Darn That Dream - Chris Powell & The Five Blue Flames 26. Everything But You - The Ravens 27. Yeah Yeah - Duke Stevens & Group 28. Now Darling - Billy La Mont 29. Chubby - The Gaynells 30. Mary - The Schoolboys
...served by Gyro1966...

Tuesday, 9 April 2013

Just found: Glad to hear, Django Reinhardt is not forgotten…

Jennifer Curtis & Dex Romweber - "Minor Swing"Thanks Gyro1966 for remembering!

The Tiki Tones "Play Songs for the... Suburban Savages" 1997

This CD sounds like it could have been the soundtrack to a 60s surf movie! If you like the Ventures, you will probably like this stuff. Spectre Detector sounds a little like the Munster's Theme. The CD has a lot of guitars, drums, and organ. These songs are what you would expect to hear in the background of a movie scene at a beach club. The sound may be best described as a lounge/surf hybrid. - By Steven Abercrombietrax:
1. Spectre Detector 2. Zombi Hut 3. Night Of The Tikis 4. On The Scene 5. Typhoon Twist 6. Go Go Loco 7. One Mint Julep 8. Kon Tiki 9. Don't Go In The Shed 10. CX-9 11. High Seas Drifter 12. Twister

"THE GOODIE TRAIN" - Rare 60's R&B Shakers!

22 TRACKS OF GREAT  EARLY 60's R&B, OF WHICH THE MAJORITY HAVE NEVER BEEN ON CD BEFORE. CONTAINS THE DANCE FLOOR FILLER "I JUST CAN'T WAIT" BY SKIP ROBINSON.trax:
1. i just can't wait - Skip Robinson 2. my babe - The Red West Combo 3. in the cover of the night - Don & Jerry w\The Fugitives 4. you can take my girl - The Knockouts 5. hey hey - Dale Hawkins & His Escapades 6. i wanta holler - Gary U.S. Bonds 7. lazy me - Jimmy Boyd 8. honky - The Ho-Dads 9. ooh poo pah doo - The Pace-Setters 10. golly zonk (it's scat man) - Scat Man Crothers 11. lurking - The Pop-Ups 12. tossin' and turnin' - George Jackson 13. the goodie train parts 1 & 2 - Cleo Page 14. When i marry sunshine - Roy Head 15. i wanna do the jerk - Ronnie & The Pomona Casuals 16. shake and jerk - Billy Lamont 17. twist and turn - Grady Martin 18. double double dare - Hoyt Axton 19. ain't that bad - Pancho Villa & The Bandits 20. long route home - Chester Hooks & The Vibrants 21. papa san - The Red Ryders 22. say boss man - David Clayton-Thomas
...served by Gyro1966...

"OKEH DOO-WOP GROUPS" - Vol. 2

Great collection of 50's R&B from this legendary Chicago label.
Read about this label here:
http://www.djhistory.com/features/okeh-recordstrax:
1. Shirley - The Schoolboys 2. Run Little Girl - Little Joe & The Thrillers 3. The Castle Of Love - The Buddies 4. Thinking - The Tune Timers 5. I've Got That Feeling - Lavern Ray & The Raytones 6. Linger Awhile - Annette Cobb & Group 7. Your Cash Ain't Nothin' But Trash - Big John's Buzzards 8. Valarie - The Litterbugs 9. Zanzee - The Hi-Lites 10. The Cling - The Troys 11. The Echoes Keep Calling Me - Little Joe & The Thrillers 12. Rocking Horse - Howie & The Sapphires 13. Please Come Home - The Dolls 14. Don - Brook - Benton & The Sandmen 15. Please Say You Want Me - The Schoolboys 16. Dop Shoop - Big John's Buzzards 17. More Than The Day Before - Howie & The Sapphires 18. Bop A Ditty Do - The Tiny & Tim 19. I'm In Love Again - Lavern Ray & The Raytones 20. Iba Red - Chris Powell & The Five Blue Flames 21. I Am Old Enough - The Schoolboys 22. How Can You Say You Love Me - Hal Russell & The Do Re Mi Trio 23. Don't Keep Our Love Hidden In The Dark - The Smoothtones 24. The Masquerade Is Over - Chris Powell 25. That Old Gang Of Mine - The Ravens 26. The Sun Shines Once Again - The Sugartones 27. You're The King Of Woman - The Sugartones 28. Walkin' - The Sheppards 29. I Love The Life I Love - Sammy Cotton & Group 30. Goodnight Little Girl - Little Joe & The Thrillers
...served by Gyro1966...

Monday, 8 April 2013

The Tiki Tones "Idol Pleasures" 1996

This is a solid album of surf music. It is played with a bit of a lounge music influence, particularly with the organ playing. This album is a lot of lighthearted fun. Recommended to fans of surf music. - By Johnny HeeringRudimentary surf guitar with cheesy organ, a few quasi-Polynesian chants and one Munsters-style stomp..." Musician (8/96, p. 90) - "If Dick Dale and Ray Manzarek recorded an instrumental album after about eight months of music lessons, and they'd been listening to the Cramps and the Ventures, it would sound sorta like this supreme wheel of cheese... " - cdbabytrax:
1. Island Uprising 2. Rusty Nail 3. Fire Good 4. Topple The Moai 5. Sneaky Tiki 6. Mr. Yunioshi 7. Joe 90 8. Man Or Mancini 9. Gomez 10. Feather Boa 11. Lava Flow 12. Tiki Hydromatic 350 13. Tijuana Taxi 14. The Wild Baron

"OKEH DOO-WOP GROUPS" - Vol. 1

Great collection of 50's R&B from this legendary Chicago label.
Read about this label here:
http://www.djhistory.com/features/okeh-recordstrax:
1. Peanuts - Little Joe & The Thrillers 2. Somebody To Love - The Sandmen 3. Hey Little School Girl - The Marquees 4. I Get All My Lovin' On A Saturday Night - The Ravens 5. Blue Boy - Chris Powell & The Five Blue Flames 6. What Have I Got To Dream About - The Tune Timers 7. Uh Huh - The Gaynells 8. Stay - Little Joe & The Thrillers 9. I Come From Jamaica - Chris Powell & The Five Blue Flames 10. Lawdy Miss Mary - Chuck Willis & Group 11. May That Day Never Come - Al Russell & The Do Re Mi Trio 12. Pearl - The Schoolboys 13. Someone To Watch Over Me - Arnett Cobb & Group 14. With All My Heart - The Five Scamps 15. Today Is Your Birthday - The Sugartones 16. Mam'selle - The Ravens 17. This I Know - Little Joe & The Thrillers 18. Charged With Creating - Chuck Willis & The Sandmen 19. Give Me One More Drink - Sammy Cotton & Group 20. Little Cupid - The Smoothtones 21. Love At First Sight - Tiny & Tim 22. Sun Shines Once Again - The Sugartones 23. Ding A Ling Coo Coo Mop - The Schoolboys 24. Cool By The River Bank - The Mellotones 25. Charlie Chan - The Eventuals 26. I Can Tell - Chuck Willis & The Sandmen 27. In Love - The Dolls 28. Lilly Lou - Little Joe & The Thrillers 29. Lead On Baby - Sammy Cotton & Group 30. Wyatt Earp - The Marquees
...served by Gyro1966...

THE DRIFTERS "I'll Take You Where the Music's Playing" (1965)

This 1965 album was packed with songs by the Brill Building elite of Jeff Barry, Ellie Greenwich, Gerry Goffin, Carole King, Mort Shuman, Doc Pomus and others, and scored a number of hits with Johnny Moore's vocals leading the way!Although initially touted as the triumphant return of the Drifters, 1965's I'll Take You Where the Music's Playing ended up as a bittersweet farewell to the combo's final incarnation during the 1960s. The personnel included Johnny Moore (lead vocals), Charles Thomas (tenor and lead vocals), Eugene Pearson (baritone vocals), John Terry (bass vocals), and Billy Davis aka Abdul Samad (guitar). Following the tragic death of Rudy Lewis in June of 1964 -- the day before they were to record the classic "Under the Boardwalk" -- Moore and Thomas divided up the lead vocal responsibilities. The material was certainly top-shelf, with contributions from legendary Brill Building denizens Jeff Barry and Ellie Greenwich ("I'll Take You Where the Music's Playing"); Carole King and Gerry Goffin ("At the Club"); Doc Pomus and Mort Shuman ("Spanish Lace"); Cynthia Weil and Barry Mann ("Come on Over to My Place"); a young Kenny Gamble, who teams up with Jimmy Bishop ("Chains of Love"); and Arthur Resnick and Kenny Young ("I've Got Sand in My Shoes"). Incidentally, it was the latter pairing who penned the international hit "Under the Boardwalk." Legendary producer/songwriter Bert Berns also gets in on the act, contributing one of the project's highlights, the heartfelt ballad "I Don't Want to Go on Without You." Perhaps owing to the phenomenal acclaim of "Under the Boardwalk," Berns sticks to the somewhat prescribed light pop arrangements that are -- more often than not -- augmented with a equally ersatz string section. The results, while at once musically undemanding, were perfect fare for Moore's Sam Cooke-inspired leads and are most evident on "Answer the Phone" and the slightly watered-down reply to Cooke's "Twistin' the Night Away," titled "Come on Over to My Place." Otherwise, there are a few standouts that depart from the formula, including the solid backbeat of "Follow Me" and the Memphis-style horn section that supports "Far from the Maddening Crowd." In 2007 Collectors' Choice Music licensed I'll Take You Where the Music's Playing and finally brought the platter back into print. (Allmusic)trax:
01 I'll Take You Where The Music's Playing 02 I've Got Sand In My Shoes 03 At The Club 04 I Don't Want To Go On Without You 05 Answer The Phone 06 He's Just A Playboy 07 Follow Me 08 Spanish Lace 09 Chains Of Love 10 Far From The Maddening Crowd 11 The Outside World 12 Come On Over To My Place
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Sunday, 7 April 2013

The Tiki Tones "Enchanted Tiki Tones" - EP 1996 + "Songs For Rum Drinkers" - EP 1996

With a fashion sense of Don Ho and a quirk of instrumental lounge-surf, The Tiki Tones were never seen without their Hawaiian button up shirts. Consisting of Koro (drums), Ku (bass), Lono (guitar) and Lord Wahini (organ), Doctor Dream Records debuted their first full-length Idol Pleasures in 1996. Following a handful of singles and compilation tracks that were released on various labels, The Tiki Tones second album Play Songs For The...Suburban Savages came out on Dionysus Records in 1997. The Leisure Experiment followed in the spring of 2000. - by Mike DaRonco
trax "Enchanted Tiki Tones":
01 powerhouse 02 sneaky tiki 03 a go-go drum 04 tum-tikitrax "Songs For Rum Drinkers":
01 farenheit 151 02 rusty nail 03 island uprising 04 go-go mobile

THE DRIFTERS "Definitive Drifters Anthology" Volume Six - The Good Life With The Drifters

1964 recordings with Tom Dowd producing. Johnny Moore takes the lead vocal duties for these tracks.trax:
01 Quando, Quando, Quando 02 On the Street Where You Live 03 I Wish You Love 04 Tonight 05 More 06 What Kind of Fool Am I? 07 The Good Life 08 As Long as She Needs Me 09 Desifinado 10 Who Can I Turn to 11 Temptation 12 The Christmas Song 13 I Remember Christmas 14 In the Park 15 Looking Through the Eyes of Love
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WASHBOARD SAM "Rockin' My Blues Away" (1941-1947)

Washboard Sam recorded many selections as both a leader and as a sideman for Bluebird from 1936-49. His citified country blues were a transition music between the Delta blues and early R&B while being quite likable in their own right. On this fine CD sampler, Sam's strong voice is greatly assisted by his half-brother Big Bill Broonzy's guitar. (Allmusic)Half-brother of Big Bill Broonzy, the prolific Washboard Sam was a blues favorite of the 1930s and `40s, and one of the period`s truly inventive songwriters. This CD includes, along with Peetie Wheatstraw-like slices of life, lyrics that reveal a unique sense of humor; ``Soap and Water Blues`` is among the most hilarious of insult blues. He was a good, strong tenor singer, with an evenly sustained vibrato and, uniquely, accompanied himself on washboard. He sounds like two different singers here, according to his accompaniments. Thirteen of these tracks have the generic Bluebird blues sound, in four-beat time over the rocking swing of Broonzy`s guitar and Memphis Slim`s erratic piano. The other nine are wild, with the irrepressible Roosevelt Sykes` jumping, two-beat piano and rough and ready saxophonists, including good, early J.T. Brown. (Chicago Blues)

trax:
01 My Feet Jumped Salty 02 Flying Crow Blues 03 Levee Camp Blues 04 I'm Feeling Low Down 05 She Belongs To The Devil 06 I've Been Treated Wrong 07 Evil Blues 08 Get Down Brother 09 Lover's Lane Blues 10 Rockin' My Blues Away 11 Good Old Cabbage Greens 12 River Hip Mama 13 Do That Shake Dance 14 How Can You Love Me 15 Red River Dam Blues 16 Down South Woman Blues 17 Ain't That A Shame 18 I Get The Blues At Bedtime 19 You Can't Make The Grade 20 You Can't Have None Of That 21 I Just Can't Help It 22 Soap And Water Blues
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Saturday, 6 April 2013

Paul Revere & The Raiders "Like Long Hair" 1961

Hier haben wir das frühste Werk von den Raiders. Gadena LP von 1961 + Bonustracks. Der Sound ist nicht toll,aber auch nicht besser zu bekommen. Buhu! - Dady CairoGardena Records issued Paul Revere & the Raiders' debut album in the wake of the Top 40 success of the instrumental "Like, Long Hair," and much of it is in the same vein as the single, which is a boogie-woogie arrangement of Rachmaninoff's "Prelude in C-Sharp Minor." Pianist and bandleader Paul Revere and saxophonist (and occasional vocalist) Mark Lindsay lead the instrumental attack, as they boogie up such numbers as Gershwin's "Summertime" and also provide the group's covers of bar band R&B standards like "Road Runner." It's lively, if basic music, but offers little hint that the group would go on to make polished pop/rock in a few years. - by William Ruhlmanntrax:
01 Like Long Hair 02 All Night Long 03 Summertime 04 Tall Cool One 05 Wabash Blues 06 Concert In "F" Sharp 07 Beatnik Sticks 08 Swinging Shepherd Blues 09 Groovey 10 The Last Mile 11 Road Runner 12 Moon Dawg 13 Orbit (The Spy) 14 Sharon (Version 1) 15 Sharon (Version 2) 16 Like, Charleston
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Mark Foggo "Best of…" 2002

Hello RYP, Thanks for your great blog, still going strong! Got some good ska for the TWzone: - Mark Foggo - Best of... I've seen him at least 10 times and every time was a party. Great up-tempo ska, which puts a smile on your face and makes you want to move your feet. Greetings, WYVtrax:
01 hello 02 st. valentines day massacre 03 haircut 04 what a lovely day for a hanging 05 ska pig 06 car on a train 07 ramona from barcelona 08 bumpy airlines 09 lucky to be alive 10 blue hotel 11 a very fussy pussycat 12 ska in a bar 13 new shoes 14 skadansk 15 rollin n riddin 16 captain skarlet
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THE DRIFTERS "Definitive Drifters Anthology" Volume Five

This features Johnny Moore as lead singer from 1963-1965.This release is a modified reissue of the Under the Boardwalk album (ultilizing the more distinctive second cover), confined entirely to Johnny Moore's work with the group from the spring of 1963 through to his taking over as lead singer following Rudy Lewis' death, and extended to the group's last chart hits, "Sand in My Shoes" and "Saturday Night at the Movies." The songs themselves are superb pieces of early- to mid-'60s soul, some of it with a pop veneer but a good deal of it showing a surprisingly raw edge, including "If You Don't Come Back," "One Way Love," and the tortured, gorgeous "I Don't Want to Go on Without You" (the B-side of "Under the Boardwalk"). Written by Bert Berns and Jerry Wexler and sung by Charlie Thomas, "I Don't Want to Go on Without You" became a de facto eulogy to Rudy Lewis (and, in a pale cover, also became a minor hit for the Searchers).
The upshot of listening to this CD is to discover precisely how close the Drifters came to making it through to the mid-'60s and beyond as a major recording act. They had what it took to generate a sound as hard and soulful as the contemporary work of Wilson Pickett, Otis Redding, et al., but instead were pushed into more of a pop direction by their label. Even then, the music was usually good and, at times, extraordinary -- "Answer the Phone," produced by Jerry Wexler and co-written by Wexler and Johnny Moore, sounded almost more like Sam Cooke than Cooke himself (and, ironically, was cut just a few days after Cooke's death). This reconfiguration transforms a superb album into a killer CD that's all the more startling in light of the way that the quality of the group's recorded work fell off after the sessions represented here.
One of the special highlights of the Sequel CD is the presence of all five official live cuts, recording during the summer and winter of 1964, ever issued on the Drifters, assembled in one place for the first time. "Under the Boardwalk" is a marvel to take in as a singalong in which Moore's lead and Johnny Terry's bass have no trouble punching through and guitarist Billy Davis even gets a featured solo in a very Spanish-tinged vein. "On Broadway" becomes a much more intense experience in its concert guise, with more elegant pyrotechnics by Davis and some flourishes by the Earle Warren Orchestra. Moreover, we hear how the group used to perform "There Goes My Baby," which, with its complex orchestration and dense recording, would have been a difficult number to do in concert -- the answer is that they transform it into a much more upbeat, celebratory piece, horns subbing for the violins and lots of activity by the backing singers while Moore pours his heart out.
In all, this is one of the best Drifters CDs that it's possible to buy, which is especially surprisingly since it comes at what is usually perceived as the tail end of their career, and it is essential listening not only for fans of the group (who should own it even if they already have the Rhino box) but for any devotee of '60s soul. (Bruce Eder, Allmusic)

trax:
01 If You Don't Come Back 02 I'll Take You Home 03 Didn't it 04 One Way Love 05 Under The Boardwalk 06 He's Just a Playboy 07 I Don't Want to Go on Without You 08 I've Got Sand In My Shoes 09 Saturday Night At The Movies 10 Under the Boardwalk (Live) 1964 11 On Broadway [Live] 12 There Goes My Baby [Live] 13 Spanish Lace 14 At the Club 15 Answer the Phone 16 Saturday Night at the Movies [Live] 17 Under the Boardwalk (Live) 1965 18 Follow Me 19 Chains of Love 20 Far From the Maddening Crowd 21 Come on Over to My Place 22 The Outside World
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Friday, 5 April 2013

THE DRIFTERS "Definitive Drifters Anthology" Volume Four

Great collection of recordings from 1961-1963 with Rudy Lewis as lead. These sessions were mostly produced by Leiber & Stoller.trax:
01 Please Stay 02 Some Kind Of Wonderful 03 Loneliness Or Happiness 04 Mexican Divorce 05 Somebody New Dancing With You 06 Jackpot 07 She Never Talked To Me That Way 08 Stranger On The Shore 09 What To Do 10 Another Night With The Boys 11 Up On The Roof 12 Let The Music Play 13 On Broadway 14 I Don't Want Nobody 15 Baby I Dig Love 16 Only In America 17 Rat Race 18 In The Land Of Make Believe 19 Beautiful Music 20 Vaya Con Dios
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Thursday, 4 April 2013

Just found: Bo Diddley Memorial 2008

THE DRIFTERS "Definitive Drifters Anthology" Volume Three

Excellent collection produced by Leiber & Stoller from 1959-1962, featuring Ben E. King or Rudy Lewis as lead vocalists.This CD is an expanded and somewhat altered version of the 1962 Save the Last Dance for Me LP. Based on the music alone, Anthology Three ought to rate higher than it does, but there's one problem -- it's been transformed by the addition of earlier singles from the same period into something more akin to a Best of the Drifters: 1959-1961 collection, with Ben E. King's representation as a singer greatly increased. This is fine, except that this repertoire is well covered on All-Time Greatest Hits & More: 1959-65, and it's difficult to imagine a fan of this era's Drifters not already owning that set. Additionally, some pretty fair numbers have been shunted onto the next CD, including "Jackpot," a superb number in its own right that might've made as good a song for Elvis Presley as "Money Honey" did five years earlier. However, the sound is excellent and the annotation, which details the success of the reconstituted group starting in 1959 and the comings and goings of key members, is extremely thorough. (Bruce Eder, Allmusic)

trax:
01 Dance With Me 02 Baltimore 03 Hey Senorita 04 Lonely Winds 05 Oh My Love 06 There Goes My Baby 07 This Magic Moment 08 (If You Cry) True Love, True Love 09 Sometimes I Wonder 10 I Count The Tears 11 I Feel Good All Over 12 Save The Last Dance For Me 13 Nobody But Me 14 Room Full Of Tears 15 Sweets For My Sweet 16 When My Little Girl Is Smiling 17 Night Shift 18 Lonely Winds (alt)
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Wednesday, 3 April 2013

THE DRIFTERS "Definitive Drifters Anthology" Volume Two

After Clyde McPhatter left The Drifters, Johnny Moore, Bobby Hendricks, Bill Pinkney, and David Baughn took turns taking lead vocals. There were plenty of great recordings in the transitional years of 1955-1958, as this collection proves.trax:
01 Drifting Away From You 02 Drip Drop 03 Fools Fall in Love 04 Hypnotised 05 I Gotta Get Myself a Woman 06 I Know 07 It Was a Tear 08 Moonlight Bay 09 Adorable 10 Ruby Baby 11 Soldier of Fortune 12 Steamboat 13 Yodee Yakee 14 Your Promise to Be Mine 15 Honey Bee 16 I Should Have Done Right 17 No Sweet Lovin' 18 Honky Tonky 19 Sadie My Ladie 20 Souveniers 21 Suddenly There's a Valley
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Tuesday, 2 April 2013

CLYDE MCPHATTER & THE DRIFTERS "Definitive Drifters Anthology" Volume One

This collection covers the years 1953-1954 with Clyde McPhatter as lead vocalist.This CD assembles 23 of the 25 songs that Clyde McPhatter recorded during his time with the Drifters on what is, essentially, a reshuffled and expanded version of the 1958 LP Clyde McPhatter & the Drifters. In addition to a dozen songs off that album, the CD includes hot early numbers that didn't make the cut the first time, such as "Lucille," "Let the Boogie Woogie Roll," "Bip Bam," and "Gone." Some of these are amazingly fine rock & roll numbers and, astonishingly, some didn't make it out until the group's work started getting recompiled in the 1970s. Even more than the original album, this CD is a tribute to Clyde McPhatter, the unifying force here amid several early versions of the Drifters. "Gone," from the session that produced "Money Honey" and featuring a transitional early group, is a case in point: the backup singing is almost inadequate for studio work on a slow ballad of this type, but McPhatter's lead is so intense and focused that the track passes muster. "Let the Boogie Woogie Roll," from the same session, shows off the type of song on which that second incarnation of the Drifters excelled -- as if one couldn't guess this from "Money Honey" -- hard-rocking rhythm numbers (with Walter Adams' guitar adding an extra edge). The sound is excellent although slightly variable; the later cuts from 1954 have sharper textures than some of the 1953-vintage tracks. However, this is the most complete assembly of McPhatter's pre-solo work, and each track is about as good as it has sounded in many years, making this is an essential addition to any R&B collection. (Bruce Eder, Allmusic)

trax:
01 Honey Love 02 Money Honey 03 Someday 04 Such a Night 05 Bells of St. Marys 06 Warm Your Heart 07 What'cha Gonna Do 08 White Christmas 09 Lucille 10 The Way I Feel 11 Gone 12 Let the Boogie Woogie Roll 13 Don't Dog Me 14 Bip Bam 15 If I Didn't Love You Like I Do 16 There You Go 17 Try Try Baby 18 Everybody's Laughing 19 Hot Ziggety 20 Three Thirty Three
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